Top 30 Songs for March 29-April 4, 2020

1. DON’T START NOW – Dua Lipa (1)
2. EVERYTHING I WANTED – Billie Eilish (2)
3. BLINDING LIGHTS – The Weeknd (27)
4. USED TO LIKE – Neon Trees (5)
5. DANCE OF THE CLAIRVOYANTS – Pearl Jam (6)
6. THE BEST – AWOLNATION (3)
7. LOVE YOU FOR A LONG TIME – Maggie Rogers (9)
8. VAN HORN – Saint Motel (10)
9. ADORE YOU – Harry Styles (11)
10. UNCHAINED – Devon Gilfillian (12)
11. BLACK MADONNA – Cage the Elephant (13)
12. LOST IN YESTERDAY – Tame Impala (14)
13. LIFE IN THE CITY – The Lumineers (8)
14. WARS – Of Monsters and Men (4)
15. COLORS – Black Pumas (16)
16. TEXAS SUN – Khruangbin & Leon Bridges (17)
17. HERO – Michael Kiwanuka (18)
18. NOVOCAINE – The Unlikely Candidates (7) 23rd week on list
19. SHINE A LITTLE LIGHT – The Black Keys (22)
20. OH YEAH! – Green Day (23)
21. OVER AND OVER – Amongst Liars (25)
22. BAD DECISIONS – The Strokes (26)
23. HOW WE LIVE – Mandalan featuring Cadence XYZ (15)
24. ME & YOU TOGETHER SONG – The 1975 (28)
25. YOUR LOVE (DÉJÀ VU) – Glass Animals (30)
26. MARINERS APARTMENT COMPLEX – Lana Del Rey (19)
27. GO EASY – Matt Maeson (29)
28. CAN’T STOP – Vox Eagle (20)
29. LET’S FALL IN LOVE FOR THE NIGHT – FINNEAS (N)
30. CAUTION – The Killers (N)

NOVUS CANTUS Creates a Stunning Video for their NPR Tiny Desk Contest Submission

Novus Cantus

Yesterday, I wrote about COUNCIL, a band from New York State consisting of three brothers, and today I turn to another music act from New York State and also consisting of brothers, known as Novus Cantus. Comprised of Alexander (vocals and guitar) and Christian Herasimtschuk (drums and percussion), they’re also one of the more unique acts I’ve had the pleasure of featuring on this blog. (You can read my prior reviews under “Related” at the bottom of this post.)

Hailing from the Hudson River Valley in and around Poughkeepsie, Novus Cantus draw from an eclectic mix of influences including traditional ethnic music like flamenco and Hungarian folk, classical Medieval, Renaissance and Baroque, and rock – particularly that of Jethro Tull, Gipsy Kings and Metallica – to create their rich and exotic sound. They’ve been performing and recording together since 2010, and have released a number of superb songs that I urge my readers to check out on one of the music sites listed below.

The duo recently submitted a stunning video performance of their captivating song “Sophia” to NPR for their 2020 Tiny Desk Concert competition. Capitalizing on the Medieval sound of the track, which is itself a celebration of the famed Hagia Sophia Cathedral in Istanbul, Turkey, they created a video showing them performing the song in a Renaissance setting. The video starts off with them portrayed as if they were in a classic old-world painting, then one by one each of them comes alive to perform the song. It’s like a beautiful painting of two troubadours come to life. They produced the brilliant video with the artistic and technical insights of James MacBrien and Julie Casper-Roth, who also provided the necessary equipment to make it all come together.

Watch the enchanting video:

Connect with Novus Cantus:  Website / Facebook / Twitter
Stream their music:  Spotify / Apple Music / Soundcloud
Purchase:  cdbaby / Reverbnation / iTunes

New Song of the Week – COUNCIL: “Savages”

Council Savages

I’ve been following New York alternative rock band COUNCIL for the past four years, and have featured them on this blog a number of times, beginning in 2016 when I reviewed their debut EP Rust to Gold, and most recently in June 2019 with the release of their single “Born Ready”. (You can check out those reviews under “Related” at the bottom of this post.) Through their signature sweeping melodies, bold instrumentation and anthemic choruses, COUNCIL’s dynamic sound has been compared to Imagine Dragons. Their magnificent life-affirming single “Rust to Gold” received worldwide acclaim, including being played at the opening ceremonies of the 2018 Winter Olympics and the FIFA World Cup, as well as on American Idol, So You Think You Can Dance, World Of Dance and Premier League. It’s been streamed more than 7 million times on Spotify, and ended up on my list of 100 Best Songs of 2017.

