XENNON – Single Review: “Hilt”

XENNON is a British synthwave artist/producer who up until recently was based in Tokyo, Japan. His music is heavily influenced by the synthesized sounds of the 80s, as well as Japanese game and video culture. He’s also curator of the Synthwave Sounds playlist on Spotify, which has amassed over 40,000 followers. In September 2019, he released his debut album MIAMI COP, a concept work inspired by the 80s hit TV show Miami Vice, as well as the synth-driven pop-rock that was so popular at that time. MIAMI COP tells the story of an alternative Miami circa 1987, where the city is a dystopian world in which technology has advanced far beyond our own world’s, and crime has spiraled out of control. (You can read my album review here.)

Now XENNON is back with “Hilt“, the first single from his forthcoming second concept album Dark of a Distant World. Inspired by the sci-fi and fantasy movies of the 80s such as The Neverending Story and Masters of the Universe, the album will take the listener on a journey to other worlds as we follow Kurt, a boy who holds the key to saving the planet Eternicron, and embarks on an adventure that transcends time and space. Once again, the concept and featured artwork was done by Travis Wright, who continues to work with XENNON on all of his releases and stories.

The song opens with an assertive synth drum beat that provides a strong rhythmic groove driving the song forward. XENNON then layers a colorful mix of swirling, shimmery synths, pulsating percussive beats and lots of crashing cymbals to create a vibrant, optimistic soundscape that has an almost anthemic quality. As the character Kurt, he plaintively sings of his struggles and self-doubt, not sure whether he has the fortitude to continue, but clinging to the hope that through another’s love and support, he’ll prevail. “I’m not sure I’m getting better. Days drag me down sometimes I’ve found. But maybe if here, beside you I stand, with this hilt tight in my hand. I’ll take it to the other side and get out, safe and sound.”

It’s another great song by XENNON, and I look forward to hearing more tracks from his latest concept album.

Follow XENNON:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music
Purchase:  Bandcamp / Google Play

New Song of the Week – THE FRONTIER: “It’s You”

I had knee replacement surgery at the beginning of the week, so have felt out of sorts as I contend with the residual pain, swelling and stiffness. That, combined with the continuous stream of bad news on seemingly all fronts, has put me in a bit of a funk. So it was a real joy – a blessing, really – to hear the wonderful new single “It’s You” by pop-rock band The Frontier. It was love at first listen, and I’m pleased to make it my New Song of the Week.

The Frontier is an unsigned indie-pop/alt rock band from Fairfax County, Virginia (west of Washington D.C.). Formed in 2016 by singer/songwriter and guitarist Jake Mimikos, a very kind, talented and funny guy who first released an EP Chaos to Clarity as a solo artist in 2015, The Frontier has released numerous singles and two EPs, most recently Luminescence in June 2019. One of the singles that appears on that EP is “Dark Places” a gorgeous song I loved so much that it went to #1 on my Weekly Top 30 and ended up at #15 on my Top 100 Songs of 2019 list.

Like many bands, they’ve undergone some changes in line-up over time, and now consist of Jake on vocals & guitar, Eric Boggess on lead guitar, Eric Dolinger on bass and Eduardo Santana on drums. I’ve followed both Jake and The Frontier since 2016, and have enjoyed all of their music. “It’s You” is a catchy and upbeat song of love and devotion sung to someone who’s made his life more worthwhile and complete. I love the exuberant and beautiful melody, and the plucky guitars, swirling synths, galloping bass and crisp percussion are perfection from start to finish. Jake’s vibrant vocals sound better than ever, and I think it’s one of their best songs yet.

The song was released around the time of Jake’s 38th birthday. In conjunction with the single release, Jake made a video featuring contributions of footage sent to him by fans. He explained: “As I get older, and my circle gets smaller, I feel deeply grateful for the people who have always supported me and continue to do so. I doubt this song will change the world, but maybe it will brighten up somebody’s day or mood just a bit. I especially appreciate everyone who participated in the music video. This was perhaps the most fun I’ve ever had putting one together. Thank you for your contributions. This song is dedicated to…you guessed it..YOU! This will be the last song I release under The Frontier for a little while. I’m gonna take a break and focus on myself and maybe do some solo shows here and there.”

Well, the song and video certainly brightened my mood! Thank you Jake and The Frontier.

