MOROSITY – Single Review: “Time”

Morosity Time

Morosity is an unusual band with a unique genre-bending sound like no other I’ve heard. Based in Minneapolis, Minnesota, Morosity is comprised of front man Jesse Albrecht (Lead Vocals/Guitar), Sean Bachinski (Bass), Jason Wolfe (Violin, Guitar, Mandolin), and Nick Johnson (Drums). They meld progressive rock with folk, dark wave, psychedelia, Middle Eastern and even tribal influences to create an exotic sound that’s captivating, haunting and always mind-blowing.

They released their ambitious debut album Misanthrope in 2011 to wide acclaim, and after a six-year span, followed up with the magnificent Low Tide, which I reviewed. In May 2018, they released a darkly beautiful single “Defend“, which I also reviewed, and now return to grace our ears with a stunning new single “Time“, which drops today.

Wow, this phenomenal track is loaded with moody, atmospheric vibes and gorgeous instrumentation that make for a mesmerizing listening experience (all of their songs are, really). The intricately-strummed acoustic and electric guitars are exquisite, and Albrecht’s captivating echoed vocals run the gamut from seductive to chilling, keeping our rapt attention. Everything eventually builds to a crescendo, climaxed with otherworldly synths and eerie vocal chanting in the chorus that lends the track a dark, almost demonic aura.

The lyrics speak to the perplexities of time and the eternal unanswered questions mankind has pondered about it throughout our existence:

Time It’s in the stars above
Time The past and what’s to come
Time Exists infinity
Time An astral fantasy

Spinning round like hands
falling down the sand
you see the signs

Wondering if it ends
What’s the master plan
It’s Time Devine

Time It’s an illusion state
Time Lack of conclusion day
Time Controlling destiny
Time There’s no conspiracy

The more I seek the less I find
I can not see all Spectrum of light
Perception finite

The visually stunning and clever video was created by Albrecht and his wife Heather (who also created the amazing cover art of Father Time). It shows two toy figures representing a chicken and a rabbit encountering a host of characters and worlds as they travel through time and space. I love it!

Connect with Morosity:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  Bandcamp / Morosity Store / iTunes

GRAVITY CASTLE – Single Review: “I’ll Just Be Me”

I'll Just Be Me - Cover

Gravity Castle is the music project of Oliver Kersey and Gabriel Gledhill, and they just dropped a wonderful new single “I’ll Just Be Me“. The duo are seasoned musicians and multi-instrumentalists based in Provo, Utah. Prior to joining forces, each was independently involved in music for more than a decade, and between the two of them play more than 10 instruments.  Oliver, who’s originally from England and moved from London to Utah with his fiancé in 2012, met Gabriel while he was performing with another artist at a cafe in Provo one night, but nothing clicked between them.

A few years later they reconnected, and by that time, Oliver was performing as Oli K. Gabriel and two other musicians joined Oliver, and Oli K became a band. Unfortunately, people kept getting their name wrong, and the final straw came on the night of July 4, 2016 when the band was performing at a festival in Ogden. The PA announcement of the festival activities, which was on a continuous loop, kept referring to their band as “Oil K”. Almost immediately afterward, the band was rechristened Salt Valley. They released an excellent EP Roots in 2017, and had a successful run, but two years later Oliver and Gabriel decided to split off as a duo, whereupon Gravity Castle was born in September 2018.

The two share a versatility for writing, recording, and producing all their music in their own, self-built home studio. They released their debut EP Beginnings in December 2018, featuring five beautiful tracks, and in January 2019, they released their first music video for one of the tracks “I’m Sorry.” They also launched their YouTube vlog series Gravity Files, where they discuss their music, songwriting tips, their approach to the music business, and more. Check it out, as well as their music videos, on their YouTube Channel. “I’ll Just Be Me” was released on February 20th.

It’s an upbeat pop-rock song with a message that it’s okay to be yourself, and not allow others’ expectations define who you are: “Sometimes I feel like I don’t fit all the roles I’m paired with. I redefine, I walk a line. Know I’m going nowhere. Biding my time with questions. It doesn’t take much to keep me laughing. This could go forever to figure out why I know I’m doing just fine.

