DAVID OAKES – Album Review: “Elevation”

I’m still in Wales (figuratively speaking, having just reviewed the Welsh band Revolution Rabbit Deluxe), this time to shine my spotlight on musician David Oakes. Based in the coastal town of Aberporth, he’s a creative and prolific composer of electronic alternative rock music, as well as a damn fine guitarist. Over the past five years or so, he’s produced a tremendous output of instrumental music, ranging from the guitar-driven melodic rock of his brilliant 2014 work The Calm and the Storm, to the gorgeous atmospherics of The Dawn and the Dusk, the dark experimentation of Sturm Und Drang, and the aggressive hard rock of TheMENACE, for which he also added his own vocals for the first time.

My regular readers may recall that I’ve previously featured him on this blog twice this year, first in May when I reviewed his fantastic album TheMENACE, then a month later when I followed up with an interview. David has now recorded a new album Elevation, which is scheduled for official release in early January, but is available for digital download now on Bandcamp.

David Oakes2

Elevation is structured in eight parts or tracks, sort of how a long classical piece is arranged into movements. Part 1 is a great introduction, setting the tone for what’s to come with moody ambient synths, a pounding drumbeat and an ominous-sounding mix of jangly and distorted guitar riffs that gradually build to a crescendo by the four-minute mark. It all calms back down to the hypnotic cadence we heard in the introduction, and continues through to the outro, accompanied by bits of David’s intricate guitar work that make for a satisfying listen.

Part 2 continues to build on the tension introduced in Part 1, and really showcases David’s stellar guitar playing, not to mention his impressive drum skills. Part 3 brings more jaw-dropping guitar work, with some tasty bits of funk occasionally injected into to the mix. I also love the hard-driving drumbeat, always a big plus for me. Part 4 conjures up images of the Arabian Nights, with layers of intricate guitar and exotic-sounding synths lending a somewhat dangerous vibe. This feeling continues in Part 5, with gritty chugging riffs augmented with chiming guitars, and a deep buzzing bass line providing a sturdy foundation for this powerful track.

Part 6 features moody synths and layers of multi-textured guitars that create an ominous soundscape. I especially like the dark piano synths that appear later in the track, further adding to the song’s overall brooding vibe. David shifts direction on Part 7 with a somewhat jazzy feel and catchy as hell tempo. He uses horn synths, bluesy riffs and a deep, humming bass line to create a fantastic and exhilarating song.  It’s one of my favorite tracks on the album, as I love its urgency and deliriously infectious melody. He really lets loose on the final track Part 8, with furiously pounding drumbeats and frantic riffs of joyously upbeat guitars. It’s an exuberant and celebratory head-banger, and the perfect track to finish the set.

I love this album, which gets better with each listen, as there’s a lot of nuance to David’s compositions and guitar work. If you’re a fan of guitar-driven instrumental rock, then Elevation should be part of your collection.

Stream his music on Spotify / Apple Music / Soundcloud
Elevation will be officially released on all major music platforms on January 4, 2019, but is currently available for download on Bandcamp

REVOLUTION RABBIT DELUXE – Album Review: “Tales From Armageddonsville”

Revolution Rabbit Deluxe

Being a music blogger who’s earned a reputation for writing reviews, I receive a continuous stream of requests from indie artists and bands to listen to – and hopefully review – their music. So it was a pleasant surprise when I was contacted by Welsh band Revolution Rabbit Deluxe (is that not a great band name!) about their debut album Tales From Armageddonsville. I gave a few songs a listen and was immediately intrigued by their lively, Brit-rock sound and deep, thought-provoking lyrics.

Revolution Rabbit Deluxe began as a solo act by guitarist & vocalist Revolution Rabbit (RR), but eventually grew into a four-piece band with the addition of three very talented ladies: May Dupp (guitar, vocals), Una Corne (drums, vocals) and Chanda Lear (bass, vocals). How can you not love a band with such a sense of humor? In their bio, they describe themselves thusly:

Revolution Rabbit Deluxe live in one house, just like the Monkees, and in between writing, recording and gigging, they tour the world looking for suitable crimes to solve. They lost their summer jobs as archaeologists on Time Team after a drunken lunchtime argument with Tony Robinson led to an unfortunate incident with a toilet, some dynamite, and a very angry, wet, red-faced, tender-assed TV host. To this day, Tony twitches violently when he passes a lavatory.

