Month: November 2022

DOM THOMAS – Single Review: “Everything I Own”

On By EclecticMusicLoverIn Reviews13 Comments

I recently learned about Welsh singer-songwriter and musician Dom Thomas when he followed me on Instagram. A talented and busy guy, he works as a librarian at Cardiff University, is founder and editor of VAINE Magazine (a Welsh literary and arts magazine for emerging artists and writers), and a poet who’s had one of his works published. He’s been writing and recording songs for his forthcoming EP, and released his wonderful debut single “Everything I Own” on November 11th. I liked it the instant I heard it, so much so that I want to both share it with my readers and give Dom a bit of press.

A deeply personal song, Dom explained in an Instagram post how he came to write “Everything I Own”: “I wrote the song in July 2020, in the middle of the pandemic. I was staying at home with my mum at the time, and I remember having all of my stuff packed up in the middle of the bedroom. And I was there playing this guitar which a friend lent me a few years ago. I remember thinking about how all of my stuff in the world was in that room, and how one of the main things I had (the guitar) wasn’t even mine. I just started thinking about that strange feeling you have sometimes in your 20s when you’re kind of sifting for your purpose in life, and trying to find out who you are. So, this song was the first one I wrote for the EP, and it gave me this idea to write some songs that were really personal.”

For the recording of the track, Dom sang vocals and played acoustic and electric guitars, bass and keyboards, Alec Rees played drums, and Mike Winters played viola. Jordan Roberts and Mark Lowe produced the track, with additional arrangements by Toni Madrid and Jacob Davies, and Eddie Al Shakarchi handled the mixing and mastering. Together, they’ve created a really lovely and melodic song. Dom’s layered guitar work is sublime, nicely accompanied by Alec’s relaxed drumbeats. As the song progresses, the music expands with the addition of Dom’s bold piano keys and Mike’s stirring viola, Dom’s comforting vocals turning more emphatic and emotional as well. Though the song has a rather melancholy undercurrent, Dom’s lighthearted “doo doo doos” in the choruses add glimmers of optimism, giving the song an overall pleasing vibe.

The poignant lyrics speak to feelings of impermanence, sadness, and dreams unfulfilled, whether they be material, artistic or romantic. 

Everything I own
Feels like its borrowed
And I can’t give it back
My heart, my dreams, my love and my soul

Everything I feel
Feels a bit too real
And I can’t turn away
My heart, my dreams, my love and my soul

And these are the things that I’m searching for
But I, can’t get in the door

Everywhere I go,
it feels like I’m followed
And I can’t get away
My heart, my dreams, my love and my soul

And everything I touch,
Feels a bit too much
Like it’s turning to stone
My heart, my dreams, my love and my soul

And these are the things that I’m searching for
But I, can’t get in the door

Everything I know
Fills me with sorrow
And I can’t switch it off
My heart my dreams my love and my soul

And everything I do,
Makes me think of you
And I just can’t forget,
My heart, my dreams, my love and my soul

And these are the things that I’m searching for
But I, can’t get in the door

The endearing video, directed by Daniel Evans and filmed by Alex David, who also did the editing along with Dan Cuddihy, shows scenes of Dom playing his guitar and singing the song while walking through the streets of Cardiff and the surrounding countryside, alternating with scenes of him setting up and performing at a small auditorium.

Connect with Dom on Instagram

Stream “Everything I Own” on Spotify / Apple Music

Purchase on Bandcamp 

Top 30 Songs for November 27-December 3, 2022

On By EclecticMusicLoverIn Weekly Top 30's7 Comments

It’s hard to believe another holiday season is upon us, and we’re approaching the end of 2022! There are no significant changes to this week’s Top 30. “Party4One” by Canadian artist dwi holds the #1 spot for a second week, while Beach Weather‘s “Sex, Drugs, Etc.” holds at #2 for a second week after spending three weeks at #1. Rosa Linn climbs two spots to #3 with her bittersweet “SNAP”, and the haunting “White Horses” by British artist Art Block enters the top 10 at #10.

Despite lots of new music still being released late in the year, I have no new songs debuting on my chart this week, as I dislike having too many songs crossing over from one year to the next. There will be lots of chart movement in the coming weeks.

