Top 30 Songs for December 15-21, 2019

1. CIRCLES – Post Malone (1)
2. YOU? – Two Feet (3)
3. UNDERGROUND – MISSIO (2)
4. DISSOLVE – Absofacto (4)
5. UNDER THESE SCARS – Falling Into Red featuring Dev (7)
6. STAY HIGH – Brittany Howard (8)
7. DRIFTING AWAY – Stereohaze (9)
8. WHITE LIES & PALM TREES – The Lovepools (10)
9. SOMEONE YOU LOVED – Lewis Capaldi (5)
10. THE HYPE – twenty one pilots (6) 20th week on list
11. LONELY – Secret American (12)
12. ORPHANS – Coldplay (13)
13. CALM DOWN – Pete Yorn (14)
14. NOVOCAINE – The Unlikely Candidates (15)
15. REWARD – Paul Iwan (16)
16. ALL THE GOOD GIRLS GO TO HELL – Billie Eilish (17)
17. MIGHT BE RIGHT – White Reaper (18)
18. OBSESSION – Joywave (11)
19. THE RUNNER – Foals (24)
20. MAN ON THE MOON – The Common View (22)
21. THE END OF THE GAME – Weezer (21)
22. BLIND LEADING THE BLIND – Mumford & Sons (25)
23. WARS – Of Monsters and Men (26)
24. 2ALL – Catfish and the Bottlemen (27)
25. THE BEST – AWOLNATION (28)
26. 16 – Highly Suspect (29)
27. BEEN BUSY – Thunder Fox (30)
28. FIGHTER – Joseph (19)
29. GOOD THINGS FALL APART – ILLENIUM with Jon Bellion (20)
30. UNEVENTFUL DAYS – Beck (N)

VOX EAGLE – Single Premier: “Can’t Stop”

Regular readers of this blog know I write about a lot of indie artists and bands, as one of the things that drives me is wanting to support them in what little way I can. One of my absolute favorites – both from a musical and personal standpoint – is VoxEagle. Essentially the music project of Australian-born and now Colorado-based singer-songwriter, producer and multi-instrumentalist Andy Crosby, VoxEagle first burst onto the music scene in the beginning of 2017 with the release of the electro-pop single “No Sleep”. The terrific song has been streamed over 279,000 times on Spotify. He then followed up with a second single “Come Over”, both of which were featured on his debut EP Flamingo Paradiso Pt. 1., released in July 2017. I loved both songs so much they ended up on my Top 100 Songs of 2017 list.

Also in 2017, Andy and his wife relocated from bustling Manhattan to the bucolic solitude of Evergreen, Colorado, high in the Colorado Rockies west of Denver. There, he built his own recording studio, which he dubbed “The Eagles Nest”, and set to work on his first full album, the brilliant genre-bending TriumAvium, which was released in October 2018. You can read my album review and interview with Andy here. One of the tracks on the album titled “Wander” went all the way to #1 on my Weekly Top 30 this past February.

Now he returns with a wonderful new single “Can’t Stop“, which I’m thrilled to premier today. The song officially drops on December 16 on all major digital music sites, some of which are included at the end of this post. “Can’t Stop” has a soulful dance pop vibe, and captures the infectious energy we first encountered on “No Sleep.”

VoxEagle Studio 2

That energy is the essence of VoxEagle’s unique, yet eclectic, sound. In our interview, he told me “VoxEagle is a musical energy; I hate to call it a band or whatnot. It’s vibe I suppose is with me at the helm, [though] the whole idea of VoxEagle in the beginning was to collaborate with various artists.” He added that his main overriding objective in making music is that “It’s just gotta have big melodies and be real energetic.

The track opens with spacey, almost seductive synths that quickly expand like a giant flower unfolding its petals into a beautiful explosion of sound and color. Starting with a deep, thumping bassline as a foundation, VoxEagle layers a rich palette of sparkling, dreamy synths, guitar, and percussion, including what sound like bongo drums, to create an exuberant groove that just makes you feel good. He has a fine, casual singing voice, and I like when he freestyles some of the lyrics. It all builds to an exhilarating crescendo before fading out with those spacey synths and pulsating bass. I love it!

