1. GUIDING LIGHT – Mumford & Sons (1)
2. HURT PEOPLE – Two Feet featuring Madison Love (4)
3. HIGH HOPES – Panic! At the Disco (5)
4. IN MY MIND – Draft Evader (2)
5. MY BLOOD – twenty one pilots (3)
6. YOU’RE SOMEBODY ELSE – flora cash (11)
7. THESE ARE MY FRIENDS – lovelytheband (12)
8. UH HUH – Jade Bird (6)
9. HAPPIER – Marshmello featuring Bastille (7)
10. LOADING ZONES – Kurt Vile (8)
11. UNREALITIES – Dying Habit (10)
12. SUPERWOMAN SWAY – Brett Vogel (9)
13. WANDER – Vox Eagle featuring Pierre Fontaine (14)
14. IN THE WATER – The Underground Vault (15)
15. “99” – Barns Courtney (16)
16. BACK DOWN – Bob Moses (17)
17. MAKE IT UP AS I GO – Mike Shinoda featuring K.Flay (13)
18. THANK U, NEXT – Ariana Grande (18)
19. DELTA BLUES – Jetsteam (20)
20. FAST TALK – Houses (22)
21. NEW BIRTH IN NEW ENGLAND – Phosphorescent (21)
22. APOCALIPSTICK – Lazy Queen (25)
23. YOU SHOULD SEE ME IN A CROWN – Billie Eilish (26)
24. PRESSURE – Muse (28)
25. SUPERPOSITION – Young the Giant (29)
26. LOVE IT IF WE MADE IT – The 1975 (N)
27. NORTHERN LIGHTS – Death Cab for Cutie (N)
28. WORST NIGHTS – Foster the People (N)
29. SHE’S KEROSENE – The Interrupters (19)
30. NINA CRIED POWER – Hozier featuring Mavis Staples (23)
2018 was another banner year for music, with seemingly more of it being produced and released by a greater number artists and bands than ever before. And despite the fact that as a music blogger I’m exposed to a tremendous amount of music, I know I’ve heard only a fraction of all the singles and albums released in 2018. I get enough proof of this just by reading other bloggers’ year-end best-of lists, where in some cases I literally haven’t heard any of their song choices! Consequently, each of our annual best-of lists are going to include songs we know, and I’m certain there are some truly great songs that should belong on my Top 100 Songs list, except for the fact that I’ve never heard them! That said, there were so many fantastic songs in 2018, and it frustrates me to have to cull them down to only 100, omitting scores of tracks I really like. All the songs on this list could easily be in the top 40, and a song listed at #30 isn’t necessarily better than one at #60.
It also goes without saying that everyone’s music tastes are very subjective, so it’s guaranteed that not a single person reading this will agree with my song choices or their rankings. My list essentially contains my favorite songs of the year. My music tastes, while eclectic, lean toward Alternative Rock and most variations of Rock (hard, metal, post-punk, folk, progressive, electronic, surf, garage), R&B and Pop, so my Top 100 song choices generally reflect those genres. I like some hip hop and rap, but cannot tolerate the mumble rap or much of the other shitty hip hop, bro-country and pop music currently dominating the Billboard Hot 100. I’d rather listen to “Disco Duck” for an hour than three minutes of Cardi B (sorry Cardi B lovers). I’m not a music critic, and while I make every effort to recognize the cultural and artistic merits of music that came out this year, at the end of the day this is a list of songs that moved me personally – that gave me chills or that I simply enjoyed listening to over and over. Some were critically acclaimed, but many were not, and that’s OK. I love them, and that’s what matters to me.
Many bloggers and critics list songs in the year they were released, while Billboard and some other charts place them in the year they were ‘hits,’ which is what I prefer. Many of the songs on this list were released in 2018, however, a number of them were released in 2017 but didn’t chart until 2018. Also, because there are always a few songs that overlap from one year to the next, I always wrestle with how to rank them, as well as whether to list them in only one year or two. One example of this dilemma is “Without You” by L.A. band Disciples of Babylon, which spent the last week of 2017 and first week of 2018 at #1 on my weekly chart. It seems the fairest thing to do is include those songs on lists for both years if they spent enough time on the charts or ranked highly in each year. I suppose that at the end of the day it’s all silliness, but this is the way I choose to do it. The songs in this Top 100 that also appeared on my Top 100 Songs of 2017 are indicated with an * I wish I could have written a narrative for all 100 tracks, but being a slow writer who agonizes over every word, it would have taken me until mid-January to finish this post!
1. BROKEN – lovelytheband Unquestionably one of the most exuberantly catchy ear worms of 2018, this debut single by L.A.-based three-piece lovelytheband actually came out in 2017 as an exclusive release to Billboard that April, but didn’t chart until the beginning of 2018. It ended up being the #1 song of 2018 on the Billboard Alternative Chart, and is my personal pick as well. The song speaks to the idea that everyone’s flawed and has problems, and of finding someone who’s just as fucked up as you, and trying to make a go of it: “I like that you’re broken, broken like me. Maybe that makes me a fool. I like that you’re lonely, lonely like me. I could be lonely with you.” I love the chirpy synths, intricate guitars and strong drumbeat, as well as lead singer Mitchy Collins’ irresistible, quirky vocals that had me listening to the song again and again.
2. I FEEL LIKE I’M DROWNING – Two Feet I was blown away the moment I first heard the dark and sultry “I Feel Like I’m Drowning”, and quickly became a big fan of singer-songwriter Two Feet (born Zachary William “Bill” Dess) and his soulful, bluesy sound. This man can play guitar, and his songs are accompanied by some of the deepest bass grooves around, giving them tremendous heft and impact, and his vocals have a seductive, yet vulnerable quality that’s incredibly appealing. The song is about drowning in a toxic relationship, but could have also described his own mental state early in the year as the pressures of fame and professional commitments took their toll on his emotional well-being. Fortunately, he’s doing better and about to go on tour with Panic! At the Disco starting in January 2019. I had the good fortune of seeing him perform in L.A. in November, which you can read about here.
3. SIT NEXT TO ME – Foster the People * Foster the People are one of my favorite bands (see the header pic on my Twitter page), and I adore “Sit Next to Me.” The third single from their third album Sacred Hearts Club, it was released in July 2017 and debuted on my weekly chart that September. It reached #1 in on my chart in December 2017 (though by that time it had barely made the top 10 on only the Billboard Alternative Chart), and ended up at #20 on my Top 100 Songs of 2017. In January 2018, the song began to fall on my weekly chart, but kept rising on the Alternative Chart, eventually peaking at #3, and remaining in the top 10 for nine months until September 2018! It continued to hover in the 20s on my chart for several months, jumping back into the top 10 in July. I never tired of hearing it, and when I saw on my Spotify Wrapped report for 2018 that it was my most-played song of the year, it confirmed for me that it was also one of my favorite songs of 2018.