The album kicks off to a rousing start with “Tarred and Feathered,” a pointed attack on racism and inequality that are institutionalized by the state: “When you’re judge and jury to approve but are disapproving. / Our best qualities are arrogance and pride.”  The band delivers chugging riffs of gritty guitars set to a hard-driving beat and strutting bass line. The piano keys used throughout the track provide a nice melodic counterpoint to the guitars, making for quite an exciting and powerful song.

The band takes on cultural and media mind-control on “Pavlov’s Dogs,” driving home their message with a barrage of punchy guitars, fuzzy riffs, screeching synths and thumping drumbeats. RR fervently laments of the false expectations we fall victim to: “See that girl, she’s so unhappy. Thinks her life should be like the silver screen. Sometimes she wants to scream./ The video is so seductive. Feeds the dream, but denies the needs.”

One of my favorite tracks is “In God We Trust,” a song that calls into question one’s faith in God with an air that exists somewhere between a catchy Beach Boys-esque vibe and a darker psychedelic tone. RR implores “Save me, why don’t you save me?” He goes on to ask why not save a whole assortment of entities that society deems ‘undesirable’ – like the hookers, the pushers, the pimps, the dealers, the one-parent family and the union local. He finally caustically beseeches “And while you’re at it, you can save the man. And while you’re at it, save the man in the moon!

I Can’t Change Your Mind” speaks to mental illness, with jangly guitars and spooky synths that lend a strong 80s feel. RR laments of his feelings of loneliness and irrelevance: “I’m alone here in the dark. / Please don’t throw in scraps of hope. / Fade away, I fade away. A shadow lost on sunny days” while a backing chorus whisper/sings the refrain “I cannot take much more. I cannot change your mind” throughout the track.

The terrific lo-fi guitar-driven tracks “Going Solo” and “Chords Played All Wrong” would have been right at home on the Beatles’ White Album, and “Blackwood Calling” has a throwback 60s Brit-rock vibe, but with an early 80s New Wave sensibility. More grungy lo-fi goodness abounds on “Helen Needs,” a song about a woman looking for relief from her negativity and self-pity. “Helen needs another love song. Spitting sweetness from her headphones.” I especially like the quirky little guitar notes and powerful drumbeat that continue throughout the track.

Another favorite of mine is the hard-hitting and provocative “Whore?” – a song that, in the band’s words, “deconstructs the modern Western family and asks why so many people in the Third World suffer to give us our standard of living.” “You perfect family, for you it’s milk and honey, while for others it’s a river of blood.” The song has a bit of a Depeche Mode vibe, with its strong, crunchy guitars, spacey synths and the kind of heavy, mesmerizing beat that I love. “Catechisms Cataclysms” urges us to change our wicked ways for the betterment of the world, delivered with a barrage of gritty guitars and a hard-driving beat.

Armageddonsville” closes out the album with an ominous warning of the consequences of our wicked ways. The track opens with late 80s-sounding techno synths and a strummed guitar as RR cautions: “It’s getting hotter and they say we’re gonna fry. The ice is melting, polar bears are gonna die. Spilling blood for oil, it makes me want to cry.”  The guitars, bass and drums intensify to become a tumultuous onslaught, driving home the seriousness of the subject matter. RR wails “Welcome stranger, take a seat and say a prayer. There’s nothing else to do in Armageddonsville.”

Tales From Armageddonsville is a fine work, and succeeds quite nicely as a concept album that speaks to a number of thorny issues currently facing Western societies. The songwriting, lyrics, instrumentation and arrangements are all exceptional, and I enjoyed this album immensely.

To learn more about Revolution Rabbit Deluxe check out their Website and follow them on Facebook & Twitter
Stream on Spotify / Apple Music / Soundcloud
Purchase on Bandcamp / iTunes