  1. PARTY4ONE – dwi (1)
  2. SEX, DRUGS, ETC. – Beach Weather (2)
  3. SNAP – Rosa Linn (5)
  4. CRACKER ISLAND – Gorillaz featuring Thundercat (3)
  5. BAD HABIT – Steve Lacy (4)
  6. THESE ARE THE DAYS – Inhaler (8)
  7. SPIT OF YOU – Sam Fender (9)
  8. SISTERS – pMad (7)
  9. WET DREAM – Wet Leg (6)
  10. WHITE HORSES – Art Block (11)
  11. CREST OF THE WAVE – Foals (12)
  12. I LIKE YOU (A HAPPIER SONG) – Post Malone & Doja Cat (13)
  13. WEIRD GOODBYES – The National featuring Bon Iver (14)
  14. TONIGHT – Phoenix featuring Ezra Koenig (15)
  15. UNHOLY – Sam Smith featuring Kim Petras (16)
  16. I’M IN LOVE WITH YOU – The 1975 (17)
  17. OFFCUTS – Mount Famine (18)
  18. THIS IS WHY – Paramore (22)
  19. SHADOWS IN THE DARK – The Star Crumbles (20)
  20. I.N.V.U. – Kid Kapichi (19)
  21. THE ECHO – A.A. Williams (10)
  22. ANTI-HERO – Taylor Swift (27)
  23. SAIL AWAY – lovelytheband (26)
  24. LOVE DON’T LIVE HERE ANYMORE – Crystal Cities (28)
  25. OUT OF MY SYSTEM – Louis Tomlinson (29)
  26. NATURAL BORN KILLER – Highly Suspect (21)
  27. NIGHT BUS – Caitlin Lavagna (30)
  28. MY BABE – Spoon (23)
  29. BOY – The Killers (24)
  30. HERE TO FOREVER – Death Cab for Cutie (25)

SKAR DE LINE – Single & Video Review: “No Eyes in Paradise”

On By EclecticMusicLoverIn Reviews11 Comments

Skar de Line is the solo music project of singer-songwriter, producer and composer Oskar Abrahamsson, a thoughtful, charismatic and innovative artist born and raised in Sweden and now based in London, England. Fascinated by the concept of boundaries and the human obsession for self-understanding, he fuses his love for cinematic soundtracks by such composers as Hans Zimmer, Junkie XL and Ramin Djawadi with hip-hop, alternative rock and electronic metal to create dark, unconventional music that takes the listener on a sonic adventure while giving us a lot to think about. The multi-talented fellow writes, performs, records and produces all his own music, as well as writing, directing and editing all his imaginative music videos.

I’ve featured Skar de Line numerous times on this blog, most recently last May, when I reviewed his single and video for “Reset”, the first chapter in his autobiographical suite of music. The song explores the concept of wanting to become a better person through continually evolving and reinventing oneself, but fearing that nothing will ever be good enough, expressed in the lyric “Every time I open my eyes I kill an old version of mine. But I’m not a murderer, no, I’m a maker./ Every time I close my eyes, I am already set to reset.”  He followed in July with the second chapter “New Silhouettes”, a song about having the freedom to make your own choices in becoming whoever or whatever you want to be, with no limits on how many different options you can choose. Now he returns with “No Eyes in Paradise“, the third chapter of his personal journey of self exploration and the need to understand himself.

With this song, he ponders his own sense of self-worth as an artist, believing that he’s creating works of value and merit, but fearing that if no one else sees nor acknowledges it, does any of it mean anything? He explains: “You can be great, you can want to do well for yourself and for people around you, but if no one saw what you did, did it really happen? If your life work is something that the world does not care about, what is your life worth? And are there any limits to what we can’t do to get that attention, that worth? Throughout the lyrics, there is this growing frustration in the world around me, a feeling that I think every creator recognizes. A feeling that the world does not actually really get you.” For both song and video, he uses classical imagery to bring his message to life. Here’s a photo of him in a setting similar to the famous Leonardo da Vinci painting of Mona Lisa (in which he’s undeniably more attractive):

Though all of his songs have cinematic elements, “No Eyes in Paradise” is his most grandiose and melodically complex yet, blending dramatic choral and symphonic elements with bold hip hop beats and heavy electronics to create a magnificent soundscape. The song opens with a soaring gospel-like choral, then quickly segues into a dark trip hop groove, with harsh industrial synths and finger snaps as Skar de Line raps the opening verses. As the song progresses, the music alternates between trip hop verses and sweeping symphonic choruses, punctuated with delicate piano chords and gorgeous string synths. His emotive vocals go from seductive, slightly sinister rapping in the verses to impassioned entreaties in the choruses, creating a strong sense of tension and emotional angst. 

I’ve got this presentation that will surely blow your mind
This is an invitation to a god-damn paradise
The only thing I ask for is another pair of eyes
Cause what you never saw it never happened, right?

No eyes in paradise
No eyes in paradise
No eyes in paradise
No eyes in paradise

As these doors are left wide open
As my world turns in slow motion
As these walls are steeped in gold
Another bottle’s left unopened
Another story on repeat
Another comment obsolete
Another invite went astray
Another offer thrown away

Did I bathe in the light
Turn inside out
Did I repaint the skies
For empty crowds?
Did I wait for too long?
Have you all moved on?
Am I the architect
Left in paradise?