Song intros are important in setting the tone for a song, and “Sit Next to Me” has one of the most enthralling openings of any song I’ve ever heard, immediately grabbing hold and leaving me wanting more. It starts with a delicate shimmering synth and Mark Foster’s ethereal vocals, then bursts open into a breezy ballad loaded with gorgeous sweeping synths, subtle guitar and Mark Pontius’ perfect drumbeats. I love Foster’s fervent vocal style that includes lots of soaring falsettos and beautiful harmonic choruses. The song was inspired by his time spent in the L.A. bar scene. Foster explained in an interview with Rolling Stone: “Everyone was trying to look cool, say the right thing and be at the center of the universe. It was like a fashion show. In that environment, I felt alone in a room packed with people. I kept waiting for someone authentic to come walk through the door and sit next to me.” About the song’s slow rise and longevity, he stated: “I’m just kinda shocked. It’s kind of crazy to me that it’s been on the radio for so long and it keeps continuing to grow. I guess it’s a sleeper.“
4. THIS IS AMERICA – Childish Gambino One of the best songs of 2018 is Childish Gambino’s “This is America”, with its highly provocative lyrics and alternating mix of African-folk inspired melodies and pulsating hip hop-driven trap beats. But it was the brilliant companion video produced for the song that had the greatest impact, driving home the lyrics with shocking and often disturbing visual imagery, and quickly going viral the moment it was released on May 5th. Childish Gambino is the artistic name for the music project of the multi-faceted and incredibly talented actor, writer and singer Donald Glover. He packs a lot of symbolism into the video to address issues like racism and gun violence in America.
Things start off pleasant enough, with Glover/Gambino dancing about shirtless, but using grotesque smiles and exaggerated poses that some believe invoke the racist caricature Jim Crow. He sings “We just wanna party. Party just for you. We just want the money“, possibly referencing Black peoples’ historic role as entertainers for White people. Events take a violent turn when he walks up to a man who’s sitting on a chair playing guitar with his head covered by a hood, and shoots him in the head. A little later, he nonchalantly mows down a choir of singers with an automatic weapon. In both cases, he hands the guns over to someone holding a red cloth, giving the impression that the guns are being handled with greater care than the people he’s killed. The shooting of the choir is thought to represent the 2015 massacre at the Emanuel AME Church in Charleston, South Carolina. Glover/Gambino and a group of kids clad in school uniforms dance throughout much of the video, smiling as violence erupts around them. At the end of the video, he’s shown running for his life from an angry white mob.
5. BAD BAD NEWS – Leon Bridges And speaking of soulful, Leon Bridges is like a breath of fresh air with his throwback R&B style that echoes some of the great soul singers of the 60s like Sam Cooke, Marvin Gaye and Otis Redding. It’s a reflection of my advanced age, but I loved so many of the artists and music coming out of Detroit (Motown), Memphis and Philadelphia from the early 60s to the late 80s, and wish more Black artists would make music like this. In any case, “Bad Bad News” is fantastic, with jazzy guitar, gorgeous brass, crisp percussion and deep bass set to a soulful, hypnotic beat. Add Bridges’ smooth vocals, and the result is a little piece of sonic heaven. He sings about overcoming others’ lack of faith in him, and making it on his street smarts, honesty and belief in himself: “Ain’t got no riches, ain’t got no money that runs long. But I got a heart that’s strong and a love that’s tall. Ain’t got no name, ain’t got no fancy education. But I can see right through, a powdered face on a painted fool./ They tell me I was born to lose. But I made a good good thing out of bad bad news.“
6. ALL THE STARS – Kendrick Lamar/SZA The positively gorgeous “All the Stars” is one of many outstanding songs featured on the soundtrack for the hit superhero film Black Panther. A stylistic departure for Kendrick Lamar, the song is highly melodic, with vibrant sweeping synths and orchestration, set to a captivating beat. His vocals are mesmerizing and powerful as he sings the biting lyrics about duplicity and betrayal. And SZA blows our minds and eardrums with her bewitching soulful vocals. She passionately sings about her inability to resist another’s charms despite the fact he’s no good for her, always putting her faith in love and the stars, and when her and Lamar’s amazing voices are combined, it’s sheer bliss. I’ve listened to this song countless times and it never fails to cover me with goosebumps. The lush and colorful video is visually stunning, and one of the best of the year.
7. PAIN – The War on Drugs The War on Drugs are one of the best bands making music today, and I love their beautiful and lush melodic sound. The second single from their phenomenal, highly-acclaimed album A Deeper Understanding, “Pain” is one of my favorites among their many brilliant songs. (The album’s first single “Holding On” was #9 on my Top 100 of 2017). As I’ve alluded to earlier in this post, I know I love a song if it gives me chills, and “Pain” brings them in spades. The guitars and synths are so gorgeous they literally bring tears to my eyes, and lead singer Adam Granduciel vocals are brimming with heartfelt urgency that touches the soul. He told Q Magazine that “Pain” was inspired by the physical agony he endured from a ruptured disc. (Having recently suffered with pain from a back sprain myself, I can empathize.) It’s one of several tracks on A Deeper Understanding where he touches on the excruciating experience. “I couldn’t sit to work and I couldn’t stand up to play guitar,” he said. “The idea of chronic pain and what it does to the mind is scattered throughout the songs.”
8. CLOSER – IAMWARFACE London-based electro-rock band IAMWARFACE has released only a handful of songs, but are among my favorite UK bands. Their aggressive name is a fitting metaphor for their bombastic, high-energy, groove-based sound. They released their debut single “Say My Name” in 2016, a phenomenal track that literally left me speechless the first time I heard it, and it ended up at #14 on my Top 100 Songs of 2016. I didn’t think they could top that song, but I was wrong. In July they released “Closer”, and I was stunned as I heard the opening mysterious throbbing synth chord that slowly builds into a dramatic soundscape, enveloping us as lead singer Matt Warneford implores to someone with whom he seems to have an obsessive and destructive relationship. With that, the music explodes into a maelstrom of grinding synths, fuzzy guitars, buzz-saw bass, and thunderous percussion, punctuated by almost violently crashing cymbals that emphasize the feelings of desolation expressed in the bitter lyrics. Warneford’s emotional vocals seem filled with despair and resignation over a love affair that now lies in tatters. “Feel I’m walking on shattered glass. This romance just has to end, to reset, erase, begin again.” My body is covered from head to toe with chills by song’s end, overcome by the fierce beauty and power of this monumental track. The video is dark, ghostly and breathtaking.
