London-based From the Cave is one of the most distinctive and special bands I’ve come across, and I know a lot of bands! Their very eclectic style of alternative rock covers a broad range of influences, incorporating punk, pop, shoegaze, blues, funk and ethnic folk elements into their exuberant mix. They debuted with their self-titled EP From the Cave in 2016, and in 2017 began releasing a series of singles, some of which are now included on their new EP Medieval, which dropped on September 10. I’ve previously featured two of the tracks – “Halloween“ and “Cavalier” – on this blog, and am now reviewing the EP.
Band front man Kristian Møller-Munar says the EP is “a big hug to all their influences and puts them in one place where they can express themselves.” As such, each track is totally unique and completely different from every other track on the EP, making for a fresh and surprising listen. In addition to Kristian, who plays guitar and sings most lead vocals, the other band members are Mikaela Lindgren on vocals, keys and percussion, and Josh Scriven on guitar and vocals. Johan Crondahl (bass, percussion and backing vocals) and Anton Vysotsky (drums) also played on the EP, but recently left the band to return to their home countries, so From the Cave is now a three-piece. The bass and guitars for “Medieval”, “Halloween” and “Wasting Time” were recorded by Jules Gulon.
The EP kicks off with the rousing title track “Medieval (Pánico)” a delightful high-energy Latin-rock tune. Fast-paced riffs of scratchy guitars are paired with Anton’s assertive drums and swirling synths to create a powerful backdrop for Kristian’s commanding vocals, which are sung in Spanish, one of his two native languages (he was born in Copenhagen and partially raised in Majorca). The word Pánico signifies that there’s no reason to panic. The guitar work on the track is electrifying, and I love the harmonic backing vocals. It’s a fantastic song, and Kristian said it’s one of the tracks he’s most proud of.
“Cavalier” was inspired by a London cabaret bar the band members have frequented, and basically tells a saga of falling in love with one of the waitresses there. The band employs all kinds of exotic synths and strings, including guitar and violin but also possibly zither or mandolin, to create an intriguing Eastern European sound that’s incredibly catchy and marvelous. Kristian’s vocals are captivating as he expresses his frustration that the object of his desire keeps rebuffing his romantic intentions. “I could be your cavalier if you like me. I’m sitting by the cabaret but you don’t mind me. / But angel, I’ve been waiting for long. Still I’m writing you songs.” I love it!
Next up is “Joshstafari,” a reggae-infused rock song inspired by an encounter Kristian had with a homeless man on the street while living in Hammersmith. The track opens with strange synth noises and a frantic guitar riff, then a rising choral yell signals a change in tempo to a languid reggae beat as Kristian begins to tell the tale of Joshstafari. I love his vocals, which sound so different on each song. Here, he seems to channel a bit of Sting, consciously or not, as if in homage to the early Police reggae tunes. The guitar work on this track is fantastic, speeding up then slowing down as the track progresses. In the bridge, Josh lets loose with a scorching punk-like guitar solo, then everything slows back down to a relaxed reggae beat in the outro.
Kristian has produced brilliant, imaginative videos for five of the six tracks on the EP, which I strongly recommend my readers check out on the band’s YouTube channel. Here’s the one he made for “Joshstafari”:
The hauntingly beautiful “Halloween” was actually my first introduction to From the Cave’s music, and I loved it at first listen. The song was written by Mikaela, and addresses the theme of death in a general sense, as in the death of a relationship or friendship. The track starts off with quiet, mysterious synths and plucky guitar accompanied by gentle percussion and a soft chorus that set a lovely tone. Mikaela’s beguiling vocals enter as the music swells with shimmering synths and layered chiming guitars, and Kristian’s vocals join in, harmonizing beautifully with Mikaela’s. The guitars, bass and drums become more intense as the song progresses, making for a dramatically sweeping soundscape that raises goosebumps. Be sure to watch this magical video:
“Maybe Not Today” is a straightforward but upbeat pop-rock anthem about putting off an inevitable breakup of a relationship for another day: “The energy when we’re combined, always leaves me magnetized. So how could we still give it up. Maybe not today oh.” The final track “Wasting Time” is a sunny and carefree-sounding pop song with somewhat darker lyrics about remaining stuck in a less than optimal situation. “There’s a million voices telling me that I’ve got to get away from this empty space.” It’s catchy as hell though, with sparkling synths and jangly guitars, and the lovely harmonizing vocals of Josh and Mikaela are oh so pleasing, a word that perfectly describes the entire EP. It’s absolutely sublime, and a testament to the band’s fearlessness in creating music that strays beyond the alternative rock box. I adore From the Cave.