iLLPHONiCS – Double-Single Review: “Dv8, Pt. 1”

illphonics dv8

As I’ve noted in other recent posts, I’ve been revisiting quite a lot of artists and bands this year that I’ve previously reviewed on this blog, as many of them are releasing new music in 2019. The very first full album I ever reviewed, way back in March 2016, was the superb Gone With the Trends by St. Louis, Missouri-based hip hop-fusion band iLLPHONiCS. Hard to believe it’s been three years! (You can read that review here.) They followed up a year later with Purple Piano Society, named one of St. Louis’ best albums of 2017 by The Riverfront Times, and released a digital 45 double single “X-Rated” in May 2018, which I premiered on this blog. They now return with a new double single “dv8, pt. 1“, which represents somewhat of a new direction in sound for the collective. 

iLLPHONiCS formed in 2006, and to this day all five founding members are still with the band, a rarity among acts with that long a track record. During that time, they’ve built quite a large and loyal following throughout the St. Louis region, if not the entire Midwest. Their infectious, high energy and eclectic sound incorporates elements of hip hop, rap, R&B, soul, pop, jazz and funk, which they deliver through high-energy, charismatic performances. The band members include lead singer/emcee Larry “Fallout” Morris, Keith Moore (keyboards, backing vocals), Kevin Koehler (lead guitar, backing vocals), Simon Chervitz (bass) and Chaz Brew (drums, backing vocals).

For their latest project, which they’ve dubbed “dv8” (for deviate), they’ve teamed up with famed producer Tony Visconti (who over the past 50 years has produced scores of albums for numerous artists, including many for David Bowie and T. Rex). The first phase of this project, entitled “dv8, pt. 1” includes two tracks – “Work” and “Make Your Move“. About the project, the band states “You have a choice. Do what’s already been done or dv8. Take the road less traveled with us.” Their new songs retain their soulful grooves and funky hip hop beats, but employ more pronounced synths, lending a more expansive vibe.

The first of the two tracks “Work” is darker and edgier than many of their previous tracks. Opening with spooky synths that set an ominous mood, a hard-driving trap beat soon kicks in, and this song is off and running. The variety and richness of the synth sounds, combined with the awesome beat, deep bass and sharp percussion, make for a dramatic and exciting listen. Morris’s rapid-fire melodic flow is flawless as he raps the verses, practically spitting out the pessimistic lyrics that speak to the struggle and drudgery of trying to earn a decent living: “Yeah, I’m on that clock. I put in that work. I’ll sleep when I’m dead, when I’m covered in dirt. Tryin’ to get to a meal.”

The guys change things up dramatically with “Make Your Move”, a languorous and sexy tune with an old-school R&B vibe, but delivered with a fresh, updated approach. Guest vocalist Lena Charlie, who’s previously collaborated with iLLPHONiCS on several of their songs, provides her silky vocals on this track, harmonizing beautifully with Morris’s smooth vocals as they sing about making plans to get together for some serious love action: “Girl it’s your move. Tell me what you gon’ do. / Hey boy it’s your move. Tell me what you gon’ do.” I love the slow beat and sultry synths, and the funky bass and tasty electric guitar are so fine, as are the guys’ backing harmonies.

I’m loving these two songs, and can’t wait to hear more from their forthcoming album. Have a listen:

Connect with iLLPHONiCS:  Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes / Amazon

Top 30 Songs for March 24-30, 2019

1. SUPERPOSITION – Young the Giant (1)
2. READY TO LET GO – Cage the Elephant (3)
3. POWER OVER ME – Dermot Kennedy (7)
4. DELTA BLUES – Jetstream (2)
5. CHANGE – The Revivalists (6)
6. S.O.S. (Sawed Off Shotgun) – The Glorious Sons (8)
7. SIGUE CON EL AMOR – John Defeo (9)
8. VOLCANO – Feather Weight (10)
9. TRAMPOLINE – SHAED (11)
10. LOVE IT IF WE MADE IT – The 1975 (4)
11. NORTHERN LIGHTS – Death Cab for Cutie (5)
12. HOME – morgxn featuring WALK THE MOON (13)
13. ASSUME FORM – James Blake (15)
14. MOVEMENT – Hozier (16)
15. LONGSHOT – Catfish and the Bottlemen (17)
16. DISAPPEAR – Western Jaguar (18)
17. EXITS – Foals (19)
18. CHLORINE – twenty one pilots (20)
19. SUNFLOWER – Post Malone & Swae Lee (12)
20. HARMONY HALL – Vampire Weekend (24)
21. SECRET THAT LIES BEHIND – The Gear (23)
22. FEAR THE FUTURE – IAMWARFACE (25)
23. DARK PLACES – The Frontier (26)
24. IN THE WATER – The Underground Vault (14) 20th week on chart
25. SALVATION – The Strumbellas (22)
26. WANDER – Vox Eagle with Pierre Fontaine (21) 20th week on chart
27. TIME – Morosity (30)
28. BURY A FRIEND – Billie Eilish (N)
29. ESCAPE – Ships Have Sailed (N)
30. LOVE CRAZY – Karolina Rose (N)

