100 Best Songs of the 2010s – #47: “Seasons (Waiting on You)” by Future Islands

The song at #47 on my list of 100 Best Songs of the 2010s is the superb “Seasons (Waiting on You)” by American pop-rock band Future Islands. Despite releasing three studio albums and touring almost non-stop for years, they’d remained relatively unknown since forming in North Carolina in 2006. That all changed in 2014 with the release of their fourth album Singles, particularly the breakthrough single “Seasons (Waiting on You)”, and their riveting performance on The Late Show with David Letterman in March 2014, which became the show’s most-viewed video.

Lead singer Samuel T. Herring, who actually started out as a rapper, is a lifelong lover of performance art. His on-stage performances are characterized by his elaborate and animated dance movements and raw, aggressive vocals, and he literally owns the stage when he performs. He also has Reinke’s edema, a condition involving swelling of the vocal chords that has caused him to compensate for the fact that he can no longer hit certain notes by growling, which is now part of his signature vocal style. In an interview with Stereogum, Herring attributed his condition to four causes: “Acid reflux, smoking, talking too much or overuse of the vocal cords, and then chronic misuse of the vocal cords … which is how I sing.”

Now based in Baltimore, Maryland, Future Islands has long rejected being called synth-pop, instead calling their music “post-wave”, a combination of the romanticism of new wave with the power and drive of post-punk. “Seasons (Waiting on You)” is a stunning, almost heartbreaking song about finally giving up on trying to win the love of another, and Herring makes us believe every word he sings. The song was named best track of 2014 by NME, Pitchfork and Spin.

Here’s their famous performance on The Late Show with David Letterman (which may get removed over copyright issues with video owner).

And here’s the official video:

100 Best Songs of the 2010s – #48: “A Sky Full of Stars” by Coldplay

The song at #48 on my list of 100 Best Songs of the 2010s is “A Sky Full of Stars” by Coldplay. They’re one of my favorite bands, and this is their second song on this list (the other being “Adventure of a Lifetime”, which ranks at #63). The beautiful, uplifting song was co-written and co-produced by the late Avicii, which accounts for its sweeping and lush piano and synth-driven EDM and progressive house sound. It was released in May 2014 as the third single from their sixth album Ghost Stories, a very good album that received mostly positive reviews, other than from the aptly-named Pitchfork, which tends to skewer everything that doesn’t ‘break new ground’. “A Sky Full of Stars” also received mainly positive reviews, though Josh Modell of The A.V. Club dismissed it as a “blatantly pandering, album-interrupting, mood-fucking-up [track] which is destined to be a hit and also instantly dated” – to which I say ‘fuck him and the horse he rode in on!’

“A Sky Full of Stars” is a jubilant celebration by someone for another person for whom their love shines brighter than the stars. A bit sappy, yes, but so darn exuberant and pretty that I can’t help but love it! The happy video for the song was directed by Mat Whitecross and filmed in Australia, on King Street in the inner Sydney suburb of Newtown. It shows lead singer Chris Martin and his fellow bandmates, each dressed as one-man-bands, walking the street amid throngs of people as they perform the song. The song itself was obviously dubbed over the video, but it still makes for an exhilarating experience, highlighted by the band entering a crowd of adoring fans at the end, accompanied by bursts of paper stars being shot into the air.

100 Best Songs of the 2010s – #49: “Shut Up and Dance” by WALK THE MOON

The song at #49 on my list of 100 Best Songs of the 2010s is the rousing ear worm “Shut Up and Dance” by pop-rock band WALK THE MOON. Originally from Cincinnati, Ohio, the band was started in 2006 by singer-songwriter Nicholas Petricca while he was a student at Kenyon College. The inspiration for his band name came from the Police song “Walking on the Moon”. In addition to Petricca, who also plays keyboards, the band includes Eli Maiman on guitar, Kevin Ray on bass, and Sean Waugaman on drums. They first gained success on the Billboard Alternative and Rock charts with their 2012 single “Anna Sun”, but it was their massive hit “Shut Up and Dance” that brought them international fame.

The song was actually a bit of a sleeper hit. Released in September 2014 as the lead single from their second album Talking is Hard, the song first appeared on the Billboard Hot 100 in late November 2014, then fell off after spending only two weeks at #98. It re-entered a week later, and slowly climbed the chart, ultimately peaking at #4 in May 2015, however, it spent many weeks at #1 on the Alternative, Hot Rock Songs and Adult Top 40 charts. It was also named the #1 song of 2015 on the Hot Rock Songs and Adult Top 40 charts.

Petricca and Maiman had initially developed the infectious verse that formed the beginnings of the song, but it all came together the following weekend while Petricca was at a nightclub in the Echo Park district of Los Angeles. The place was packed, it was taking forever to get a drink, and he was frustrated because he wanted to dance to the great music that was playing. His girlfriend told him to stop complaining and just dance with her, inspiring the title “Shut Up and Dance’. He envisioned the song “as an anthem for letting go of frustration and having fun”, and set the lyrics to a jubilant, catchy-as-hell dance beat, embellished with rolling riffs of jangly guitar, jazzy synths and thumping drums.