So many nights I wondered
Wondering how long this could take
How much time I wasted
Thinking about how many more mistakes I could make

Oh oh oh
And it’s you I finally found the light
Oh oh oh
And it’s you because it feels so right
Oh oh oh
And it’s you until you change your mind
Til we’re out of time

So many lies I told myself
All of the loneliness I felt
It disappears with I’m with you
And I know that you feel it too

Oh oh oh
And it’s you I finally found the light
Oh oh oh
And it’s you because it feels so right
Oh oh oh
And it’s you until you change your mind
Til we’re out of time

Ooh, the time I wasted, chasing, waiting
Ooh, the time I’ve wasted, chasing, waiting

And it’s you I finally found the light
Oh oh oh
And it’s you because it feels so right
Oh oh oh
And it’s you until you change your mind
Til we’re out of time

Connect with The Frontier on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / ReverbnationApple Music
Purchase on Bandcamp / iTunesGoogle Play

BRANWELL BLACK – Single and Video Review: “Love Life”

Branwell Black Love Life
Photo by David Pear

I recently learned about the talented young British artist Branwell “Bran” Black when he followed me on Instagram. Influenced by some of his favorite artists like Kate Bush, Madonna, Charli XCX, Kerli, Evanescence and Tokio Hotel, the London-based singer-songwriter, producer, dancer and model creates captivating synthpop music. Born in Oxford, England but raised partly in France, both Bran and his older brother Morgan developed a love of music while very young, as their father was an accomplished rock drummer. Being around live music much of his life and seeing fans reacting to his father’s music inspired him to start producing music of his own. During his years in France, Bran started to write and produce music with Morgan, with whom he eventually formed a band called Brothers Black/Posie. Spending part of his youth in France exposed Bran to a different culture and different musical elements as well, and a result he’s also recorded and produced music in French.

Bran has been a busy guy over the past year. In September 2019, he released his debut single “J’attends L’amour”, then quickly followed up with “What You Want”, as well as an EP Posie with his band Brothers Black/Posie. This past February, before everything shut down in response to the COVID-19 outbreak, he performed at a sold out show with his back up band at O2 Academy Islington. And on May 8, he dropped his latest single “Love Life“. Bran told me the uplifting song has a double meaning: “It’s a reflection on my love life, and also a voice to tell me to love life itself.” He wrote the music and lyrics, played piano, sang vocals and produced the track, with Morgan providing added vocals. Matt Willis played guitar, Dan Rosu played drums, and mixing was done by Edwin Harris.

The song has a sunny and sensual retro 80s vibe, with a pulsating EDM beat and vibrant, shimmery synths creating a captivating soundscape. I really like Bran’s tinkling piano keys, as well as Matt’s edgy guitar notes at the end of the track. Bran has a soft, sultry vocal style that’s seductive, yet vulnerable as he plaintively sings of wanting not only another’s love, but also being able to love oneself and the life he has. Morgan’s vocals are also lovely as he sings the refrain ‘love life’.

I wanna be with someone that’ll love me forever
Laying staring at the stars never believing in better
All around is all I see and all I see is you
Love the one you’ve always known is true

If your heart really wants it tell me that you want it
Wake up
Well I don’t need another star-crossed lover’s breakup

So baby, I wanna be with someone that’ll love me forever
Telling memories, I want to be the one you can treasure
Forever, and ever
If your heart really wants it tell me that you want it
Wake up
Well I don’t need another star-crossed lover’s breakup
That’s life
That’s what it feels like
Love life

I wanna be with someone that’ll love me forever
And wherever I’ll be they won’t forget me in December
Love life
All around is all I see and all I see is me
Forever, and ever
Love life

In addition to his musical side, Bran has started to incorporate dancing into his performances to bring his music alive through physical expression. What that in mind, he’s now released a stylish new video for “Love Life”. The video was filmed, directed and produced by David Pear, and showcases Bran’s strong charisma, as well as the influence of artists like Madonna and Charlie XCX, exemplified by his and his fellow models and dancers’ voguing.

