GUY PAUL THIBAULT – Album Review: “The Road Between”

Guy Paul Thibault Album

When I last featured Canadian singer/songwriter Guy Paul Thibault on this blog back in September 2017, he had a few months earlier released his wonderful album It’s About Time, an appropriate title given the span of 17 years since his previous solo album. (You can read my review here.) Now the Cole Harbour, Nova Scotia-based musician returns with a superb follow-up effort The Road Between. Listening to his pleasing style of rock-infused Americana/Alt-Country music, it would be easy to assume he’s from somewhere like Nashville, Tennessee, rather than the maritime provinces of eastern Canada.

Over the past two years, Guy Paul has received numerous accolades, including being named 2018 Artist of the Year on New Vision Radio (New Jersey), one of the Top 40 Indie Artists of 2017 on several Ontario, Canada radio stations, having several of his singles appear on numerous Indie Music charts in Canada, the U.S., UK and Australia, and having It’s About Time named one of the top albums of 2017 by The Halifax Musicphile.

Guy Paul played most of the instruments on The Road Between, although Shawn Cherry played drums, and Ian Lewer played bass on the opening track “Anymore”. Guy Paul sang all lead vocals, and Carolyn Cherry sang most of the backing vocals, except for those on “Talk to Me” and “No One Understands”, which were sung Lisa Comeau-McDow. Guy Paul’s daughter did all the hand claps and played tambourine.

The album features nine tracks that address love and relationships, and all the attendant joy and heartache they bring. Case in point is album opener “Anymore“, a poignant Alt-Country tune about feelings of betrayal and sadness over a love affair that went south. Against an urgent backdrop of really fine electric and slide guitar work, Guy Paul laments “You don’t know where I sleep at night anymore. You don’t know what it’s like in my life anymore. Why don’t you love me anymore?”

The Country-rock tinged “Dangerous Strangers” speaks to an illicit affair about to go down between two people – one with a faithful wife back home, and another seeking revenge on the man who cheated on her: “For a minute think you saw, what was really on my mind. A touch of evil, it could be a simple little crime. You can only think of him, how he broke your heart. Are you gonna do to him what he did to you.”

One of my favorite tracks is “Talk to Me“, a powerfully moving song about a couple struggling to communicate through the wall that’s built up between them: “Talk to me about anything you want. Just look at me like you sometimes care. Tell me what it is that you want. Show me that you’re somewhere in there.” The dramatic instrumentals, especially the intricate guitar work, are fantastic, creating a palpable tension that’s a perfect accompaniment for Guy Paul and Lisa’s beautiful, impassioned vocals.  The piano-driven ballad “Take Me” touches on the passage of time and how lovers can drift in and out of your life: “Funny how time flies. In her world and in mine. Children, death and love crimes. Chances that seemed to rush by. /  Only love can save my soul, from years of pain untold. Love me if you can. She said ‘Try to be my man’.

One of the highlights for me in an album filled with them is the haunting “Who Are You“. The track opens with a mournful organ riff and drumbeat, followed by an achingly beautiful twangy guitar riff. Soon, Guy Paul’s resonant vocals enter the scene, backed by Carolyn’s soft croons as the instrumentals build, creating a lush, moody soundscape. The lyrics speak of a couple who’ve become strangers to each other after years of disappointment and hurt: “Cause here is the moonlight. And these are our scars. Though you lie here beside me, I can’t tell who you are.” This track really showcases Guy Paul’s skills for songwriting and crafting gorgeous melodies.

He lightens the mood with the celebratory “Day Drinking“, a fun rock’n’roll tune about just forgetting one’s problems and spending the day with a loved one like you’re on holiday.  Things turn serious again with the darkly beautiful “No One Understands“, an ode to someone who’s stood by you through good times and bad: “And no one understands but you. Why I do the things I do. And no one comprehends the secret wars that I have led. No one understands but you.” Once again, Guy Paul is joined by Lisa Comeau-McDow, and their vocal harmonies are sublime. The guitar solo in the bridge is pretty wonderful too.