9. LIVE IN THE MOMENT – Portugal. The Man Following up on their monster hit “Feel It Still”, which was my #1 song of 2017, Portugal. The Man struck gold again with “Live in the Moment.” The second single from their album Woodstock, it’s an exhilarating track, with a hard-driving beat, sweeping synths, chugging guitars and soaring choruses dominated by John Gourley’s wonderful tenor vocals. The song lyrics are pretty deep with lots of hidden meaning, but they basically touch on subjects of religion and mortality: “Let’s live in the moment. Come back Sunday morning. Got soul to sell. When you’re gone goodbye, so long, farewell.” Toward the end it transitions to an almost church hymn with a dominant organ riff and chant-like vocals produced by computer text-to-speech software that sing “Oh, God, I can hardly believe my eyes. Wake up everybody you know. Come and watch the garden grow. I’ll see you when you get there.” The imaginative video shows the band riding in a car with a giant puppet of a guy skateboarding on top, being chased by another with a policeman puppet on top of that car. I love it.
10. DIZZY – The Million Reasons “Dizzy” is an outstanding rock song by Chicago band The Million Reasons, and I loved it at first listen. The song is about a relationship in which both parties are blinded by an obsessive and possibly irrational desire for each other. It opens with an enthralling guitar riff that immediately pulls us in with the promise that something really beautiful is about to unfold, and as the music swells into a soaring anthem, we’re not disappointed. The instrumentals and lead singer Scott Nadeau’s fervent vocals are perfection, and by the time the chorus arrives with Mike Nichols’ jaw-dropping solo from his screaming guitar and Nadeau’s raw, impassioned wails, I’m left covered with chills and gasping for breath. This is truly one of the most beautiful rock songs I’ve ever heard.
11. JUMPSUIT – twenty one pilots I fell head over heels in love with twenty one pilots in the summer of 2015 when their fantastic single “Tear in My Heart” bored itself into my brain. I rarely purchase albums these days, but I bought Blurryface and played it non-stop the rest of that year and during much of 2016. “Tear in My Heart” ended up as my #1 song of 2015, and “Stressed Out” was my top song for 2016, with “Ride” placing at #3. Needless to say I, along with millions of other die-hard fans, eagerly anticipated the arrival of new music by twenty one pilots, and “Jumpsuit” didn’t disappoint when it debuted last July as the lead single of their forthcoming album Trench, which dropped in October. Like Blurryface, Trench is a concept album, and tells the saga of the fictional evil city of Dema ruled by nine bishops, referred to as “Nico and the Niners” in the companion single of that name that was released concurrently with “Jumpsuit”. The bishops impose the religious cult of Vialism upon their citizens, and they do everything in their power to prevent them from leaving the walled city. Because they are unable to see the color yellow, the only way to escape is by wearing a yellow garment. twenty one pilots lead singer Tyler Joseph’s alter ego is a character named Clancy, whose escape attempt is described in “Jumpsuit”. The song is a metaphor for the struggle with mental illness, with the evil city of Dema representing mental illness, and the bishops representing the internal struggles of a person suffering from mental illness.
When researching about the song, I learned it was co-produced by Joseph and Paul Meany, front man for the alternative rock band MUTEMATH (who toured with twenty one pilots on their Emotional Roadshow Tour). Given its subject matter, “Jumpsuit” is darker, edgier and more complex than many of their previous songs. It opens with Joseph’s altered vocals shouting “cover me“, referring to his jumpsuit. As the song progresses, the music alternates between barrages of Joseph’s heavy bass guitar riffs and Josh Dun’s pounding drums, and soothing interludes of hushed vocals, lush synths and haunting piano. Joseph’s vocals gradually build to a goosebump-inducing crescendo towards the end as he desperately wails “Jumpsuit, jumpsuit cover me!“
12. NINA CRIED POWER – Hozier featuring Mavis Staples Irish singer-songwriter Hozier burst onto the music scene in 2014 with his massive hit “Take Me to Church” and self-titled album Hozier, which in addition to “Take Me to Church” generated several more singles. Exhausted from nearly two years of touring, he took a break in 2017 and then began writing new songs this year, but it would be four years before he followed up with a surprise release in September of a four-track EP Nina Cried Power, which includes the title track. (He plans to release a full-length album in 2019.) “Nina Cried Power” is a magnificent and stirring gospel-infused ode to Hozier’s love of American rock and roll and it’s roots in R&B and gospel, with tributes paid to artists like Nina Simone, Joni Mitchell, Billie Holliday, James Brown and Mavis Staples, who lives up to her reputation by adding her powerful vocals to the song. In addition, legendary musician Booker T. Jones contributed his organ-playing to “Nina Cried Power” and other songs on the EP and forthcoming album. It’s a stunning masterpiece in my not-so-humble opinion, yet failed to connect with very many listeners for reasons I cannot fathom. It was a hit only on the Billboard Adult Alternative chart, where it reached #1.
13. THE JOKE – Brandi Carlisle One of the most beautiful and moving songs of 2018, Brandi Carlisle’s “The Joke” is a poignant ode to the delicate boys and striving girls who continue to struggle in our society. She explained her inspiration for the song: “There are so many people feeling misrepresented. So many people feeling unloved. Boys feeling marginalized and forced into these kind of awkward shapes of masculinity that they do or don’t belong in…so many men and boys are trans or disabled or shy. Little girls who got so excited for the last election, and are dealing with the fallout. The song is just for people that feel under-represented, unloved or illegal.” Carlisle has a strong, beautiful voice and – at the risk of sounding like a broken record – her stirring, passionate vocals on “The Joke” send chills up and down my spine. Hearing her sing the defiant lyrics “Let ’em laugh while they can. Let ’em spin, let ’em scatter in the wind. I have been to the movies, I’ve seen how it ends. And the joke’s on them” in her gorgeous voice, backed by soaring instrumentals highlighted by beautiful strings courtesy of the late Paul Buckmaster (a music genius who arranged Carlisle’s album By The Way, I Forgive You as well as such legendary recordings as David Bowie’s “Space Oddity,” The Rolling Stones’ Sticky Fingers and many of Elton John’s early hits), is a religious experience indeed. Music doesn’t get any better than this!