Follow Branwell:  FacebookTwitterInstagram
Stream his music:  SpotifyApple MusicDeezer / Soundcloud
Purchase:  Amazon

YOUNG DECADES – Single Review: “Islands”

Young Decades

Young Decades are a new English rock band based in Manchester who released their beautiful debut single “Islands” on April 24th. Before I get into discussing the song I’ll provide a bit of background on the band members, who’ve had a bit of a journey to get to where they are today. Prior to forming as Young Decades earlier this year, three of the four current band members were part of Liverpool-based band COLOUR, which itself was formed early in the 2010s from the ashes of two previous acts – Liverpool band The Changes, and Manchester band Red Light Motion. As COLOUR, they released a number of terrific singles and EPs, including “Strangers”, “Kafé” and “The Famous Boy Making Things”, winning a BBC award and national radio play along the way.

With their sound moving in new directions in early 2020, the band in short order lost two girlfriends and their drummer, and decided to relocate to Manchester. With a COVID-19 lockdown looming, they rushed to hold auditions for a new drummer, posting ads everywhere they could around Manchester. After only 20 minutes into their first audition with one of Northwest England’s best percussionists in the form of YouTube drummer, Luke Bolger, the decision was made to bring him into the fold. The four immediately reformed as Young Decades, in reference to the first two decades of the century from which the band was formed. The official lineup now consists of James Tidd (vocals), Scott Harvey (guitar, keyboards), Liam Downey (Bass) and Luke Bolger (drums).

Young Decades’ music is a glorious mash-up of rock, synth pop and EDM elements, and “Islands” is the very embodiment of their lush, dreamy sound. The gorgeous song was co-produced by the band and Tom Longworth, and mastered by renowned mastering engineer Pete Maher (U2, The Killers, Nick Cave, The Pixies). The song has a sweeping, synth-driven melody reminiscent of some of The Killers songs that I love. The galloping riffs and thumping drumbeats beautifully evoke the urgency expressed in the lyrics about two people struggling to save themselves by running away to find a place they can be free. I love the richly colorful synths throughout the track, and one of the song’s highlights for me are Scott’s hauntingly beautiful piano keys.

James has a wonderful, emotive singing voice, and his vocals sound amazing as his earnest croons in the verses soar to passionate heights in the chorus, accompanied by stirring harmonies that bring goosebumps. “Islands” is a stunning record, and a spectacular debut for this talented band of musicians.

I’m On The Run, I’m Hanging On
Just Hold Your Breath, And Grab My Open Hand
A Hurricane, An Aching Pain
Is Closing Down, Shutters On Everything
Oh My Love Is, Ever Burning
Build It High, As the Seasons Turn In
[Oh
My Love] Oh My Love, [Time Is Up] Time Is Come
[Oh My Love] To Build Something From the Sea
Build An Island, Where We Can Be
I Need The Dry Land, Just You And Me

Can We Build That High, Can You Say You’ll Try
Don’t Just Sit And Stare, I Can Almost Feel It
The Cooking Sand, Falling Through My Hand
Like The Time We Waste, Being On A Different Page
Oh My Love Is, Ever Burning
Build It High, As the Seasons Turn In
[Oh My Love] Oh My Love, [Time Is Up] Time Is Come
[Oh My Love] To Build Something, From the Sea

Build An Island, Where We Can Be
I Need The Dry Land, Just to be…
All Ours, It’ll Be All Ours, It’ll Be
All Ours, It’ll Be All Ours, It’ll Be
All Ours, It’ll Be All Ours, It’ll Be
Build An Island, Where We Can Be
I Need The Dry Land, Just to be…

On May 2nd, Young Decades released a special EP Islands Audio Negatives, featuring five alternate versions of the song, including acoustic, instrumental and slowed-down versions the band is calling “audio negatives”. They’re all really beautiful, so do check them out:

Follow Young Decades:  FacebookTwitterInstagram
Stream their music:  SpotifyApple MusicSoundcloud
Purchase: Google PlayAmazon

BEN PRIORY – EP Review: “Solent Side”

Ben PrioryBen Priory is a talented young music producer and composer from the southern English coastal city of Portsmouth. Influenced by some of his favorite artists like twenty one pilots, Mike Shinoda and Only The Poets, he skillfully creates fascinating and compelling synthwave and synthpop songs having a level of maturity beyond his young age. Last June (2019), he released his stunning debut single “Here We Go”, a collaboration with fellow musician and singer/songwriter Charlie Pereira, both of whom were only 17 years old at the time. I reviewed the song and loved it so much it spent many weeks on my Top 30, and ended up on my Top 100 Songs of 2019. He followed up that October with “If Only”, an enchanting and trippy song with trap and Middle Eastern elements, and featuring vocals by Michael Lacroix.