Don’t You See Me Cry” is one of the more rock-oriented tracks on the album, with lots of great intricate guitar work, accompanied by some terrific piano keys. Instrumentally, this is one of the standouts on the album, and the distorted guitar riffs are particularly good. The dark lyrics seem to speak of someone who was already feeling bad, and put his hopes on a woman who ended up only hurting him more:  “I was such a strong man with no love left in his eyes. Well you changed all that and now I could just die. Don’t you see me cry.” The album closes on a bittersweet note with “Catch My Fall“, a song about a young runaway who he allowed into his heart and life, but was too young and unsettled to stay with him: “Much too young and always on the run. The rhythm in her feet always pulled her towards the sun. She couldn’t stop, just couldn’t settle down.”

Guy Paul’s songs have a way of boring themselves into your mind and soul, staying with you long after hearing them. I found myself liking this album more with each listen, discovering new sounds in the music, and deeper meanings in the compelling lyrics. I appreciate that he included them on his Bandcamp page, which also made my job of discussing each track easier. If you’re a fan of Americana and Country-rock, you will enjoy The Road Between.

Connect with Guy Paul:  Website / Facebook / Twitter / Instagram
Stream his music:  Spotify / Google Play / Soundcloud
Purchase:  iTunes / Bandcamp / cdbaby

TREMENDOUS – Single Review: “Open For Closing”

Tremendous

It takes some balls for a band to not only call itself ‘TREMENDOUS‘, but also use all caps in their name. Fortunately, the Birmingham, England-based band deliver the goods with their colorful and exuberant style of Glam Rock that’s heavily influenced by such legendary artists such as T.Rex, David Bowie, Journey, Slade, Def Leppard, Mott The Hoople, Cheap Trick, New York Dolls, The Babys, Roxy Music, Heart, and Aerosmith.  Comprising TREMENDOUS are Mark Dudzinski (Guitar/Vocals), Ryan Jee (Bass) and David Lee (Drums).

Following up on their glorious 2018 single “Rock’n’Roll Satellite”, the band has released a wonderful, anthemic new single Open For Closing“, along with an entertaining and provocative video. The track will be officially released via Horrendous Records on April 12th, and will be featured on the band’s forthcoming debut album Relentless, due for release this September. About the song, Mark stated “Its just an age old tale of heartbreak but with a bit of tragedy (in the video). A relationship gone toxic.” He explained that the song lyrics “don’t leave our love (open for closing)” translate to a plea to not leave things in such a way that the relationship is open to ending.

The song is melodically beautiful yet hard-hitting, packing quite a punch in just under three minutes. The layered guitars, driving bass and aggressive percussion are all spectacular from start to finish. I especially love the chugging riffs, accompanied by smashing drumbeats, at the end of each verse, and the wailing guitar in the chorus gives me goosebumps. Mark’s resonant vocals are fantastic, registering in the higher octaves and occasionally venturing into a soaring falsetto that raises the adrenaline. These guys are so good!

The song’s video is beautifully filmed and entertaining, but also pretty dark, and ends on a rather violent note. The guy wants the girl to be his, almost to the point of stalking her, but she very clearly has other ideas. She does everything she can to dissuade him from pursuing her, finally resorting to hitting him on the head and knocking him unconscious, then leaving him tied up and locked in an abandoned building. Ouch!

“Open For Closing” was nominated for “Track Of The Week” on the Classic Rock webzine, and came in third place, which you can see by clicking here.

TREMENDOUS has an upcoming show on April 4 at Dublin Castle in London.

Connect with Tremendous on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on iTunes

DENSE – Single Review: “Displaced Face”

DENSE Displaced Face

DENSE is an awesomely talented psychedelic garage rock band hailing from Leeds, England, who combine thick, fuzzy grooves with fiery riffs and intricate melodies to create a unique and heavy sound that’s at once retro and futuristic. Despite their youthful, boy-next-door image, their music is incredibly intense and badass, with an impressive maturity, complexity and density – as their name would imply. The best description I can think of for their sound would be ‘industrial surf-metal psychedelic rock’. Making this phenomenal music are Charlie Fossick (Guitar/Vocals),  Dylan Metcalf (Bass) and Sam Heffer (Drums).

