DAVID VIVIAN – Single Review: “Weekend”

David Vivian

David Vivian is a young graduate student and budding singer-songwriter and guitarist from the beautiful coastal California city of Santa Barbara. Writing and recording songs in his bedroom studio, David has released three singles over the past few months, the latest of which is “Weekend“, which drops today, June 14th.

The lyrics speak to how many of us seem to live for the weekends, yearning for the promise of thrills and the respite they bring from the routine and drudgery of our weekday lives, always aware that they’re doomed to come to an end way too quickly. David opens the song with a strummed guitar riff, sunny synth and perky xylophone, giving us a sense of hopeful optimism that another weekend is upon us. Abruptly, the music turns sour like a smile suddenly becoming a frown as reality sets in, but then it all perks back up to a breezy, upbeat tempo that continues through to the end of the song. Along the way, David lays down some fine guitar work, accompanied by pleasing keyboards, bass and percussive synths, and I especially like the horn synths he inserts after the final chorus.

His soft, echoed vocals have an ethereal quality, and mesh quite nicely with the lush instrumentals, giving the song a dreamy atmospheric quality.

[Verse 1]
How the hell’d it get so late?
Hold on, please wait
I’ll do, what it takes
Go all in, raise the stakes

Another weekend’s here
I’ll call you darling, call you dear

[Chorus]
Hey babe
That’s no reason to stay
I’ll come up w/ words to say
And we’ll always find a way to play
Come back and let’s do it right
We’ll get lost in the endless night
So come play just one more hand
I’ll take you to the promised land

[Verse 2]
How the hell’d I get this way?
Sun comes up, it’s another day
Time goes on, takes our pay
Doesn’t care what we have to say

Another week ends here
Oh I’ve felt freedom, I’ve felt fear

[Chorus]
Hey babe
That’s no reason to stay
I’ll come up w/ words to say
And we’ll always find a way to play
Come back and let’s do it right
We’ll get lost in the summer night
So come play just one more hand
I’ll take you to the promised land

Connect with David on Facebook / Instagram
Stream his music on Spotify / Soundcloud / YouTube
Purchase on  Bandcamp / Apple Music / Google Play

New Song of the Week: UNQUIET NIGHTS – “Four Winds”

Unquiet Nights Four Winds

Unquiet Nights is an outstanding rock band based in both Northern Ireland and Italy. Begun as a solo project for singer-songwriter Luke Mathers, Unquiet Nights relocated from Belfast to Rome in 2010, where his debut album  21st Century Redemption Songs was finished and released a year later. Mathers eventually brought Italian musicians Matteo Bussotti and Francesco Piciucchi on board, and Unquiet Nights officially became a band. In 2015 they released a second album Postcards in Real Time, a beautiful work that I strongly recommend my readers make an effort to check out by using one of the links at the end of this review. One of the singles from that album, “George Best City”, recently passed a quarter million streams on Spotify. About that feat, Mathers stated “That’s really satisfying for us considering we’ve never worked with a PR company during the history of the band or had any budget to help promote our stuff.”

Mathers moved back to Northern Ireland in 2016, though he has continued recording and releasing new music with Bussotti and Piciucchi as Unquiet Nights. In February 2018 they released a fantastic single “Promise of You” (which I reviewed), then followed two months later with another banger “Young Believers.” Now they return with “Four Winds“, a superb single that keeps their perfect score of releasing excellent guitar-driven songs fully intact. The song was produced by Mathers, and mixed and mastered by Neal Calderwood, who also mixed and mastered all previous Unquiet Nights releases.

“Four Winds” opens with an ominous synth chord and pounding drum beat, then we’re suddenly plunged headlong into a gorgeous reverb-drenched soundscape of swirling guitars, dramatic sweeping synths, throbbing bass and muscular, thumping drumbeats. Mathers’ vocals are wonderful as he plaintively sings about betrayal and deceit: “Don’t leave me to the four winds. I only got myself to blame. Things like these don’t seem to change.”