I still got to trust in some kind of order
Some kind of virtue for which you’ll adore me
But I cannot leave it, you need to sign
And I'm getting restless, I'm out of time
How far do you go for wickedness
to stop being sexy and just grotesque?
If there’s a case, I haven’t found it yet
I can’t imagine or believe that this is it

Did I bathe in the light
Turn inside out

Did I repaint the skies
For empty crowds?
Did I wait for too long?
Have you all moved on?
Am I the architect
Left in paradise?

No eyes in paradise
No eyes in paradise
No eyes in paradise
No eyes in paradise

Like a lamb of God, like a torn façade
Tearing up the scars with no regards
Just come inside, I’ll break it down
It’s a god-damn paradise
How far do you go for wickedness
to stop being sexy and just grotesque?
If there’s a case, I haven’t found it yet
I can’t imagine or believe that this is it
If I offered you a piece of the forbidden apple
Would you trust me to repaint the Sistine Chapel?
Does it matter what I do or what I’ve done?
Would you trust me now if I am the only one?

The brilliant video Skar de Line created for the song is his own interpretation of a perfect, but empty, paradise. Throughout the video, he recreates and inhabits some of the most renowned renaissance paintings such as The Last Supper (Leonardo Da Vinci), The School Of Athens (Raphael), and Saint Jerome Writing (Caravaggio), all in his desire to make something special that others will care about. He elaborates: “But like an architect left in paradise, a creator in a world that does not need more creations, I’m feeling like I’m falling behind and running out of time to make a difference. Maybe I’ve gone about it wrong. In the final scenes, as I’m leaving my paradise behind to walk out into the dark night, a thought goes through my head. Maybe it’s all a matter of perspective. Maybe, just maybe, it’s not what I do that needs to change, but rather the world in which I do it in…” His creativity and imagination, as well as technical prowess to be able to produce such a beautiful video, are truly impressive.

“No Eyes in Paradise” is Skar de Line’s finest work yet, and I eagerly await the next chapters in his autobiographical suite.

Connect with Skar de Line: Facebook / Twitter / Instagram
Stream on Spotify / Apple Music / Soundcloud
Purchase on  Amazon

A.WAKE – Single Review: “Railings”

On By EclecticMusicLoverIn Reviews3 Comments

A.Wake is the musical moniker of Anita Wake, a fascinating and innovative singer-songwriter and musician based in Sheffield, England. She’s been a member of several bands, in which she played bass and sang backing vocals, and more recently, decided to start creating music as a solo artist. With a keen interest in sound therapy, mysticism and the healing properties of music, she seeks to incorporate healing frequencies and modern music elements into her songs.

She released her enchanting debut single “Lemuria” this past July, and followed in October with her darkly stunning second single “Railings“, which I’m featuring today. Inspired by an idea by r. Crampton, A. Wake wrote and recorded the song, sang vocals and played keyboards, while Steve Hulme produced the track. About the song, A.Wake says “‘Railings’ is a modern synth sound song, embedded with a healing frequency to align the heart chakra, to help heal feelings of sadness and loss.”

Opening and closing with sounds of pealing church bells, the song is both beautiful and haunting. The dramatic and stunning swirling orchestral synths have a mysterious quality, punctuated by moments of piercing sharpness and booming percussion, all of which create a ghostly cinematic soundscape. A.Wake’s layered vocals are bewitching mix of mellifluous croons and breathy whispers, adding to the song’s spooky ethereal vibe. Though I cannot pinpoint exactly where the healing frequency lies within the song, I will say that the sounds and overall aura are so powerful and resonant, I can feel its existence.

The lyrics are sung from the perspective of someone who’s already passed away to a loved one who’s still living and missing them, trying to reassure and comfort them in their grief: “The railings round my grave, hold ivy for you. You are not to blame, I died before you. Heaven is to blame, I’ve cried for you. Patience is the game, I’m trying to be. Saying your name. I feel you near me. Looking at your frame, I watch you watch me. If I could hold you just a day. If you could hold me in some way, I’ll know.”

The video for “Railings” was created by PSYNC and directed by Douglas John Thorp, with images of A.Wake singing the song superimposed against footage of her in a Sheffield cemetery shot by Thorp and Rob Cohen. Thorp had this to say about its creation: “There’s a beautiful simplicity to it, dealing with love & loss across the divide that needed a stripped down approach to match. All the shots are hand-held in one location & the video splits itself into two halves: yearning & the possibility of rebirth. Fans of Ari Aster’s ‘Midsommar’ may spot a few unashamed influences here, particularly the use of strong daylight as an unsettling presence. Perhaps also some of the 1970s British folk horror tropes where landscape & natural sounds signify something altogether more disturbing.”