DENSE2

I’ve previously featured them several times on this blog over the past two years, most recently last May (2018) when I reviewed their explosive single “The Smoke”. (You can check out those reviews by clicking on the “Related” links at the bottom of this page.) Now they return with another mind-blowing new single “Displaced Face“. The song is aptly-named, cause it’s positively face-melting!

The track opens strong, with an ominous, gnarly mix of deep, throbbing bass, distorted psychedelic guitar sounds and spacey background synths lasting approximately 40 seconds. Suddenly, everything erupts into a maelstrom of tortured, reverb-heavy riffs, heavy, thunderous bass and explosive percussion – all seemingly hell-bent on blowing out our eardrums and throwing us against the wall. Charlie screams lyrics I can’t quite make out, but who cares, as the music is fucking on fire! These guys are literal beasts on their respective instruments, and Charlie is a freaking madman when he opens his mouth!

I’ve loved every single one of their songs, and “Displaced Face” is no exception, delivering four minutes of intense, psychedelic ear candy. The marvelously creepy artwork for the single was designed by band friend Elle Penketh.

Connect with DENSE:  Facebook / Twitter / Instagram
Stream “Displaced Face” on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcamp

Top 30 Songs for March 17-23, 2019

1. SUPERPOSITION – Young the Giant (2)
2. DELTA BLUES – Jetstream (1)
3. READY TO LET GO – Cage the Elephant (14)
4. LOVE IT IF WE MADE IT – The 1975 (5)
5. NORTHERN LIGHTS – Death Cab for Cutie (6)
6. CHANGE – The Revivalists (7)
7. POWER OVER ME – Dermot Kennedy (8)
8. S.O.S. (Sawed Off Shotgun) – The Glorious Sons (9)
9. SIGUE CON EL AMOR – John Defeo (10)
10. VOLCANO – Feather Weight (12)
11. TRAMPOLINE – SHAED (13)
12. SUNFLOWER – Post Malone & Swae Lee (3)
13. HOME – morgxn featuring WALK THE MOON (15)
14. IN THE WATER – The Underground Vault (4) 19th week on chart
15. ASSUME FORM – James Blake (20)
16. MOVEMENT – Hozier (17)
17. LONGSHOT – Catfish and the Bottlemen (18)
18. DISAPPEAR – Western Jaguar (19)
19. EXITS – Foals (21)
20. CHLORINE – twenty one pilots (26)
21. WANDER – Vox Eagle with Pierre Fontaine (11) 19th week on chart
22. SALVATION – The Strumbellas (24)
23. SECRET THAT LIES BEHIND – The Gear (25)
24. HARMONY HALL – Vampire Weekend (28)
25. FEAR THE FUTURE – IAMWARFACE (29)
26. DARK PLACES – The Frontier (30)
27. YOU’RE THE ONE – Greta Van Fleet (23)
28. PRESSURE – Muse (16)
29. APOCALIPSTICK – Lazy Queen (22)
30. TIME – Morosity (N)

CARY BALSANO – Single Review: “Versailles”

Cary Balsano Versailles

Cary Balsano is a handsome and talented young singer/songwriter of Italian origin who’s now based in Liverpool, England. I last featured him in September 2017 when I reviewed his beautiful single “Horizon” which you can read here. He’s just dropped another lovely single called “Versailles“, a tender and moving song that speaks to coming to terms with addiction.

The instrumentals are simple, consisting of Cary’s beautiful strummed acoustic guitar, accompanied by subtle bass and a spare kick drum keeping the beat. Cary’s gentle vocals are earnest and heartfelt as he sings about his and his love interest’s addictions – to drugs and to each other, as a way of dulling their pain and insecurities. To me, Cary’s naming the song ‘Versailles’ would seem to be a metaphor for a desire to make a peace accord with their demons and each other.

You are the fire
You are desire
The city lights have gone too far
You are craving a gram

This is a way we live our pain
A crying shame
Breathing our lies
Victims of life
So come to Versailles
And I never want to let this go

You are my lust
You are covered in dust
And I still feel the same old pain
It’s you and me and our fame

We’re all in the same boat
Living in fear of living

Connect with Cary:  Facebook / Twitter / Instagram
Stream his music on Spotify and purchase on iTunes

OCTOBERS – EP Review: “Summer Waste”

Octobers EP

Octobers is an alternative/dream pop/postpunk band from British Columbia, Canada who formed in 2015. Comprising the band are brothers Nick and Joel Ellsay (guitar, synths, vocals), Hayden Shea (drums) and Liam Rhynolds (bass). They released their excellent debut Misfits EP that same year to positive reviews, also garnering airplay on indie and college radio stations throughout Canada and the U.S. The band went on a brief hiatus in 2017 after a few major life changes, but are now back and better than ever with a new EP Summer Waste.