Connect with Unquiet Nights:  Facebook / Twitter / Instagram
Stream their music on  Spotify / Apple MusicSoundcloud 
Purchase on Bandcamp / Unquiet Nights Online Store

MOONLIGHT BROADCAST – EP Review: “A Cynic’s Guide to Dying Happy”

Moonlight Broadcast EP

I’ve stated in previous posts that one of my favorite aspects of social media is learning about new musicians and bands, and another recent find is Moonlight Broadcast, a rock group from the fair city of Melbourne, Australia. They released their debut EP A Cynic’s Guide to Dying Happy back in February 2018, but I’m reviewing it today, as it’s a stellar work that’s highly deserving of peoples’ attention.

Now a four-piece, Moonlight Broadcast is comprised of Cameron (lead vocals), Adi (guitar), Craig (bass, backing vocals) and Ash (drums & mojo). Influenced by such greats as Crowded House, The National and Death Cab for Cutie, they write songs with memorable guitar-driven melodies and poignant lyrics about (in their own words) “the winding, bumpy road we’re all travelling on.”

The EP kicks off with “Breathe Easy,” and as we press play, our ears are greeted by an arresting jangly guitar riff that immediately grabs our attention. Once the rhythm section enters the mix, the song settles into a really pleasing soft-rock groove. Cameron has a fine singing voice, and his heartfelt vocals nicely convey his love and devotion for a partner who’s put up with his shit over the years, and still chose to stay by his side:

I will be, I will be yours
Until I, until I die of a coronary from poor lifestyle
I hope that, I hope before I go
I’ll give you some days that make it worth your while

All those dark roads I may have dragged us down
I’m surprised you’re still around
All those dark roads I know I dragged us down
I’m so glad you’re still around

Stay with me, stay with me now
So I can breathe again

The beautifully-filmed video shows the band performing the song on a beach, with the tide gradually encroaching and ultimately engulfing them at the end.

Next up is “Harm Min (Josie)“, a bittersweet song about finally ending a tempestuous relationship with a mercurial lover named Josie. The jangly guitar work is gorgeous, and Cameron’s fervent vocals express a sad but detached sense of resignation that they’re both better off apart.

As wonderful as the first two songs are, my favorite is the hauntingly beautiful ballad “Sorrow Pass Me By.” Gorgeous twangy guitars and a somber drumbeat create a stirring backdrop for Cameron’s emotionally-charged vocals as he laments about his string of bad fortune, hoping his life will make a turn for the better: “I’d like to be lighthearted or even optimistic. Might be more to life than just getting through. I’m asking for once, sorrow please pass me by. It seems like you have been there, breathing down my neck for a real long time.”

The guys serve up more of their signature jangly guitars and driving beats on “The Ballad of Cognitive Dissonance“, a rousing tune with some great harmonica that give it a Country-rock vibe. The lyrics speak to being in a destructive, co-dependent relationship, knowing it’s destined to fail but unable to get out of it: “We’re driving in the dark with no headlights. I think there’s someone in the back here with us. I’m like a moth and you’re a buzzing street light. I’ll break my head in against you, over and over. / Sometimes I stick to my guns. Other times I turn tail and run.

Square One” is another take on being stuck in an unhealthy, one-sided relationship where the other person keeps a firm hold on your emotional attachment, making it impossible for you to let go: “It costs too much of me to keep you outside. I open the door and now I find, we’re back to square one. Your voice dancing through my brain, and I come undone. / It’s not so simple. It all hurts more than it should./ I will always be your alibi.” Musically, the song opens with a pensive, reverb-heavy guitar note, then settles into a slow, bass-driven tempo. The music gradually builds with more guitars, keyboards and heavier percussion, as Cameron passionately refrains “It’s all or nothing!” The guitar work is fantastic, and I love the extended run that continues straight through to the end, reminiscent of the great O.A.R. song “Shattered”.