Council3

COUNCIL is comprised of three strikingly handsome brothers – Patrick, Doug and Andy Reeves. Patrick (bass and lead vocals) and Doug (drums) are twins, and Andy (guitar) is a year younger. Raised on a farm in rural upstate New York, they now split their time between tending the family farm and working on their music in New York City. The guys have just released their latest single “Savages“, which I’ve chosen as my New Song of the Week.

It’s a darkly beautiful and grandiose anthem, highlighted by a complex mix of dramatic industrial synths. The track opens with spooky synths and haunting plucked guitar notes that set an ominous tone. The music then expands with sharp percussive synths, deep bass and thunderous echoed reverb sounds that add a palpable sense of tension and foreboding. The instrumentals are really spectacular, and the finest of any song COUNCIL has done thus far.

The lyrics speak of a couple for whom the love that originally brought them together has turned into hate and acrimony for one another. Patrick fervently laments that they now behave like savages to each other, his vocals soaring to a passionate wail in the chorus.

All the plans that we made were just a lost cause
It’s like we turn a parade into a death march
A dirty angel landed on my shoulder
She said be calm and let the drums take over
I’m just trying to blow these ashes into sparks
We live like savages, savages…oh oh, savages!

Connect with Council:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / ReverbnationApple Music
Purchase it:  iTunesGoogle Play

BRENNAN DYLAN – EP Review: “Walking Through Fire”

As a music blogger, I follow thousands of artists and bands on social media, and have written about several hundred of them on this blog. Many are extremely talented musicians, songwriters, composers and/or performers, and one of the guitarists who really stands out in the crowd is Brennan Dylan. Originally from Canada and now based in Nashville, he’s a beast on his six-string, and has been compared to Steve Vai, Joe Satriani and Jeff Beck. Today I’m shining my spotlight on his 2016 EP Walking Through Fire, a fantastic work featuring six guitar-driven instrumental tracks.

Born in Vancouver, B.C., raised in Ottawa and then Toronto, Dylan has had a love and aptitude for music since early childhood. He began playing sax and composing music at the age of 10. He told me that, by playing sax, he learned how to play individual note melodies and to improvise. His parents encouraged him to think outside the box and explore music by writing his own creations. In his bio, he recalls: “When I was 14, I picked up a guitar for the first time; it was like I’d inherited freedom. My high school music teacher told me that guitar wasn’t an instrument. I ignored him and studied rock/metal guitar for the first year.

Brennan D as boy

In high school, he started writing rock and metal songs, and performed classical, jazz and swing in school stage bands. He also performed jazz, rock and blues improv guitar at a local club 2-3 times a week with local/touring acts. He studied classical guitar, delving into everything from Motorhead to Dick Dale to Bach. He was in a surf band one summer, then moved into electronic music, which he incorporated into hard rock and metal songs he wrote. He beautifully articulates his passion and inspiration for rock and metal:

“Pure rippin’ metal has been coursing through my veins since I first picked up a guitar. My adventures to incorporate every genre that has a beat into my metal compositions was very necessary and still is. I want to study it all but most of all I want to become a better guitar player and composer. By straying from the herd I think that I can accomplish that…no one has a monopoly on anything, even a flat tire kicks off a beat. I may not like all music genres but I’ve always been able to find great guitar players and/or composers in all I’ve studied.