The endearing and funny video portrays Petricca as, in his own words, “an incredibly uncomfortable, awkward dork who is 100 percent me” at a bar, trying to look cool.

100 Best Songs of the 2010s – #50: “Breakeven” by The Script

We’re now halfway through the countdown of my list of the 100 Best Songs of the 2010s, and #50 is “Breakeven” by Irish alternative rock band The Script. The beautiful song is also one of the saddest and most bittersweet on this list. From their self-titled debut album The Script, “Breakeven” was actually released as a single in the previous decade, in late November 2008. It quickly became a hit in Ireland and the UK, but didn’t appear on the U.S. music charts until a year later in late 2009. It eventually peaked at #13 on the Billboard Hot 100 and #1 on the Adult Top 40 charts in May 2010. It was one of my favorite songs of that year, so as far as I’m concerned, it qualifies for inclusion on my list of best songs of the 2010s.

“Breakeven” is about how the breakup of a relationship can affect each of the two parties involved quite differently, leaving one feeling free while the other is heartbroken, and unable to move on: “I’m still alive but I’m barely breathing. Just prayed to a God that I don’t believe in. ‘Cause I got time while she got freedom. ‘Cause when a heart breaks, no, it don’t break even.” The lovely mix of strummed acoustic and chiming guitars, snappy drums and sparkling keyboards provide a stirring backdrop for lead singer Danny O’Donoghue’s heartfelt vocals that beautifully convey feelings of intense sadness and desolation after a painful breakup: “What am I gonna do when the best part of me was always you? And what am I supposed to say when I’m all choked up and you’re OK? I’m falling to pieces..

The guitar work on this song is phenomenal, and it always impresses me when musicians choose just the right kinds of guitar notes and textures – along with any and all other instruments for that matter – to make their songs sound the very best they can be.

100 Best Songs of the 2010s – #51: “All the Stars” by Kendrick Lamar and SZA

The song at #51 on my list of 100 Best Songs of the 2010s is “All the Stars” by songwriter and rapper Kendrick Lamar and singer-songwriter SZA. One of many outstanding songs featured on the soundtrack for the hit superhero film Black Panther, the gorgeous song is a stylistic departure for Lamar. Unlike most of his rap-heavy hip hop songs, “All the Stars” is highly melodic, with vibrant sweeping synths and lush orchestration, set to a strong thumping drumbeat. His vocals are mesmerizing and powerful as he sings the biting lyrics about duplicity and betrayal, while SZA captivates with her bewitching soulful vocals. She passionately sings about her inability to resist another’s charms despite the fact he’s no good for her, always putting her faith in love and the stars: ” This may be the night that my dreams might let me know / All the stars are closer.”

The song received much critical praise, but also a few withering reviews. Most critics and fans much prefer Lamar’s edgier rap songs like “Alright” and “HUMBLE” for their artistic innovation and how they speak to issues in the Black community – which I certainly appreciate – however, I’m just personally more drawn to this type of beautiful and melodic song. Sheldon Pearce of Pitchfork called it “generic and so nondescript that it reeks of compromise, devoid of personality or any true vision, and pales in comparison to both Lamar and SZA’s recent works,.” Well I say screw him! He’s entitled to his opinion and I’m entitled to mine, and I love it!

The dramatic and richly colorful video, directed by Dave Meyers and the little homies, is visually stunning, and one of the best of the year.

100 Best Songs of the 2010s – #52: “Renegades” by X Ambassadors

The song at #52 on my list of 100 Best Songs of the 2010s is “Renegades” by Ithaca, New York-based rock band X Ambassadors. The beautiful song of inspiration was already in the process of being written by the band when their label Interscope Records was approached by Jeep, who wanted a song to promote their new Jeep Renegade SUV. The band and label delivered the song within a few days, and it was simultaneously released as a single in March 2015.

The uplifting lyrics speak to courage and perseverance in living one’s life to the fullest, no matter the obstacles placed in our paths. This not only satisfied Jeep’s goal of having a song that would appeal to young people’s sense of freedom and exploration, but also had personal meaning for the band, as one of its members Casey Harris was blind since birth. The video that was later produced for the song shows several people with disabilities working to overcome their challenges. Musically, the song starts off with a lovely strummed acoustic guitar riff that slowly builds, then a thumping drumbeat ensues along with a deep bass line and swirling keyboard synths to create a stirring soundscape. Lead vocalist Sam Harris fervently sings “Long live the pioneers, rebels and mutineers, go forth and have no fear, come close and lend an ear. And I say hey, hey hey hey Living like we’re renegades.

The song was a sizable hit, peaking at #17 on the Billboard Hot 100, and #1 on the Rock Airplay, Adult Top 40 and Alternative charts, where it spent many weeks at the top spot.

100 Best Songs of the 2010s – #53: “Human” by Rag’n’Bone Man

The song at #53 on my list of 100 Best Songs of the 2010s is “Human” by British blues artist Rag’n’Bone Man. An intensely powerful song with a gospel feel, “Human” was a huge breakout hit for the imposing singer/songwriter born Rory Charles Graham. With his soulful and raw bass-baritone voice, he passionately sings of having human frailties, and that he’s neither a saint nor a demon, nor does he have all the answers: “Some people got the real problems / Some people out of luck / Some people think I can solve them / Lord heavens above / ‘Cause I’m no prophet or messiah / You should go looking somewhere higher/ I’m only human after all / Don’t put the blame on me.” I love the deep, booming bass line, thunderous percussion and soaring string synths.