Connect with A.Wake: Facebook / Twitter / Instagram

Stream her music:  Spotify / Apple Music / Soundcloud / Bandcamp

EML’s Favorite Songs – “Heartbeat City” by The Cars

On By EclecticMusicLoverIn Favorite Songs12 Comments

I was a pretty big fan of American rock band The Cars during their heyday that lasted from 1978-88. Formed in Boston in 1976, they consisted of Ric Ocasek (rhythm guitar), Benjamin Orr (bass guitar), Elliot Easton (lead guitar), Greg Hawkes (keyboards), and David Robinson (drums). Ocasek and Orr shared lead vocals, and Ocasek was the band’s principal songwriter and leader. Emerging from the late-70s new wave scene, they were among the bands who were instrumental in merging 70s guitar-oriented rock with the newer synthesizer-oriented pop that became dominant in the early to mid 80s.

I love many of their great songs, including “Drive”, “Shake It Up”, “Just What I Needed”, “My Best Friend’s Girl”, “You Might Think” and “Magic”, and one of my favorites of them all is the gorgeous title track from their brilliant fifth album Heartbeat City (which also contains “Drive”, “You Might Think” and “Magic”). That album, which was produced by legendary music producer Mutt Lange, is filled with so many fantastic songs, it could almost be a ‘greatest hits, volume 2’ album for The Cars. I bought it when it came out, and nearly played it to death. I still cherish my vinyl copy.

“Heartbeat City” was released as the album’s sixth and final single in September 1985, a year and a half after the album’s March 1984 release. Shockingly (to me at least), the single did not chart in the U.S., though it did reach #78 in the UK and #75 in Australia. I suppose the album and string of singles had probably run their course by then. Interestingly, prior to its release as a stand-alone single, “Heartbeat City” was the B-side to “You Might Think” in the U.S. and “Why Can’t I Have You” in the UK.

The song is a sonic feast for the ears, opening with ominous industrial synths that are soon joined by a pulsating, reverby guitar line. The music then expands with a powerful hypnotic drumbeat, accompanied by a thumping bassline, beautiful chiming and jangly guitar notes and magical atmospheric synths, while that pulsating guitar line continues throughout the song. It all serves to create an enchanting soundscape for Ric Ocasek’s distinctive vocals as he plaintively sings of a woman named Jacki who went away, but made him happy when she eventually returned to Heartbeat City: “I’m glad you made it. I can’t complain. I missed you so badly when you jumped that train. Oh Jacki, what took you so long, on just a holiday. I thought you knew the way.” The ethereal backing vocal harmonies are sublime, adding to the song’s overall captivating sound.

KOYAL – EP Review: “Joyride”

On By EclecticMusicLoverIn Reviews9 Comments
EP art by David Harris

Koyal is an Atlanta, Georgia-based band I recently learned about when one of their members Noah Weinstein reached out to me about reviewing their new EP Joyride, which dropped November 11th. Formed in 2018 while they were still in college, Koyal create pleasing pop-rock infused with an eclectic range of elements, including indie, alternative, rock’n’roll, blues and jazz. In addition to Noah, who plays guitar, drums and sings vocals, as well as recorded and produced the EP, the band consists of Pooja Prabakaran (lead vocals), Henry Wallace (drums & piano), Cooper Billsborough (lead guitar), Ethan Hunt (bass) and Sultan Sayedzada (keyboards).

The band seems to be a pretty cool, well-grounded bunch, with a positive and healthy outlook and realistic approach to the music business. In an interview last month with Shoutout Atlanta, the band explained “We are best friends first and are very kind, motivated, and passionate about music! We manage ourselves, which involves a lot of the less glamorous behind the scenes marketing, booking, planning strategy, producing the music, etc., but all those hours of work helped us transition from a college band to one known in the Atlanta music scene. We really enjoy networking and meeting other creatives! It’s led to so many friendships and helped us be a part of the Atlanta music community.”

They’ve released quite a lot of music over the past three years, beginning with their debut single “Yesterday” in February 2020, just prior to the pandemic outbreak. They followed up that April with their four-song EP Rooftop Hues, then more singles in early 2021, culminating with the release of their debut album Mountain City that July. Their latest release Joyride features four tracks with a jazzier feel than their previous works, and I like it!