The EP kicks off with the sunny and upbeat “California“. The song opens with a blast of drumbeats, then settles into a pleasing soundscape of chiming guitars, sparkling synths and a humming bassline that evokes images of a summer day at the beach. The pace quickens in the choruses with an exuberant jangly guitar solo and pummeling drums. The song lyrics seem to have dual meaning, with the singer possibly expressing his love for both ‘California’ a girl and the state: “Hey California. Something about ya. You are the sweetest sound. California, always did love ya. You’re the summer all year round.”

Sunshine” has the singer pondering the love that brightens his world: “Are you my sunshine? Are you my starry sky? Are you these glowing lights, cause you burn so bright.” I love the thunderous jangly guitars and percussion, and the Ellsay brothers’ vocal harmonies are really marvelous. The sunny vibes turn darker with “Be Still“, a heartfelt plea to a loved one to try and meet him halfway, and salvage their damaged relationship: “Just be still, don’t say a word, cause you’ve been talking all your life. The tables turned, now tell me what that feels like. / Lay down your gloves, I don’t wanna fight.” Once again, the guitar work is fantastic, and the rhythm section nicely complements with pulsating bass, thumping drumbeats, and lots of crashing cymbals.

Summer Waste ends on a positive note with “Higher“, a jubilant anthem about not giving up, and reaching as high as you can to reach your goals: “Once you start you never can stop. You go higher and higher and higher. Oh yeah!” Their jangly guitars on this track sound a bit like The Cure, which is never a bad thing. Overall, it’s a terrific little EP, with a title that could be misleading as it’s anything but a waste. The lyrics, while not necessarily deep, are honest and heartfelt, and the instrumentals are all outstanding, as are Nick and Joel’s sublime harmonies. Nicely done guys!

Connect with Octobers:  Facebook /  Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes

GUIDE DOG – Single Review: “Generation Y”

Guide Dog Generation Y

Guide Dog is an alternative rock band from Cardiff, Wales I recently learned about when I received a submission for a review of their new single “Generation Y“. I instantly fell in love with their music, which they refer to as “sponge grunge”. Fusing elements of alt-rock, grunge, punk, and electronica, they create songs that are fast, fun, irreverent and in-your-face. They’ve also got a wicked sense of humor.

Comprising Guide Dog are Peter Roberts (Guitar, Vocals), John Maloney (Drums) and Ian Russell (Bass), who describe themselves as “a bunch of wankers who can’t sing and can’t play our instruments. Like the Spice Girls with moustaches. All or some or one were formerly members of Robots In The Sky, Tetra Splendour, People In Planes and Cold Specks.” Well, I’m here to say that, not only can they sing and play the hell out of their instruments, they’re way better than the Spice Girls!

In July 2017 they released their fantastic debut album Lovely Domestic Bliss, a collection of 10 banger tunes. I highly recommend my readers give it a listen, and trust me when I say you’ll be glad you did! They’re now working on a second album Generation Y, to be released later this year on Roberts’ label Hi-Vis Records. It will be accompanied by a book of poems entitled Thou Shalt Stare Into Space. In December 2018, they released the first single “Dead Beat” from the forthcoming album, and now follow up with a second single “Generation Y”, a protest song of sorts against the current fucked-up state of affairs in both the UK and USA. If these two tracks are any indication, Generation Y is going to be a phenomenal record.

About the new single, the band explains: “‘Generation Y’ comes at a time when children are bunking off school to protest outside Parliament about Westminster’s flimsy and inadequate response to climate change – prompting a swift and aggressive backlash by the politicians who dismissed the adolescents and ridiculed their irresponsibility; and the American president staging an imaginary state of emergency in a vein attempt to bludgeon Capitol Hill into funding a giant border wall whilst triumphantly filling his house with branded cheeseburgers to feed his unpaid staff and denying climate change is even happening… so it’s probably an appropriate juncture for a protest song!