A Cynic’s Guide to Dying Happy is a solid debut effort by Moonlight Broadcast. Every track is high quality, and the instrumentation, vocals and production values are all first-rate. These guys need to get busy recording some new songs ASAP, because we need their music in our lives!

Connect with Moonlight Broadcast:  Facebook / Twitter / Instagram
Purchase on Bandcamp / Amazon

New Song of the Week: REVOLVERS – “Rubbing Shoulders With the Devil”

Revolvers2

There are many terrific indie artists and bands in the UK these days making some really outstanding music, and among the best of them is London four-piece Revolvers. Originally formed in 2016 and comprised of James Thurling (guitar/lead vocals) Will Oliver (guitar/backing vocals), Steven Morrison (bass/backing vocals) and Rhys Kibble (drums), they play sensational high-energy guitar-driven melodic rock. I first featured them in February when I reviewed their single “True Love”, a fantastic, hard-driving track filled with lush, reverb-drenched jangly riffs. They followed up in early April with another great banger of a tune “Come Again”, and now return with their third in a series of singles “Rubbing Shoulders With the Devil“, and I think it’s their best work yet. All three singles were produced by George Apsion (White Lies, Catfish and the Bottlemen, Ellie Goulding).

It’s a darkly beautiful track, opening with an ominous gritty guitar riff and a deep, buzzing bassline that immediately hook us in. As James starts to sing, the music expands with more guitars and Rhys’ thumping drumbeats and crashing cymbals into an exciting and rather menacing soundscape. In his review of the song for Obscure Sound, Mike Mineo observed that Revolvers exude a vibe reminiscent of early Arctic Monkeys, and I totally agree. Once the chorus arrives in a stream of sweeping synths and wailing distorted riffs, I’m completely besotted with this song. James’ vocals have a cold, yet slightly seductive quality, backed by the guys’ stunning but ominous vocal harmonies that have a kind of gothic horror film air, similar to what you’d hear in a film like The Omen or The Exorcist as they croon:

Rubbing shoulders with the devil
  (Anywhere you go I’ll go there)
Rubbing shoulders with the devil
 (Anywhere you stay I’ll be there)
Rubbing shoulders with the devil
 (Cause you drag me down)

James continues to sing the brilliant lyrics that speak to someone who leaves him feeling unsettled almost to the point of revulsion:

But every night I wake up to the smell of you
While I’m clutching to a dirty pillow
Your shadow stops the reflection of bedroom lights
And raises alarms in my head
Complain the swimming pool’s not as deep as your love darling
Guess your love is just so ardent
But every time I see someone drinking your cocktail
Take refuge inside the devil’s lair

I’m really impressed by the high quality of a lot of music videos being made by indie bands today (having also been blown away by the video UNDER AEGIS made for their song “Separate” that I just reviewed). Like the music, the gorgeously-filmed video has a dark feel similar to The Omen, and I think it’s brilliant that parts of it were filmed in a cathedral. It was expertly directed by Bradley Davies of Yosemite Bear Productions, and stars band frontman James, who now plays the role of the devilish character. He’s a nice-looking fellow, but that cold stare of his is downright malevolent! He’s shown carrying a briefcase as he lurks and skulks around in a disquieting manner, and at one point coldly watches a woman drowning in a pool, and even strangles a man in another scene. It’s pretty disturbing, but the scenes of the band performing the song in the cathedral balance things out quite nicely – both symbolically and literally.

I love this band and I love this song! It’s instantly one of my favorites of the year, and will most definitely end up on my list of Top 100 Songs of 2019.

Those of you fortunate to live in and around London can catch Revolvers at one of these upcoming shows:

Friday 7 June @ 7:30 pm – The Finborough Arms, London
Saturday 15 June @ 7 pm – Roadtrip & the Workshop, London

Connect with Revolvers on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on iTunes / Bandcamp

FOREVER X2 – EP Review: “Forever X2”

Forever X2 art

As I’ve stated previously, one of the many things I enjoy about having a music blog is learning about new indie musicians and bands who are making some really fine music. Another recent find is Los Angeles-based indie rock artist Forever X2, the music project of singer/songwriter and multi-instrumentalist Peter Verdell, who drops his debut EP Forever X2 today, May 22nd. He recently wrapped up an April residency at The Satellite in Los Angeles, which was presented by the legendary L.A. alt-rock radio station KROQ Locals Only program, featuring numerous standout acts from the L.A. music scene.