RIVERSYSTEM – Single Review: “Hello Stranger”

RiverSystem Hello Stranger

RiverSystem is the artistic name for the music project of singer/songwriter Richard Willis, who hails from the beautiful South Wales valley of Cynon. He’s been writing and playing songs in the Folk-Americana style for around 15 years. His songs address themes of loves lost and found, coping with depression, or anything else he feel like writing about. Richard explains that the name RiverSystem came about 10 years ago when he was having a jam session with some college friends he’d formed a band with, and after struggling to find a name for themselves, they finally settled on RiverSystem. The band has long since gone their separate ways, but he decided to keep the name.

RiverSystem has been working on a song of great importance to him and his wife called “Hello Stranger“, which he’s officially releasing as a single today, along with a video he created for the song. He explains that the song “was a labour of love that was co-written with my wife. It is about how depression or mental health issues can just creep up on you and potentially damage your perception of life.” He and his wife hope to raise mental health awareness through the song.

The song has a slow, mournful melody that sets a somber mood, perfectly befitting the subject matter. Starting off with an electric guitar riff and gentle percussion, the music gradually builds with added layers of guitar and melancholy synths. Though the song is sad, it has a haunting beauty thanks to RiverSystem’s fine guitar work. His earnest vocals are heartfelt as he addresses the ‘stranger’ of depression that’s returned to haunt him, bringing sadness and desolation, yet he refuses to allow it to conquer him.

Hello Stranger
Haven’t seen you awhile
So long in fact
I didn’t recognise you

Anxiety and depression
Is what you bring
I’m in this melancholy state
I can’t take this any more

Oh stranger
On my shoulder
Don’t stay there too long
Oh stranger
I can’t take this anymore

Hello stranger
If I knew you were coming
I would’ve closed all my doors
And held fast against the oncoming storm

Oh stranger
On my shoulder
Don’t stay there too long
Oh stranger
I can’t take this anymore

Now you’ve left me in pieces
With a trail of destruction in your wake
Now I feel dark and lonely
Drag myself out of what you’ve thrown me in

Oh stranger
On my shoulder
Don’t stay there too long
Oh stranger
I can’t take this anymore

Maybe next time you swing around
You could avoid me
I’ve had enough of you for now

The deeply moving video shows him playing the song in the lovely countryside interspersed with scenes of him being shadowed by the stranger, overcome with sadness and despair.

Connect with RiverSystem:  Facebook / Twitter / Instagram
Stream on Spotify / Reverbnation
Purchase on iTunes / Amazon

GUY PAUL THIBAULT – Album Review: “The Road Between”

Guy Paul Thibault Album

When I last featured Canadian singer/songwriter Guy Paul Thibault on this blog back in September 2017, he had a few months earlier released his wonderful album It’s About Time, an appropriate title given the span of 17 years since his previous solo album. (You can read my review here.) Now the Cole Harbour, Nova Scotia-based musician returns with a superb follow-up effort The Road Between. Listening to his pleasing style of rock-infused Americana/Alt-Country music, it would be easy to assume he’s from somewhere like Nashville, Tennessee, rather than the maritime provinces of eastern Canada.

Over the past two years, Guy Paul has received numerous accolades, including being named 2018 Artist of the Year on New Vision Radio (New Jersey), one of the Top 40 Indie Artists of 2017 on several Ontario, Canada radio stations, having several of his singles appear on numerous Indie Music charts in Canada, the U.S., UK and Australia, and having It’s About Time named one of the top albums of 2017 by The Halifax Musicphile.