Now Ben returns with his first EP Solent Side, a concept work of sorts with songs inspired by his having grown up by the seaside. The sea around the city of Portsmouth is called “the Solent”, and Ben told me “Solent Side is about the connection with where you grew up, where you feel you belong.” Once again, he collaborated with several vocalists and musicians on the songs. The EP was mixed and mastered by Philip Marsden.

The first track “Night Shift” features captivating vocals by Belfast artist Crash Helmet Kid, who also played guitar. Starting with a throbbing synth bass groove, Ben layers all sorts of delicate and spacey atmospheric synths and sound textures to create a beautiful otherworldly soundscape for Crash Helmet Kid’s angelic, ethereal vocals. I could listen to this bewitching track again and again.

Burning” is a marvelous piano-driven track that transitions back and forth between a languid, rather moody vibe and an exuberant head-bopping dance beat. Ben’s keyboards are wonderful, as is the guitar work by Ollie Lowres and Charlie Pereira. We also finally get to hear Ben sing here, and his vocals are terrific. The lyrics seem to be autobiographical, speaking to his own coming of age as a musician and wanting to explore the world beyond Portsmouth: “There are dreams in my head, I have visions. Dancing on the stage, people singing my songs. I lie awake at night, simply thinking. You lie there too, simply aching. And we’re burning. / There’s a wide, wide world waiting for you. So get yourself outside and go find it. And we’re burning.

Ben takes a pensive turn with “Fluoride“, a lovely track about growing up and learning to accept responsibility for one’s actions, particularly with regard to how we treat one another (at least that’s my interpretation of their meaning). The poignant lyrics are beautifully sung by English singer/songwriter Elisia Carter, who conveys a vulnerable sense of resignation about her friend’s immaturity, yet remaining hopeful that he will learn to value and respect her: “Rolling downtown in your white Mini Cooper / Playing around in a drunken stupor / You wonder what’s it like, life on the other side. / Fluoride, fluoride, can you light up the night? Can you call me by my name?” I love the song’s mellow hip hip beat, jangly strummed guitar, gentle vocal harmonies in the chorus, and the sounds of falling rain throughout that give the track a somber vibe.

The final track is a remix of Ben’s prior single “If Only“. The original version had a strong trap beat, highlighted by a simple but mesmerizing piano riff, accompanied by otherworldly synths. The remix is shorter, and has a slowed-down trip hop beat, with harsher, more industrial-sounding synths and ominous piano keys that give this version a darker feel. In the original version, Michael Lacroix repeated the lines “I wanna follow my dreams / If only you let me”, but in the remix his vocals are electronically altered to the point of being an unintelligible chant that nevertheless resonates with the listener.

Solent Side is a wonderful little EP that provides further evidence of Ben Priory’s impressive songwriting and production talents. He’s an imaginative guy, and I love that he not only explores a variety of music styles and sounds, but also collaborates with lots of musicians in the creation of his songs. I can’t wait to hear what he comes up with next.

Connect with Ben:  Facebook / Instagram
Stream/purchase his music:  Spotify / iTunesGoogle Play

Song of the Day Challenge – Day 10: ABSOFACTO – “Lemon Drop”

Song A Day Challenge

Today’s Song of the Day Challenge is “A song that’s been stuck in your head”, and my pick is the delightful “Lemon Drop” by Absofacto. I love the song, which is currently in the midst of a long run on my Weekly Top 30.

Absofacto is the solo project of singer/songwriter and musician Jonathan Visger. He’s been making music for over 15 years, first as a member of Michigan-based indie rock band Mason Proper, and later as a solo artist, and recently scored his first breakthrough hit with his captivating single “Dissolve”. A sleeper hit, the song was originally released in 2015, but went nowhere. In 2017, he signed with Atlantic Records and released his EP Thousand Peaces. “Dissolve” was included on the EP, then re-released as a single in 2018, but once again failed to gain traction, which is hard to believe as it’s such a great song.

Absofacto

In 2019, the song received renewed interest due to a meme on the music and video-sharing app TikTok, and became a surprise hit. It debuted on the Billboard Alternative chart in June 2019, and after a long, steady climb, reached #1 in January 2020. Absofacto followed up with the single “Rewind” in November 2019, then in March 2020, dropped “Lemon Drop”, along with another song “Python”.