In his bio, Verdell establishes that he “wants to play power chords. And sing with some fuzz on his vocals. And make music that both his modern brain and his teenage brain would be psyched to hear on the radio.” Well, after listening to the six tracks on Forever X2, I would say that he accomplishes his goals quite nicely. He wrote all the songs in his apartment in downtown Los Angeles, and recorded them in a hot, non-air conditioned garage in Silverlake (where I lived for a brief time back in the 1980s). Verdell sang all vocals and played all the music, including guitars, drums, and keyboards.

In describing his creative process, he explained “I wanted the songs to capture how I felt when I first started playing music. Informal and fresh, sweaty and loud. The EP is special to me for a lot of reasons. It was about as DIY as it could get, and I needed it to be that way. I needed this new band to be fun and fresh and for there to be as few barriers between my brain and the recordings as possible. I worked with two talented dudes on the producing and mixing (Ari Berl and Yianni EP from a band called Pink Skies), and they did a great job. I wanted the songs to feel new but also to feel like they could’ve been on rock radio in 1997. I don’t know how close I got to that, but I’m in love with how the songs turned out. I think they feel fresh and new but also kind of familiar.”

Forever X2

In advance of the EP, Forever X2 released each of the six tracks as singles, beginning in the Fall of 2018 with “Keep the Devil Waiting”, which was recently licensed for an episode of CBS’ TV series Seal Team. The song has a rousing post-grunge vibe with grimy guitars and tumultuous drums. I like how Verdell inserts bits of distortion and reverb into the mix, ramping up the tension and excitement. His fuzz-soaked vocals have a seductive quality, a perfect match for the gnarly music and suggestive lyrics “So give me your love in a hurry. And leave your bible in the nightstand.”

“Think About It” is a fun, sexy song, and one of my favorites on the EP. I love the strong bouncy beat, chugging riffs of fuzzy guitars, and playful, almost psychedelic synths. Forever X2 tries to convince his love interest to quit wasting her time with Hollywood poseurs and get with him: “You need a man like me, someone you ain’t had. Try first with a name and a handshake over jack and a cola. Think about it. Tell me what you’re missin’. A man with a vision, and babe I see you so good.” Lyrics just don’t get any better than that!

The third single “Walk the Ocean” is another great grunge-pop tune, and received substantial airplay on KROQ for several weeks. The infectious song, as well as the following track “Mad For Me”, are both catchy as hell, with irresistible head-bopping beats that aim straight for the hips. Forever X2’s intricate guitar work is really quite marvelous on both songs. “God Don’t Want” has a moodier vibe, with harsh industrial synths and percussion, deep, pulsating bass and heavier, more distorted guitars that reach ear-piercing levels later in the song.

The final track and most recently released single “Forever Times Two” is a darkly beautiful love song, and my favorite on the EP. According to the website Get Some Magazine, which featured the single, the lyrics were inspired by author Stephen King’s book 11.22.63, about a time traveler named Jake who attempts to prevent the assassination of President John F. Kennedy. For the song, Forever X2 specifically addresses the doomed love affair between Jake and a woman named Sadie, who in the book is accidentally shot and killed by Lee Harvey Oswald, and dies in Jake’s arms.