He eventually relocated to Boston to study Performance Guitar at Berklee College of Music, then headed west to LA where he played the Sunset Strip as a solo artist, performing with some major acts, including Michael Angelo Batio, DeathRiders and Gorillaz at the Whisky a GoGo. In 2010, Dylan released his first self-produced CD Bullet Ride, followed two years later by Broken Glass, which received positive reviews and radio play, including a CBS Radio interview and press in Performer Magazine, NME & Guitar World. In 2013, he dropped his third CD Raining in Berlin. Still restless, he relocated to New York City that same year, where he formed his band Men Without Armies. They released a self-titled EP Men Without Armies in 2014, but then Dylan literally became a ‘man without an army’ after the band’s drummer and bassist/vocalist abruptly quit to follow other pursuits.

Men Without Armies Walking Through Fire

He had written a number of new songs and wanted to record some of them for a second EP, but with his drummer and bassist/vocalist gone, Dylan decided to release six of the songs as instrumental-only tracks. For the recording of what would become Walking Through Fire, he played all instruments, including guitar, bass, keyboards and synths, and hired a sound engineer to program the drums. He also produced all his own songs.

An imaginative and creative songwriter, Dylan told me he composes in his head, mentally hearing all the melodies, instruments and sounds, then laying them down in the studio. “I go into the studio with ideas only. I compose as Mozart composed. ‘Falling Through Skies’ is a perfect example. On my final day [of working on] Walking Through Fire, I created ‘Falling Through Skies’ on the way to the studio.”

Each of the six tracks are fairly similar, melodically speaking, starting with a foundation of sweeping synths, and highlighted by spectacular extended guitar solos that serve to showcase Dylan’s extraordinary guitar-playing skills. The first track “Drowning Tide” is a great example, with jaw-dropping shredded riffs of swirling and distorted guitars. As someone who cannot play a single instrument, watching Dylan play his guitar in the video is a religious experience for me. He literally owns his instrument, his fingers running up and down the fretboard like a true jedi master as he makes it wail and sing. No lyrics or vocals are necessary here, as the explosive riffs and melodic keyboard synths more than speak for themselves.

On “Conquer the Emperor” he delivers staccato machine-gun riffs that bring chills, backed by beautiful, haunting piano keys. “Breaking Away” opens with lovely melodic synths, then expands with a dramatic and intricate guitar solo, accompanied by a deep, buzzing bass line that continues throughout the track, finally calming back down to the synths we heard at the open. “Courage Before Glory” and “Resistance” are gorgeous extravaganzas of wailing guitars, staccato riffs and inspiring piano keys, all evoking a strong sense of courage as inferred by the song titles.

The final track “Falling Through Skies” is fantastic, with breathtaking guitar work that truly boggles my mind and ears! He coaxes sounds from his six-string that somehow manage to musically capture the adrenaline rush fighter pilots must feel as they zoom through the air at top speed, aiming their fire at opposing targets while trying to evade incoming fire. Holy shit, this man can play the guitar! He created the perfect video for the track using dramatic World War II film footage of fighter pilots conducting bombing raids and engaging in aerial battles.

Track listing:
1. Drowning Tide
2. Conquer the Emperor
3. Break Away
4. Courage Before Glory
5. Resistance
6. Falling Through Skies

Walking Through Fire is outstanding, and if you love intense, guitar-driven metal rock, you will enjoy this EP. Dylan will soon be heading back into the studio to record songs with Men Without Armies for an upcoming EP.

Follow:  Facebook /  Twitter /  YouTube
Stream their music:  Soundcloud /  Reverbnation
Purchase:  Reverbnation

TUNGZ – Single Review: “Can’t We Just Be Friends Again”

Tungz single art

I recently learned about British band Tungz when their PR rep reached out to me about a possible review of their latest single “Can’t We Just Be Friends Again“, and after listening to a few of their songs I’m now a big fan of this charming foursome. Formed in early 2017, and based in Bristol & London, Tungz is comprised of Jamie Maier (guitar, vocals), Nicky Green (keyboards, vocals), Ollie Horne (bass) and Rick Holland (drums). Drawing from elements of pop, funk, soul and disco, they create wonderful music that’s upbeat, melodic and overflowing with smooth, soulful grooves. Having two vocalists also gives their songs extra vibrance and color.