Kicking things off is “Past Life“, an upbeat song with an exuberant groove, fortified by gnarly guitars, snappy drumbeats and lots of crashing cymbals, along with a delightful undercurrent of trilling piano keys. The lyrics seem to be about yearning for a simpler time: “I think I knew you in a past life. And I want to know you like I did last time. / And I want to go somewhere unknown. Where it’s you and the moon and me alone.” Most of the vocals are beautifully sung by Noah, while Pooja sings the pre-chorus in the bridge, followed by their dual harmonies in the final chorus. It’s a terrific song.

“Tumbleweed” is a jaunty, piano-driven tune, with vocals nicely sung by Pooja. Henry’s piano work is so good, and I love how his notes are in perfect sync with the galloping drumbeats and swirling guitars. I also like how the song changes tempo at 2:30 to a sultry interlude, only to ramp back up at the end to a lively finish, highlighted by a flourish of jazzy saxophone. The song seems to be about two people supporting each other through good times and bad: “When I’m down you put your arms around me. When you’re down I do the same. You’ll see, you and me, and we’ll keep rolling on, rolling on, like a tumbleweed.”

As the EP progresses, each track becomes longer and more melodically sophisticated. “Open Window” has a cool, breezy vibe that reminds me a bit of the late 1950s/early 1960s bossa nova/jazz pop sound of João Gilberto and Antônio Carlos Jobim. The high quality of the instrumentation, particularly the piano, guitars and percussion, are evidence of the strong musicianship and impressive technical skills of these young band members. Pooja’s smooth, emotive vocals are wonderful, though I found it hard to understand some of the lyrics she sang.

The final track “I Wanna Believe” is a musical tour-de-force, with a heavier rock sound than the other three songs. The track was mixed for free by Greazy Wil (Wil Anspach) a Grammy winning engineer who ran a competition on TikTok that Koyal entered and won. The song reminds me a bit of “Stairway to Heaven”, in that it starts off slowly then gradually builds in intensity to a roaring crescendo, with three distinct melodic movements.

It opens with the sound of magical synths, followed by delicate chiming electric guitar chords and gentle percussion as Pooja sings to an unseen alien, wanting them to take her away from her earthly problems: “I look up to you. I wish you could take me away. Don’t know where we go, but you’ll help me leave this place. Why can’t I see you? A better version of myself.” Eventually, the music erupts with jagged guitar riffs, heavy thumping bass and aggressive drums as she wails “I wanna believe, in something bigger than myself. I wanna believe! There’s something out there, I know.” The music continues to grow ever more intense with scorching riffs, accompanied by a screaming torrent of psychedelic distortion and explosive percussion, before calming back down in the final 40 seconds to a lovely contemplative piano interlude. Wow, what a spectacular song!

Though it contains only four tracks, Joyride packs quite an impactful punch into its 16 and a half minute run time. The broad range of musical influences, combined with outstanding songwriting, top-notch musicianship and skillful arrangement and production values, all make for a high quality work that’s a joy to listen to. I must say that I’m very impressed with Koyal and their marvelous little EP.

Here’s the EP on YouTube:

And Spotify:

Connect with Koyal: Twitter / Instagram / Facebook

Stream their music: Spotify/ Apple Music / Soundcloud / YouTube

Top 30 Songs for November 20-26, 2022

On By EclecticMusicLoverIn Weekly Top 30's15 Comments

One of the more fascinating artists making music today is dwi, the music project of Canadian singer-songwriter Dwight Abell. He’s also bassist for Canadian alternative/power pop band The Zolas. Based in Vancouver, B.C., the fearless and talented guy lets his creativity and imagination run totally wild with his zany alter ago, making outstanding music that’s innovative, quirky and fun. Last year, dwi released his brilliant debut album Mild Fantasy Violence, which I loved at first listen. One of the album’s tracks, “Good Friend”, spent four months on my Weekly Top 30, going all the way to #1 this past January. Now he reaches the pinnacle of my list for a second time with his wonderful “Party4One“. dwi says the song is “about falling in love with yourself during an intense state of cabin fever. Love yourself, make out with yourself, and for the love of gawd, scare yourself. The weirdos are in charge now!” Accompanied by a deliriously wacky video, it’s a riotous blast from start to finish, with an infectious bouncy groove and dwi’s relentlessly endearing vocals.

In other chart news, the biggest upward movers this week are “SNAP” by Rosa Linn, climbing five spots to #5, and “Unholy” by Sam Smith featuring Kim Petras, jumping eight spots to #16. Debuting this week are “Anti-Hero” by Taylor Swift, finally entering my chart at #27 (the song has been #1 on the Billboard Hot 100 for the entire three weeks it’s been on that chart); “Out of My System” by former One Direction member Louis Tomlinson, at #29; and “Night Bus” by immensely talented Welsh singer-songwriter Caitlin Lavagna.