The song is musically complex, slowly building in intensity as different instruments and sounds are gradually added in layers, creating a breathtaking and powerful soundscape for the deeply moving lyrics. Starting off with a sci-fi synth, a mix of percussive sounds – including drumbeat, hand clap and bell – ensue, accompanied by ominous synths and sounds of French police sirens as Forever X2 begins to sing in a breathy voice. As the music swells with warm keyboard synths, he sings “Softly calling. I’ve been waiting. I’ve been tracing lines to get back here Sadie. All my days, I’d trade ’em all over again. And I want to be with you ’til I’m gone.” Lush, swirling synths and chiming guitar are added as the music builds to a crescendo, at which point he repeats the lines singing as both Jake and Sadie. The music continues on, accompanied by his gorgeous soaring chorus, for a dramatic finish that leaves me completely covered in goosebumps.

Forever X2 is an outstanding EP, with six stellar tracks that beautifully showcase Verdell’s brilliant songwriting and musicianship. I love his sound and really enjoy listening to these songs again and again. I’m definitely adding this EP to my collection.

Connect with Forever X2:  Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on iTunes / Google Play

CRYSTAL CITIES – Single Review: “Under the Cold Light of the Moon”

Crystal Cities Single Pic

‘Dream Rock that sounds like Death Cab For Cutie had a War On Drugs with The Beatles.’ That’s how Australian band Crystal Cities describe their enchanting sound, and it’s spot-on. Their wonderful songs feature thoughtful lyrics and stunning melodies delivered by superb instrumentation and vocals. In March 2017, the Sydney-based three-piece released their outstanding and critically acclaimed debut EP Who’s Gonna Save Us Now. The gorgeous title track and lead single “Who’s Gonna Save Us Now”, which I featured on this blog that April, reached #1 on the Unearthed Overall Charts within a few days of its release, and ended up on my 100 Best Songs of 2017 list. Now they’re back with a stunning new track “Under the Cold Light of the Moon“, the lead single from their forthcoming album of the same name, set for release on 31 May.

Crystal Cities is comprised of the very talented Geoff Rana (Vocals, Guitars), Jared King (JK) (Bass, Backing Vocals) and Daniel Conte (Drums). Since the release of their EP, the guys have had a productive two years and have come a long way, from a garage in Sydney to Abbey Road Studios in London. First, they signed a record and publishing deal with global music company Audio Network (one of a group of companies owned by Toronto, Canada-based multinational mass media and entertainment company eOne). Second, through that partnership, the band had the opportunity to record their debut album Under the Cold Light of the Moon at the prestigious Abbey Road Studios.

According to Rana, the new single “was inspired by the plight of young North Korean girl Yeonmi Park who escaped North Korea in search of freedom.” After seeing her moving speech at the One Young World Summit 2014 in Dublin, Ireland, where she told the audience “When I was crossing the Gobi desert, scared of dying, I thought nobody in this world cared. It seemed that only the stars were with me. But you have listened to my story. You have cared. Thank you very much”, Rana felt compelled to interpret her story through a song.

Crystal Cities Yeonmi Park

And what a beautiful, uplifting song it is! Starting off with a faint whisper of synths and delicate tapping of cymbals, a chugging riff of jangly guitar, set to a thumping drumbeat, soon enter the mix along with Rana’s raspy, yet lovely vocals. The music gradually builds as layers of guitar and percussion are added, backed by lush orchestral strings that create a stirring, cinematic soundscape for the hopeful lyrics:

Made my way out through the desert
Made my way across the sand
Under cover of the night I’m face to face
I’ve been thinking of a place
I’ve been making my escape
Under the cold light of the moon

Rana’s intricate guitar work is gorgeous, while King and Conte keep a tight rhythm with their defty-played bass line and drums. The song, along with the rest of the album, was flawlessly mastered by Paul Stefanidis at Viking Lounge Mastering, engineered by Adam Alexander and John Romeo (assisted by Tayla Gibbs), and mixed by L.A.-based engineer Paul Lani (David Bowie, Prince, Megadeath). Regarding the provocative photo for the single and album which shows the guys blindfolded, Rana explained: “This album will have plenty of lyrical references to themes of escape, resistance, and limited/restricted views. Having us positioned in a sort of prisoner-like scenario with blindfolds on seemed a great way to represent these themes.” The photos are courtesy of Amy Benjamin Photography.