Tungz

They released their enchanting debut single “Window Love” in 2018, then followed up with the delightful “Fruit”. In October 2019, they dropped their self-produced EP Okay, featuring four outstanding tracks that are far and away better than okay. They now return with ‘Can’t We Just Be Friends Again’, released via their label Heist Or Hit on March 12th.

About the song, the band states “The track is an open dialogue about wanting to snap back to being happy with someone you’ve only ever really been cool with before. [The opening line] ‘This is BS and we said this was golden paradise’ expresses the weird frustration that comes with trying to argue with someone you don’t know how to argue with because you’ve never had need to do so. It’s about two people who’ve never really started an argument trying to end one. This track feels like a statement to us. But it’s also a question. That’s why we left off the question mark. We went heavy on the production – it’s gonna be a nightmare to work out how to play it live.

Starting with a lively mix of bouncy percussive drum beats as a foundation, the guys add layers of swirling and warbling synths, funky guitars and throbbing bass to create a sexy and soulful sound with a retro 80s vibe. As I listened to the song, I sensed a familiarity that took a bit of thinking, but it eventually dawned on me that it sounds like some of the songs by 80s British bands Go West and Scritti Politti. Jaime sings lead vocals on this track, and I love his smooth voice and fervent delivery that beautifully conveys the urgency expressed by the lyrics:

This is BS
And we said this was golden paradise
Pretty pointless
This isn’t even what we are like

It doesn’t have to be so hard (Can’t you see what you’ve done to me?)
Aren’t we both on the same team? (Take a look what you did to me)
Can’t we just skip this part (Can’t you see what you’ve done to me?)
If we both want the same thing? (Take a look what you did to me)

(Blame myself but it’s bad for my health to blame myself when you’re not blameless either)

Can’t we just be friends again?
Can’t we just be friends again?
You know it’ll be easier on me

Sadly, due to the nasty virus now plaguing the world, their tour to promote the new single ended after the first show at Bristol venue Rough Trade. They hope to restart the tour this summer, music gods willing.

Follow TUNGZ:  WebsiteFacebookTwitter / Instagram
Stream their music:  SpotifySoundcloudApple MusicYouTube
Purchase:  BandcampGoogle Play

HOLLOW INTENT – Single Review: “Superhero”

Hollow Intent Superhero

Since forming in 2016, Wilmington, North Carolina-based hard rock band Hollow Intent have been perfecting their explosive, guitar-driven sound and building a growing base of loyal fans. Their hard work finally started to pay off in 2019, when in May they were nominated for the 2019 Carolina Music Award’s Best Rock Group, with front man Will Baker also nominated for Best Rock Male. Then in August, they released their outstanding debut EP Monster to widespread critical acclaim (including from yours truly, which you can read here).

In addition to Baker, who plays guitar and sings vocals, Hollow Intent includes Mark Davis on drums, Shane Noren on bass, and Wesley Seven on guitar. The fearsome foursome are now back with a hard-hitting new single “Superhero“, which dropped March 20. The band states that the song is “about anyone with a ‘disability’ or ‘ailment’ that has the courage to shine through anything! Your weakness is a strength!

The guys deliver another stellar track, maintaining their perfect score in terms of overall song quality. “Superhero” storms through the gates with an explosive barrage of raging guitars, pulse-pounding bass and smashing drumbeats set to a beautiful sweeping melody. The gnarly guitars are punctuated by pummeling jack-hammer riffs that together create a thunderous wall of sound for Baker’s ferocious vocals. As I pointed out in my review of Monster, he has a phenomenal vocal range that sounds beautiful and pleasing when singing clean, and positively feral when he launches into his metalcore screams and growls. His ability to transition from one vocal style to the other and back again is really impressive. It’s a gorgeous hard rock banger.