Top 30 Songs for November 25-December 1, 2018

1. LOADING ZONES – Kurt Vile (1)
2. NINA CRIED POWER – Hozier featuring Mavis Staples (2)
3. MY BLOOD – twenty one pilots (5)
4. ALL MY FRIENDS – The Revivalists (4)
5. IN MY MIND – Draft Evader (8)
6. BODY TALKS – The Struts (6)
7. SHE’S KEROSENE – The Interrupters (7)
8. UH HUH – Jade Bird (9)
9. HAPPIER – Marshmello featuring Bastille (10)
10. GUIDING LIGHT – Mumford & Sons (11)
11. GHOST – Badflower (3)
12. SHAME – Elle King (14)
13. HURT PEOPLE – Two Feet featuring Madison Love (15)
14. SUPERWOMAN SWAY – Brett Vogel (16)
15. UNREALITIES – Dying Habit (17)
16. YOU’RE SOMEBODY ELSE – flora cash (18)
17. THESE ARE MY FRIENDS – lovelytheband (19)
18. TIDAL WAVE – Portugal.The Man (13)
19. DIZZY – The Million Reasons (12) 18th week on chart
20. VISIONS – Dirty Heads featuring Kitten (21)
21. MAKE IT UP AS I GO – Mike Shinoda featuring K.Flay (23)
22. FOREVER – Billy Raffoul (26)
23. “99” – Barns Courtney (27)
24. WANDER – Vox Eagle featuring Pierre Fontaine (28)
25. IN THE WATER – The Underground Vault (29)
26. BURN THE HOUSE DOWN – AJR (20)
27. YOU SHOULD SEE ME IN A CROWN – Billie Eilish (30)
28. PANIC – Agency Panic (22)
29. CLOSER – IAMWARFACE (25) 19th week on chart
30. BACK DOWN – Bob Moses (N)

JAMES BAKIAN – Single Review: “Terrified”

James Bakian Terrified

James Bakian is an exceptionally talented, hard working and charismatic young singer/songwriter from London, England. He wrote his first song at the age of six, began studying piano at seven, and released his first EP By Your Side in 2016 when he was only 13. In the two years since, the prolific musician has continued recording and building a loyal fan base. He released his appropriately-named second EP Unstoppable – a really fine effort featuring six tracks – in late 2017 (which I reviewed), and so far in 2018 has released an astonishing 12 singles, the latest of which is “Terrified,” which drops today, November 23.

Now 15, James possesses a phenomenal vocal styling with a depth and maturity beyond his years. He writes all his own lyrics and music, records all the instruments, and is now even producing his songs. I’ve been following him for about two years, and it’s gratifying to watch him grow professionally and hear his vocals and music style get better and better as he matures. He was recently a Featured Artist on BBC Radio London’s BBC Introducing show, where his song “Ice Cold” was played.

“Terrified” is a lovely, soulful track, with sublime jazzy synths set to a gentle drum loop. James’ tinkling piano keys are exquisite, driving the delicate melody forward and creating a beautiful backdrop for his smooth, heartfelt vocals that speak to feeling lost, aimless and alone, without purpose or love in his life. James states that it’s “about someone going through a dark time but choosing to remember and hope for the good times, and reaching out for help.” Despite his youth, he manages to convey the sense of pain and despair expressed in the lyrics in a way that’s believable and convincing. It’s another stellar effort from James that only bolsters my belief that this talented young man has a very bright and promising future.

Connect with James:  Website / Facebook / Twitter / Instagram
Stream his music on  Spotify / Soundcloud / Apple Music
Purchase on  iTunes

Top 30 Songs for November 18-24, 2018

1. LOADING ZONES – Kurt Vile (3)
2. NINA CRIED POWER – Hozier featuring Mavis Staples (1)
3. GHOST – Badflower (2)
4. ALL MY FRIENDS – The Revivalists (4)
5. MY BLOOD – twenty one pilots (6)
6. BODY TALKS – The Struts (7)
7. SHE’S KEROSENE – The Interrupters (8)
8. IN MY MIND – Draft Evader (9)
9. UH HUH – Jade Bird (10)
10. HAPPIER – Marshmello featuring Bastille (11)
11. GUIDING LIGHT – Mumford & Sons (12)
12. DIZZY – The Million Reasons (5)
13. TIDAL WAVE – Portugal.The Man (13)
14. SHAME – Elle King (17)
15. HURT PEOPLE – Two Feet featuring Madison Love (23)
16. SUPERWOMAN SWAY – Brett Vogel (19)
17. UNREALITIES – Dying Habit (20)
18. YOU’RE SOMEBODY ELSE – flora cash (21)
19. THESE ARE MY FRIENDS – lovelytheband (22)
20. BURN THE HOUSE DOWN – AJR (14)
21. VISIONS – Dirty Heads featuring Kitten (24)
22. PANIC – Agency Panic (15)
23. MAKE IT UP AS I GO – Mike Shinoda featuring K.Flay (25)
24. CLOSER – IAMWARFACE (18) 18th week on chart
25. BETTER NOW – Post Malone (16)
26. FOREVER – Billy Raffoul (27)
27. “99” – Barns Courtney (28)
28. WANDER – Vox Eagle featuring Pierre Fontaine (29)
29. IN THE WATER – The Underground Vault (30)
30. YOU SHOULD SEE ME IN A CROWN – Billie Eilish (Re-Entry)