The beautiful animated video for the song tells the adventure of Yeonmi Park’s harrowing nighttime escape. It was created by Jordyn-Rae Morrison (The-F0X).

Connect with Crystal Cities:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes / Google Play

New Song of the Week – THE COMMON VIEW: “A Perfect Bridge”

The Common View single art

Back in February, I featured the wonderful young British band The Common View on this blog. Formed in 2018, the Leeds four-piece consists of Dom Robertson (guitar, vocals), Jose Ignacio Barrera (guitar), Jacob Lindsay (drums, vocals) and Joe Sykes (bass).  Their indelible and dynamic style of alternative rock is influenced by indie pop-rock, post-punk revival, ska and rockabilly. They released their self-titled debut EP The Common View, Vol. 1 in December 2018, featuring three outstanding tracks, then quickly followed with a provocative single “Fuck Them”, a scathing critique of the failure of British society and the government to adequately address the chronic issues of health care, poverty and homelessness.

Now they return with “A Perfect Bridge“, a sweet song of romantic love. The track opens strong with exuberant riffs of swirling guitars, sparkling synths and bouncy drumbeats, accompanied by lots of crashing cymbals. Dom and Jose skillfully capture the ardor of young love with their achingly beautiful and intricate guitar work, while Joe lays down a sultry bass line that adds a slow burn to the mix. Jacob’s fervent vocals are marvelous, and nicely complemented by the guys’ fine backing harmonies. It’s another terrific release from these talented young gentlemen.

I’m gonna stop the world for you and me,
by writing songs for us and backing up the beat.
Let’s go and fly away to hold the mystery,
We don’t need any words to see what it could be

Help me out to build the perfect bridge,
across the love, because I wanna feel your lips.
We have places that we know that we can be,
one is where your magic’s good to me

I wanna make you feel alive tonight
By looking for your thoughts, I wanna cross that line.
it’s such a perfect day to see the blue sky,
out in the open sun we’ll lose track of time

Help me out to build the perfect bridge,
across the love, because I wanna feel your lips.
We have places that we know that we can be,
one is where your magic’s good to me

So, would you like to cross this bridge with me?
I’ll ignite my bones if that is what you need
We have places that we know that we can be,
Just don’t forget that always we can
Use hope, oh honey use trust, oh honey use love as our bridge

Catch The Common View at one of these upcoming shows:

Wednesday, 22 May @ 7 PM – w/ Suns Up & Hakara, Late Nights at West Street Live
Thursday, 23 May @ 6 PM – w/Ourkid, The Stocks, We The North @ Bar21uk, Manchester, UK
Friday, 31 May @ 8 PM – w/The Marble Arches, Solarays, Ben Bickley @ 360 Club, Leeds, UK
Sunday, 2 June @ 12 PM – Below The Bridge // End Of Term special! @ Zombie Shack, Manchester, UK
Saturday, 29 June @ 6 PM – SoundWaves Music Competition – The Final @ O2 Academy, Leeds, UK
Saturday 13 July @ 7:30 PM – w/The Masons & Paradas @ Gullivers NQ, Manchester, UK

Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation / Apple Music
Purchase on iTunes

MARS MOTEL – Single Review: “Coming Up For Air”

I’ve been following Brooklyn, NY-based alternative/dream rock band Mars Motel for a while now and love their captivating music, but somehow neglected featuring them on this blog. After hearing their gorgeous new single “Coming Up For Air“, which dropped on May 10 and premiered on the music website Substream Magazine, I quickly had to remedy that sorry situation.