  1. PARTY4ONE – dwi (4)
  2. SEX, DRUGS, ETC. – Beach Weather (1)
  3. CRACKER ISLAND – Gorillaz featuring Thundercat (2)
  4. BAD HABIT – Steve Lacy (3)
  5. SNAP – Rosa Linn (10)
  6. WET DREAM – Wet Leg (6)
  7. SISTERS – pMad (7)
  8. THESE ARE THE DAYS – Inhaler (8)
  9. SPIT OF YOU – Sam Fender (9)
  10. THE ECHO – A.A. Williams (5)
  11. WHITE HORSES – Art Block (12)
  12. CREST OF THE WAVE – Foals (13)
  13. I LIKE YOU (A HAPPIER SONG) – Post Malone & Doja Cat (14)
  14. WEIRD GOODBYES – The National featuring Bon Iver (15)
  15. TONIGHT – Phoenix featuring Ezra Koenig (18)
  16. UNHOLY – Sam Smith featuring Kim Petras (24)
  17. I’M IN LOVE WITH YOU – The 1975 (20)
  18. OFFCUTS – Mount Famine (21)
  19. I.N.V.U. – Kid Kapichi (22)
  20. SHADOWS IN THE DARK – The Star Crumbles (23)
  21. NATURAL BORN KILLER – Highly Suspect (19)
  22. THIS IS WHY – Paramore (26)
  23. MY BABE – Spoon (11)
  24. BOY – The Killers (16)
  25. HERE TO FOREVER – Death Cab for Cutie (17)
  26. SAIL AWAY – lovelytheband (28)
  27. ANTI-HERO – Taylor Swift (N)
  28. LOVE DON’T LIVE HERE ANYMORE – Crystal Cities (30)
  29. OUT OF MY SYSTEM – Louis Tomlinson (N)
  30. NIGHT BUS – Caitlin Lavagna (N)

HULLAH – Single Review: “Wild as the Wind”

On By EclecticMusicLoverIn Reviews10 Comments

One of my best new finds of 2022 has been British singer-songwriter, producer and sound designer Charley Hullah, who goes by just his last name, stylized as HULLAH. I first learned about the handsome, talented and highly engaging London-based artist as a result of being a guest moderator for the BBC Music weekly song competition Fresh On The Net, for which he’d entered his gorgeous single “Chasing Trains”. I loved it the instant I heard it, so much so that it ended up spending 20 weeks on my Top 30 chart, going all the way to #1.

Born and raised in the Midlands, HULLAH relocated to London in 2013 to study songwriting at The Institute of Contemporary Music Performance, where he earned a B.A. Since graduating, he’s worked as a creative freelancer in the music and media industries, writing and producing music for his solo act, as one-half of the electro-pop duo Futuretape (currently on hiatus), and for other artists, as well as sound-designing for theatre, creating digital content, organising music workshops and working on events such as the Artist and Manager Awards. Most recently, he became Content Manager for Disabled Students UK, and has held the role of Content Manager for Alight Media where he developed a content delivery department for high budget nationwide out-of-home media campaigns.

According to his bio, HULLAH “creates music inspired by a passion for nightlife culture and stories from the queer community. Wrapped in the sonic flavours of trip-hop, 90’s house and synth-pop, his tracks emulate a nocturnal spirit and are complemented by the themes of city living, alienation, ambition and a sense of dejection – commonly expressed through his lyrics. His songs, both introspective and solitary, offer insight into how he navigates his way through the noise and distortion of everyday city life.” His music is inspired by such acts as as Everything but the Girl, Real Lies, Portishead and Pet Shop Boys.

He’s just released his third solo single “Wild as the Wind“, and it’s every bit as magnificent at “Chasing Trains”. Written and produced by HULLAH and mixed by Matt Catlow, the track features more of the lush, sultry vibes I loved on his previous song, but with even more sound textures that take it to a higher, more sophisticated level. Whereas “Chasing Trains” was entirely electronic, “Wild as the Wind” is anchored by a deep, sensuous bassline played by fellow musician Gabrielle Ornate, and fortified with spine-tingling distorted guitar work played by Orlando Sadler. HULLAH explains: “I knew that I wanted and needed live instrumentation on this one so I reached out to my great friends Gabrielle and Orlando. Gabrielle laid down killer bass on this that just glues the whole track together. It packs a gut-punch. Orlando mirrored the sense of dejection in the soundscape and lyric by creating these huge, distorted synth-like guitar lines that create an awesome atmosphere.”

Well, I have to say that together, they’ve created something quite spectacular. “Wild as the Wind” is a dramatic, hauntingly beautiful little masterpiece. The combined warmth of Gabrielle’s sensuous throbbing bassline and HULLAH’s plaintive sultry vocals contrasts with – yet perfectly complements – the icy soundscape created by the ghostly industrial synths. There are so many wonderful little instrumental touches heard throughout the track, like the sparkling keyboards and delicate jangly guitar notes. I’ve been listening to it on endless repeat.