“Generation Y” is a tasty little slice of sonic confection, featuring an irresistible bouncy drumbeat, and presented with a lo-fi vibe that keeps the song from bouncing too high. It starts off with a gnarly guitar riff, accompanied by quirky synths, fuzzy bass and very snappy drums. All of the aforementioned instruments explode into bigger, louder and heavier versions of themselves in the choruses, along with an injection of furiously crashing cymbals that turn the track into a real belter. I love Roberts’ wonderful fervent vocals, which sound like a cross between Dave Matthews and Adam Duritz. And the point in the song at 2:29 minutes where he goes “wooh” is a special highlight for me in what is overall a perfect track.

Like all their songs, the lyrics are refreshingly direct and colorful, pulling no punches in calling out bullshit as warranted:

Why did we get up to die generation,
I got a toupee on my mind generation,
Suck it ’til it all runs dry generation,
Why why why…?

When you get so high but you don’t know what it means,
Like a vandalised slush puppy machine,
Like the fashionable rips appearing in my jeans,
Wave a plastic flag at a golden carriage.
I’m a psychopath with a bunch of keys,
I’m a paper jam with 2.9% APR,
I’m an ass licker,
I’m a soul sucker,
I’m oozing out of a sausage and bean melt,
Waving my plastic flag…

Why did we get up to die generation,
I got a toupee on my mind generation,
Suck it ’til it all runs dry generation,
Why why why…?

I don’t drink and drive or have the odd line once in a while,
I don’t dress up like a lady in secret,
I never think about blowing up the White House,
I got hope for salvation but I don’t know why.
I felt sick so I took an anti sickness pill,
I felt disconnected so I bought a new telephone,
Got a payment plan and a fake sun tan,
Some health and safety regulations,
But I just can’t relax…

Why did we get up to die generation,
I got a toupee on my mind generation,
Suck it ’til it all runs dry generation,
Why why why…?

Connect with Guide Dog:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase on Bandcamp / iTunes

PHANTOM SUNS – Album Review: “Caldera”

Phantom Suns album

Based in the bucolic New England city of Burlington, Vermont, Phantom Suns is an indie band who play alternative rock heavily influenced by grunge elements, with traces of metal and progressive rock to create their distinctive raw sound. The band consists of Seth Gunderson (guitar & vocals), Chris Knauer (bass & backing vocals) and Chris Mathieu (drums, percussion & backing vocals). Ryan Cohen previously played bass but was recently replaced by Chris Knauer, however, Cohen will continue to provide production and engineering assistance to the band. 

I’ll admit up-front that I’m not the biggest fan of grunge rock, and didn’t care for it when it became popular in the early 1990s. I generally prefer rock music that’s highly melodic, with fuller, more polished arrangements, and just couldn’t get into the dissonant, sludgy and rather depressing sound of grunge. In time, however, I came to recognize and appreciate its groundbreaking influence in reshaping the sound of rock, and music in general, and learned to like some of it. I also get why its honest lyrics and darker themes addressing social issues like alienation, disillusionment, substance abuse and depression, along with its lack of flash, pretense and overt sentimentality, made grunge so popular and accessible, especially to young people who more closely identified with the messages expressed in the songs. Like rap, grunge music reflected what many of them were feeling.

That said, it was with a bit of trepidation that I agreed to review Phantom Suns’ album Caldera after their drummer Chris Mathieu reached out to me. Though I am EclecticMusicLover, and try to always keep an open mind about all kinds and styles of music, I feared I may not be the right person to judge their music. But I gave the album several listens and am happy to report that not only do I really like it, I’m also blown away by their skilled songwriting and musicianship. And as much as I like their raw, gritty sound, it’s their intelligent and compelling song lyrics, written by Gunderson, that most impressed me. I’m glad they included them with the songs on their Bandcamp page, and I encourage my readers to check them out.