Musically, the track is a vibrant soundscape of sparkling and spacey synths, accompanied by beautiful chiming guitar, subtle bass and a spirited parade of skittering drumbeats. Oliver’s resonant vocals are heartfelt and charming, and I really like Gabriel’s backing falsetto harmonies. The distorted refrain of “I’ll Just Be Me” adds interest to the track. Throw in the catchy melody, and it all makes for a delightful feel-good anthem.

Connect with Gravity Castle on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on iTunes / Amazon

THE COMMON VIEW – Artist Spotlight & Review

The Common View (2)

I continue to be amazed at the sheer volume of musical talent that exists today, with so many really fine musicians and bands making outstanding music. A recent find is a young four-piece from Leeds, England who call themselves The Common View. I liked their music at first listen, and as I learned about their social and political views and willingness to be outspoken advocates for social justice, being an unapologetic progressive liberal myself, I’ve also come to admire them and am proud to feature them on my blog today.

The band was formed in 2018 by three University of Leeds students with a shared love of music: Dom Robertson (guitar, vocals), Jose Ignacio Barrera (guitar) and Jacob Lindsay (drums, vocals). Bassist Joe Sykes joined a bit later, filling out the band’s sound and completing their lineup.  Their indelible and dynamic style of alternative rock is influenced by indie pop-rock, post-punk revival and Rockabilly.

They released their self-titled debut EP The Common View, Vol. 1 in December 2018, featuring three outstanding tracks. The guys recorded, mixed and mastered the EP themselves, and I must say that the production values are first-rate, sounding very professional for a debut effort. They also have a terrific little blog on the website musicglue, where they share news about themselves, their music and coming events, so do check it out here. Dom has quite the sense of humour (I thought I’d be cheeky and use the British spelling), and provides entertaining insight into the creation and meaning of the songs, some of which I’ll quote below.

The first track, “I Can’t Get Your Face Out of My Mind” is a delightfully sultry affair, with pulsating riffs of swirling guitars, throbbing bass and snappy drums delivering moody vibes and a captivating melody. Dom describes the song’s genesis: “My memory is somewhat comparable to a goldfish, but if I recall correctly, the song started off with a vaguely similar chord progression and a completely different strumming pattern. It was admittedly a bit of a mess, but I distinctly remember the moment it all came together; For some unknown reason I started to try a bit of a Ska rhythm, akin to something The Specials would use in their hits, and it started to sound really good! After that, the rest of the song started to fall into place and we worked on the progression and the voicings (which usually consists of Jacob’s best whale impression to the sound of the song), with the solo and actual wording being sorted much later on.”

I confidently state that it all came together quite nicely. The tight instrumentation is a clear indication of this band’s impressive musicianship, and I really like Jacob’s sultry, yet heartfelt vocals that convey a sense of sad resignation as he laments to someone who broke his heart: “Oh, if you’re feeling low, don’t come running. I’m moving on now, you can’t keep me down. Got my head spinning round. Your words are poison. You’re killing all the boys, and I’m intoxicated, Hear me out. And you led me on, said I was the only one for you. But you were lying through your teeth. How could you do that to me.

The socially relevant “Ignorance” greets our eardrums with a rousing mix of jangly and fuzzy guitars, accompanied by a frantic punk-rock beat that makes for a exhilarating listen. About the track, Dom explains: “At the risk of sounding like a dickhead, I am actually quite proud to say I wrote the lyrics to ‘Ignorance’, even if it was at 3 am in a disgustingly dirty kitchen in student halls (This will become a trend). They draw from the general idea that there are so many things in the world that seem so obviously wrong (whether it be Global Warming, genocides, racism or terrorism to name a few) that to anyone who ignores, pretends or simply doesn’t understand the fundamental basics is so glaringly ignorant, I’ll never understand them. Ignorance may well be bliss, but we really should be better than this!