They also produced their very first video for one of their songs, which was directed by Jaiden Hord Frost, and filmed at The Warehouse Music Hall in Laurinburg, North Carolina. The video shows the band performing the song, interspersed with dramatic scenes of a young couple played by Will’s brother Nathan Baker and Annabelle Sanchez being held captive by a threatening-looking guy played by Tom Fuller. The unfolding drama seems to be a virtual imagining by the young man as he plays a kind of game on his laptop. The young man finally realizes that his eccentricities are nothing to be ashamed of, and summons his inner ‘superhero’ to overcome the bad guy and save their lives. The video ends with the words “Courage is not the absence of fear, but rather the assessment that something else is more important than fear.”

Connect with Hollow Intent:  Facebook / Twitter / Instagram
Stream “Monster” on Spotify / Apple Music
Purchase on Bandcamp / Google Play

THE WINACHI TRIBE – Single Review: “Funky But Chic”

Winachi Tribe Funky But Chic

British electropop/funk band The Winachi Tribe make some of the catchiest and fun music of any artists around today, and I love them! Based in and around Leeds, they draw from a ton of legendary influences such as Parliament-Funkadelic, Sly & The Family Stone, Primal Scream, Grandmaster Flash & The Furious Five, Massive Attack, The Stone Roses, Talking Heads, D’angelo, Prince and Daft Punk to create their infectious funk-infused style of electro/dance pop. In 2018, I reviewed their fantastic song “Transition”, and am thrilled to feature them once again with the release of their latest single “Funky But Chic“, which dropped on March 6th. The delightful song is a marketing collaboration with iconic Italian fashion brand Pantofola d’Oro, and coincided with the release of the very handsome and sporty Pantofola d’Oro Winachi Collection Trainers, pictured in the heading.

Formed in 2015, The Winachi Tribe is comprised of Liam Croker (vocals), Antony Egerton (keyboards, programming), Inder Goldfinger (percussion), Jamie McGregor (lead guitar),  Ritchie Rich (bass) and Mr. Whommit (drums) (although their previous guitarist Mike Bee played on “Funky But Chic”). All accomplished musicians in their own right, they’ve collaborated with musicians and producers in both the UK and Southern California, and have released a number of critically acclaimed singles.

Winachi Tribe2

As with many of their songs, they start off with a bouncy dance beat that aims straight for the hips, immediately hooking us in and commanding that we get up and get moving! Then they serve up generous helpings of wobbly psychedelic synths, funky guitars, throbbing bass and snappy percussion. The result is a delicious and upbeat tune with more funky grooves than a boxful of Funkadelic records. Liam’s wonderful vocals exhibit equal amounts of humour and sexiness as he croons with a cool and casual air:

I got a pair of shoes I swear that somebody gave me
My mama says I look pretty fruity but in jeans it feels rockin’
I don’t wear nothing that’s too fussy on me
I just want something so I can walk down your street
Eh, come on baby, let’s get on down to the boutique
Let’s bring back something that’s funky but it’s chic

The entertaining video was produced by John X of Earthstar Creation Center, and directed by Pro Direct Select, and shows some of the band members sneaking into a warehouse to steal several pairs of the trainers. They then go on a high-speed chase with a police car through the countryside, finally eluding the police and connecting with a guy played by Liam who’s waiting for their haul in a parking garage.

Connect with The Winachi Tribe:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Soundcloud
Purchase:  iTunesGoogle Play

Top 30 Songs for March 22-28, 2020

We need some fun and exciting music to help rescue us from these rather depressing times, and Dua Lipa’s “Don’t Start Now” is the perfect song to do it! It leaps five notches to #1 this week.

