pMad – Single Review: “Sisters”

pMad is the solo music project of Irish singer-songwriter Paul Dillon, a lifelong lover of music who’s been involved in songwriting and performing for years. Based in County Galway, Paul was previously a member of the bands Starve the Barber and The Suicidal Dufflecoats, and currently a member of The Greeting, as well as his project pMad. His eclectic sound, which is a dramatic and fascinating blend of darkwave, post-punk, alternative and goth rock, is heavily influenced by some of his favorite acts like The Cure, The Sisters of Mercy, Sonic Youth, Suicidal Tendencies, The The and Tom Waits.

When the pandemic lockdowns impacted his and just about every other artists’ ability to make and perform music, Paul created a “The Best of Irish Indie” page on Facebook, in which he ran a series of ‘Best of Irish’ polls. The response was so positive, he was newly energized and inspired to rework and record some of his previously-written songs, along with some newly-written ones. Without ever being in the same room together, he took advantage of modern recording technologies to create a number of singles remotely in collaboration with Zedakube Recording (Ireland), Protonaut Studio (Germany) and Elith Mastering Labs (Mexico). He released his debut single “Who Am I” last December, then followed in February with “Medicine”, and “Broken” in April (which I reviewed in a Fresh New Tracks post). He subsequently dropped a six-track EP Broken in May, featuring four songs and two remixes, then another single “Horror” in June, and today returns with his latest single “Sisters“. 

Like most of pMad’s songs, it’s dark, brooding and intense, but I loved “Sisters” upon my first listen. Even my husband, who’s not much into goth or alternative rock, liked it the moment he heard it. What a magnificent song it is, driven by a deep, chugging bassline, and awash in ominous darkwave synths, layered guitars and pulsating drums. There are so many brilliant instrumental textures and elements, such as the contrasting shimmery and gnarly, reverb-soaked guitars and dramatic swirling synths, all creating a darkly beautiful cinematic soundscape for pMad’s arresting monotone vocals that come across as simultaneously menacing and hopeful.

About “Sisters”, pMad says it speaks of “those we love gone too soon. They don’t go away very far, they walk beside us every day… having left such an impression on us! They are still loved, still missed and a very important influence on our lives.” He elaborated further in an interview for the NenesButler Presents Music blog: “The inspiration for ‘Sisters’ was my youngest sister Keira who just dropped dead one day! Too young and too good to die, yet she did. We mourned, but the world will spin with you or without you. So, life goes on but she left an indelible mark in my life, like my father and relations and friends that have died. She was a cool, calm character and had some great sayings and thoughts on life. Of course, like me and any of us, she was not perfect, and had a few of her own demons to conquer too. She always saw the good in people, [and] the one great thing she always said, if someone was mean to her or anyone, was ‘be kind to them, you don’t know what they are going through right now’.

“Sisters” is fantastic, and I think it’s the best single released yet by pMad! He plans on dropping more singles in the coming months, and his album Who Why Where What is scheduled for release in November.

The fabulous artwork for the single was created by Little Bird Design.

Follow pMad:  Facebook / Twitter / Instagram

Stream his music:  SpotifyApple MusicSoundcloudYouTube

Purchase:  BandcampAmazon

5 thoughts on “pMad – Single Review: “Sisters”

  1. While for somebody with a stubborn pop ear who can’t escape looking for catchy melodies and/or great vocals this tune clearly falls outside my core wheelhouse, after listening to the track a few times, I have to say there is still something about it. To me that something probably is the sound more than Dillon’s singing.

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  2. Pingback: pMad – Single Review: “Missing” – ECLECTIC MUSIC LOVER

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