14. LOADING ZONES – Kurt Vile I became a fan of Kurt Vile a few years ago when I really got into his wonderfully cool song “Pretty Pimpin’,” which ended up at #19 on my Top 100 of 2016. This past August, he returned with a new single “Loading Zones”, which I like even better. Vile’s layered, intricate guitar work is fantastic, and I love the talkboxy wah-wah riffs toward the end. He’s also quite the wordsmith. He sings of driving around his “dirty little town” of Philadelphia, running errands and parking for free in loading zones as he tries to stay one step ahead of the parking meter police, humorously played by actor Kevin Corrigan and Matt Korvette of the band Pissed Jeans in the entertaining video. He defiantly declares “I park for free! One-stop shop life for the quick fix / before you get a ticket / That’s the way I live my life” – leaving little doubt he’s the coolest musician around today.
15. PINK LEMONADE – James Bay I’ve liked James Bay and his music since his first breakthrough single “Hold Back the River” in 2014, but wasn’t what I’d call a huge fan. With his signature hat and long hair, and pleasing low-key folk-rock style, he quickly built a huge following. Then, in early March he released “Pink Lemonade” and appeared on Saturday Night Live, revealing a major change in both his look and sound. When I watched his performance on SNL, I nearly fell out of my chair! James had ditched the hat, cut his hair and replaced his casual clothing style with a hot pink sequined shirt and black leather pants, and he looked hot! As my friend Anthea commented – “who knew all that beautiful bone structure lay hidden beneath the hat and long hair!”
Not only that, I loved the song’s exuberant, harder rock vibe, with scratchy guitar, heavy bass and a driving beat. The song actually has a rather rough, gravelly production sound, which some felt detracted from its overall quality. My feelings are mixed about it, and perhaps James wanted a more rugged sound. In any case, many seemed to prefer his mellower folk ballads to this edgier sound, so “Pink Lemonade” was not as successful as his other singles. Oh well, their loss, as I love it and couldn’t hear it enough. The songs is about escape and not wanting to commit to a relationship, and the official video for the song is cleverly done, showing scenes of James building a rocket ship in the garage. But I’m sharing the video of his riveting and charismatic SNL performance instead, where he seems to channel John Mayer with the swagger of an early Elvis Presley. This is definitely my guilty pleasure track of 2018!
16. UNWIND – John Defeo John DeFeo is a soulful and talented R&B/hip hop artist based in Ft. Lauderdale, Florida, and he released one of the hottest singles of 2018. From his marvelous little EP Champagne Heart, “Unwind” is one steamy tune! From the moment I first heard that funky opening guitar riff and deep bass-driven beat, I was hooked. With a sensuous mellow dance groove that aims straight for the hips, the track echoes Justin Timberlake’s “Rock Your Body”, only it’s better and sexier. John sings to a woman he’s got the hots for, reassuring her that he also respects her and wants to get to know her better, not just have sex: “So right don’t talk shit, I bet you think I just wanna f**k. There’s more to it, please don’t confuse my vibe. Don’t get it twisted. If you’re down, I’m down. Tonight I’m gonna show you a good time. Me and you take a shot we can unwind.” I had this song on repeat all year!
17. WHATEVER IT TAKES – Imagine Dragons Imagine Dragons have been releasing music pretty much non-stop since the fall of 2012 when we first heard their breakthrough single “It’s Time”, and have ruled the rock and alternative charts ever since (although they seem to have also become the band some people love to hate, similar to Nickelback). Be that as it may, “Whatever it Takes” is an awesome song, overflowing with dynamic instrumentals, lush synths and soaring anthemic choruses that have become part of Imagine Dragons’ signature sound. And there’s no denying Dan Reynolds’ ability to stir our emotions with his commanding, powerhouse vocals. I really like his rapid-fire rapping on this song. The third single from their monster album Evolve, “Whatever it Takes” is about living life to the fullest, doing everything in your power to achieve your dreams, with no regrets at the end of your life.
18. GOLD RUSH – Death Cab for Cutie Death Cab for Cutie have been making music for 20 years, characterized by their pleasing, unconventional instrumentation and band front man Ben Gibbard’s distinctive vocal style. “Gold Rush” was inspired by Gibbard’s feelings about the ever-changing face of his adopted city of Seattle, which has seen tremendous growth in terms of jobs, construction and population over the past decade or so. In an interview with NPR, Gibbard explained “As I’ve gotten older, I’ve become acutely aware of how I connect my memories to my geography and [how] the landscape of the city changes. I’ll walk down Broadway and walk past a location that used to be a bar I’d frequent with friends, or somewhere where I had a beautifully intense conversation with somebody that I once loved very much. The song is not a complaint about how things were better or anything like that. It’s an observation, but more about coming to terms with the passage of time and losing the people and the moments in my life all over again as I walk down a street that is now so unfamiliar.” The lyrics he wrote for “Gold Rush” are some of the most poetic of any song in 2018: “Digging for gold in my neighborhood. (Gold rush) Where all the old buildings stood. (Gold rush) And they keep digging it down and down (Gold rush) so that their cars can live underground.” The song is built around a sample of Yoko Ono’s 1972 song “Mind Train”, with a chugging guitar-driven beat. The rich and varied layered instrumentals are marvelous, especially the recurring little piano riff.
19. WORLD GONE MAD – Bastille Another stellar song in 2018 was Bastille’s powerful anthem “World Gone Mad.” Though it was featured in the fantasy crime film Bright, the song was written by band front man and lead singer Dan Smith to address social injustice and the strong political divisiveness and turmoil afflicting so many countries, particularly Britain where it resulted in Brexit: “So this is where we are. It’s not where we had wanted to be. If half the world’s gone mad. The other half just don’t care, you see. You don’t wanna fuck with us. British to the very last.” Many of the lyrics also perfectly describe the current fucked up political situation in America, where we’re led by an evil, racist and narcissistic sociopath whose divisive rhetoric encourages nationalism and xenophobia, which is why it resonated so strongly with me. The song was a modest hit, charting only on the Billboard Alternative Chart, however I think it’s Bastille’s best song since “Pompeii”.