1. DON’T START NOW – Dua Lipa (6)
2. EVERYTHING I WANTED – Billie Eilish (2)
3. THE BEST – AWOLNATION (3)
4. WARS – Of Monsters and Men (4)
5. USED TO LIKE – Neon Trees (5)
6. DANCE OF THE CLAIRVOYANTS – Pearl Jam (7)
7. NOVOCAINE – The Unlikely Candidates (1) 22nd week on list
8. LIFE IN THE CITY – The Lumineers (8)
9. LOVE YOU FOR A LONG TIME – Maggie Rogers (9)
10. VAN HORN – Saint Motel (12)
11. ADORE YOU – Harry Styles (13)
12. UNCHAINED – Devon Gilfillian (15)
13. BLACK MADONNA – Cage the Elephant (16)
14. LOST IN YESTERDAY – Tame Impala (17)
15. HOW WE LIVE – Mandalan featuring Cadence XYZ (11)
16. COLORS – Black Pumas (19)
17. TEXAS SUN – Khruangbin & Leon Bridges (20)
18. HERO – Michael Kiwanuka (21)
19. MARINERS APARTMENT COMPLEX – Lana Del Rey (14)
20. CAN’T STOP – Vox Eagle (18)
21. MIGHT BE RIGHT – White Reaper (10) 20th week on list
22. SHINE A LITTLE LIGHT – The Black Keys (24)
23. OH YEAH! – Green Day (25)
24. REASONS I DRINK – Alanis Morissette (23)
25. OVER AND OVER – Amongst Liars (27)
26. BAD DECISIONS – The Strokes (28)
27. BLINDING LIGHTS – The Weeknd (N)
28. ME & YOU TOGETHER SONG – The 1975 (29)
29. GO EASY – Matt Maeson (30)
30. YOUR LOVE (DÉJÀ VU) – Glass Animals (N)

DEBRIS DISCS – Single Review: “We Never Die”

Debris Discs is the solo music project of British singer-songwriter James Eary, former front man of Manchester, England alternative dream pop band Coves & Caves. Last October, I featured his first single “Animals“, and now he’s back with his third release “We Never Die“. It’s a beautiful and poignant song that touches on the notion that love is a powerful and enduring component in the cycle of life. The song is part two of his hope and survival themed audio triptych, the first of which was his previous single “Daniel and the Apocalypse”, which he released in January.

Eary states that the song was inspired by a visit to his grandparent’s memorial bench on a windswept day on the Northwest English coast. “‘We Never Die’ is an attempt to find comfort in the despair of loss. It tells the story of lifetime lovers so entwined they reach their end of days in tandem. They search for solace in the legacy they leave behind and a love that burns in perpetuity. It’s a message to each other and their families that this is not the end. There are no goodbyes.

“We Never Die” is an enchanting dream pop gem, fashioned from a rich palette of swirling glittery synths, subtle guitar chords and gentle percussive grooves. Debris Discs skillfully incorporates all these musical elements into a lush, sweeping backdrop for his sweet vocal harmonies, resulting in an achingly beautiful track that captures the power and romance of an enduring love. He has a marvelous singing voice that registers in the higher range, just below a falsetto, and it’s positively sublime on this track.

It’s ok we never die
They keep our dreams
And our names they engrave in aluminium
On a park bench plaque
For all to see
Who we were, what we did, where we’ve been

Muscles knotted
All our words forgotten
Milky eyes, milky eyes
We’ve come too far
So now we wait for stars
And no goodbyes, no goodbyes

It’s ok we never die
No eulogy
Just a spark, flickers free from the embers
To illuminate and help them see
Who we were, what we did, where we’ve been
Who we were, what we did, where we’ve been

Connect with Debris Discs: Twitter
Stream his music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play

TWO FEET – Album Review: “Pink”

Two Feet 2

Amidst all the bad news of late regarding rogue viruses and collapsing financial markets, one of the few bright spots has been the release of the new album Pink by singer-songwriter and guitarist extraordinaire Two Feet. Released via Republic Records on March 13th, I’ve had Pink on repeat for the past several days, and can emphatically state that it’s the best album of 2020 so far. I’m writing this review with a bit of trepidation, as I hope to do justice to this magnificent work.

For those unfamiliar with Two Feet, he’s the musical alter-ego of New York City-based singer, songwriter, multi-instrumentalist and producer Zachary William “Bill” Dess, who I think is one of the finest guitarists around today. His songs are slow burns, characterized by soulful, smoldering vocals, intense, bluesy riffs, cool jazz and hip-hop undertones, and booming synth bass grooves that cut straight to our cores. He also writes brutally honest and compelling lyrics that resonate with many of us. As beautifully described in his Google Play bio, “his songs are the soundtrack for staying up late into the night, aching to figure out how to remedy heartbreak, anxiety, and uncertainty.”

