Though a relatively new band formed just last year (2018), Los Angeles-based ASHRR collectively have a long and impressive music pedigree. Comprised of singer-songwriter Steven Davis and artists/producers Ethan Allen and Josh Charles, the accomplished trio have a seasoned and eclectic musical background, combining their wide-ranging experience and diverse stylistic influences. Davis has headlined at the famed Rainbow Room, sharing the stage with Diana Krall and Tony Bennett, co-written songs with pop legend John Oates, and had his music featured on several TV shows and films, including Criminal Minds. He’s released numerous albums, including his jazzy, easy-listening What Happened to Romance and This is Christmas in 2015, a collection of great standards The Way You Look Tonight in 2016, and his tribute to 80s pop-rock classics Departure in 2018.
Allen is a record producer, mixer, engineer, writer, and multi-instrumentalist musician originally hailing from Austin and New Orleans. His credits include Black Rebel Motorcycle Club, Ben Harper, The 88, Tricky, Luscious Jackson, The Cult, Gram Rabbit, Sheryl Crow, Tim Finn, Brant Bjork, Donita Sparks, Meg Myers, Patty Griffin and Better Than Ezra, as well as many licensing placements in film and television.
Charles is a critically acclaimed piano prodigy, guitarist, singer, producer and songwriter, mentored by the legendary Dr. John. He has recorded for Columbia Records/Sony Music Entertainment, Island Records and Elektra Records/Warner Music Group, and has produced/co-produced and written/co-written seven albums, including his own Love, Work & Money (2010) and 1974. He’s also produced exclusive sound content for Native Instruments and Splice, and has had many of his songs played on radio, film and TV, including several cuts with the aforementioned John Oates.
ASHRR joined forces after meeting through mutual musician friends, seeking to collaborate to create the kind of music they all wanted to make. Charles explains “Our collective love of analog synth pop, classic new wave melodies and songwriting, and taking modern production to the limits, defines us. We all come from different backgrounds, which is what can be heard inside the music.” Their sound is strongly influenced by Joy Division, Depeche Mode, Talking Heads and LCD Soundsystem, among others.
In October 2018 they released their first single, the captivating “Don’t Wait Too Long”, which premiered at NPR.org and garnered regular airplay on famed Los Angeles alt-rock radio station KROQ. They dropped their self-titled EP ASHRR a few months later, then followed this past May with their debut full-length album Oscillator, which contained all the tracks from their EP, plus five new tracks. In October (2019) they released a stellar new single “Sacrifice“, which I’m reviewing today. The song was co-written by all band members, vocals were sung by Davis, and instruments played by Allen and Charles, except for Blair Sinta on drums and Grant Curry on electric bass. Allen and Charles produced the track, which was then mixed by Allen and mastered by Dave Collins.
The uplifting song seems to me to be about looking back on one’s life, realizing that all the hurdles we faced, all the pain we may have experienced, were worth going through to get where we are now, to be the better person we’ve become. Davis’ rich, beautiful baritone vocals are backed by a dreamy soundscape of sweeping orchestral synths. Sinta and Curry provide a mesmerizing rhythm accompaniment with their jubilant percussion and resonant bass lines, respectively. It’s a gorgeous song.
The rain it will come
And the wind it will blow
You wanna stay true
Don’t forget what you know
Haunted with memories
Blinded by noise
Too much to take
A crack in the voice
You lost the hope in your eyes
Was it worth the sacrifice
The years tick slowly out of time
Angels watch while devils stare
We took the poison without care
The ferryman will name his price
We all know the sacrifice
Innocence is all you have when you are young
Darker days have come to pass
And we are stronger
looking back now
on all those dreams denied
It was worth the sacrifice