20. SAFARI SONG – Greta Van Fleet Speaking of powerhouse vocals, after bursting onto the music world in early 2017 with their explosive head-banger “Highway Tune” (which ranked #6 on my Top 100 Songs of 2017), Greta Van Fleet came roaring back with another fantastic hard-hitting single “Safari Song.” The astonishingly-talented young band from Michigan consists of brothers Josh Kiszka (a diminutive guy with a gargantuan bluesy voice that sounds disarmingly like an early Robert Plant) and twins Jake (guitar) and Sam (bass) Kiszka, and Danny Wagner on drums. In addition to the Robert Plant similarity, their guitar-driven blues-rock sound has also been compared to Led Zeppelin.
21. GHOST – Badflower 22. ONE FOOT – WALK THE MOON * 23. HANDYMAN – AWOLNATION 24. IN MY MIND – Draft Evader 25. SOBER UP – AJR featuring Rivers Cuomo 26. LOS AGELESS – St. Vincent 27. TWO HIGH – Moon Taxi 28. KINKY – Oli Barton & the Movement * 29. HUNGER – Florence + The Machine 30. &RUN – Sir Sly 31. MY BLOOD – twenty one pilots 32. NATURAL – Imagine Dragons 33. YOU WORRY ME – Nathaniel Rateliff & the Night Sweats 34. WITHOUT YOU – Disciples of Babylon * 35. GUIDING LIGHT – Mumford & Sons 36. ZOMBIE – Bad Wolves 37. SUCH A SIMPLE THING – Ray LaMontagne 38. ALL MY FRIENDS – The Revivalists 39. NEVERMIND – Dennis Lloyd 40. UH HUH – Jade Bird 41. FOUR OUT OF FIVE – Arctic Monkeys 42. HURT PEOPLE – Two Feet featuring Madison Love 43. BURN THE HOUSE DOWN – AJR 44. I ONLY LIE WHEN I LOVE YOU – Royal Blood 45. SCARY LOVE – The Neighbourhood 46. BODY TALKS – The Struts 47. HAPPIER – Marshmello featuring Bastille 48. BETTER NOW – Post Malone 49. SHE’S KEROSENE – The Interrupters 50. RED MOON SKY – Face of Stone 51. LIVING IN THE FUTURE – Dawes 52. 44 – Oli Barton & the Movement 53. THE NIGHT HAS AN ALIBI – Wons Phreely + The Horses 54. SAY AMEN (SATURDAY NIGHT) – Panic! At the Disco 55. SEVERED – The Decemberists 56. RUN FOR COVER – The Killers 57. WHEN THE CURTAIN FALLS – Greta Van Fleet 58. FEVER PITCH – Rainbow Kitten Surprise 59. CELEBRATE – Dirty Heads featuring The Unlikely Candidates 60. THOUGHT CONTAGION – Muse 61. GUIDE YOU IN THE DARK – Reckless Jacks 62. DEVIL – Shinedown 63. HAPPY HOUR – Weezer 64. PANIC – Agency Panic 65. COLORS – Beck 66. RX(MEDICATE)- Theory of a Deadman 67. CITY LOOKS PRETTY – Courtney Barnett 68. THE GOLD – Manchester Orchestra 69. ANGELA – The Lumineers 70. ALL ON MY MIND – Anderson East 71. HI HELLO – Johnny Marr 72. THE BIGGER THEY FAIL – The Autumn Stones 73. PASSION – AWOLNATION 74. WORKS EVERY TIME – Mini Mansions 75. CRAZY – From Ashes to New 76. LIFE TO FIX – The Record Company 77. SUPERWOMAN SWAY – Brett Vogel 78. YOU’RE SOMEBODY ELSE – flora cash 79. TIDAL WAVE – Portugal. The Man 80. SHAME – Elle King 81. BEST FRIEND – Sofi Tukker, NERVO, The Knocks & Alisa Ueno 82. FAVORITE COLOR IS BLUE – Robert Delong & K.Flay 83. UNREALITIES – Dying Habit 84. I HOPE YOU’RE HAPPY – Blue October 85. WANDER – Vox Eagle featuring Pierre Fontaine 86. RIDE OR DIE – The Knocks featuring Foster the People 87. HUMILITY – Gorillaz featuring George Benson 88. SORRY – Nothing But Thieves 89. FLAWLESS – Dorothy 90. MY MY MY! – Troye Sivan 91. WITHOUT WALLS – Lyia Meta 92. REMEMBER TO BREATHE – Hannah Clive 93. GOD’S PLAN – Drake 94. LUCID DREAMS – Juice WRLD 95. MAKE IT UP AS I GO – Mike Shinoda featuring K.Flay 96. YOU SHOULD SEE ME IN A CROWN – Billie Eilish 97. BORN FOR GREATNESS – Papa Roach 98. PATAGONIA – Patawawa 99. SILVER LINING – Mt. Joy 100. TRANSITION – The Winachi Tribe
1. GUIDING LIGHT – Mumford & Sons (3)
2. IN MY MIND – Draft Evader (1)
3. MY BLOOD – twenty one pilots (2)
4. HURT PEOPLE – Two Feet featuring Madison Love (6)
5. HIGH HOPES – Panic! At the Disco (7)
6. UH HUH – Jade Bird (4)
7. HAPPIER – Marshmello featuring Bastille (5)
8. LOADING ZONES – Kurt Vile (8)
9. SUPERWOMAN SWAY – Brett Vogel (9)
10. UNREALITIES – Dying Habit (10)
11. YOU’RE SOMEBODY ELSE – flora cash (11)
12. THESE ARE MY FRIENDS – lovelytheband (12)
13. MAKE IT UP AS I GO – Mike Shinoda featuring K.Flay (16)
14. WANDER – Vox Eagle featuring Pierre Fontaine (17)
15. IN THE WATER – The Underground Vault (18)
16. “99” – Barns Courtney (19)
17. BACK DOWN – Bob Moses (20)
18. THANK U, NEXT – Ariana Grande (21)
19. SHE’S KEROSENE – The Interrupters (13)
20. DELTA BLUES – Jetstream (23)
21. NEW BIRTH IN NEW ENGLAND – Phosphorescent (25)
22. FAST TALK – Houses (26)
23. NINA CRIED POWER – Hozier featuring Mavis Staples (14)
24. BODY TALKS – The Struts (15)
25. APOCALIPSTICK – Lazy Queen (27)
26. YOU SHOULD SEE ME IN A CROWN – Billie Eilish (28)
27. SHAME – Elle King (22)
28. PRESSURE – Muse (N)
29. SUPERPOSITION – Young the Giant (N)
30. ALL MY FRIENDS – The Revivalists (24) 18th week on chart
Operation Guillotine is a delightful blues rock band from Coventry, England who describe themselves as “five lovable rogues from the Midlands that just aim to bring good vibes”. And their wonderful moniker is entirely fitting, as they sonically slice the airwaves with their dynamic, hard-hitting sound. Formed in 2016, the band is fronted by vocalist Alice Clarke, and includes Rhys Scott on guitar and backing vocals, Ben Ollis on lead guitar and Ben Addison on drums and backing vocals. (Their bassist Chris Sizer just recently left the band, and will be sorely missed, but the band has a replacement lined up ready to assume the mantle of bassist.)
