New Song of the Week – DENSE: “Fever Dream”

DENSE - FEVER DREAM (ARTWORK)

DENSE is a remarkably talented psychedelic garage rock band from Leeds, England, who combine thick, fuzz-soaked grooves with explosive riffs and intricate melodies to create music that’s incredibly intense and badass. As their name would imply, their sound has an impressive maturity, complexity and density, which I like to describe as ‘industrial surf-metal psychedelic rock’.  The trio consists of Charlie Fossick (Guitar/Vocals), Dylan Metcalf (Bass) and Sam Heffer (Drums).

A favorite of this blog, I’ve previously featured DENSE numerous times over the past two and a half years, most recently this past March when I reviewed their mind-blowing single “Displaced Face”  Now they’re back with another new single “Fever Dream“, which I’ve chosen as my New Song of the Week. The single drops today, December 6th, via Leeds label Come Play With Me. DENSE were selected for this release by a panel of judges which included BBC Radio 1’s Phil Taggart, Adele Slater (agent to Liam Gallagher and Dream Wife), and Paul Riddlesworth from Dipped In Gold Recordings and Too Pure Singles Club.

About the track, Sam explains “’Fever Dream’ is based on a dream our singer Charlie had when he was really ill a couple years ago. In it, a withered man was left to die by a burning window before being dug up and forced to relive the tormenting experience all over again. The artwork relates to the introduction and later repetition of the agonising circumstance which the protagonist is in, left immobile in a chair being burnt by the scorching sun and unable to break the cycle of his suffering. The rocking chair left in the unused wasteland represents the isolation of this suffering against nature’s elements, visually encapsulating the track’s overall atmosphere.

The song immediately bursts forth with an intense barrage of gnarly guitars, throbbing bass and bombastic percussion. Charlie uses his guitar like a battering ram, pummeling the airwaves with relentless riffs of gritty, reverb-drenched distortion. At times, his guitar sounds like a buzz saw, while other times it mimics a machine gun. Dylan lays down a jaw-dropping bass line so heavy and deep I feel it in my core, while Sam smashes his drum kit like a man possessed. It all serves to create a massive, nightmarish wall of sound for Charlie’s demonic wails and screams. Wow, what a phenomenal track, and once again, DENSE blows our minds and ears with their brilliant musicianship.

“Fever Dream” is also being released on 7” vinyl, and is backed on the other side by fellow label mates Sea Leg’s single ‘Favourite Doll’. Limited signed copies of the vinyl can be ordered from http://cpwm.awesomedistro.com/.

DENSE will be launching “Fever Dream” at the following show tonight, 6 December, at Hyde Park Book Club.

DENSE show poster

Connect with DENSE:  Facebook / Twitter / Instagram
Stream their music on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcampGoogle Play

 

MAYOBA – Artist Spotlight & Review

I get so tired of hearing that ‘rock is dead’, because as far as I can tell by the huge number of bands throughout the world making great kickass rock these days, the genre seems to be very much alive. One such band doing their part to keep rock going strong is Italian crossover metal band Mayoba. Influenced by some of their favorite bands like Gojira, Opeth, Meshuggah, Lamb of God, Pantera, Killswitch Engage, Megadeath, Helmet, Biohazard and Alter Bridge, they serve up a face-melting, yet highly melodic, stew of hardcore and groove metal.

Based in the southern Italian city of Trani on the Adriatic coast, they’re a fairly new band, forming just last year (2018). Guitarist Francesco Di Bitonto and drummer Mimmo instantly clicked upon meeting each other at a casual jam session, and started playing music together and working on some ideas for songs. They were soon joined by vocalist Luca Bove, and Mayoba was officially born. Their lineup was completed in early 2019 when Enrico Povia joined the band as bassist.

Mayoba2

They released their first single “Through the Fire” in September, and the title’s certainly fitting, as Mayoba sets the airwaves afire like a rampaging flamethrower-wielding beast. The track starts off with dark, ominous synths that conjure up images of a gathering storm, then all hell breaks looks once the guys unleash a furious barrage of pummeling riffs, buzzsaw bass and speaker-blowing drums. Luca’s hardcore vocals are downright fearsome as he screams and growls the lyrics “Where should I go? I’m walking through the fire, where I belong!“, sending chills up and down our spines. They produced a video that shows them performing the song at a nighttime outdoor concert, juxtaposed with dramatic footage of explosions and civil unrest. Be sure to turn the volume all the way to maximum on this!

On “Falling“, Mayoba delivers an unrelenting onslaught of explosive, chugging riffs, scorching basslines and thunderous drumbeats that really showcase their impressive musicianship. I love the song’s powerful, driving melody and, once again, Luca makes his vocal chords bleed with his spine-tingling feral screams.