The song was released in July 2016, but didn’t chart in the U.S. until early 2017. It reached #1 in many countries, including Austria, Belgium, Germany, Switzerland, Greece, Hungary, Poland, Romania, Russia and Slovakia, as well as the Billboard Alternative and Adult Alternative charts. Shockingly, it peaked at only #74 on the Hot 100, a chart I personally now find largely irrelevant.

The video for the song has been streamed more than 1.175 billion times.

100 Best Songs of the 2010s – #54: “Highway Tune” by Greta Van Fleet

The song at #54 on my list of 100 Best Songs of the 2010s is “Highway Tune” by Greta Van Fleet. The young Michigan foursome literally blasted onto the music scene in 2017 like a little bundle of TNT. I’ve possibly ranked this song too high, but ‘wow, just wow!’ was my and nearly everyone else’s reaction upon first hearing this explosive head-banger (though the group’s had their share of detractors who’ve dismissed them as a cheap Led Zeppelin cover band – to whom I say go fuck yourselves!)

Greta Van Fleet consists of the three Kiszka brothers Josh, Jake and Sam (Josh and Jake are twins) and drummer Danny Wagner, all of whom were in their late teens or early twenties when they recorded the song. Despite their youth, these guys are all skilled musicians, and lead vocalist Josh – a diminutive guy with a gargantuan bluesy voice – sounds disarmingly like a young Robert Plant. The song was featured on their debut EP Black Smoke Rising, and reached #1 on the Billboard Mainstream Rock and Active Rock charts.

100 Best Songs of the 2010s – #55: “Believe” by Mumford & Sons

The song at #55 on my list of 100 Best Songs of the 2010s is “Believe” by British folk rock band Mumford & Sons. Formed in 2007, the London-based band has been putting out consistently great music, beginning with their debut album Sigh No More in 2009. I love many of their songs, but my absolute favorite is the magnificent “Believe”, from their third album Wilder Mind. It’s a gorgeous, deeply moving and impactful song.

Released in March 2015, the song was written by band members Ben Lovett, Winston Marshall and Ted Dwane, minus front man Marcus Mumford, and is a departure from their usual acoustic folk-rock sound. For it and the rest of Wilder Mind, they abandoned their signature acoustic instruments (such as banjo and upright bass) for electric ones, and added a session drummer to fill out their rhythm section. The result is a dramatic, sweeping song that builds to a near-epic crescendo with screaming guitars and galloping drumbeats, leaving me covered with goosebumps and with a lump in my throat and tears in my eyes. I realize that I’ve mentioned how many of the songs on this list give me goosebumps, but isn’t that one of the best signs that a song moves us in powerful ways? And quite frankly, if this song doesn’t move you – as fellow British rock band Muse put it in one of their songs – you’re dead inside.

The lyrics speak to feelings of uncertainty and possible betrayal in a relationship. Mumford passionately cries “I don’t even know if I believe, everything you’re trying to say to me / So open up my eyes / Tell me I’m alive / This is never gonna go our way if I’m gonna have to guess what’s on your mind / Oh say something, say something, something like you love me.

100 Best Songs of the 2010s – #56: “High” by Sir Sly

The song at #56 on my list of 100 Best Songs of the 2010s is “High“, by Los Angeles-based alt-rock band Sir Sly. Released in March 2017, the marvelous song was the lead single from their second album Don’t You Worry Honey. Led by a dominant buzzing bass line, the deliriously upbeat track lives up to its title, bopping along with a snappy dance beat and roughly-strummed jangly guitars. I love lead singer Landon Jacobs endearing vocals, and the guys’ exuberant vocal harmonies in the choruses just make me feel happy!

In a general sense, the song title would seem to represent a double-meaning – feeling high from drugs and/or feeling high on a life free from drugs. The opening lyrics “I’ve been smoking on the peace pipe. I’ve been wondering just what would peace be like” speaks to using drugs as an escape, and wondering what the world would be like if discord was replaced with peace and tranquility. “I remember back in Oakland. I was lying there in rapture on the bathroom floor” refers to an incident when Sir Sly was touring with The 1975, and Jacobs got much too high from the drugs he’d been using, and ended up having a panic attack on the bathroom floor of their motel room. He stated the lyric was originally to be “I remember back in Oakland, when I thought that I was dying on the bathroom floor”, but changed it after realizing the panic attack was actually a positive, transcendental experience. But then he sings of going through withdrawal and struggling to stay clean and resist the temptation of drugs: “It feels good to be running from the devil / Another breath, and I’m up another level / It feels good to be up above the clouds / It feels good for the first time in a long time now.”

I love this song, and the delightfully trippy video is my absolute favorite of 2017. How can anyone not like this band and song after watching them dancing about like marionettes channeling Cirque du Soleil!