Although “Can’t Stop” was written prior to the occurrence of a personal tragedy Andy recently experienced with the death of his best friend of 30 years, it really hits home for him, serving as a sort of anthem for his philosophy about life and his music career. He became so despondent over his friend’s death that he actually considered throwing in the towel on making music. Thankfully, he came around to realizing it would be impossible for him to stop, as making music is the one thing that keeps him sane at the end of the day – a sentiment I and many others I know can strongly identify with.

Those feelings are perfectly expressed in the lines “Every time I get the hook wrong, I stay back all night just to fix it cuz we can’t stop until we catch the feeling. All I know is that we’ve come too far. Too far to turn back now. Can’t stop these feet when they start moving, no.” I hope VoxEagle never stops making songs for us to enjoy.

Connect with Vox Eagle:  Facebook / Twitter / Instagram
Stream: Spotify / Soundcloud / Apple Music
Purchase: iTunesGoogle Play

New Song of the Week – NATH JACKSON: “Oncoming Storm”

Nath Jackson

Nath Jackson is a talented singer-songwriter from Leeds, England, who I learned about this past July when I reviewed an EP he collaborated on with electronic music project The Ocean Beneath. He wrote and sang the lyrics on two of the tracks on that EP, and I was really impressed with his captivating vocals. Nath is now writing and recording songs for his own debut EP Dreamers and Deceivers, due out in Spring 2020. He’s just released “Oncoming Storm“, which I’ve chosen as my new song of the week. It’s the first single from his forthcoming EP, along with an accompanying live recording of a second track “Best Laid Plans”.  The Ocean Beneath produced the tracks, with backing vocals sung by Nath’s brother Aaron and drums performed by Karl Rigby.

Nath Jackson2

“Oncoming Storm” is a beautiful and haunting track, starting off with sounds of approaching winds and Nath’s strummed acoustic guitar, accompanied by gentle cymbals that evoke waves crashing on the shore in advance of an oncoming storm. As the song progresses, his guitar strums become more urgent, while lovely but melancholy piano keys and measured percussion enter the mix to create a stirring backdrop for his warm, resonant vocals.

The lyrics seem to me to be about someone afraid of committing themselves to love or even to life, for that matter, fearing they’ll get hurt.

I know you wait
You waited for so long
You’ve been trying to run from the oncoming storm
So come along, won’t you come with me
I’ll get behind those eyes
I’ve got something that you better see

But it’s all too little too late
If life’s a game then you better play
From the upside to the down
The lost and the found
You better move soon before you hit the ground
And they’ve all got something to say
Waiting for those better days
From the love that you choose
The spreading out the news
Where do you go when you got nothing to lose?
Nothing to lose

On “Best Laid Plans”, it’s just Nath’s heavily-strummed acoustic guitar and strong, clear vocals, which are all that’s needed to make a highly satisfying and impactful folk-rock tune. The song speaks to not letting one’s life become trapped by too many rigid plans that can result in disappointment:  “And I find it hard to believe that the best laid plans fall apart at the seams. With just a roll of the dice, you can be free. Can’t wait til the moment’s gone. Dreamer keep dreamin’ on.

Though both quite different in sound and style, they’re both great tracks that showcase Nath’s skilled guitar work and beautiful vocals. I look forward to hearing all of Dreamers and Deceivers when it’s completed.

Connect with Nath:  FacebookTwitterInstagram
Stream on  SpotifySoundcloudApple Music
Purchase on  BandcampGoogle Play

DARKSOFT – Single Review: “Cybersecurity”

Darksoft Cybersecurity

Darksoft is the music project of Bill Darksoft, an imaginative and talented singer-songwriter, producer and multi-instrumentalist from Seattle, Washington who I’ve featured twice on this blog in 2019. Inspired the by the high-tech industry of his hometown, he writes songs that address timely and relevant social and cultural issues related to technology. He also operates his own label and website Look Up Records (for which he also writes some pretty awesome reviews), and in addition to his music project, has played with many Seattle acts over the years.

Last February, I reviewed his brilliant debut album Brain, a concept work named for the very first computer virus to attack the internet back in 1986, with each track titled after infamous viruses that followed. Then in July, I reviewed his single “WannaCry”, which addressed the deep cultural and political divide in America, fed by our tendency to stay stuck in our own echo chambers. The enthralling song spent more than three months on my Weekly Top 30. Today. I’m happy to premiere his haunting new single “Cybersecurity“, where he touches on another thorny technological issue.