On “The Hollow“, Jose and Dom deliver a languid, soulful groove, with shimmery riffs of chiming guitar that are drop-dead fucking gorgeous! And if all that beauty wasn’t enough, Jacob and Dom’s vocal harmonies are positively sublime. Dom discusses their creative genius behind the song’s captivating melody: “‘The Hollow’, despite being the slower track of the EP, will always hold a special place in my heart. It came about as we were recording our music in Jose’s apartment in Manchester and were looking for another song to go on the EP. Jose and I picked up our guitars and were messing about with a few ideas and eventually one of us (I think it was me) started to use the 7th chords which sounded a little jazzy, and Jose immediately picked up on it. We worked together to form the verse, then he started to add a little bit of lead to it and Jacob worked his magic, moaning like a buffalo in the plains of the wild west in tune to the music, to find some voicings that worked, and then altering some of Jose’s proposed lyrics to fit the tune. Then all of a sudden we had it – a completed song, from start to finish, composed by all of us together, in the space of about 20 minutes. Then, in about half an hour we had it all recorded and had to rush to the coach station to head back home to Leeds. It truly was ‘made in the studio’!”

Shortly after the release of their EP, they dropped a provocative new single “Fuck Them“, where they call out the failure of British society and the government to adequately address the chronic issues of health care, poverty and homelessness: “We are sick of the way the NHS is so poorly funded and mismanaged. We are sick of the rising levels of homelessness and the complete neglect to do anything about it. We are sick of the glorification of food banks as a solution rather than proof of failing policy. We can’t change the government, but we can let them know that we don’t want them!” 

Musically, the track has an exuberant tempo that belies the scathing lyrics, with roiling riffs of jangly and gnarly guitars, sparkling synths, bouncy drumbeats and an abundance of crashing cymbals. Jacob coldly sings: “Everyone is in despair. Hard to find someone who cares. People dying in their beds, cause there’s no money for their meds. We’ve got to work and do it right. But all you ever do is fight. / We don’t, we don’t want you. We don’t, we don’t need you. We don’t, we don’t believe you. We don’t, we don’t need you here.”

This brilliant song was expertly mixed and mastered by Alexander Elegger, a young audio engineer and producer from Tula, Russia who began working in sound engineering at the tender age of 14! And the photo used for the video is by Matt Collamer for Unsplash, and was published on February 12, 2018.

Lastly, here’s a video of the band playing an acoustic version of their latest track, a love song called “A Perfect Bridge“. These guys are supremely talented songwriters and musicians and I’m helplessly hooked on their music. Even at their young ages, they’re already masters of their craft, and I expect we’ll be hearing even more incredible music from them in the future. There’s nothing common about The Common View, and I’m excited about following them on their musical journey.

Connect with The Common View on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / ReverbnationApple Music
Purchase on iTunes

REVOLVERS – Single Review: “True Love”

Revolvers True Love Art

Revolvers are a four piece indie band based in London who play high-energy guitar-driven melodic rock. Originally formed in 2016 at the London College of Music, the band now consists of James Thurling (guitar/lead vocals) Will Oliver (guitar/backing vocals), Steven Morrison (bass/backing vocals) and Rhys Kibble (drums).  They released their debut EP Your Indie Heroes Will Betray You in January 2018 to positive reviews, and now return with an exuberant new single “True Love” which drops today, February 20th. 

It’s a terrific, hard-hitting song that reflects the band’s trend toward a heavier rock sound. The thing that really stands out for me is the fantastic guitar work. James and Will deliver an explosion of lush, reverb-drenched jangly riffs that continue throughout the track, punctuated by a tasty little gnarly guitar solo in the bridge. Steven lays down a solid bass line while Rhys pounds his drums and crashes his cymbals like a banshee, adding tremendous impact to this exhilarating song. James has a commanding vocal style, and I really like how his strong British accent shines through when he sings.

The lyrics seem to address dual themes of the impermanence of romantic love, and how as we grow and change, we can never go back to what once was. It’s a rough thing to come to grips with, as anyone who’s moved away has experienced upon returning to a place where you used to live, or to an old flame you once loved, but for whom the feelings have faded or disappeared for at least one of the parties.

Letting go has never been so easy
You know that more than anyone
Cause I don’t believe true love ever exists
It’s a game made up by mankind

Say farewell to small town agendas
Streets and corners where you surrendered
All those days
Racing through your life without warning
Then you realize that you never belonged here
You don’t belong here

True love never makes it to midnight

The wonderful video for the song shows a man back visiting the town he grew up in, and seeing himself in various situations with old friends and girlfriends but feeling lost and out of sorts, no longer fitting in.