Savior” is another banger, with a frantic, pulse-pounding tempo that really gets the blood pumping! Man, these guys blow the fucking roof off with some of the most intense grooves I’ve heard in a long while. Francesco shreds his guitar to the breaking point as he lays down heavy doses of scorching machine-gun riffs. Enrico and Mimmo keep the pace with their relentless assault of pummeling rhythms, while Luca continues to melt our faces with his savage vocals. A little past the 3-minute point, the song transitions to a haunting guitar solo by Francesco that’s quite beautiful and melodic. It’s a striking finish for a phenomenal track.

Mayoba plans to continue performing live and touring as much as possible in 2020, joining many big festivals throughout Italy. Then they plan to return to the studio again at the end of next summer to record an EP or possibly even an album. Their music is not available for purchase yet, but is available for streaming on Soundcloud and Reverbnation. They hope to eventually find a label to support their music and help them grow. In the meantime, I’m happy to do my small part to help promote them to a wider audience. I’m not the biggest fan of hardcore/metal music, but Mayoba’s songs are so melodic and well-executed that they’re beautiful to my ears.

Connect with Mayoba:  FacebookTwitterInstagram

LIEMBA – EP Review: “Ever Evolving”

Liemba EP art

Today I’m pleased to introduce Brighton, England-based music act Liemba. I learned about them when one of the band members Simon Gledhill reached out to me about their new EP Ever Evolving, on the recommendation of another artist Fred Hills, who I’ve previously featured on this blog.  Primarily a three-piece acoustic act, Liemba was formed in early 2015 by Gledhill and Nelson Day, who share a love for folk-rock acts such as Crosby, Stills and Nash, early Fleetwood Mac, Kings of Convenience and The Staves.

Capitalizing on their skillful guitar work and sublime vocal harmonies, they released their beautiful debut EP All Costs in March, 2016, then toured throughout the UK and Europe promoting the EP. Vocalist Damien Best joined the lineup later that year, his own distinct vocals providing an added texture for what would become their wonderful signature three-part harmonies. They also began experimenting with drums and bass to create a fuller sound, and in February 2017 released their second EP Burning Wicks, another terrific work. I highly recommend that my readers check out these songs, which are available on all major music streaming sites, some of which are listed at the end of this review.

Liemba2

They followed up with a live acoustic EP Liemba Brighton Electric Sessions at the end of 2017. Moving ahead to 2018, wanting a bigger full-band sound, they recruited Brighton musicians Alfie Weedon on double bass and the aforementioned Fred Hills on drums to record some new material. The result was four stellar tracks recorded and released in 2019 that were ultimately included on a fourth EP Penlands. Subsequent to that project, the band retained drummer Hills and brought on bassist Joe Woodham to record their fifth EP. Gledhill told me this EP represents a new milestone in Liemba’s development, hence its title “Ever Evolving”.

Ever Evolving was recorded this past July at Ford Lane Studios (Royal Blood, Just Jack, Fickle Friends) in Arundel, West Sussex. The band recorded the tracks live to capture the dynamic essence of their sound, then Gledhill and Day spent the next month adding subtle texture and mixing the tracks, which were mastered by Simon James at Homesick Studios. Alice Humphreys filmed the recording process, creating live videos of each of the three tracks that give us a close-up view of the band working their magic.

The first track “PIP” really showcases their superb guitar work and vocal harmonies, both of which are so good they take my breath away. It’s not often that we see a band with three vocalists who can harmonize this beautifully, and Liemba are quite honestly one of the best at this that I’ve heard since Crosby, Stills & Nash. The layered chiming guitars are gorgeous, backed by crystalline synths, Woodham’s subtle bass and Hills’ flawless drumming. The lyrics speak of the heartache and sorrow brought by an evil woman you want to forget: “She’s cruel. The pip in my fruit. Swallowed she grows into the lump in my throat.”

Mirror Man” delivers gorgeous jangly and chiming guitars, along with more of those sublime harmonic vocals. The song is about conquering self-loathing, and learning to accept and love oneself in order to be able to love others: “Mirroman, I hate to bring the mood down. You’re the one person I should learn to love.”

The title track “Ever Evolving” speaks to how as we change (evolve), so too can our relationships, sometimes to the point where our divergence is too great for the relationship to survive. “Coz we are ever evolving. People only help or hinder. Revelations occur, make you realise you’re changing. Me oh my I’m bored of this life on a carousel. I felt like I’d moved but the scenery had too. And to my behest so had you.” Despite the rather bittersweet lyrics, the song has a bouncy, upbeat melody, with cheerful riffs and peppy drumbeats.

Ever Evolving is a marvelous little EP, and my only criticism is that I wish it contained more tracks! I’m so glad to have discovered Liemba, as I love their music. They’re incredibly talented songwriters and musicians, and I especially like Gledhill’s intelligent, thoughtful lyrics that speak to feelings we can all identify with.

Connect with Liemba:  WebsiteFacebookTwitter / Instagram
Stream their music:  SpotifySoundcloudApple Music
Purchase:  BandcampiTunesGoogle Play