Caldera was released in November 2018, and follows the band’s 2014 debut EP Parhelia. The album features 12 tracks, the first of which, “Forget“, starts off slowly with a moody strummed guitar, then erupts into a barrage of gnarly riffs, buzzing bass and hammering drums. Gunderson’s raw vocals match the grittiness of the music as he advises us to not overthink things: “Searching for the key to unlock all your potential when you don’t know what you think. But what you think you know is only your opinion. Soon as I make up my mind, I’ll be all set. Maybe start chipping away at all this debt. Stop regretting things that haven’t happened yet ’cause you never know.

It’s a good song, but the guys really hit their stride on the hard-driving, melodically complex “Lazuli“. The track storms out of the gate with dark, sludgy riffs loaded with raw power and grit. Two-thirds of the way through, a furiously distorted guitar solo announces an abrupt change in the melody. With his grimy guitar ablaze, Gunderson snarls “You don’t have a clue but you fake it so well.

One of the standout tracks for me is “Disposable“, both in terms of it’s more melodic, progressive rock vibe, and it’s scathing lyrics attacking man’s greedy, wasteful ways that imperil our future: “Watch your castle crumble all around you. Just because you want more than you can handle. Disposable culture. Blatant disregard for the future. You’re disposable.” The video they made for the track is fantastic too, a psychedelic trip of colorful imagery superimposed over footage of the band performing the song that nicely complements the rough textures of the instrumentals.

As I continued diving deeper into Caldera, some of the tracks sound similar to one another, which is to be expected on an album with 12 tracks. Nevertheless, there are many more gems to be found here. I really dig the metaphor of “Knotweed“, symbolizing someone the singer just can’t rid himself of: “You just keep sprouting up. You return even though I dug you right up by the roots. Invasive foliage. I wage an all-out war. You’ve clearly overstepped the boundary. Can’t eradicate you. You’re so damn resilient.” And the heavy chugging guitar riffs, fuzzy bassline and boisterous drums are as dirty as the soil from which the knotweed’s been pulled. “Probably Wrong” ventures into rock’n’roll territory, with moments where Gunderson’s raging guitar and Mathieu’s frantic drumbeats propel the song into the sonic stratosphere.

Another standout is the face-melting “Trial By Stone“, an homage to Jim Henson’s classic film The Dark Crystal. As is befitting the film, the song is heavy and dark, with dense, gritty riffs teeming with distortion and reverb, deep, crushing bass and thunderous drums. Gunderson’s guitar work is fucking incredible, and Mathieu is a veritable beast on his drum kit. Gunderson’s vocals are chilling as he sneers “A dying world. A dying race imprisoned within themselves.” The video superimposes scenes from The Dark Crystal over footage of the band performing the song.

Perpetual Motion Holder“, “Hush Money” and “Brontoscorpio” deliver more gnarly riffs, fuzzy basslines and speaker-blowing drums. “It Won’t Stop” is a serious head-banger, opening with Gunderson shrieking words I can’t quite make out, followed by an explosion of raging guitars, heavy buzzing bass and furious drums. Gunderson all but screams the lyrics advising us to just accept our fates: “Your best bet is to just accept it. A warm welcome as it explodes. There’s no hope of getting out of the way. The kind of fury that can never be tamed. It will envelop, it will engulf, entirely. No! It won’t stop!

The album closes on a high note with the mostly instrumental “Olympus Mons“, an epic track that offers definitive proof that these guys are supremely talented musicians. The track starts off with a somber guitar riff, then a simple drumbeat kicks in as the guys sing in harmony: “One of these days I’ll write some words.” With that, a very gritty, reverb-drenched riff ensues before calming back down for the second harmonic vocal: “I was so bummed out. Another Olympus Mons.” The gritty guitar and bass return, only this time distorted into a maelstrom of tortured riffs, accompanied by an abundance of crashing cymbals that add to the drama. Eventually, a wailing guitar solo is layered over the stormy distortion, blowing our minds and speakers before it all spirals downward into oblivion at the close. Wow, what a masterpiece this song is, and a fitting conclusion to this superb album by Phantom Suns. If you’re a fan of grunge-infused alternative rock, then you will enjoy Caldera.

Phantom Suns has a show coming up on on April 19 at Monkey House in Winooski, VT.