Like his previous tracks, “Cybersecurity” was written, performed and produced by Darksoft, and mixed and mastered by Mathieu Riede of L453RL4Dy Studios. Using a rich palette of cinematic synths as a foundation, Darksoft layers gauzy riffs of chiming and jangly guitars, along with a perfect balance of snappy percussion, to create a dramatic and sweeping backdrop for his captivating vocals. As I’ve stated in previous reviews, I really like his velvety, almost breathy vocal style, which adds a dreamy, ethereal quality to his sound. He also excels at writing beautiful, compelling melodies, and though I would not label this one as being “catchy”, it nevertheless stayed with me long after hearing it. It’s another winning song.

The lyrics cast doubt on the assumption – or is it really a myth? – that all our data floating around out there in cyberspace is somehow being kept safe. What’s more, it can even be used to control and manipulate us in harmful ways that we hadn’t imagined.

The past is dying
In saturation
Confusion breeds control
Two points for the man
One humanity
We’re digits in a dream
Cybersecurity

Who can hide the past controls The Now
Information Age playing mind games

There’s something wrong
This picture’s off
What’s under your profile?
Did I do wrong?
Who can tell
When truth is gone
There is no cybersecurity

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

REVOLUTION RABBIT DELUXE – Album Review: “Swipe Left”

RRD Swipe Left

Revolution Rabbit Deluxe (RRD) is an indie rock band hailing from south Wales. Their innovative, alt-rock sound draws from Brit-rock, pop and punk influences, with meaningful lyrics tackling topical issues ranging from politics, culture and environmental justice to mental health. RRD started out as a solo project for founder and guitarist Rev Rab, but gradually evolved into a four-piece band. With the exception of Rev Rab, the band has an entirely new lineup since I last visited them a little over a year ago, when I reviewed their terrific debut album Tales From Armageddonsville. They’re now comprised of Rev Rab (guitar, lead vocals), Dan (guitar, backing vocals), Ben (bass, backing vocals) and Nick (drums), and recently dropped their sophomore album Swipe Left.

The album contains 12 tracks, and I’ll touch on what I think are the highlights. RRD gets right down to business on the opening track “Doomsday Clock/Cornucopia Croaked“, a rousing foot-stomper about mankind’s relentless assault on our planet. The track starts off with what sounds like a huge ticking clock in an empty room, backed by distant sounds of civil unrest. At the 30 second mark, the clock stops and we’re hit with a barrage of gnarly distorted guitars and hammering drums, driving home the urgency of the subject. Rev Rab issues a scathing assessment of our destructive tendencies: “We tore down the hills. We dug up the valleys. We pulled up the trees. Replaced them with concrete. And it’s goodbye world. Cornucopia croaked. Strangled by plastic. All our footprints soaked. Need to do something drastic.”

Keeping with the theme of earthly degradation, “Gods of Folded Bills” speaks to how our greed, over-consumption, and the downside of capitalism in general have led us down a path toward the looming prospect of our own demise: “We sold out to darker powers, and all the while, we pray to gods of folded bills. There’s no return, we’re driving down a one-way street. There’s no concern, as the rhino joins the queue.” The song has a cheerful synth-driven melody that belies the darker lyrics. So too with “Superglue“, its catchy new wave/psychedelic grooves in contrast with the more serious subject matter.  “Can’t you tell this fragile shell on which we live…is gonna give./The edifice you build is in your heart. A monument to pride. A prisoner inside. A prisoner to hide. The prisoner is you. And my advice is pull it down, tear it down, smash it down.

Picture of a Man” is a rather somber song about a man who puts forth a charming, gallant image that’s at sharp odds with his substantial shortcomings and cruel nature: “Don’t you paint a fine, fine picture of a man. So subtle, so refined, so charming, so cultured, so well-groomed. / A player, you play her well. You beat her, you cheat her./ Please leave her, relieve her. Just walk away. But freedom is what she wants from you. The one thing you can’t give.” “Guess Which Number” is a sweet tune, with sparkling synths and a lovely piano-driven melody, while “Father of Lies” seems to pay homage to David Bowie’s “Heroes” with its similar iconic driving riff early in the song.