Two Feet first gained notoriety in 2016 with the release of his single “Go Fuck Yourself”, which quickly went viral on Soundcloud. He soon followed up with a couple of EPs (the cleverly titled First Steps and Momentum), then hit the big time in the summer of 2018 with his breakthrough hit “I Feel Like I’m Drowning”. The gorgeous song went to #1 on the Billboard Alternative chart, and ended up at #18 on my list of 100 Best Songs of the Decade. That October, he released his extended EP A 20 Something Fuck, which featured “I Feel Like I’m Drowning” and the beautiful track “Hurt People”, a deeply personal and haunting duet with Madison Love.

I had the pleasure of seeing him perform in Los Angeles in November 2018 (you can read my review here). He spent the first few months of 2019 touring with Panic! At the Disco, which exposed him to a whole new audience who hadn’t heard of him previously. I relished reading all the tweets from people who’d gone to see PATD and came away enthusiastic new fans of Two Feet. In fact, I have to say that his are some of the most fiercely loyal and devoted fans I’ve seen for any artist. He’s made a point of being open and honest with his fans and followers about his own personal struggles with depression and anxiety, and engages with them fairly regularly on Twitter. That’s pretty rare for artists once they become well-known, so it shocked the hell out of me a few months ago when he tweeted words of encouragement to me in response to my tweet about feeling depressed and overwhelmed. Needless to say, I was deeply touched, and it made me love him even more.

Two Feet 3

He started writing songs for Pink in the fall of 2018, some of them influenced by events happening in his life. In September 2019, he began teasing his fans by dropping a series of tracks in advance of Pink’s release, beginning with “Lost the Game” – though it falls squarely in the center of the track listing. In a heartfelt statement, he expresses his hope that the album will touch us in a meaningful way, also recommending that we listen to it in its entirety, from beginning to end: “With the way the world is going right now, I hope listening to it gives you some peace, or makes you cry, or makes you feel sexy, or makes you happy, or briefly brings you to a different world. As long as you feel SOMETHING, I’m good with that. I worked hard on the track list. This isn’t an album of singles, it’s a ‘thing-in-itself’. Please listen in order. Front to back.”

Two Feet records and performs his music with the assistance of his longtime keyboardist/drummer Geoffrey Hufford (aka Huff), who is adept at delivering the deep, floor-rattling synthesized bass that gives his music such incredible depth. This can clearly be heard on the minute-long opening track “Intro“, with chest-thumping beats surrounded by swirling psychedelic synths and Two Feet’s bluesy guitar notes. Up next is the title track “Pink“, a song that beautifully encapsulates the album’s overall theme. He states “A lot of the songs deal with the passage of time and how you interpret it.”, a topic nicely articulated by the song’s introspective lyrics: “25 don’t feel the same way… / And I keep getting older / My mind is getting colder / The things that all once mattered, I know for sure won’t last.” His intricate guitar work is stunning, and even if you didn’t listen to another track on this album, you’d still have to concede that he’s a phenomenal guitarist.

For this album, Two Feet incorporates a wider range of elements into his songs than ever before, resulting in a more diverse and exciting overall sound. “BBY” is a good example of this, with its bouncy EDM beat that builds as the song progresses. Once again, his guitar work is fantastic, and I love the sweeping spooky synths and his seductive, breathy vocals. “Call Me, I Still Love You” is a gorgeous and bluesy instrumental interlude that provides a perfect segue to “You?“, a dark scorching-hot song about coming to the realization that the relationship was always one-sided: “So tell me the truth was it me then, who needed you?” I realize I’m sounding like a broken record, but once again the intricate guitar work is breathtaking, and I love how the music alternates from a sultry vibe in the verses to a bombastic explosion of fiery riffs and earth-shattering percussion in the choruses. “You?” is perfection from start to finish, and easily my favorite track on the album. It spent five weeks at #1 on my Weekly Top 30 from late December through late January.

Two Feet had an official video made for the song, but I like this live studio performance better, as it features a killer extended guitar solo that really showcases his fearsome guitar skills. You can hear the original version on the Soundcloud playlist at the end of this post.