Connect with Phantom Suns on Facebook / Twitter / Instagram
Stream their music on Spotify 
Purchase on Bandcamp / iTunes / Google Play

INFINITE EIGHTS Release New Video for “Off the Rails”

Infinite Eights is an incredibly charismatic and astonishingly talented indie alternative pop/rock band based in Tampa, Florida. They were one of the first bands to follow me on Twitter back in the fall of 2015, when I was just starting out as a music blogger and still a complete unknown. At the time, two of the band members, Parker Wilkson (guitar, keyboards & vocals) and Tyler Hanks (drums & percussion) were still in high school, and Davin Norman (bass) was in college. I was immediately impressed by the high quality of their songs, as well as their kindness and gracious humility, and wrote a feature about them for this blog in April 2016, which you can read here.

They originally formed in 2012 while still young teens, and have released numerous singles over the years, as well as a six-track EP Unfound in 2015. Their music is characterized by gorgeous melodies, sparkling synths, lush keyboards, intricate guitar riffs, and nimble bass and percussion. Infinite Eights has performed in several music festivals alongside some of the biggest names in music, including The 1975, Phantogram, AWOLNATION and Sir Sly, among others, and has opened for Kaleo, AJR, In the Valley Below, and The Relationship. It’s given me great pleasure to follow them on their musical journey, witnessing their growth and maturity as a band on an upward trajectory.

One of their recent singles is “Off the Rails“, an achingly beautiful, bittersweet song about how one partner is giving up on the relationship. The song is magnificent, and a perfect example of their superb songwriting and musicianship. It opens with a stunning guitar riff, backed by shimmery synths, Davin’s pulsating bass and Tyler’s gently pummeling drumbeats. Parker’s guitar work is impressive, and he lays down a breathtaking guitar solo in the bridge that literally brings tears to my eyes. His heartfelt vocals are lovely, ranging from breathy to impassioned as he fervently sings “Cause you’re going off the rails. Know just what that entails. Gonna let our love go stale. You’re going off the rails now.”

Infinite Eights video cast
The cast of the “Off the Rails” video

Infinite Eights has just released a wonderful new video for the song, their first ‘official’ video.  The action tells the story laid out in the lyrics, about a young woman giving up on the relationship and saying goodbye to her partner, played by Parker, as she boards a train that will carry her away. The outstanding video was skillfully directed by band friend Ashley Acevedo, and is dedicated to Parker’s beautiful mother Natalie, who tragically passed away in January.

Connect with Infinite Eights on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation
Purchase on iTunes

Top 30 Songs for March 10-16, 2019

1. DELTA BLUES – Jetstream (1)
2. SUPERPOSITION – Young the Giant (3)
3. SUNFLOWER – Post Malone & Swae Lee (4)
4. IN THE WATER – The Underground Vault (2)
5. LOVE IT IF WE MADE IT – The 1975 (7)
6. NORTHERN LIGHTS – Death Cab for Cutie (8)
7. CHANGE – The Revivalists (9)
8. POWER OVER ME – Dermot Kennedy (10)
9. S.O.S. (Sawed Off Shotgun) – The Glorious Sons (13)
10. SIGUE CON EL AMOR – John Defeo (12)
11. WANDER – Vox Eagle with Pierre Fontaine (5)
12. VOLCANO – Feather Weight (14)
13. TRAMPOLINE – SHAED (15)
14. READY TO LET GO – Cage the Elephant (19)
15. HOME – morgxn featuring WALK THE MOON (16)
16. PRESSURE – Muse (6)
17. MOVEMENT – Hozier (20)
18. LONGSHOT – Catfish and the Bottlemen (21)
19. DISAPPEAR – Western Jaguar (22)
20. ASSUME FORM – James Blake (25)
21. EXITS – Foals (23)
22. APOCALIPSTICK – Lazy Queen (11)
23. YOU’RE THE ONE – Greta Van Fleet (24)
24. SALVATION – The Strumbellas (26)
25. SECRET THAT LIES BEHIND – The Gear (29)
26. CHLORINE – twenty one pilots (30)
27. HIGH HOPES – Panic! At the Disco (17)
28. HARMONY HALL – Vampire Weekend (N)
29. FEAR THE FUTURE – IAMWARFACE (N)
30. DARK PLACES – The Frontier (N)