One of my favorite tracks is “Punk Rock is Dead“, a bouncy punk-infused song about how societal pressure to conform killed off the free-thinking, anti-establishment spirit embodied by punk rock:  “Take a message. Subvert it. Pump it out as truth. Take a free man, create dependence, and roll away identity. Millions like him share the uniform. A corporate rebellion. Punk rock is dead. Who killed it? Punk rock is dead. You killed it. Punk rock is dead. We killed it.

Steel September Skies” is a complex and haunting track. It begins with a gently strummed folk guitar, then a thumping drumbeat ensues as Rev Rab describes what starts off as a bucolic scene that quickly turns ominous, perhaps symbolizing a nation formerly at peace but now plunged into an authoritarian regime or civil war: “A picture-perfect parade winds down my street. As idols clap and children cheer, frozen in time. I hear the crash of jackboots black. Let’s change the scene. Ignore the screams. My mother’s arms holding me tight, keeping my safe. I try to smile, but my belly aches, there’s flies in my eyes. And then the screams, my mother screams.”

The music intensifies as his vocals turn urgent: “I am just one man, got no master plan. But I’ll try to find if you’ll take my hand. Til the sun turns black, Til the sky is cracked. Til the kiss lies choked, I will cling to hope.” Suddenly, things turn around to a more positive, hopeful tone: “Parade’s rewind and jackboots fade. All our wrongs are being undone, the guilty can’t run. It’s time to live, it’s time to love. I am just one man, got no master plan. But I’ll try to find if you’ll take my hand. Til the sun turns black, Til the sky is cracked. Til the kiss lies choked, I will cling to hope.” The music calms back down to the gently strummed guitar as the song fades out. It’s such a powerful and stirring song.

Swipe Left is another strong work by Revolution Rabbit Deluxe. Given their unique, sometimes unorthodox sound and deep, thought-provoking lyrics, their songs often require a couple of listens to unpack and fully appreciate all the nuance to be discovered within them. Putting forth the effort pays off nicely once you come to realize the high quality of their music.

Follow RRD on FacebookTwitterInstagram
Stream on Spotify / Apple Music / Soundcloud
Purchase hereBandcamp

Top 30 Songs for December 8-14, 2019

1. CIRCLES – Post Malone (2)
2. UNDERGROUND – MISSIO (1)
3. YOU? – Two Feet (3)
4. DISSOLVE – Absofacto (5)
5. SOMEONE YOU LOVED – Lewis Capaldi (4)
6. THE HYPE – twenty one pilots (6)
7. UNDER THESE SCARS – Falling Into Red featuring Dev (7)
8. STAY HIGH – Brittany Howard (8)
9. DRIFTING AWAY – Stereohaze (10)
10. WHITE LIES & PALM TREES – The Lovepools (12)
11. OBSESSION – Joywave (11)
12. LONELY – Secret American (13)
13. ORPHANS – Coldplay (15)
14. CALM DOWN – Pete Yorn (14)
15. NOVOCAINE – The Unlikely Candidates (18)
16. REWARD – Paul Iwan (19)
17. ALL THE GOOD GIRLS GO TO HELL – Billie Eilish (20)
18. MIGHT BE RIGHT – White Reaper (21)
19. FIGHTER – Joseph (9)
20. GOOD THINGS FALL APART – ILLENIUM with Jon Bellion (16)
21. THE END OF THE GAME – Weezer (23)
22. MAN ON THE MOON – The Common View (24)
23. SOCIAL CUES – Cage the Elephant (17) 20th week on list
24. THE RUNNER – Foals (26)
25. BLIND LEADING THE BLIND – Mumford & Sons (27)
26. WARS – Of Monsters and Men (28)
27. 2ALL – Catfish and the Bottlemen (29)
28. THE BEST – AWOLNATION (30)
29. 16 – Highly Suspect (22)
30. BEEN BUSY – Thunder Fox (N)

INWATER – Single Review: “Nobody Else Than Me”

Inwater Nobody Else Than Me

Although the vast majority of artists I’ve featured on this blog are from either the U.S. or the UK, I do from time to time write about artists and bands from other countries. Just a few days ago, I reviewed a band from Italy, and now turn my spotlight for the first time on lovely Portugal, to Lisbon rock band Inwater. Formed in 2014, the band is comprised of songwriter/producer Miguel Moreira (lead guitar, synths, programming &  backing vocals), songwriter/producer Rui Duarte (rhythm guitar, synths & lead vocals), João Barbosa (drums, percussion & programming), and André Pires (bass & backing vocals).