Mars Motel

Formed in 2017 by singer/songwriter and guitarist Sarik Kumar, Mars Motel’s roots actually go back more than a decade earlier. While visiting his parents in Long Island in the summer of 2016, Kumar found some nearly-forgotten demos of songs he’d recorded in his bedroom and saved on his old computer during his senior year of high school.  The rediscovery of these songs inspired Kumar to pursue his love for creating music and form a band he named Mars Motel. Kumar brought the demos to producer Tommy Eichmann at Mission Sound in Brooklyn, NY, where they reworked them into five singles that melded a dreamy 90s Britpop vibe with an immersive, guitar-driven wall of sound influenced by the likes of Pink Floyd, Radiohead and The War on Drugs. These singles, including “The Enemy”, “Green” and “Living in the Moment”, were released over a period of months in 2017 into early 2018. I strongly recommend that my readers check them out, as they’re all pretty incredible.

Along with Kumar, the band lineup now includes  Wes Wynne (Guitar), Justin Lieberthal (Bass) and Craig Stauber (Drums). Following the critical and commercial success of their initial single releases, the band released a live EP The Eclipse Sessions, featuring live recordings of some of those singles and two previously unreleased B-sides. The EP was recorded on, and named for, the Great American Solar Eclipse that spanned the entire United States on August 21, 2017. The band is now working on their forthcoming album Passenger X, which was recorded at Virtue & Vice Studios in Brooklyn with engineer Rocky Gallo, and scheduled for release later this year. The first single off that album is “Coming Up For Air”.

It’s a stunner of a tune, with swirling riffs of chiming guitars backed by shimmery synths and a pleasing rhythm section of gentle bass and confident thumping drumbeats. They all meld into a breathtaking soundscape for Kumar’s beautiful, soothing vocals. He told SubstreamThis song is about an android-like being longing to be human and attempting an alteration. It captures the universal need for connection and the loneliness one can feel in being viewed as an outsider.” With just the right balance of smooth crooning and soaring passion, Kumar sings: “D’you see me now, floating. D’you see me now, walk on water. Nobody’s watching today. Nobody’s watching my ways. Can you feel it now? Electric heartbeat running parallel. One more spark and I’m through. I can’t wait to be with you. I’m coming up for air.

“Coming Up For Air” is a marvelous song, and offers a promising glimpse into what we can expect to hear on Passenger X. I can’t emphasize enough how much I love every song Mars Motel has put out thus far, and I’m eager to hear more great music from this exceptionally talented band.

Catch Mars Motel at one of these upcoming shows:

Thursday 30 May 2019 – Pianos, New York, NY
Mars Motel with Loona Dae and Sundaes (US)


Mars Motel with The Exits (NYC)


Mars Motel with Above The Moon and PLZ RSPND


Mars Motel with Heavenly Faded

Cover photo by Andrew Segreti.

To learn more about Mars Motel, check out their  Website
Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / YouTube
Purchase on Bandcamp / iTunes

STEREOHAZE – EP Review: “Fight For Your Future”

Stereohaze EP art

Stereohaze is a band from Manchester, England who, despite their youth, play some wicked guitar-driven rock. Formed in 2017, the lineup includes Charlie Whittaker (guitar/vocals), Ryan Webb (guitar), Harry Wilcock (bass) and Diesel Evans (drums).  They released a top-notch first single “Nowhere to Go” in 2018, and this April (2019) they dropped their debut EP Fight For Your Future, which I’m reviewing today.  

The EP starts off on a high note with “Infliction”, and once those chugging riffs of jangly guitars kick in, backed by Harry’s deep, humming bass line and Diesel’s explosive percussion, it’s clear this band knows how to rock out! I really like Charlie’s commanding vocals that soar in all the right spots, and what I’m guessing is his or Ryan’s scorching guitar solo in the bridge is so good.

“Contain Yourself” was released as a lead single in advance of the EP, and it’s a superb song with a terrific, infectiously catchy hook. It opens with a funky bass riff that continues throughout the song, punctuated by roiling guitars and tumultuous drums in the choruses. The lyrics seem to speak of a guy who’s life has spun out of control: “He tries and he tries to commend himself to fears of what he used to be.  He falls apart as he begins to choke. If love was money, he’d be broke. So much potential. So little time. So incidental. But you’re not the kind.