Catch Revolvers at this upcoming show:

ondon

Connect with Revolvers on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on iTunes / Bandcamp

HARROLAND – Single Review: “Home”

Harroland Home

Harroland is an alternative indie-rock band from Reading, England, comprised of siblings Michael (vocals, rhythm guitar) and Kate Kennedy (keyboards, backing vocals),  Steve Tabor (lead guitar) and Sam Tranckle (drums). They’ve just released a new single “Home“, the first of a number of releases planned for 2019. They wrote and self-recorded the track on a shoe-string budget in a freezing cold converted laundry house outside Reading, and had close friend Liam Memmott do the mixing. Mastering was done by two time Grammy Award-winning analog mastering engineer Andres Mayo.

The song opens with an ominous synth chord, then expands into a darkly beautiful soundscape of shimmering keyboard synths, chiming guitars and smooth percussion. The moody piano riff is particularly sublime. Michael has a unique vocal style that’s incredibly appealing, and Kate’s lovely backing vocals harmonize beautifully with his, making for a wonderful listening experience. I found myself wanting to hear this song again and again, liking it more with every listen.

According to Michael, “‘Home’ is told from the viewpoint of someone who gained power using empty promises and feeding on other people’s hopes and dreams. The lyrics reflect the mindset of the kind of person that only wants to enrich themselves, no matter who gets hurt because of their promises. We think it’s important to question who you can and should trust, or if they’re just telling you what you want to hear, especially in the political climate we’re all in at the moment. We’ve all been burnt by people like that.”

The lyrics are extensive, but here’s a snippet of verses that drive home the song’s message from someone intent on holding onto their own power while disregarding the hopes and dreams of others (perfectly describes the vile Liar in Chief currently occupying the White House):

Flip up the table,
But it don’t move,
Now they say,
They’re threatening,
My home, your dreams,
My right to rule

So move aside,
I won’t play no part,
I’m better to be someone with no broken heart
Don’t you ever feel it’s
Best I stake my claim.

And I got my home,
and I got my ways,
and I’ll take your dreams,
In some old fashioned way

“Home” is the band’s last collaboration with drummer Sam Trackle, who is stepping down to spend more time with his family. He will be replaced by Stu Roberts, who will debut with Harroland at their March 16th show at the Rising Sun Arts Centre.

Catch Harroland at one of these upcoming shows:

Saturday, March 16       Rising Sun Arts Centre, Reading
Saturday, March 23       Hope & Anchor, Wokingham
Wednesday, March 27  Purple Turtle, Reading
Saturday, May 18           Rising Sun Arts Centre, Reading
Saturday August 10       A Different World Festival, Abbey Rugby Club, Reading

Connect with Harroland on Facebook / Twitter / Instagram
Stream “Home” on Spotify / Apple Music
Purchase on Bandcamp / iTunes

DARKSOFT – Album Review: “Brain”

Darksoft Brain

Darksoft is the music project of Bill Darksoft, a smart and creative young artist from Seattle, Washington who’s produced one of the most interesting and brilliant concept albums I’ve heard in some time. Brain, which dropped in November 2018, is named after the very first computer virus to attack the internet back in 1986, with each track named after infamous viruses that followed.

He operates his own label and website Look Up Records (for which he also writes some pretty awesome reviews), and in addition to his music project, has played with many Seattle acts over the years. About his inspiration behind the creation of Brain, he explains: “Distanced through haunted screens, we rely on spooky contact that we don’t fully understand. At times, dark forces lurk on the other end, with a motive to con. Always a silhouetted hooded presence, the hacker has become our modern portrayal of Death; captor to the mind and its web of memories. As we stare deeper and deeper into the glowing comfort of this synthetic deception, trust has become the challenge of our modern paradigm, and the cyberscape the new Great Unknown. At its core, Brain is a story not only of the brain, but of the heart, as both confront trust and deception, the real and the synthetic, the mind and the motherboard, and the dark web connecting it all where the matter of our endless identities can be created as quickly as it can be erased, infected, encrypted…or simply revealed for what it truly is, beneath the hood.”