Although they identify their music as generally falling into the broad category of alternative rock, Inwater draws from a wide range of influences to create their own unique sound, and prefer to not be labeled any one particular genre. As they so eloquently put it, “[We] can be sweet as a little boat on the sea, or as frightful and dreadful as Godzilla emerging from the deep ocean. What best describes our sound is the fact that we recognize in ourselves the ability to reach out and discover what each song needs, and let them always show us the way. This approach gives us the chance to explore an infinite amount of possibilities driven by the song’s potential, and with patience and perseverance, it grows by itself and leads us to a different sight every time. We just have to come ashore and breathe the new air that is waiting for us.” An interesting aspect of their sound is that, listening to their songs, I’d never guess they were from Portugal.

Inwater has spent the past couple of years writing and recording songs for their forthcoming debut album Wet Dreams, and began releasing singles this past February, starting with the lovely and bittersweet “My Tragedy”.  In June, they followed up with a beautiful love song “Plain Heart”, featuring guest vocals by Caroletta The Girl From Chiado, and on November 15, they dropped their third single “Nobody Else Than Me“, which I’m reviewing today.

True to their desire to remain eclectic, the song starts off with an 80s new wave vibe that reminds me a bit of Depeche Mode. The hypnotic melody, deep bass and jangly guitars are fantastic. Then the chorus kicks in, and the song transitions to a faster, pop-rock tempo that’s equally satisfying. The guitar work and lively percussion are terrific, and the 30-second guitar solo in the bridge is particularly good. The track’s arrangement and production values are really outstanding as well. There were many hands involved in its production, including Nuno Oliveira and Pedro Isaac Ribeiro on bass, Ribeiro again on electric guitars, and João Tiago Fernandes on drums. The track was produced, mixed and mastered by Moreira and Duarte.

The lyrics, written by Duarte, speak to the protagonist’s inability to love anyone but himself, and his desire to remain free, enjoying only the physical pleasures from a sexual encounter. But they also reveal in inner turmoil, and the self-realization that he’s not necessarily a good person.

Don’t you understand?
Love means nothing to me
So, take it easy
Your love means nothing for me

My Freedom
Runs threatened by your love
My Freedom
Loves to walk alone

So please take a step back
I hate being followed

Can’t you see?
There’s nobody else than me
Nobody else
Nobody else than me

I’m not sweet
I’m not gentle and kind
I’m hungry
I’ve a battle inside

I need passion
I just wanna be surprised
I need passion
I just wanna take you higher 

Here are all three singles for those so inclined to take a closer listen to Inwater:

Follow Inwater:  FacebookTwitterInstagram
Stream their music: SpotifySoundcloudApple Music
Purchase:  BandcampGoogle Play

New Song of the Week – DENSE: “Fever Dream”

DENSE - FEVER DREAM (ARTWORK)

DENSE is a remarkably talented psychedelic garage rock band from Leeds, England, who combine thick, fuzz-soaked grooves with explosive riffs and intricate melodies to create music that’s incredibly intense and badass. As their name would imply, their sound has an impressive maturity, complexity and density, which I like to describe as ‘industrial surf-metal psychedelic rock’.  The trio consists of Charlie Fossick (Guitar/Vocals), Dylan Metcalf (Bass) and Sam Heffer (Drums).

A favorite of this blog, I’ve previously featured DENSE numerous times over the past two and a half years, most recently this past March when I reviewed their mind-blowing single “Displaced Face”  Now they’re back with another new single “Fever Dream“, which I’ve chosen as my New Song of the Week. The single drops today, December 6th, via Leeds label Come Play With Me. DENSE were selected for this release by a panel of judges which included BBC Radio 1’s Phil Taggart, Adele Slater (agent to Liam Gallagher and Dream Wife), and Paul Riddlesworth from Dipped In Gold Recordings and Too Pure Singles Club.