They’ve released a number of excellent singles, beginning with “Underneath the Lights” in 2017, and their latest is “No Victory” which dropped yesterday, 21 December. It’s a fun, hard-driving banger, with chugging riffs of gnarly guitars, pummeling drums and loads of crashing cymbals that make for an exhilarating listen. I love the little flourishes of distorted guitar that add a bit of sexual tension in the beginning. But for me, the most interesting aspect of the track are Alice’s intriguing vocals, which register in the lower octaves here than on their other songs. She exudes a raw sensuality that perfectly captures the band’s intent in the suggestive lyrics.
The song is about failing to score on a date. As Rhys explained to me: “It was written after our friend went on a tinder date that went horribly wrong and he said all the wrong things. They were both determined to do stuff but it didn’t go as planned. We tried to catch a sleazy vibe in the music as well as the lyrics.” I think they succeed quite nicely, and have a hit on their hands.
Ooh come on over, baby what you got Give me everything I like it or not Strip me down to my underwear Show me everything I’ll never care
So drink it down my sister Down my brother Sinking in this feeling is there nothing at all So drink it down my sister Down my brother Meet you at the end I will be taking you home
There’s some outstanding hard rock music coming out of Germany these days. One excellent band I’ve featured on this blog is HOUNDWOLF, and another recent find is post-hardcore band The Edge Of Reason (TEOR). Founded in 2012 and based in Regensburg, TEOR combines elements of metal, hard rock and punk to create music that’s exciting and heavy. Their hard-driving rhythms, infectious melodies and meaningful lyrics are delivered with blistering riffs, dynamic percussion and the impassioned, multi-faceted vocals of charismatic band front man Ro Seven. And if all that talent weren’t enough, like HOUNDWOLF, TEOR are incredibly kind, gracious and humble guys.
In addition to Seven, the TEOR lineup includes Billy Oldboy (guitar), Alex Gorst (guitar), Dani Shorty (bass) and Niko van Laak (drums). They released their debut album Broken But Not Torn in 2017. The hard-hitting album was inspired by Seven’s personal struggles in dealing with his psychological and emotional problems, and regaining his mental health, and features 11 powerful tracks with some of the most brutally honest lyrics I’ve seen in a while.
In November, the band dropped their latest single “RIVER”, a dramatic song about obsession over another person. The band explains “‘RIVER’ describes the mental addiction to a person whose love you can never reach. On the way to affection you die of thirst, although the river full of water is so close. An inner voice does not let you get away from it. The glass on the cover artwork symbolizes the unreachable salvation you are crawling to.”
The track starts off with a distorted riff backed by pulsating synths, then erupts into a galloping rhythm of scorching guitars, deep, buzzing bass and furious hammering drums. Seven’s vocals are impressive, fervent and vulnerable one moment, then exploding into savage wails the next as he sings of his frustrating obsession that’s driving him mad:
I’m crawling to the river. I’m dying of thirst. Cause when my love is leaving, my heart, it will burst. Am I just an incurable mess?! I’m crawling to the river. I’m crawling to you! And I will drown! Drown in you!
It’s a fantastic song, and I love the video that really showcases the band’s electrifying performance.
Erin Incoherent is a unique artist with a great name and a colossal talent to match. The self-described ‘singer, musician, poet, writer, mental health advocate, model, artist, makeup junkie, loudmouth and strong woman’ is a force to be reckoned with. Ever since her publicist Radio Ready PR contacted me about a possible review of her latest album Medusa, my initial intrigue about Erin and her music has grown into full-blown admiration as I’ve learned more about her. Through her honest, provocative lyrics, her writings for the webzine The Punk Lounge, and her involvement with the Trigger Warning program in Philadelphia, I’ve found her to be an unflinching and outspoken champion for mental health and issues like domestic violence and sexual abuse. She’s also a great vocalist and pretty damned skilled on the guitar and ukelele.
Born Erin Cookman, the young singer-songwriter got her start in Fort Collins, Colorado, writing folk songs and making a name for herself on the local music scene. In 2013, she released her debut album Ha Ha Ha, a collection of eight terrific folk-rock songs featuring only her acoustic guitar and strong vocals. She followed up in 2015 with a second album Miss Shitskey, which included four of the tracks from Ha Ha Ha, and later that year, released a 3-song collaborative EP she recorded with artist CinderBlock, simply titled CinderBlock and Erin Cookman. In December 2017, Erin moved to Philadelphia and in April 2018 dropped her third album Medusa, an 11-song manifesto on anxiety, trauma and pain.
Erin’s music style tends mostly toward folk/indie rock, with punk sensibilities. She played guitar, ukelele, xylophone and sang most vocals on Medusa (with the exception of three songs she co-wrote with CinderBlock, who also sang with her on those tracks). Tenaya Heredia played bass and Chris Beeble, who also recorded and mixed the album, played drums. The album opens with the title track “Medusa“, a catchy but rather harsh song about drug addiction, with Medusa symbolizing the monster of addiction. Erin’s aggressively strummed guitar and fervent vocals convey the powerful and conflicting emotions expressed in the lyrics:
I’ll take a, laid back, panic attack some Xanax mixed with, a tonic and Jack two and one makes three, keep your eyes on me 20mg of Sertraline
I’ll take one for the anger and one for fatigue, one for the restlessness, and one just to sleep, and if after half the bottle, your symptoms increase, don’t you worry too much, just call me.
Medusa! Destroy me, my love forevermore the most beautiful thing I will see, Medusa turn me to stone oh Medusa, leave me alone!
“Ulcer” speaks to the pain and desolation from a failed relationship where love has died. Once again, Erin uses a metaphor, this time a broken home to symbolize her emotional state, and her lyrics paint a stark picture: “and the carpet was torn up to serve as a shortcut for people who’d rather have an easy way out / and the faucets are all rusted, don’t try them, just trust me / the last living occupants died from the drought.” The track opens and closes with a beautiful folk-sounding strummed acoustic guitar, but for the main part of the song, Erin’s more aggressive guitar riffs have a bit of a Spanish vibe.