Brain opens with “Mydoom” a pleasant track with gauzy riffs of jangly guitars, subtle bass and gentle percussion. The lyrics speak to the seemingly harmless but insidious virus that keeps a watchful eye on one’s internet dealings: “I’ll just pop up in your window to see how it’s going. From time to time I will drain your battery life… Track you close, I’ll watch your move. Mydoom A has put a bug on you to stayIt’s ok to be vulnerable if you’ve got nothing to lose.” Darksoft has a velvety smooth vocal style that’s incredibly pleasing, giving the track a rather dreamy vibe. On “Elk Cloner“, he first warns about a virus that works to take over our thoughts: “They will enter your world. They can infiltrate microchips. They will stick like glue. They will modify you.” But then it’s as if the virus itself tells us not to worry and just remain calm: “No cause. No cause for alarm. No harm. We just occupy thought. No cause for alarm. No cause, just be calm.” The track has a lovely, mesmerizing melody and his vocals are really soothing, belying the rather menacing message.

Darksoft quickens the pace on the bouncy “Conficker“, though it still has a somewhat moody undertone with a mix of fuzzy and jangly guitars, shimmery synths and a determined drumbeat. The lyrics allude to the algorithms that control what we’re fed on social media, shaping our world view in the process: “We choose what you feel. No view into reality. Your life is ours… permanently.

With gnarly guitars and spooky synths propelled by a strutting bass line, “Lamex” speaks to how easy it is to escape into an artificial online world: “If you want a lame existence. They will send you a virus or two. Lamerism is the name of the tool I use”, yet yearning to break free and think clearly and independently: “I need to get out…To free my mind…To quit this code and leave the app I knew behind. If you look away you’ll open your eyes.”

One of my favorite tracks is “Heartbleed“, with its enthralling melody, irresistible drumbeat and gentle psychedelic groove, thanks to deliciously eerie synths. The jangly guitars are marvelous, the bass line’s sublime, and I absolutely love Darksoft’s warm, captivating vocals. I honestly think I would be perfectly happy listening to him sing the yellow pages!  My take on the song’s meaning is it seems to compare the feelings of someone who’s emotionally dead inside to that of a computer – a machine who only does what it’s programmed and directed to do: “Matter is a thing. You focus it’ll bring you life and pleasure. Just wait and see. Let your lead heart bleed.  Silicon and hardware respond.  Nothing really matters when you’re a machine… You live to be used by others.”

Another favorite is “Cryptolocker“, a darkly gorgeous song with dreamy and sometimes eerie synths that create a lush atmospheric soundscape. The gently-strummed chiming guitars are exquisite, as are Darksoft’s ethereal vocals that are seductive, yet menacing, as he coldly warns another not to fuck with him: “You don’t know who you’re dealing with. You don’t understand who you’re messing with. Lock me away and I will pull the plug from under you.”

I distinctly remember the virus for which “ILOVEYOU” is named. Darksoft uses it as an allegory for the emptiness and futility that can result from using online dating websites: “Every fuckin day is the same. Can’t look up from the screen. Crushes breakin over the phone. Guess that I’ll be alone. Til I see your message titled ‘love confession’. Feeling’ tempted by a lie; it’s a misdirection. You were nothing more than spam. My little love connection. Engineered to phish my soul. Been spoofed again by a false confession.” The song has an infectious drumbeat and some fine, intricate guitar work.

Code Red” is a beautiful, languid song featuring Darksoft’s resonant, pulsating guitars and sublime vocals, backed by his own harmonic choruses.  The lyrics seem to speak of clearing one’s mind of self-destructive thoughts and behaviors: “Everyone has a code. Some write them, others they follow a worm. Everyday, take a chance. Decrypt all the bullshit and break from the trance.” The final track “NightShade” is a mellow, anthemic rock song with jangly guitars and humming bass, accompanied by snappy drumbeats. NightShade seems to be a metaphor for drugs taken to numb the pains of life: “Where you’re from, how you came as I take it all away with NightShade. / If I can survive maybe then so can you. Aren’t we all playing role games? Infect the database with NightShade.”

Brain is a great album, and I love pretty much everything about it – Darksoft’s clever lyrics inspired by each of the computer viruses, his beautiful melodies, outstanding guitar work, first-rate production values, and stunning vocals. He’s an amazing talent, and I eagerly look forward to hearing what he comes up with for his next music project.