About the track, Sam explains “’Fever Dream’ is based on a dream our singer Charlie had when he was really ill a couple years ago. In it, a withered man was left to die by a burning window before being dug up and forced to relive the tormenting experience all over again. The artwork relates to the introduction and later repetition of the agonising circumstance which the protagonist is in, left immobile in a chair being burnt by the scorching sun and unable to break the cycle of his suffering. The rocking chair left in the unused wasteland represents the isolation of this suffering against nature’s elements, visually encapsulating the track’s overall atmosphere.

The song immediately bursts forth with an intense barrage of gnarly guitars, throbbing bass and bombastic percussion. Charlie uses his guitar like a battering ram, pummeling the airwaves with relentless riffs of gritty, reverb-drenched distortion. At times, his guitar sounds like a buzz saw, while other times it mimics a machine gun. Dylan lays down a jaw-dropping bass line so heavy and deep I feel it in my core, while Sam smashes his drum kit like a man possessed. It all serves to create a massive, nightmarish wall of sound for Charlie’s demonic wails and screams. Wow, what a phenomenal track, and once again, DENSE blows our minds and ears with their brilliant musicianship.

“Fever Dream” is also being released on 7” vinyl, and is backed on the other side by fellow label mates Sea Leg’s single ‘Favourite Doll’. Limited signed copies of the vinyl can be ordered from http://cpwm.awesomedistro.com/.

DENSE will be launching “Fever Dream” at the following show tonight, 6 December, at Hyde Park Book Club.

DENSE show poster

Connect with DENSE:  Facebook / Twitter / Instagram
Stream their music on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcampGoogle Play

 

MAYOBA – Artist Spotlight & Review

I get so tired of hearing that ‘rock is dead’, because as far as I can tell by the huge number of bands throughout the world making great kickass rock these days, the genre seems to be very much alive. One such band doing their part to keep rock going strong is Italian crossover metal band Mayoba. Influenced by some of their favorite bands like Gojira, Opeth, Meshuggah, Lamb of God, Pantera, Killswitch Engage, Megadeath, Helmet, Biohazard and Alter Bridge, they serve up a face-melting, yet highly melodic, stew of hardcore and groove metal.

Based in the southern Italian city of Trani on the Adriatic coast, they’re a fairly new band, forming just last year (2018). Guitarist Francesco Di Bitonto and drummer Mimmo instantly clicked upon meeting each other at a casual jam session, and started playing music together and working on some ideas for songs. They were soon joined by vocalist Luca Bove, and Mayoba was officially born. Their lineup was completed in early 2019 when Enrico Povia joined the band as bassist.

Mayoba2

They released their first single “Through the Fire” in September, and the title’s certainly fitting, as Mayoba sets the airwaves afire like a rampaging flamethrower-wielding beast. The track starts off with dark, ominous synths that conjure up images of a gathering storm, then all hell breaks looks once the guys unleash a furious barrage of pummeling riffs, buzzsaw bass and speaker-blowing drums. Luca’s hardcore vocals are downright fearsome as he screams and growls the lyrics “Where should I go? I’m walking through the fire, where I belong!“, sending chills up and down our spines. They produced a video that shows them performing the song at a nighttime outdoor concert, juxtaposed with dramatic footage of explosions and civil unrest. Be sure to turn the volume all the way to maximum on this!

On “Falling“, Mayoba delivers an unrelenting onslaught of explosive, chugging riffs, scorching basslines and thunderous drumbeats that really showcase their impressive musicianship. I love the song’s powerful, driving melody and, once again, Luca makes his vocal chords bleed with his spine-tingling feral screams.

Savior” is another banger, with a frantic, pulse-pounding tempo that really gets the blood pumping! Man, these guys blow the fucking roof off with some of the most intense grooves I’ve heard in a long while. Francesco shreds his guitar to the breaking point as he lays down heavy doses of scorching machine-gun riffs. Enrico and Mimmo keep the pace with their relentless assault of pummeling rhythms, while Luca continues to melt our faces with his savage vocals. A little past the 3-minute point, the song transitions to a haunting guitar solo by Francesco that’s quite beautiful and melodic. It’s a striking finish for a phenomenal track.