Erin reunites with the singer/songwriter CinderBlock on three tracks, the first of which “How to Cope” speaks to struggling to keep it together and not let life’s problems from the past bring you back down: “I just need to stay off of that street at least until I’m strong enough to not sink to my knees. But every heartbreak song, like the falling leaves, are drifting through the branches of the very same trees of this rotten town, this rotten old temple.” “Lose Myself” is about weighing the consequences of surrendering yourself to romantic and emotional desires for another, and “Stronger Man” addresses the inability to get over an old flame: “I wrote ‘I miss you’ in your notebook, cause most days I do. And I don’t wanna see you, but it’s all I’m looking forward to. I remember drinking whiskey, making love, and making plans. I guess I’ll never be the stronger man.” Erin and CinderBlock’s vocals complement each other beautifully, melding together into sublime harmonies on all three tracks.
On “Destroy“, Erin sings of the damage she’s caused to a relationship, and wanting forgiveness yet knowing it may already be too late for that: “I wish you’d forgive me. Cause I fucking hate this. The end of the rope, yeah, we’ve tied both the nooses unless you’ll have mercy AND JUST FUCKING SHOOT US! Give me a sign that’s conducive to Spring. Unless it’s too late and I’ve destroyed everything.” Her guitar work on this track is exceptionally good. “Fallen” seems to be about not allowing others’ expectations and possible disappointments in you keep you mired in guilt, and preventing you from moving forward on your own path: “Now I’m left with these scars that will not heal. The pain it devastates, but tell me, is it real? Sworn to a creed, their tired old motif. But this is not my cross to bear.”
One of my favorite tracks is “Echoes“, a dark song about a relationship that’s broken beyond repair. Erin’s skill at writing biting and meaningful lyrics is impressive, and I offer as evidence this line that so poetically expresses how two people who once loved each other could become enemies: “A smoke screen was raised, we could not smudge one another with no time to waste, how easy are foes found in lovers.” Her ukelele on this track is hauntingly beautiful, as are her emotionally raw vocals. And I love the excellent video that shows her singing the song in a graffiti-covered abandoned building that’s as bleak as the lyrics.
“Splinter” speaks to the loss of self-esteem inflicted in large part by someone you once held up on a pedestal: “Oh girl, he’s just a splinter, his eyes whisper just a glimmer of the story you once told of gold in him” and the desire to feel good about yourself again: “Please, tell me I can be enough for anybody else. Please, cause I was so much happier when I could love myself.” Self-esteem takes a nosedive on the grim “Cheerleaders Smoke Crack“, another song about the struggles of addictive behaviors, with some brutally frank lyrics:
I watched myself burn out on the wrong side of the tracks, I hitched a ride back, then watched myself fall off the wagon It’s no use, I’ve tried, to hide in plain sight This weight in my heart makes me try a suicide attempt 26 stitches wide
Punk rockers, they never survive They either burn out young or they change their mind Not a safe place to be, for you or me And junkies, they never grow old, They either clean up their act or they overdose And I guess, as long as they’re happy, I don’t mind
Alcoholics, truth be told, They only see their future in a bottle of Skol And I don’t wanna know those fools no more, I don’t wanna be that fool no more
And you scared me nearly half to death, You don’t look the same since you’ve been smoking meth, But we all have different ways that we lose sleep. We all have different ways that we lose…
The final track “Disturbia Suburbia” is also pretty unsettling. Erin plays ukelele, guitar and xylophone on this track, accompanied by a bouncy melody that sharply contrasts with the troubling lyrics about how suburbia is not all sunshine and green lawns: “An old friend killed himself before the start of Spring, I wonder if he left the weight of the world or if the weight of the world just left him hanging. / Leave it to me to get strung out, and freak everybody out then say, ‘I won’t do that again’. These days there’s nobody here, it feels surreal, so many years spent with kids I don’t even think I know, do they know me? Disturbia Suburbia, and I hope we all get out, and I hope we all feel free.”
Erin Incoherent covers a lot of heavy subject matter on Medusa, but it’s all deeply relatable and compelling, and sounds fantastic too. She’s an incredible songwriter and lyricist, and her guitar and ukelele playing are first-rate. I also like her strong, clear vocal style, which makes listening to her songs a real pleasure. All in all, I give a big enthusiastic thumbs up on this album.
1. IN MY MIND – Draft Evader (1)
2. MY BLOOD – twenty one pilots (2)
3. GUIDING LIGHT – Mumford & Sons (3)
4. UH HUH – Jade Bird (5)
5. HAPPIER – Marshmello featuring Bastille (6)
6. HURT PEOPLE – Two Feet featuring Madison Love (7)
7. HIGH HOPES – Panic! At the Disco (8)
8. LOADING ZONES – Kurt Vile (4)
9. SUPERWOMAN SWAY – Brett Vogel (12)
10. UNREALITIES – Dying Habit (13)
11. YOU’RE SOMEBODY ELSE – flora cash (14)
12. THESE ARE MY FRIENDS – lovelytheband (15)
13. SHE’S KEROSENE – The Interrupters (11)
14. NINA CRIED POWER – Hozier featuring Mavis Staples (9)
15. BODY TALKS – The Struts (10)
16. MAKE IT UP AS I GO – Mike Shinoda featuring K.Flay (18)
17. WANDER – Vox Eagle featuring Pierre Fontaine (19)
18. IN THE WATER – The Underground Vault (20)
19. “99” – Barns Courtney (21)
20. BACK DOWN – Bob Moses (23)
21. THANK U, NEXT – Ariana Grande (25)
22. SHAME – Elle King (16)
23. DELTA BLUES – Jetstream (26)
24. ALL MY FRIENDS – The Revivalists (17)
25. NEW BIRTH IN NEW ENGLAND – Phosphorescent (28)
26. FAST TALK – Houses (29)
27. APOCALIPSTICK – Lazy Queen (30)
28. YOU SHOULD SEE ME IN A CROWN – Billie Eilish (27)
29. VISIONS – Dirty Heads featuring Kitten (22)
30. GHOST – Badflower (24) 19th week on list
Like most singer-songwriters, Italian folk artist Andy K Leland is a poet of sorts. He pens lyrics loaded with meaning and delivered with a droll sense of humor, and expresses them through only his acoustic guitar and sparse vocals. Though he hails from the Adriatic coast of Italy, he sounds like he’s from the English Midlands, especially given his artistic moniker. In his bio, Andy – who was born Andrea Marcellini – calls himself Andrea’s “shadow-self, and the two selves fear each other.” That dichotomy is clearly evident in his songs, where his often dark, depressing lyrics sharply contrast with his simple, catchy melodies and pleasing acoustic guitar.