THE SILENCE KIT – Album Review: “Fall Protection”

The Silence Kit2

The Silence Kit is a Philadelphia-based band that plays dark indie alternative rock inspired in equal parts by post punk, shoegaze, neo-psychedelia, goth rock and avant-garde. Formed in 2002 by singer/guitarist Patrick McCay, the current lineup also includes Justin Dushkewich on bass, Darren O’Toole on drums & percussion, James Gross on guitar, and Bryan Streitfeld on synths. The band has released a number of albums, EPs and singles over the years, and in late October, they dropped their fifth album Fall Protection, which follows their acclaimed 2014 album Watershed.

The Silence Kit album

Their music has been compared to bands like The Cure, The Smiths, Echo and the Bunnymen, The Psychedelic Furs, Nick Cave, and Television, but they’ve forged their own signature sound over the years, and Fall Protection sees the band continuing to grow and evolve, fusing together the atmosphere and intensity of early 80s post-punk and goth rock with the spirit of early 90s grunge and indie rock. In the recording of the album, the band had assistance from guest musician Kristin Kita, who played guitar on tracks #1, 7, 9, 10 and synths on #3, 5, 6, 8. The album was recorded and mixed by band front man Patrick McCay and mastered by Dave Downham.

Supermarket” kicks off the album with dark, almost psychedelic synths and grungy guitars propelled by a strutting bass line and infectiously melodic drumbeat. McCay’s vocals are wonderful, with a vulnerable urgency as he croons “In the glow of the supermarket. I wanna feel like I’m in my own dream…again. I miss the kiss of your first attraction. I want to be in deep and sleepless love…again. Time and time again, I will find you. / Lucky me, you found me too.” “New Year’s Eve” speaks to the random nature of our lives year in and year out: “There’s no such thing as karma, or what other’s like to call fate. What you give is irrelevant, and what you get is random…” The music features exuberant layers of fuzzy and jangly guitars and powerful drums.

This Time” serves up a deep, thumping bass line, delicious jangly guitars and the kind of strong, pummeling drumbeat that I love in songs. McCay’s emotionally wrought vocals seem to channel The Cure’s Robert Smith on this track. And the stunning chiming guitar work and sweeping melody on “Can We Skip This?” really showcase The Silence Kit’s strong musicianship. By the fifth track, the stellar, hard-hitting “Everything You Feel Good About,” I’m pretty well hooked on this band’s arresting music style and McCay’s slightly off-kilter but always captivating vocals.

The phenomenal “Wound” is another great example of what I’m talking about. The dark song starts off with a melancholy piano riff, accompanied by ominous synths, a deep, buzzing bass line and chugging guitars as McCay sings with a low, almost menacing voice. “I got this one thing on my mind. I’ve got to keep from losing you. / I wear this like it’s my own, a fine wound, so much to lose.” Two thirds of the way in, the tempo speeds up to a frantic pace as guitars rage and McCay screams “Don’t say a word” several times, then the music slows back down through to song’s end.

One of my favorite tracks is the brooding “Worry,” with its reverb-heavy layered guitars, sweeping psychedelic synths and tumultuous percussion that create an immense backdrop for McCay’s intensely passionate vocals. Another standout is the monumental six and a half minute-long “Never Say Goodbye.” Its haunting melody, lush, soaring instrumentals, and intricate guitar work are all positively breathtaking. The band keeps dazing our senses with raging riffs, dark synths, thunderous drums and raw vocals on “How Does it Feel?” and “Tablecloth.” McCay’s vocals sound decidedly British on the former track as he wails “How does it feel when you’re down and you find out everyone loves your best friend now? How does it feel when you’re gone?”

They seem to pull together all the elements of their signature sound and put them on full display on the gorgeous album closer “Discard.” The stunning reverb-heavy jangly guitars that open the epic track and continue throughout are fantastic, serving as the foundation for this magnificent song. Waves of sparkling, psychedelic synths wash over the guitars, aided by a deep bassline and layer upon layer of crashing cymbals and turbulent drums. It’s a massive song and the perfect ending to an equally massive album that leaves me awestruck.