On his Facebook account, Absofacto describes his music as “warped cloud odd dream beat / bubblejam / idyllicrunk / spacebass / twilight zoneout / wavewave“, which pretty well paints an accurate and colorful picture of his cool, synthpop sound. “Lemon Drop” is one of his best tracks, with a breezy, uptempo vibe and infectious dance beat. He uses lots of sweet and spacey synths to create a dreamy, atmospheric soundscape for his soft, breathy vocals. They have an ethereal, yet seductive quality that makes them utterly enchanting as he sings to a loved one of his ardor. It’s a fresh and modern take on the age-old subject of romance.

Blond camaro, gold leaf, yellow lemon drop
You’re my one and only, just the way you are
Wanna see the world from the front seat of your car
Tell me you ain’t far, tell me you ain’t far 

Follow Absofacto: Facebook / Twitter / Instagram

US3R & Jasper Mitchell – Single Review: “Forever Blue”

I love when artists collaborate on music projects, as the talent and creative energy each bring to the mix often results in some really terrific work. Last week I featured such a song by L.A. artists Harley Bird and Barren Gates, and am now pleased to feature another collaborative effort, this time by Seattle-based singer-songwriter and composer US3R, and Minneapolis-based synth artist and composer Jasper Mitchell. They teamed up to create a deliciously chill song “Forever Blue“, which dropped March 15th.

Us3r
US3R

US3R (pronounced ‘user’, and the artistic moniker of a very nice guy named Kristian Alexander) makes synthwave-inspired electronic pop, dream pop and house music. I had the pleasure of meeting him and his lovely wife last December when they were in the Coachella Valley to visit family and friends before the Christmas holidays. (Kristian grew up in Cathedral City, where I now live.) I asked him about his name US3R, and he said it was inspired by his work in the IT industry: “I’ve been a computer guy since I was very young. In computer terminology/operating systems, there are references to “user” in a million different forms. It felt like an archetypal term that represented computer culture… and also in hacker culture, we have a tendency to talk in “leet speak” (where you swap numbers for letters), so, ‘US3R’ is a reference to the hacky nature of my music.

US3R has had a very busy year, first releasing his debut album 1985 in May (2019), then following up in December with his second album INFLUENCE, a brilliant work addressing modern influencer culture and the loss of intimacy in the digital age. Both are outstanding, and I urge my readers to check them out on one of the music streaming platforms listed at the end of this review. In February and early March, US3R embarked on a North American tour covering Seattle, Portland, San Francisco, Hollywood, NYC, and Toronto, before it was abruptly halted by the Coronavirus outbreak.

Jasper Mitchell
Jasper Mitchell

Jasper Mitchell likewise creates dreamy chillwave, synthwave and atmospheric electronic music. He released his debut EP Awakening in 2018, and followed a year later with his stunning album Her, both of which I also highly recommend.

Like many collaborations, “Forever Blue” was recorded and produced in different locations. Mitchell came up with the initial music concept, then sent it to US3R, who wrote the lyrics and made some chord changes. He recorded the vocals while in Southern California last December, then sent his vocal recording to Mitchell in Minneapolis, who did the production work on the track. They then worked back and forth over the internet until they got the song just right.

US3R states that the song is about driving down the Pacific Coast Highway in California from Santa Monica to Malibu, “reminiscing about a woman that used to sit in the passenger seat, and every time you do the drive it brings up old feelings.” He adds “Its about reflecting on your life in the face of mortality. We ironically wrote this before Coronavirus happened, but it seems very relevant all of a sudden.”

Employing a colorful mix of warm, sparkling synths, set to a languid trip hop percussive beat, Mitchell artfully creates a captivating atmospheric soundscape evoking a sun-kissed day along the California coast, but with an underlying air of melancholia. US3R has a silky-smooth vocal style that’s immensely pleasing, and the perfect voice for a chillwave song. His soft, almost breathy croons beautifully convey the wistful emotions expressed in the bittersweet lyrics: “If I died tomorrow would I be happy with it all? / I’ve had some good times / There’s so many things I saw / I don’t wanna go / There’s still so much i wanna see / I need to know are you the one who’s saving me? / Forever blue, when I look at you.”

It’s a gorgeous track. Nice work guys!