As to the song’s meaning, HULLAH elaborates: “‘Wild as the Wind” is an ode to the wilderness I feel inside myself – the parts of myself I don’t understand and have to grapple with. It’s about trying to make friends with your own insecurities, worries, dread, hopes and desires – the things you don’t quite understand but that equally push and pull you in life nonetheless. There’s the ‘us’ that we present to the world and then there’s the ‘us’ that we are when we are alone, uncomfortably alone. That’s what I mean by wilderness, the space in between those two versions of yourself. ‘Wild as the Wind’ is about not trying to contain this wilderness – it’s about truly seeing those aspects of yourself and attempting to accept and be at peace with them. The song was initially written about two people in my life that were going through hard times. As I kept writing, I later realised that it also reflected my own experience navigating this wilderness I felt they were also battling with.”

You've spend a lifetime looking for something on the other side
You could spend another drifting like you do
All that guilt and history is like a thorn caught in your sleeve 
I know the pain, the hurt and how you yearn to let it go

And I can't save the soul you hold
And I can't save you on my own
I can't do that, but you can't see that
If you don't swim now you will drown

You're as wild as the wind
And I can't catch you
Cause you're as wild as the wind
And I can't cage you

You're so warm outside, but so cold within
A smile is a wall that's caving in
You're breathing to a rhythm that you can't play
Little feet don't make big steps without 
Soles that can tread some hard ground
So how many years will be lost before you finally take the reins?

There's no escaping a wild mind
No easy way to win the fight
But you must fight back
You must see that all that you need is in yourself

Cause you're as wild as the wind
I can't catch you
Cause you're as wild as the wind
And I can't cage you
You're full of grace and gold
So let the wind be what you know
And be as wild as the wind
And let it take you

Though time is all you fear
And nothing is all you feel
Keep on running for a reason
Just let that reason be your life

Connect with HULLAH:  Facebook / Twitter/ Instagram

Stream his music on Spotify / Apple Music / Soundcloud 

Purchase on Bandcamp

CALLUM PITT – Single Review: “Mayfly”

On By EclecticMusicLoverIn Reviews19 Comments

Callum Pitt is a thoughtful and talented singer-songwriter based in Newcastle Upon Tyne in northeast England. Inspired by the music of such artists as Elliott Smith, Julien Baker, Adrianne Lenker, Sufjan Stevens, The War on Drugs and Fleet Foxes, he creates, in his own words, “indie-folk with a grand, orchestral, chamber pop sensibility plus an alt-rock edge”. His music is characterized by lush harmonies, captivating melodies, and honest, meaningful lyrics touching on subjects like depression and anxiety, and social and political unrest, delivered with his soft, pleasing vocals. In other words, his songs are beautiful.

He began writing and singing songs in this teens, performing in pubs and small venues in and around Newcastle. He released his wonderful debut single “You’d Better Sell It While You Can” in 2017, and in the years since, he’s dropped an impressive number of singles as well as a four-track EP Poisoned Reveries in 2019. His beautiful second single “Least He’s Happy” has been streamed more than two million times on Spotify, with several other singles garnering over 100,000 streams. He’s also earned accolades such as the Alan Hull Songwriting Award for songwriters in 2019, and participated in the Fender Player Plus competition in 2022.

Photos by Daniel Stark

I’ve previously reviewed two of Callum’s singles, both in 2020: “Fault Lines” (which spent 10 weeks on my Top 30 chart and ranks at #84 on my Top 100 Songs of 2020 list), and “Sea of Noise”. Now he’s back with his first new music in two years almost to the day, a lovely, deeply personal single “Mayfly“. The song was written and composed by Callum, who sang lead vocals and played acoustic and electric guitars and keyboards. Additional musicians performing on the track include Luke Elgie on bass, Gavin Christie on drums, John Martindale on percussion, Ada Francis and Jodie Nicholson on backing vocals, Alex Saxon, who wrote and played the saxophone line, and James Leonard Hewitson on trumpet. The track was co-produced by Callum and John Martindale, who also engineered and mixed it at Blank Studios. Mastering was done by Robin Schmidt.