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

PAUL RENNA – Single Review: “Bound to Love”

Paul Renna

Paul Renna is a prolific and humble singer/songwriter and guitarist from Dallas, Texas who’s been writing music and performing, first with bands and later as a solo artist, for over 25 years. His signature music style is a pleasing mix of folk, soft rock and Americana. He released his first solo album Portrait in 2003, and in the years since has dropped two more full-length albums and three EPs, the most recent of which was 2018’s Valley of the Moon, a wonderful collection of folk songs. He now returns with a new single “Bound to Love“, a deeply moving song of love that he’s appropriately releasing on Valentine’s Day.

With an innate gift for writing songs that draw us in right from the start, Paul weaves compelling stories through his memorable melodies with authentic, relatable lyrics. He’s also a skilled guitarist and vocalist, bringing his songs to life with layers of beautiful acoustic and jangly electric guitars. The bass, piano, drums and backing vocals were performed by Omar Vallejo, who also produced the track at 512 Studios in Austin, TX

Paul’s slightly raspy vocal style sounds honest and heartfelt, giving even greater impact to the poignant lyrics promising his undying love and devotion for another, and that with love, they can weather through whatever life throws their way: “We can find a way. Our love will never stray. Hold me now. Together we are bound to love. / Love will find a way, you wait and see. We are bound to love. My heart is yours to hold on.

Here’s a recent live performance by Paul of the song:

Connect with Paul on Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud / YouTube / Reverbnation
Purchase on iTunes

ATOM DRIVER – EP Review: “Here They Come, the Hornets”

Atom Driver2

Atom Driver (not to be confused with actor Adam Driver) is a band I’ve been following for quite a while, and it’s high time I featured them on this blog. The Brunswick, New Jersey-based trio play post-hardcore noise rock that’s loud, frantic and fun, and I defy anyone to keep still while listening to their music. Formed in 2016, the band consists of Mark Segal on guitar and vocals, Justin Ingstrup on bass, and Mike Polilli on drums. All three are seasoned musicians, having previously played with a number of New Jersey bands. In their own words, Atom Driver was “culled from the wreckage of three local faves: Buzzkill, Boss Jim Gettys and Good Clean Fun.”

They like to produce EPs with five tracks, and released two in 2017 – Slackjaw and In the West – both of which are absolute bangers. Two weeks ago (late January 2019) they returned with another kick-ass EP Here They Come, the Hornets, serving up 13 minutes of noise rock mayhem for our listening pleasure. They get right down to business with the hard-rocking “Give Up the Ghost“. Segal delivers thrashing riffs that rip through the airwaves, while Ingstrup lays down a solid foundation with his crushing bass lines and Polilli pounds the crap out of his drum kit. Segal practically screams the refrain “Waiting to exhale. It’s time that you give up the ghost!”

We’re scarcely able to catch our breath before they’re back at us with chugging riffs of gnarly guitars, buzzing bass and an avalanche of crashing cymbals on “Vultures“. These guys are beasts on their respective instruments, giving new meaning to the term ‘noise rock’ as they launch into “Damn Mr. Pluto“, a grungy punk rock-ish head banger. Segal’s furious riffs are jaw-dropping as he shreds his guitar nearly to the breaking point – this man can play guitar! Ingstrup’s funky bass riffs are hot as hell, and Polilli beats his drums like a wild man. I can’t quite make out the lyrics Segal is singing, but who cares really, as it all sounds fantastic.

It seems the guys are gonna slow things down a bit with the fourth track “We Are Whalers“. It starts off with a quiet little acoustic guitar riff, leading us to guess that perhaps we’re in for a gentle ballad, but at 0:14 seconds, the song explodes into a barrage of raging guitars and speaker-blowing percussion that continue for the rest of the track. It’s a delicious slice of exhilarating rock’n’roll confection, with strong punk elements. They close the EP on a tumultuous note with the bombastic “A Bunch of 5’s“, providing ample proof these guys are here to rock!

Here They Come, the Hornets is a terrific little EP that packs a helluva punch in its 13 minutes. If you’re a fan of guitar-driven and high-energy rock, you will like this EP. As for me, I love Atom Driver’s music, and hope they keep making more of it for us to rock out to.