Connect with Us3r:  FacebookTwitterInstagram
Stream his music:  SpotifyApple MusicSoundcloud  / YouTube
Purchase:  Google PlayBandcamp

Connect with Jasper Mitchell:  FacebookTwitterInstagram
Stream his music:  SpotifyApple MusicSoundcloud
Purchase:  Google Play

MELOTIKA – Single/Video Review: “Bury The Bones”

Melotika2

Melotika is an indie/alternative pop artist born and raised in Montreal, and now based in Toronto. The alter-ego of singer/songwriter Mel Yelle, her distinctive, sultry vocal styling and exotic beauty set her apart from other female artists. With a strong sense of individuality and determination coupled with an endearing vulnerability, she writes brutally honest and relatable lyrics touching on subjects of relationships, love, and how social media and pressures to conform can affect our emotional well-being.

I featured Melotika on this blog twice in 2018, when I reviewed her previous singles “Unaware Part II [Blindside]” and “Bittersweet Reality“.  On February 18th, she dropped her latest single “Bury The Bones“, a dark, haunting song about a woman who’s a psychopathic killer. The song was co-written by Melotika and New York-based songwriter and producer Gory Gloriana, and produced, mixed and mastered by Sean Savage. About the song, she explains: “‘Bury The Bones’ reveals suppressed dark emotions about an unhealthy, fictional love story. As a society, we have a weird obsession with psychopaths, murder and lust. This song is a creative take on these subjects from the perspective of an individual with an unsettling mind.”

The song opens with sounds of someone digging shovelfuls of earth, backed by gentle, mysterious synths and Melotika’s eerily chants of “do it”, conjuring up images of a black night where something really bad is about to go down. A languid beat kicks in as the music swells with a darkly beautiful mix of contrasting shimmery and gnarly keyboard synths, increasing the sense of unease.

Melotika’s sultry vocals are amazing, conveying a quiet desperation bordering on menacing as she entreats her lover in a thinly veiled threatening manner to not abandon her, or else he will pay:

Stepping by your place, I can’t erase you
Another face, that I cannot replace
Take another toll, tell me you want more
Loathsomeness; I can’t ever love

Don’t ever leave
Don’t let me down
Don’t take the best of me
What goes around comes back around

You may abandon me but
My heart beats steadily for you
Cold dirt can’t hold me down
Walk away and bury the bones

Finally reaching a point of madness, her voice rises to a chilling shriek in the chorus as she implores:

I can never love someone
I’m your contaminated loaded gun
Don’t you ever leave my friend
Don’t you let me down

The dark and brilliant video, written by Melotika and filmed and directed by Eric Soto, brings the lyrics to life in a kind of horror film vignette. A couple, played by Melotika and her real-life boyfriend and songwriter/rapper Krosst Out, are shown walking to and entering her apartment after a night out. We’re shown scenes of them together, juxtaposed with scenes of her in her bedroom, singing the lyrics. They get comfortable, and she goes into the kitchen to arrange the flowers he gave her and pour them glasses of wine while he watches a video of her on TV. Problem is, she’s slipped some poison into his glass, and he soon drops dead. While all this is happening, the camera pans the numerous framed photos of other men on a nearby table. The video ends with yet another man appearing at her door with a bouquet of flowers, and the cycle begins again.

Connect with Melotika on  Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music
Purchase on iTunes or BandcampGoogle Play

VOX EAGLE – Single Premier: “Can’t Stop”

Regular readers of this blog know I write about a lot of indie artists and bands, as one of the things that drives me is wanting to support them in what little way I can. One of my absolute favorites – both from a musical and personal standpoint – is VoxEagle. Essentially the music project of Australian-born and now Colorado-based singer-songwriter, producer and multi-instrumentalist Andy Crosby, VoxEagle first burst onto the music scene in the beginning of 2017 with the release of the electro-pop single “No Sleep”. The terrific song has been streamed over 279,000 times on Spotify. He then followed up with a second single “Come Over”, both of which were featured on his debut EP Flamingo Paradiso Pt. 1., released in July 2017. I loved both songs so much they ended up on my Top 100 Songs of 2017 list.

Also in 2017, Andy and his wife relocated from bustling Manhattan to the bucolic solitude of Evergreen, Colorado, high in the Colorado Rockies west of Denver. There, he built his own recording studio, which he dubbed “The Eagles Nest”, and set to work on his first full album, the brilliant genre-bending TriumAvium, which was released in October 2018. You can read my album review and interview with Andy here. One of the tracks on the album titled “Wander” went all the way to #1 on my Weekly Top 30 this past February.