The song is essentially about adulthood, and Callum’s feelings of apprehension over the responsibilities he’ll face as a potential parent, fearing he might not be up to the task: “I’m 28 now, eventually not feeling like a teenager anymore and probably will have my own children in a few years’ time. ‘Mayfly’ talks about that worry I have that living with anxiety and bouts of depression will mean I will never be able to provide that emotional stability that children will require. It’s quite a hopeful song though, as I still have a few years yet, and mainly talks about the ambition that I’ll be more emotionally stable and at peace as the years go by. I often look at people in their 30s and 40s and think they appear very at peace, but maybe there are always relative struggles and difficult things to overcome, and we always have to cherish the highs and know that the lows are inevitable.”

“Mayfly” has a lively, upbeat melody that contrasts with the poignant lyrics. One of the many things I like about the song is how each instrument is allowed to shine. With every new listen I hear little instrumental nuances, like the perfect melding of acoustic guitar notes and delicate piano chords in the verses, and how the drums become more intense in the choruses, accompanied by glorious exuberant riffs and swirling keyboards. Callum’s smooth vocals are both comforting and heartfelt, backed by Ada and Jodie’s lovely harmonies, and Alex’s bold saxophone in the final chorus is the icing on the musical cake. It’s another wonderful song by Callum.

The lovely video, filmed and directed by Sel MacLean, shows Callum singing the song in various indoor and outdoor settings in an around Newcastle.

Those of you in the UK can catch Callum at one of these upcoming shows:

Saturday, Nov 19 – The Common Room of the Great North, Newcastle Upon Tyne

Saturday, Nov 26 – Songs From Northern Britain @ The Georgian Theatre, Stockton-on-tees

Saturday, Dec 10 – Avoid Shit Xmas Parties, The Central, Gateshead

Connect with Callum:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music / Soundcloud
Purchase:  Bandcamp / Amazon

Top 30 Songs for November 13-19, 2022

On By EclecticMusicLoverIn Weekly Top 30's10 Comments

I still can’t get enough of Beach Weather‘s “Sex, Drugs, Etc.”, and it holds the #1 spot on my chart for a third week. They also dropped a gorgeous new single “Trouble With This Bed” last Friday, November 11th, and it might very likely be topping my chart in the coming weeks. Veteran artist Gorillaz slides into #2, inching ever closer to the top spot with “Cracker Island”, featuring Thundercat. The delightful “Party4One” by Canadian artist dwi, and the hauntingly beautiful “The Echo” by British singer-songwriter A.A. Williams, advance a notch to #4 and #5 respectively.

Three songs enter the top 10 as older ones move down after their long runs: the exuberant “These Are the Days” by Inhaler, the bittersweet “Spit of You” by Sam Fender” and the poignant “SNAP” by Rosa Linn, each climbing three spots to #s 8, 9 & 10. Two new songs make their debut this week: “This is Why” by Paramore, which enters at #26. I’ve never been much of a fan of theirs, consequently this song took a while to connect with me. But I have to concede it’s pretty good. And entering at #30 is “Love Don’t Live Here Anymore”, by one of my favorite Australian bands Crystal Cities, which I reviewed a few weeks ago.

  1. SEX, DRUGS, ETC. – Beach Weather (1)
  2. CRACKER ISLAND – Gorillaz featuring Thundercat (3)
  3. BAD HABIT – Steve Lacy (2)
  4. PARTY4ONE – dwi (5)
  5. THE ECHO – A.A. Williams (6)
  6. WET DREAM – Wet Leg (9)
  7. SISTERS – pMad (10)
  8. THESE ARE THE DAYS – Inhaler (11)
  9. SPIT OF YOU – Sam Fender (12)
  10. SNAP – Rosa Linn (13)
  11. MY BABE – Spoon (4)
  12. WHITE HORSES – Art Block (14)
  13. CREST OF THE WAVE – Foals (15)
  14. I LIKE YOU (A HAPPIER SONG) – Post Malone & Doja Cat (16)
  15. WEIRD GOODBYES – The National featuring Bon Iver (17)
  16. BOY – The Killers (7)
  17. HERE TO FOREVER – Death Cab for Cutie (8)
  18. TONIGHT – Phoenix featuring Ezra Koenig (19)
  19. NATURAL BORN KILLER – Highly Suspect (22)
  20. I’M IN LOVE WITH YOU – The 1975 (23)
  21. OFFCUTS – Mount Famine (24)
  22. I.N.V.U. – Kid Kapichi (25)
  23. SHADOWS IN THE DARK – The Star Crumbles (26)
  24. UNHOLY – Sam Smith featuring Kim Petras (27)
  25. TIPPA MY TONGUE – Red Hot Chili Peppers (21)
  26. THIS IS WHY – Paramore (N)
  27. PLEASE WRITE RESPONSIBLY – Granfalloon (18)
  28. SAIL AWAY – lovelytheband (30)
  29. TEK IT – Cafuné (20)
  30. LOVE DON’T LIVE HERE ANYMORE – Crystal Cities (N)