Mayoba plans to continue performing live and touring as much as possible in 2020, joining many big festivals throughout Italy. Then they plan to return to the studio again at the end of next summer to record an EP or possibly even an album. Their music is not available for purchase yet, but is available for streaming on Soundcloud and Reverbnation. They hope to eventually find a label to support their music and help them grow. In the meantime, I’m happy to do my small part to help promote them to a wider audience. I’m not the biggest fan of hardcore/metal music, but Mayoba’s songs are so melodic and well-executed that they’re beautiful to my ears.

Connect with Mayoba:  FacebookTwitterInstagram

LIEMBA – EP Review: “Ever Evolving”

Liemba EP art

Today I’m pleased to introduce Brighton, England-based music act Liemba. I learned about them when one of the band members Simon Gledhill reached out to me about their new EP Ever Evolving, on the recommendation of another artist Fred Hills, who I’ve previously featured on this blog.  Primarily a three-piece acoustic act, Liemba was formed in early 2015 by Gledhill and Nelson Day, who share a love for folk-rock acts such as Crosby, Stills and Nash, early Fleetwood Mac, Kings of Convenience and The Staves.

Capitalizing on their skillful guitar work and sublime vocal harmonies, they released their beautiful debut EP All Costs in March, 2016, then toured throughout the UK and Europe promoting the EP. Vocalist Damien Best joined the lineup later that year, his own distinct vocals providing an added texture for what would become their wonderful signature three-part harmonies. They also began experimenting with drums and bass to create a fuller sound, and in February 2017 released their second EP Burning Wicks, another terrific work. I highly recommend that my readers check out these songs, which are available on all major music streaming sites, some of which are listed at the end of this review.

Liemba2

They followed up with a live acoustic EP Liemba Brighton Electric Sessions at the end of 2017. Moving ahead to 2018, wanting a bigger full-band sound, they recruited Brighton musicians Alfie Weedon on double bass and the aforementioned Fred Hills on drums to record some new material. The result was four stellar tracks recorded and released in 2019 that were ultimately included on a fourth EP Penlands. Subsequent to that project, the band retained drummer Hills and brought on bassist Joe Woodham to record their fifth EP. Gledhill told me this EP represents a new milestone in Liemba’s development, hence its title “Ever Evolving”.

Ever Evolving was recorded this past July at Ford Lane Studios (Royal Blood, Just Jack, Fickle Friends) in Arundel, West Sussex. The band recorded the tracks live to capture the dynamic essence of their sound, then Gledhill and Day spent the next month adding subtle texture and mixing the tracks, which were mastered by Simon James at Homesick Studios. Alice Humphreys filmed the recording process, creating live videos of each of the three tracks that give us a close-up view of the band working their magic.

The first track “PIP” really showcases their superb guitar work and vocal harmonies, both of which are so good they take my breath away. It’s not often that we see a band with three vocalists who can harmonize this beautifully, and Liemba are quite honestly one of the best at this that I’ve heard since Crosby, Stills & Nash. The layered chiming guitars are gorgeous, backed by crystalline synths, Woodham’s subtle bass and Hills’ flawless drumming. The lyrics speak of the heartache and sorrow brought by an evil woman you want to forget: “She’s cruel. The pip in my fruit. Swallowed she grows into the lump in my throat.”

Mirror Man” delivers gorgeous jangly and chiming guitars, along with more of those sublime harmonic vocals. The song is about conquering self-loathing, and learning to accept and love oneself in order to be able to love others: “Mirroman, I hate to bring the mood down. You’re the one person I should learn to love.”

The title track “Ever Evolving” speaks to how as we change (evolve), so too can our relationships, sometimes to the point where our divergence is too great for the relationship to survive. “Coz we are ever evolving. People only help or hinder. Revelations occur, make you realise you’re changing. Me oh my I’m bored of this life on a carousel. I felt like I’d moved but the scenery had too. And to my behest so had you.” Despite the rather bittersweet lyrics, the song has a bouncy, upbeat melody, with cheerful riffs and peppy drumbeats.

Ever Evolving is a marvelous little EP, and my only criticism is that I wish it contained more tracks! I’m so glad to have discovered Liemba, as I love their music. They’re incredibly talented songwriters and musicians, and I especially like Gledhill’s intelligent, thoughtful lyrics that speak to feelings we can all identify with.

Connect with Liemba:  WebsiteFacebookTwitter / Instagram
Stream their music:  SpotifySoundcloudApple Music
Purchase:  BandcampiTunesGoogle Play