Connect with The Silence Kit:  Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Soundcloud
Purchase on Bandcamp / iTunes

Top 30 Songs for November 11-17, 2018

1. NINA CRIED POWER – Hozier featuring Mavis Staples (1) 3rd week #1
2. GHOST – Badflower (2)
3. LOADING ZONES – Kurt Vile (8)
4. ALL MY FRIENDS – The Revivalists (5)
5. DIZZY – The Million Reasons (3)
6. MY BLOOD – twenty one pilots (16)
7. BODY TALKS – The Struts (9)
8. SHE’S KEROSENE – The Interrupters (10)
9. IN MY MIND – Draft Evader (12)
10. UH HUH – Jade Bird (14)
11. HAPPIER – Marshmello featuring Bastille (15)
12. GUIDING LIGHT – Mumford & Sons (17)
13. TIDAL WAVE – Portugal.The Man (11)
14. BURN THE HOUSE DOWN – AJR (4)
15. PANIC – Agency Panic (7)
16. BETTER NOW – Post Malone (6)
17. SHAME – Elle King (18)
18. CLOSER – IAMWARFACE (13)
19. SUPERWOMAN SWAY – Brett Vogel (20)
20. UNREALITIES – Dying Habit (21)
21. YOU’RE SOMEBODY ELSE – flora cash (22)
22. THESE ARE MY FRIENDS – lovelytheband (23)
23. HURT PEOPLE – Two Feet featuring Madison Love (27)
24. VISIONS – Dirty Heads featuring Kitten (26)
25. MAKE IT UP AS I GO – Mike Shinoda featuring K.Flay (28)
26. NATURAL – Imagine Dragons (19)
27. FOREVER – Billy Raffoul (30)
28. “99” – Barns Courtney (N)
29. WANDER – Vox Eagle featuring Pierre Fontaine (N)
30. IN THE WATER – The Underground Vault (N)

JETSTREAM – Single Review: “Delta Blues”

The other day my friend Susan tweeted about a new song “Delta Blues” by a band I’d not heard of before called Jetstream, tagging me along with several other music-loving friends as she customarily does to help spread the word about indie bands. Well, let me say that every single one of us were immediately blown away when we clicked on the YouTube link and listened to the song. Wow, “Delta Blues” is one hard-rockin’, foot-stompin’, gritty blues-rock mutherfucker! And though Jetstream sound like they’re from Tennessee or Mississippi, they’re in fact originally from the Rock of Gibraltar, and now based in the UK!

Jetstream
Photo by Eye Candy Photography

Like many bands, Jetstream has undergone some personnel changes since their formation in 2008, but the current lineup consists of Nolan Frendo (vocals), Stu Whitwell (guitars, keys), Tristan Tonna (drums), Justin Pou (bass), Aaron Ignacio (guitar) and Tristan Tonna (drums). Among some of their many musical influences are such greats as Aerosmith, Pearl Jam, Foo Fighters, Kooks, Counting Crows, The Killers, Kings of Leon, Coldplay and Green Day – all awesome bands I also love. They released their first EP in 2014, and have followed with a number of singles since then, the latest of which is “Delta Blues,” which dropped on October 26 (a date that interestingly saw a tremendous number of new releases by several artists and bands, a few of which I’ve recently reviewed).

“Delta Blues” kicks off with Tonna’s pounding drumbeat as Whitwell and/or Ignacio lay down deadly riffs of gnarly guitar, backed by a sinister pulsating synth and Pou’s throbbing bass line that set an ominous tone. Frendo’s gritty vocals deepen the tension as he tells the unfortunate tale of a woman named Delta Blues who swept him off his feet, only to betray him.

Way down in Mississippi I found the sweet Delta Blues
She strut so very pretty, I knew I had nothing to lose
She made her name in this town when her mama was 17
Knocked down a whiskey jigger, make eyes across the room
Be first to pull the trigger, don’t trust what you assume
She made a name in this town when her mama was 17

The guys dial up the heat of the instrumentals to boiling as Frendo passionately wails the chorus, sending chills up and down our spines:

And I, I met her in a dusty tap room
I kissed her in the Southern sun
I shot her in the darkest alley
I miss her in another’s arms

The rampaging guitars, bass and drums continue laying waste to the airwaves as Frendo’s raw vocals keep heaping new layers of chills upon us straight through to the end. What a great song! Take a listen and dial up the volume to full-blast!