Guy Paul played most of the instruments on The Road Between, although Shawn Cherry played drums, and Ian Lewer played bass on the opening track “Anymore”. Guy Paul sang all lead vocals, and Carolyn Cherry sang most of the backing vocals, except for those on “Talk to Me” and “No One Understands”, which were sung by Lisa Comeau-McDow. Guy Paul’s daughter did all the hand claps and played tambourine.

The album features nine tracks that address love and relationships, and all the attendant joy and heartache they bring. Case in point is album opener “Anymore“, a poignant Alt-Country tune about feelings of betrayal and sadness over a love affair that went south. Against an urgent backdrop of really fine electric and slide guitar work, Guy Paul laments “You don’t know where I sleep at night anymore. You don’t know what it’s like in my life anymore. Why don’t you love me anymore?”

The Country-rock tinged “Dangerous Strangers” speaks to an illicit affair about to go down between two people – one with a faithful wife back home, and another seeking revenge on the man who cheated on her: “For a minute think you saw, what was really on my mind. A touch of evil, it could be a simple little crime. You can only think of him, how he broke your heart. Are you gonna do to him what he did to you.”

One of my favorite tracks is “Talk to Me“, a powerfully moving song about a couple struggling to communicate through the wall that’s built up between them: “Talk to me about anything you want. Just look at me like you sometimes care. Tell me what it is that you want. Show me that you’re somewhere in there.” The dramatic instrumentals, especially the intricate guitar work, are fantastic, creating a palpable tension that’s a perfect accompaniment for Guy Paul and Lisa’s beautiful, impassioned vocals.  The piano-driven ballad “Take Me” touches on the passage of time and how lovers can drift in and out of your life: “Funny how time flies. In her world and in mine. Children, death and love crimes. Chances that seemed to rush by. /  Only love can save my soul, from years of pain untold. Love me if you can. She said ‘Try to be my man’.

Another highlight for me in an album filled with them is the haunting “Who Are You“. The track opens with a mournful organ riff and drumbeat, followed by an achingly beautiful twangy guitar riff. Soon, Guy Paul’s resonant vocals enter the scene, backed by Carolyn’s soft croons as the instrumentals build, creating a lush, moody soundscape. The lyrics speak of a couple who’ve become strangers to each other after years of disappointment and hurt: “Cause here is the moonlight. And these are our scars. Though you lie here beside me, I can’t tell who you are.” This track really showcases Guy Paul’s skills for songwriting and crafting gorgeous melodies.

He lightens the mood with the celebratory “Day Drinking“, a fun rock’n’roll tune about just forgetting one’s problems and spending the day with a loved one like you’re on holiday.  Things turn serious again with the darkly beautiful “No One Understands“, an ode to someone who’s stood by you through good times and bad: “And no one understands but you. Why I do the things I do. And no one comprehends the secret wars that I have led. No one understands but you.” Once again, Guy Paul is joined by Lisa Comeau-McDow, and their vocal harmonies are sublime. The guitar solo in the bridge is pretty wonderful too.

Don’t You See Me Cry” is one of the more rock-oriented tracks on the album, with lots of great intricate guitar work, accompanied by some terrific piano keys. Instrumentally, this is one of the standouts on the album, and the distorted guitar riffs are particularly good. The dark lyrics seem to speak of someone who was already feeling bad, and put his hopes on a woman who ended up only hurting him more:  “I was such a strong man with no love left in his eyes. Well you changed all that and now I could just die. Don’t you see me cry.” The album closes on a bittersweet note with “Catch My Fall“, a song about a young runaway who he allowed into his heart and life, but was too young and unsettled to stay with him: “Much too young and always on the run. The rhythm in her feet always pulled her towards the sun. She couldn’t stop, just couldn’t settle down.”

Guy Paul’s songs have a way of boring themselves into your mind and soul, staying with you long after hearing them. I found myself liking this album more with each listen, discovering new sounds in the music, and deeper meanings in the compelling lyrics. I appreciate that he included them on his Bandcamp page, which also made my job of discussing each track easier. If you’re a fan of Americana and Country-rock, you will enjoy The Road Between.

Connect with Guy Paul:  Website / Facebook / Twitter / Instagram
Stream his music:  Spotify / Google Play / Soundcloud
Purchase:  iTunes / Bandcamp / cdbaby

TREMENDOUS – Single Review: “Open For Closing”

Tremendous

It takes some balls for a band to not only call itself ‘TREMENDOUS‘, but also use all caps in their name. Fortunately, the Birmingham, England-based band deliver the goods with their colorful and exuberant style of Glam Rock that’s heavily influenced by such legendary artists such as T.Rex, David Bowie, Journey, Slade, Def Leppard, Mott The Hoople, Cheap Trick, New York Dolls, The Babys, Roxy Music, Heart, and Aerosmith.  Comprising TREMENDOUS are Mark Dudzinski (Guitar/Vocals), Ryan Jee (Bass) and David Lee (Drums).