“Nothing Seems to Change” is a brooding rock song about a relationship in which, despite his best efforts, his partner isn’t willing to meet him halfway: “I tried so hard to figure it out. I lost myself in your shadow of doubt. For what it’s worth, there’s a smile upon your face, but nothing seems to change.” Musically, the song features a strong, thumping drumbeat and fine guitar work that includes lots of shredding and elements of psychedelia and grunge. In fact, the recurring riff seems to sample the two-note guitar line of Nirvana’s “Smells Like Teen Spirit”.  On this and some other tracks, Charlie’s vocals remind me a bit of Alex Turner.

The aptly-named “Light the Fuse” is the most electrifying track from a musical standpoint. I love its rapid, hard-driving beat and intricate mix of fuzzy, chiming and distorted guitars. The vocal harmonies are marvelous, and the guitar solo in the bridge is absolute fire. “Don’t Think Twice” is yet another stellar tune, with strutting riffs of gnarly guitars, pulsating bass and pounding drums. The song seems to be about someone who’s lost and in denial about what’s wrong in their life: “I don’t want to be the one to follow you out into the sun. I know what you’re thinking, it’s alright. I know it seems so hard, but don’t think twice.

While Stereohaze doesn’t break any new ground here, they nevertheless deliver outstanding, hard-hitting rock music that makes for an exciting and enjoyable listen. Fight for Your Future is a first-rate EP full of solid tracks that showcase the guys’ talent for writing melodic rock songs laden with hooks and thoughtful lyrics, and bringing them to life with their skillful musicianship. I highly recommend this EP for anyone who likes great, guitar-driven rock.

Connect with Stereohaze:  Facebook / Twitter / Instagram
Purchase their music on iTunes / Amazon

HEIST AT FIVE – Single Review: “Falling With Style”

Heist at Five Falling With Style2

When I last featured the wickedly talented and undeniably charismatic UK band Heist at Five on this blog in October 2018, they had released their fantastic single “Finish What You Started”. I reviewed the song and also interviewed the band, which you can read here.  Based in London, but with an international pedigree, the electro/hard rock collective plays an aggressive, innovative style of alternative rock that borders on experimental, with complex melodies, intricate chord progressions and brilliant electronic and guitar-heavy instrumentation. Making the music are Oskar Abrahamsson (vocals), Jozef Veselsky (guitar), Marco “Fuzz” Paone (bass) and Josh Needham (drums), with assistance from production guru Kim Björnram. They released their impressive debut EP The Blacklist in early 2018 (which I also reviewed), and now return with an exciting and introspective new single “Falling With Style“, and it’s one of their best songs yet.

The band states “the song is about fully embracing the idea of failure and finding comfort in it”, and it’s message is delivered with a glorious soundscape of elaborate instrumentation and sounds. Jozef is an amazing guitarist, dazzling our senses with incredibly intricate riffs and spine-tingling power chords. Marco and Josh keep the rhythm with a deep, throbbing bass line and powerful drums, backed by swirling moody synths and otherworldly but beautiful electronically-enhanced soaring choruses.

Oskar’s fervent vocals are spectacular, raising goosebumps as they go from sultry purr to tender falsetto to emotionally wrought wails as he sings:

Now we’re fighting for our life just to get our balance back
How we see the world shakes, under attack
The sky is caving as its weighing down these skinny legs
We’re slowly getting close to the edge

It’s all been shattered, torn apart
Burnt to pieces, right from the start
It all falls
But does it matter, for us at all
When all you need is, to fall with style

The song has been translated into a brilliant and surreal video that tells the story of a young woman who sees moments of her life in flashbacks, which ends up changing her perspective about life, and in the process breaks her old pattern of decision making. The video was written, directed and edited by Oskar, and filmed by James Kiberu at IPuzzle Digital Media Video. The woman was played by Anoushka Rava, and the lead girl by Julie Rabesahala.

Connect with Heist at Five: Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Soundcloud
Purchase on iTunes / Bandcamp / Google Play