Perhaps the most unique aspect of Andy’s sound is his quirky, off-kilter vocal style, in which he clips his words, sometimes dropping a letter or two. It all sounds charming in an off-beat sort of way, and perfectly suited to his mellow lo-fi sound. Despite his cynical, often bleak lyrics about life and relationships, his songs seem to tell us to not take life so seriously after all, or at the very least resign ourselves to life’s inevitable travails without losing our minds in the process.
In early 2017, Andy began issuing a series of singles that were ultimately featured on his debut EP Happy Daze, which he released that September. (You can read my review of Happy Dazehere.) Keeping with his penchant for dark themes set to only an acoustic guitar, Andy’s just released a charming new single “Ticking Madness“, which dropped on December 4. Andy had this to say about the recording of the song on his Facebook page: “I’m broke as fuck and can’t handle any music recording software. Luckily, a friend of mine got me an old Tascam 4-track cassette recorder. I instantly fell in love with that machine and started fiddling around with it straightaway! Here’s what I’ve come up with. Sound quality is pretty rough, but really… who cares?! That’s love at first sight.”
Andy explained to me that the song is about time, specifically how quickly it passes (don’t I know it!) The lyrics are pretty surrealistic, with each verse like a snapshot coming from the subconscious. They were inspired by a couple of events which happened to him over the last nine months that made him aware of how time is passing by so fast. “They kind of changed my perspective about time and… life maybe. This song is some kind of a turning point. As an artist and as a human being. I can say it’s the first time I have ever happened to write down some lyrics and be totally aware of what I really wanted to say.” Andy said he’s quite fond of this song, and I have to say I am too.
At 6.20 in the morning I did hear nothing When later on he told He told me he’s dead Now back at 4.12 pm I was feeling cool Until those stripes they spoke They spoke the truth, they all said
Now you’re a man You’re a man That’s kind of crazy Mate c’mon don’t be lazy But that’s alright Oh no it’s not I love you mum XO
Well now you are crying on my shoulder Feels good as the clock tower with no hands is timing out The graveyard of my mind Now how, how, how does it feel? Now how, how, how do you feel? And what will, what will I feel for you?
Now I’m a man I’m a man That’s kind of crazy Things have grown so hazy But that’s alright Oh no it’s not I love you mum, break
Now fuck you all she’s my lady But I’m cheeky cheesy I call her baby And what if time goes out of mind Out of sight? Well that’s alright, well that’s alright Oh yeah
London-based singer-songwriter Sarah May has had music in her blood nearly all her life. She began writing songs at the age of nine, and taught herself to play guitar and keyboard. She recorded her first song when she was 14, and released her first CD of original songs at 17. Since then, she’s continued to write, play and release music, also managing to earn a Bachelor’s degree in Criminology and Criminal Justice along the way. To date, she’s written over 100 songs that touch on many of life’s perplexing issues such as love and heartache, depression, addiction, politics, sexism, partying and financial hardship.
Sarah has just dropped a gorgeous and haunting new single “Nothing to You.” It’s a rather long track, clocking in at 5:22 minutes, but is so lovely and compelling I don’t want it to end. Opening with a somewhat mournful keyboard synth, the song gradually expands into a captivating soundscape of moody synths and gentle percussion as Sarah’s smooth vocals wash over our ears. Her voice is stunning and understated as she earnestly sings the lyrics addressing the pain of unrequited love, of being obsessed with someone who has no feelings for you:
Sittin’ here missing you knowing I’ve not crossed your mind Things still remind me of you regardless of the passing time Trying to find out what you’re doing without having to get in touch Feeling like a stalker, Never knew I liked you this much
I wanna go wherever you are right now Though I know it’s not a good idea Or I could drink alone at home Find someone else on Tinder
I want you to see me and fall in love with me I want you to be near and sense that I am here But dream is all I do, because I mean nothing to you
The backing choruses, which I’m guessing are Sarah’s own vocals layered over her main vocals, are sublime, giving the track a dreamy ethereal quality that beautifully emphasizes the sense of loneliness expressed in the lyrics. It’s a marvelous song.
Music producer Tobi (Toby Davis) has been using his creative vision and talents mixing, mastering or remixing other artists and bands’ music for a while now. And though he’s generally preferred to work behind the scenes in relative anonymity in the Luxembourg countryside where he resides, he’s also found it difficult to build momentum or a fan base in his own right. Consequently, he came to the realization that he needed to invent and control his own brand. In addition, he’s long thought of his collaborations as ‘alternate versions’, rather than simply ‘remixes’, and that the term ‘remix’ did not serve him well. This has led him to create a new ‘Tobisonics’ brand as an opportunity to more properly reflect his alternate versions and the manner in which he approaches and feels about them.
For his first project as Tobisonics, he’s teamed up with the theatrical, genre-bending Las Vegas-based duo Fans of Jimmy Century to re-imagine their modwave neo-noir song “Noirstar (Memories of His City).” Fans of Jimmy Century consists of vocalist, lyricist, composer and voice-over artist Alicia Perrone & songwriter, producer and bassist Victor James. Tobisonics gives their song a cinematic synth-scape treatment, redubbed “Noirstar (Dark City Edition)“.
Fans of Jimmy Century
Living up to its title, the languid track is sexy and dark, with a slightly menacing vibe that conveys the sense of excitement, titillation and danger inherent in big city life. Starting with Victor James’s deep, pulsating bass line, Tobi recasts it as a modulated/phased sequencer bass, creating a hypnotic EDM beat over which he layers spacey, otherworldly synths. In her mysterious, sultry vocals, Alicia Perrone purrs: “Still have memories of the city. I wouldn’t wish ’em on anyone. Not anyone.” Exactly what she’s referring to isn’t clear, leaving it up to the listener to interpret as we wish. The tension gradually builds until the two-minute mark, at which point Tobi breaks down the track with eerie tribal chants and soaring synth chords. After about 20 seconds, the previous bass-driven tempo returns and continues through to the end, leaving us mesmerized by this captivating song.