Following up on their glorious 2018 single “Rock’n’Roll Satellite”, the band has released a wonderful, anthemic new single Open For Closing“, along with an entertaining and provocative video. The track will be officially released via Horrendous Records on April 12th, and will be featured on the band’s forthcoming debut album Relentless, due for release this September. About the song, Mark stated “Its just an age old tale of heartbreak but with a bit of tragedy (in the video). A relationship gone toxic.” He explained that the song lyrics “don’t leave our love (open for closing)” translate to a plea to not leave things in such a way that the relationship is open to ending.

The song is melodically beautiful yet hard-hitting, packing quite a punch in just under three minutes. The layered guitars, driving bass and aggressive percussion are all spectacular from start to finish. I especially love the chugging riffs, accompanied by smashing drumbeats, at the end of each verse, and the wailing guitar in the chorus gives me goosebumps. Mark’s resonant vocals are fantastic, registering in the higher octaves and occasionally venturing into a soaring falsetto that raises the adrenaline. These guys are so good!

The song’s video is beautifully filmed and entertaining, but also pretty dark, and ends on a rather violent note. The guy wants the girl to be his, almost to the point of stalking her, but she very clearly has other ideas. She does everything she can to dissuade him from pursuing her, finally resorting to hitting him on the head and knocking him unconscious, then leaving him tied up and locked in an abandoned building. Ouch!

“Open For Closing” was nominated for “Track Of The Week” on the Classic Rock webzine, and came in third place, which you can see by clicking here.

TREMENDOUS has an upcoming show on April 4 at Dublin Castle in London.

Connect with Tremendous on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on iTunes

DENSE – Single Review: “Displaced Face”

DENSE Displaced Face

DENSE is an awesomely talented psychedelic garage rock band hailing from Leeds, England, who combine thick, fuzzy grooves with fiery riffs and intricate melodies to create a unique and heavy sound that’s at once retro and futuristic. Despite their youthful, boy-next-door image, their music is incredibly intense and badass, with an impressive maturity, complexity and density – as their name would imply. The best description I can think of for their sound would be ‘industrial surf-metal psychedelic rock’. Making this phenomenal music are Charlie Fossick (Guitar/Vocals),  Dylan Metcalf (Bass) and Sam Heffer (Drums).

DENSE2

I’ve previously featured them several times on this blog over the past two years, most recently last May (2018) when I reviewed their explosive single “The Smoke”. (You can check out those reviews by clicking on the “Related” links at the bottom of this page.) Now they return with another mind-blowing new single “Displaced Face“. The song is aptly-named, cause it’s positively face-melting!

The track opens strong, with an ominous, gnarly mix of deep, throbbing bass, distorted psychedelic guitar sounds and spacey background synths lasting approximately 40 seconds. Suddenly, everything erupts into a maelstrom of tortured, reverb-heavy riffs, heavy, thunderous bass and explosive percussion – all seemingly hell-bent on blowing out our eardrums and throwing us against the wall. Charlie screams lyrics I can’t quite make out, but who cares, as the music is fucking on fire! These guys are literal beasts on their respective instruments, and Charlie is a freaking madman when he opens his mouth!

I’ve loved every single one of their songs, and “Displaced Face” is no exception, delivering four minutes of intense, psychedelic ear candy. The marvelously creepy artwork for the single was designed by band friend Elle Penketh.

Connect with DENSE:  Facebook / Twitter / Instagram
Stream “Displaced Face” on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcamp

Top 30 Songs for March 17-23, 2019

1. SUPERPOSITION – Young the Giant (2)
2. DELTA BLUES – Jetstream (1)
3. READY TO LET GO – Cage the Elephant (14)
4. LOVE IT IF WE MADE IT – The 1975 (5)
5. NORTHERN LIGHTS – Death Cab for Cutie (6)
6. CHANGE – The Revivalists (7)
7. POWER OVER ME – Dermot Kennedy (8)
8. S.O.S. (Sawed Off Shotgun) – The Glorious Sons (9)
9. SIGUE CON EL AMOR – John Defeo (10)
10. VOLCANO – Feather Weight (12)
11. TRAMPOLINE – SHAED (13)
12. SUNFLOWER – Post Malone & Swae Lee (3)
13. HOME – morgxn featuring WALK THE MOON (15)
14. IN THE WATER – The Underground Vault (4) 19th week on chart
15. ASSUME FORM – James Blake (20)
16. MOVEMENT – Hozier (17)
17. LONGSHOT – Catfish and the Bottlemen (18)
18. DISAPPEAR – Western Jaguar (19)
19. EXITS – Foals (21)
20. CHLORINE – twenty one pilots (26)
21. WANDER – Vox Eagle with Pierre Fontaine (11) 19th week on chart
22. SALVATION – The Strumbellas (24)
23. SECRET THAT LIES BEHIND – The Gear (25)
24. HARMONY HALL – Vampire Weekend (28)
25. FEAR THE FUTURE – IAMWARFACE (29)
26. DARK PLACES – The Frontier (30)
27. YOU’RE THE ONE – Greta Van Fleet (23)
28. PRESSURE – Muse (16)
29. APOCALIPSTICK – Lazy Queen (22)
30. TIME – Morosity (N)

CARY BALSANO – Single Review: “Versailles”

Cary Balsano Versailles

Cary Balsano is a handsome and talented young singer/songwriter of Italian origin who’s now based in Liverpool, England. I last featured him in September 2017 when I reviewed his beautiful single “Horizon” which you can read here. He’s just dropped another lovely single called “Versailles“, a tender and moving song that speaks to coming to terms with addiction.

The instrumentals are simple, consisting of Cary’s beautiful strummed acoustic guitar, accompanied by subtle bass and a spare kick drum keeping the beat. Cary’s gentle vocals are earnest and heartfelt as he sings about his and his love interest’s addictions – to drugs and to each other, as a way of dulling their pain and insecurities. To me, Cary’s naming the song ‘Versailles’ would seem to be a metaphor for a desire to make a peace accord with their demons and each other.

You are the fire
You are desire
The city lights have gone too far
You are craving a gram

This is a way we live our pain
A crying shame
Breathing our lies
Victims of life
So come to Versailles
And I never want to let this go

You are my lust
You are covered in dust
And I still feel the same old pain
It’s you and me and our fame

We’re all in the same boat
Living in fear of living

Connect with Cary:  Facebook / Twitter / Instagram
Stream his music on Spotify and purchase on iTunes

OCTOBERS – EP Review: “Summer Waste”

Octobers EP

Octobers is an alternative/dream pop/postpunk band from British Columbia, Canada who formed in 2015. Comprising the band are brothers Nick and Joel Ellsay (guitar, synths, vocals), Hayden Shea (drums) and Liam Rhynolds (bass). They released their excellent debut Misfits EP that same year to positive reviews, also garnering airplay on indie and college radio stations throughout Canada and the U.S. The band went on a brief hiatus in 2017 after a few major life changes, but are now back and better than ever with a new EP Summer Waste.

The EP kicks off with the sunny and upbeat “California“. The song opens with a blast of drumbeats, then settles into a pleasing soundscape of chiming guitars, sparkling synths and a humming bassline that evokes images of a summer day at the beach. The pace quickens in the choruses with an exuberant jangly guitar solo and pummeling drums. The song lyrics seem to have dual meaning, with the singer possibly expressing his love for both ‘California’ a girl and the state: “Hey California. Something about ya. You are the sweetest sound. California, always did love ya. You’re the summer all year round.”

Sunshine” has the singer pondering the love that brightens his world: “Are you my sunshine? Are you my starry sky? Are you these glowing lights, cause you burn so bright.” I love the thunderous jangly guitars and percussion, and the Ellsay brothers’ vocal harmonies are really marvelous. The sunny vibes turn darker with “Be Still“, a heartfelt plea to a loved one to try and meet him halfway, and salvage their damaged relationship: “Just be still, don’t say a word, cause you’ve been talking all your life. The tables turned, now tell me what that feels like. / Lay down your gloves, I don’t wanna fight.” Once again, the guitar work is fantastic, and the rhythm section nicely complements with pulsating bass, thumping drumbeats, and lots of crashing cymbals.