Connect with Jetstream:  Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Soundcloud
Purchase on  iTunes Google Play

ALEXIS GERRED – Album Review: “Alexis”

Alexis Gerred3

Alexis Gerred is a hard-working, charismatic and multi-faceted artist based in London, England. A seasoned performer, he’s appeared in numerous stage productions in The West End, on national television, and on various tours around the UK and Asia for over 10 years. Some of those productions include American IdiotOur House, Dreamboats and Petticoats, The West End Men, Rooms, and many more. He loves being creative in any area of performance, but his true passion lies with singing. Alexis has penned numerous pop/rock songs over the past several years, and earlier this year, he launched a crowdfunding campaign to raise funds for the recording of his first album, reaching his goal in a matter of weeks. On October 26, he dropped the album, simply titled Alexis, but there’s nothing simple about it, as it’s filled with ten solid tracks ranging from lovely heartfelt ballads to rousing pop-rock bangers.

Alexis album

Many of the songs on Alexis offer positive, upbeat messages, and no more so than album opener “Sweet Angel,” a beautiful, uplifting song about unconditional love and support that Alexis released this past April as the lead single (you can read my review here). Originally written as a thank you to his parents, he says the song now also reflects how he wishes to bring up his own two children. Layers of chiming and fuzzy guitars, delicate piano and just the right balance of percussion provide the perfect backdrop for Alexis’ dynamic vocals that are raw and passionate one moment, then a gentle falsetto the next as he sings the stirring lyrics “I know you’re falling. I see you falling deeper down. I’ll show you how to fly with broken wings. Sweet Angel.

Face the Crowd” is a rousing pop-rock song about standing up for yourself and not letting your fears or self-doubts keep you from realizing your potential. “Stand up and face the crowd. Find out what your worth. Stand up and greet the crowd.” Alexis’ fervent vocals remind me a bit of Steve Perry on this and a few other tracks when he really gets into the groove. A particularly strong standout is the anthemic “Rule the World,” a powerful duet with fellow stage performer Danielle Steers, who has an astonishing voice in her own right. Their soaring vocal harmonies are so good they give me goosebumps, and the hard-hitting rock instrumentals are fantastic. This song should be released and pushed as the next single, as it’s as radio-friendly a tune as any I’ve heard all year.

Alexis has a beautiful voice, and it’s on the slower ballads where that beauty really shines through. “Hold You Close” is a lovely and deeply moving pledge to his young children that he’ll love and protect them, guiding them as they grow: “I’ll hold you close. I’ll help you fly to the moon. Stay by me. Don’t let anyone take away your dreams. Stay true to you. / I love you my girl, my son.” The gentle acoustic guitar and Alexis’ tender vocals are sublime. He turns very emotional on “Save Me,” as he sing of the hopelessness he feels: “Save me, I can’t do this anymore. Through dark nights. Medicate me, I can’t do this anymore.” Another favorite of mine is “The Lucky Ones” a gorgeous and poignant piano-driven ballad about the loss that results from the end of a relationship. Alexis’ plaintive vocals convey the sadness and despair expressed in the lyrics: “It broke my heart to say goodbye when your eyes said ‘I’m leaving you my darling.’  But I’ll hold you close at a distance.”

Alexis lets the sparks fly on the hard-rocking “Don’t Let Go,” his passion-filled vocals reaching for the skies along with the raging guitar riffs and thunderous drums. He teams up with Norwegian country singer Liv Austen on the lovely folk ballad “Home.” Their pleasing vocals blend together quite nicely on this wistful song about missing each other and looking forward to being together again: “I’ll be coming home, I’m coming home. I’ll never see the light of day til I hold you once again.” He shows his soulful side on “Road to Redemption,” his edgy R&B-tinged vocals accompanied by gnarly riffs and funky bass.    Album closer “No Ordinary Girl” is another uplifting and incredibly catchy rock anthem. The opening melody and drumbeat of the song reminds me a little of The Cranberries’ classic song “Dreams.” Alexis’ powerful soaring vocals pair beautifully with the high-energy riffs of jangly guitars, heavily crashing cymbals and hard-driving beat, making for a marvelous and exhilarating track.

Alexis is a beautiful, meticulously-crafted album and a testament to Mr. Gerred’s skillful songwriting, musicianship and vocal abilities. It’s an impressive debut, and one that should make him quite proud.

To learn more about Alexis, check out his website
Connect with him on Facebook / Twitter / Intagram
Stream his music on Spotify / Apple Music
Purchase on iTunes