On the moody, synth-driven “44 Lies“, he seems to touch on how we delude ourselves in order to help us fit in, feel accepted, feel ‘normal’: “44 lies / Told in your 20s / Keep you alive / Make you feel empty / All of the guys / Wearing the same shoes / Telling me things / Praying they ain’t true.” Figuratively speaking, the melancholy “Lost the Game” represents the emotional low point on the album. The lyrics speak of coming to the painful realization that the relationship is over for good, with no hope of reconciliation: “And what can I do, I do, I do I know it’s over / Cause I lost the game, I can’t get lower / Caused you pain, it’s taking over.” With all hope now gone, “Grey” sees him rationalizing his fate and accepting that he must move on. Likewise, his mood has evolved from black into something a little less bleak – a shade of grey: “Before I fall away I feel like I should say I’ve always liked your eyes / But now I’ve got to leave / It’s okay It’s alright / I feel good I feel fine.” Musically, the song is dominated by a deep, buzzing bassline set to a mesmerizing hip hop beat, over which Two Feet serves up some of his signature bluesy riffs.

The smoldering track “Maria” was apparently a last-minute addition to the album. Overflowing with menacing synths, throbbing beats and haunting choruses, it’s one of my favorite tracks. Concurrent with the album release, Two Feet released a dark and sexy video for the song, his first to actually tell a story to fit the narrative of the lyrics. It opens with an ominous image of just his eyes, then shows him having a drink in a rather seedy bar, along with an assortment of shady-looking characters. Maria saunters into the bar, orders a beer and sensually dances while all the men gaze at her longingly. She eventually goes home with one of the guys as Two Feet laments “Oh oh oh while you’re getting in his bed, I’m alone without a friend tonight / Maria Maria, I tell ya I need ya..” Maria and the guy start to have sex, and she ties him to the bed. Sadly, he doesn’t get lucky, as she ends up stealing his valuables, even ripping his gold chain from his neck and leaving him tied up. We’re left wondering whether she’s just a gold digger who breaks men’s hearts (and wallets), or if she’s working in cahoots with the guy portrayed by Two Feet.

After the intensity of “Maria”, we need a bit of relief, which he nicely delivers with the captivating and soulful instrumental “Felt like playing guitar and not singing part 2“. The song is a nod to a similarly-titled track that appeared on A 20 Something Fuck. “I Can’t Relate” is a lovely, bittersweet tune that sees him revisiting what went wrong in the relationship: “The winter wind when we first fell in love was cold / You touched my face, my mind began to run, yeah / But you don’t care now, you tell me its all set and done / I’m numb ’cause I can’t relate / Oh, I can’t relate to you.”

Another favorite of mine is “We Will Be Alright“, a poignant and hopeful song reassuring a loved one that your love will endure til the end, and all will be well: “And I, I want you by my side / And I, I need you ’til I die / And when that day comes you will be alright / Because we will love through time. The lyrics could represent either a coming full-circle back to the beginning, or else the birth of an entirely new relationship, but either way, it ends things on a more upbeat and positive note. Musically, it’s more low-key and stripped back than most of his songs, with the only sounds coming from his gently strummed guitar and comforting vocals.

The album closes with “Pink Reprise“, a bewitching instrumental track that revisits and continues upon the haunting melody first introduced with “Pink”. It serves as a fitting closure for the album, and a vivid reminder of Two Feet’s spectacular guitar-playing skills. Properly listening to Pink is an immersive experience that needs to be done in a single sitting for maximum enjoyment, and to fully appreciate it’s immense power and beauty. I don’t normally grade albums, but I would give this an unequivocal 10/10.

Two Feet is donating $1 from every sale of Pink to the Siegel Rare Neuroimmune Association, which benefits those diagnosed with rare neuroimmune disorders like his own sister, GG.

Also, if and when the world gets back to some semblance of normality, he will be heading back out on tour starting in late April. Here are the scheduled dates, which as I write this on March 20th, may be subject to change:

Two Feet Tour

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