Summer Waste ends on a positive note with “Higher“, a jubilant anthem about not giving up, and reaching as high as you can to reach your goals: “Once you start you never can stop. You go higher and higher and higher. Oh yeah!” Their jangly guitars on this track sound a bit like The Cure, which is never a bad thing. Overall, it’s a terrific little EP, with a title that could be misleading as it’s anything but a waste. The lyrics, while not necessarily deep, are honest and heartfelt, and the instrumentals are all outstanding, as are Nick and Joel’s sublime harmonies. Nicely done guys!

Connect with Octobers:  Facebook /  Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes

GUIDE DOG – Single Review: “Generation Y”

Guide Dog Generation Y

Guide Dog is an alternative rock band from Cardiff, Wales I recently learned about when I received a submission for a review of their new single “Generation Y“. I instantly fell in love with their music, which they refer to as “sponge grunge”. Fusing elements of alt-rock, grunge, punk, and electronica, they create songs that are fast, fun, irreverent and in-your-face. They’ve also got a wicked sense of humor.

Comprising Guide Dog are Peter Roberts (Guitar, Vocals), John Maloney (Drums) and Ian Russell (Bass), who describe themselves as “a bunch of wankers who can’t sing and can’t play our instruments. Like the Spice Girls with moustaches. All or some or one were formerly members of Robots In The Sky, Tetra Splendour, People In Planes and Cold Specks.” Well, I’m here to say that, not only can they sing and play the hell out of their instruments, they’re way better than the Spice Girls!

In July 2017 they released their fantastic debut album Lovely Domestic Bliss, a collection of 10 banger tunes. I highly recommend my readers give it a listen, and trust me when I say you’ll be glad you did! They’re now working on a second album Generation Y, to be released later this year on Roberts’ label Hi-Vis Records. It will be accompanied by a book of poems entitled Thou Shalt Stare Into Space. In December 2018, they released the first single “Dead Beat” from the forthcoming album, and now follow up with a second single “Generation Y”, a protest song of sorts against the current fucked-up state of affairs in both the UK and USA. If these two tracks are any indication, Generation Y is going to be a phenomenal record.

About the new single, the band explains: “‘Generation Y’ comes at a time when children are bunking off school to protest outside Parliament about Westminster’s flimsy and inadequate response to climate change – prompting a swift and aggressive backlash by the politicians who dismissed the adolescents and ridiculed their irresponsibility; and the American president staging an imaginary state of emergency in a vein attempt to bludgeon Capitol Hill into funding a giant border wall whilst triumphantly filling his house with branded cheeseburgers to feed his unpaid staff and denying climate change is even happening… so it’s probably an appropriate juncture for a protest song!

“Generation Y” is a tasty little slice of sonic confection, featuring an irresistible bouncy drumbeat, and presented with a lo-fi vibe that keeps the song from bouncing too high. It starts off with a gnarly guitar riff, accompanied by quirky synths, fuzzy bass and very snappy drums. All of the aforementioned instruments explode into bigger, louder and heavier versions of themselves in the choruses, along with an injection of furiously crashing cymbals that turn the track into a real belter. I love Roberts’ wonderful fervent vocals, which sound like a cross between Dave Matthews and Adam Duritz. And the point in the song at 2:29 minutes where he goes “wooh” is a special highlight for me in what is overall a perfect track.

Like all their songs, the lyrics are refreshingly direct and colorful, pulling no punches in calling out bullshit as warranted:

Why did we get up to die generation,
I got a toupee on my mind generation,
Suck it ’til it all runs dry generation,
Why why why…?

When you get so high but you don’t know what it means,
Like a vandalised slush puppy machine,
Like the fashionable rips appearing in my jeans,
Wave a plastic flag at a golden carriage.
I’m a psychopath with a bunch of keys,
I’m a paper jam with 2.9% APR,
I’m an ass licker,
I’m a soul sucker,
I’m oozing out of a sausage and bean melt,
Waving my plastic flag…

Why did we get up to die generation,
I got a toupee on my mind generation,
Suck it ’til it all runs dry generation,
Why why why…?

I don’t drink and drive or have the odd line once in a while,
I don’t dress up like a lady in secret,
I never think about blowing up the White House,
I got hope for salvation but I don’t know why.
I felt sick so I took an anti sickness pill,
I felt disconnected so I bought a new telephone,
Got a payment plan and a fake sun tan,
Some health and safety regulations,
But I just can’t relax…

Why did we get up to die generation,
I got a toupee on my mind generation,
Suck it ’til it all runs dry generation,
Why why why…?

Connect with Guide Dog:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase on Bandcamp / iTunes