Those of you in the New Jersey area can catch them at this upcoming show:

Thursday, Feb 28    Roxy And Dukes   Dunellen, NJ

Connect with Atom Driver on Facebook / Twitter / Instagram
Stream their music on Spotify Google Play
Purchase on Bandcamp / iTunes

9fm – Single Review: “Familiar Form”

9fm - Jarrod Pedone

Yet another artist I’ve previously featured on this blog who’s releasing new music in 2019 is 9fm (short for Ninth Floor Mannequin). 9fm is the solo music project of New Jersey-based singer/songwriter and multi-instrumentalist Jarrod Pedone, whose marvelous EP Little Housereviewed in September 2018. Today he returns with a new single “Familiar Form“, delivering another wonderful and compelling track featuring his signature atmospheric soundscapes and sublime vocals.

Jarrod is a big fan of the classic TV series The Twilight Zone (as am I), and some of his songs are inspired by various episodes. “Familiar Form” is based on Season 1, Episode 34 “The After Hours”, about a woman who has an unusual experience in a department store. In a nutshell, all the people in it, including her, are at various times both human and mannequin, with much of the drama taking place on the 9th floor.

The song’s enigmatic subject matter is nicely brought to musical life by Jarrod’s use of spooky, pulsating synths and a decidedly moody tempo. His smooth, soothing vocals are similar in style to Sufjan Stevens – pleasing, yet rather melancholy as he sings the lyrics that speak to the façades that many people put forth, masking who they really are:

We simply walk 
breathe & talk 
with a different tone 
We take a form 
Far from home 
to hide who we really are 

We’re on & off 
True & false 
but who really knows 
which one is fake? 
Either way 
It all ends the same

We return & revert back seamlessly 
to what we were 
When alone, we all know just who we are 
& who came first 
Settle back into familiar form 
Only sure of where I don’t belong 

We obey 
Time & place 
For which star goes on 
Who we are 
Simply gone 
Once out the door 

Up or down 
In or out 
it all seems so right 
I’ll stay inside 
of my mind 
Keep a double life

Connect with 9fm:  Facebook / Twitter / Instagram
Stream his music:  SpotifySoundcloud / iTunes
Purchase on Bandcamp / iTunes

BLACK | LAKES – Single Review: “Dissident”

Black Lakes

A few posts back, I mentioned that it seemed half the artists and bands I’ve previously featured on this blog are releasing new music in 2019, and another one of them is BLACK|LAKES, a progressive alternative metal rock band that collectively hail from South Wales & Southwest England. Comprising the band are five enormously talented musicians – Will S. Preston (lead vocals), Scott Bradshaw (guitar, backing vocals), James Rowlands (guitar, backing vocals), Lee Harris (bass) and Dafydd Fuller (drums). Last October (2018), they released a monumental single “The Divide” which I reviewed, and now return with hard-hitting new single “Dissident“, which drops today.

The track opens with a brooding guitar riff accompanied by an ominous synth chord, then explodes with a barrage of chugging riffs, pummeling bass and thunderous drums. After ten seconds, everything calms down to a melodic interlude of pulsating guitars and measured percussion during the verses, only to ramp back up into a furious onslaught for the choruses, keeping us in a continual state of tension. The guitar work throughout the song is fantastic, really showcasing Scott and James’ considerable talents on their respective six-strings. Lee’s deep bass lines drive the track forward while Dafydd pounds his drums like his life depends upon it.

Will’s resonant vocals remind me a bit of Puddle of Mudd’s Wes Scantlin, starting off smooth and plaintive as he bitterly renounces someone who’s hurt and betrayed him: “Here inside this cage, this never ending maze. Watching myself waste away. The bitterness I taste. Complete intemperance. I sit and slowly count the days.” They turn raw and impassioned in the choruses when he defiantly screams that he will survive and move on: “The last words I’ll ever say. In spite of you I will not fade into a world plagued by you.

“Dissident” is a magnificent and electrifying rock song that proves Black|Lakes’ can continue to deliver the heavy and melodic progressive metal we’ve grown to love from this amazing band.

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