Now he returns with a wonderful new single “Can’t Stop“, which I’m thrilled to premier today. The song officially drops on December 16 on all major digital music sites, some of which are included at the end of this post. “Can’t Stop” has a soulful dance pop vibe, and captures the infectious energy we first encountered on “No Sleep.”

VoxEagle Studio 2

That energy is the essence of VoxEagle’s unique, yet eclectic, sound. In our interview, he told me “VoxEagle is a musical energy; I hate to call it a band or whatnot. It’s vibe I suppose is with me at the helm, [though] the whole idea of VoxEagle in the beginning was to collaborate with various artists.” He added that his main overriding objective in making music is that “It’s just gotta have big melodies and be real energetic.

The track opens with spacey, almost seductive synths that quickly expand like a giant flower unfolding its petals into a beautiful explosion of sound and color. Starting with a deep, thumping bassline as a foundation, VoxEagle layers a rich palette of sparkling, dreamy synths, guitar, and percussion, including what sound like bongo drums, to create an exuberant groove that just makes you feel good. He has a fine, casual singing voice, and I like when he freestyles some of the lyrics. It all builds to an exhilarating crescendo before fading out with those spacey synths and pulsating bass. I love it!

Although “Can’t Stop” was written prior to the occurrence of a personal tragedy Andy recently experienced with the death of his best friend of 30 years, it really hits home for him, serving as a sort of anthem for his philosophy about life and his music career. He became so despondent over his friend’s death that he actually considered throwing in the towel on making music. Thankfully, he came around to realizing it would be impossible for him to stop, as making music is the one thing that keeps him sane at the end of the day – a sentiment I and many others I know can strongly identify with.

Those feelings are perfectly expressed in the lines “Every time I get the hook wrong, I stay back all night just to fix it cuz we can’t stop until we catch the feeling. All I know is that we’ve come too far. Too far to turn back now. Can’t stop these feet when they start moving, no.” I hope VoxEagle never stops making songs for us to enjoy.

Connect with Vox Eagle:  Facebook / Twitter / Instagram
Stream: Spotify / Soundcloud / Apple Music
Purchase: iTunesGoogle Play

DARKSOFT – Single Review: “Cybersecurity”

Darksoft Cybersecurity

Darksoft is the music project of Bill Darksoft, an imaginative and talented singer-songwriter, producer and multi-instrumentalist from Seattle, Washington who I’ve featured twice on this blog in 2019. Inspired the by the high-tech industry of his hometown, he writes songs that address timely and relevant social and cultural issues related to technology. He also operates his own label and website Look Up Records (for which he also writes some pretty awesome reviews), and in addition to his music project, has played with many Seattle acts over the years.

Last February, I reviewed his brilliant debut album Brain, a concept work named for the very first computer virus to attack the internet back in 1986, with each track titled after infamous viruses that followed. Then in July, I reviewed his single “WannaCry”, which addressed the deep cultural and political divide in America, fed by our tendency to stay stuck in our own echo chambers. The enthralling song spent more than three months on my Weekly Top 30. Today. I’m happy to premiere his haunting new single “Cybersecurity“, where he touches on another thorny technological issue.

Like his previous tracks, “Cybersecurity” was written, performed and produced by Darksoft, and mixed and mastered by Mathieu Riede of L453RL4Dy Studios. Using a rich palette of cinematic synths as a foundation, Darksoft layers gauzy riffs of chiming and jangly guitars, along with a perfect balance of snappy percussion, to create a dramatic and sweeping backdrop for his captivating vocals. As I’ve stated in previous reviews, I really like his velvety, almost breathy vocal style, which adds a dreamy, ethereal quality to his sound. He also excels at writing beautiful, compelling melodies, and though I would not label this one as being “catchy”, it nevertheless stayed with me long after hearing it. It’s another winning song.

The lyrics cast doubt on the assumption – or is it really a myth? – that all our data floating around out there in cyberspace is somehow being kept safe. What’s more, it can even be used to control and manipulate us in harmful ways that we hadn’t imagined.

The past is dying
In saturation
Confusion breeds control
Two points for the man
One humanity
We’re digits in a dream
Cybersecurity

Who can hide the past controls The Now
Information Age playing mind games

There’s something wrong
This picture’s off
What’s under your profile?
Did I do wrong?
Who can tell
When truth is gone
There is no cybersecurity

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Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby