New Song of the Week – DENSE: “Fever Dream”

DENSE - FEVER DREAM (ARTWORK)

DENSE is a remarkably talented psychedelic garage rock band from Leeds, England, who combine thick, fuzz-soaked grooves with explosive riffs and intricate melodies to create music that’s incredibly intense and badass. As their name would imply, their sound has an impressive maturity, complexity and density, which I like to describe as ‘industrial surf-metal psychedelic rock’.  The trio consists of Charlie Fossick (Guitar/Vocals), Dylan Metcalf (Bass) and Sam Heffer (Drums).

A favorite of this blog, I’ve previously featured DENSE numerous times over the past two and a half years, most recently this past March when I reviewed their mind-blowing single “Displaced Face”  Now they’re back with another new single “Fever Dream“, which I’ve chosen as my New Song of the Week. The single drops today, December 6th, via Leeds label Come Play With Me. DENSE were selected for this release by a panel of judges which included BBC Radio 1’s Phil Taggart, Adele Slater (agent to Liam Gallagher and Dream Wife), and Paul Riddlesworth from Dipped In Gold Recordings and Too Pure Singles Club.

About the track, Sam explains “’Fever Dream’ is based on a dream our singer Charlie had when he was really ill a couple years ago. In it, a withered man was left to die by a burning window before being dug up and forced to relive the tormenting experience all over again. The artwork relates to the introduction and later repetition of the agonising circumstance which the protagonist is in, left immobile in a chair being burnt by the scorching sun and unable to break the cycle of his suffering. The rocking chair left in the unused wasteland represents the isolation of this suffering against nature’s elements, visually encapsulating the track’s overall atmosphere.

The song immediately bursts forth with an intense barrage of gnarly guitars, throbbing bass and bombastic percussion. Charlie uses his guitar like a battering ram, pummeling the airwaves with relentless riffs of gritty, reverb-drenched distortion. At times, his guitar sounds like a buzz saw, while other times it mimics a machine gun. Dylan lays down a jaw-dropping bass line so heavy and deep I feel it in my core, while Sam smashes his drum kit like a man possessed. It all serves to create a massive, nightmarish wall of sound for Charlie’s demonic wails and screams. Wow, what a phenomenal track, and once again, DENSE blows our minds and ears with their brilliant musicianship.

“Fever Dream” is also being released on 7” vinyl, and is backed on the other side by fellow label mates Sea Leg’s single ‘Favourite Doll’. Limited signed copies of the vinyl can be ordered from http://cpwm.awesomedistro.com/.

DENSE will be launching “Fever Dream” at the following show tonight, 6 December, at Hyde Park Book Club.

DENSE show poster

Connect with DENSE:  Facebook / Twitter / Instagram
Stream their music on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcampGoogle Play

 

LIEMBA – EP Review: “Ever Evolving”

Liemba EP art

Today I’m pleased to introduce Brighton, England-based music act Liemba. I learned about them when one of the band members Simon Gledhill reached out to me about their new EP Ever Evolving, on the recommendation of another artist Fred Hills, who I’ve previously featured on this blog.  Primarily a three-piece acoustic act, Liemba was formed in early 2015 by Gledhill and Nelson Day, who share a love for folk-rock acts such as Crosby, Stills and Nash, early Fleetwood Mac, Kings of Convenience and The Staves.

Capitalizing on their skillful guitar work and sublime vocal harmonies, they released their beautiful debut EP All Costs in March, 2016, then toured throughout the UK and Europe promoting the EP. Vocalist Damien Best joined the lineup later that year, his own distinct vocals providing an added texture for what would become their wonderful signature three-part harmonies. They also began experimenting with drums and bass to create a fuller sound, and in February 2017 released their second EP Burning Wicks, another terrific work. I highly recommend that my readers check out these songs, which are available on all major music streaming sites, some of which are listed at the end of this review.

Liemba2

They followed up with a live acoustic EP Liemba Brighton Electric Sessions at the end of 2017. Moving ahead to 2018, wanting a bigger full-band sound, they recruited Brighton musicians Alfie Weedon on double bass and the aforementioned Fred Hills on drums to record some new material. The result was four stellar tracks recorded and released in 2019 that were ultimately included on a fourth EP Penlands. Subsequent to that project, the band retained drummer Hills and brought on bassist Joe Woodham to record their fifth EP. Gledhill told me this EP represents a new milestone in Liemba’s development, hence its title “Ever Evolving”.

Ever Evolving was recorded this past July at Ford Lane Studios (Royal Blood, Just Jack, Fickle Friends) in Arundel, West Sussex. The band recorded the tracks live to capture the dynamic essence of their sound, then Gledhill and Day spent the next month adding subtle texture and mixing the tracks, which were mastered by Simon James at Homesick Studios. Alice Humphreys filmed the recording process, creating live videos of each of the three tracks that give us a close-up view of the band working their magic.

The first track “PIP” really showcases their superb guitar work and vocal harmonies, both of which are so good they take my breath away. It’s not often that we see a band with three vocalists who can harmonize this beautifully, and Liemba are quite honestly one of the best at this that I’ve heard since Crosby, Stills & Nash. The layered chiming guitars are gorgeous, backed by crystalline synths, Woodham’s subtle bass and Hills’ flawless drumming. The lyrics speak of the heartache and sorrow brought by an evil woman you want to forget: “She’s cruel. The pip in my fruit. Swallowed she grows into the lump in my throat.”

Mirror Man” delivers gorgeous jangly and chiming guitars, along with more of those sublime harmonic vocals. The song is about conquering self-loathing, and learning to accept and love oneself in order to be able to love others: “Mirroman, I hate to bring the mood down. You’re the one person I should learn to love.”

The title track “Ever Evolving” speaks to how as we change (evolve), so too can our relationships, sometimes to the point where our divergence is too great for the relationship to survive. “Coz we are ever evolving. People only help or hinder. Revelations occur, make you realise you’re changing. Me oh my I’m bored of this life on a carousel. I felt like I’d moved but the scenery had too. And to my behest so had you.” Despite the rather bittersweet lyrics, the song has a bouncy, upbeat melody, with cheerful riffs and peppy drumbeats.

Ever Evolving is a marvelous little EP, and my only criticism is that I wish it contained more tracks! I’m so glad to have discovered Liemba, as I love their music. They’re incredibly talented songwriters and musicians, and I especially like Gledhill’s intelligent, thoughtful lyrics that speak to feelings we can all identify with.

Connect with Liemba:  WebsiteFacebookTwitter / Instagram
Stream their music:  SpotifySoundcloudApple Music
Purchase:  BandcampiTunesGoogle Play

DYING HABIT – Single Review: “Into Colour”

Dying Habit is an alternative rock band from northern Wales, whose electrifying, dynamic sound is influenced by such bands as Dead Letter Circus, Katatonia, Biffy Clyro, Therapy?, The Wildhearts and Karnivool. Hailing from Anglesey Island, they started off as a group of friends who bonded over a shared love of music and began jamming together around 2011. They finally became an official band in 2016 when they realized they had a special musical chemistry between them. Previously a four-piece, Dying Habit now consists of Nathan Jones (vocals), Alan Hart (guitar) and Mark Jones (drums).

In August 2018, they released their first official single “Unrealities”, a magnificent and powerful song that I featured on this blog, which you can read here. I liked it so much that it ended up on my Top 100 Songs of 2018. They followed up with a second single “Into Colour” this past July, which I’m now getting around to reviewing. It’s another hard-hitting banger, with a heavier, more modern rock vibe than “Unrealities”. It’s not quite as melodic, but still an impressive track, with a thunderous barrage of blistering riffs, pummeling bass and smashing drums. The guys play as a tight unit, their layered gnarly and distorted guitars nicely enhanced by powerful driving rhythms. Nathan isn’t the strongest vocalist, but he handles the more dramatic parts of the song quite well, and his wails at the end are spine-tingling.

About the song, the band states “It is when we are at our lowest point that we find an inner strength we never knew was possible.” The hopeful, poetic lyrics urge us to turn toward the light – ‘into colour’ – to find a reason and the strength to continue and fight for our survival in this difficult and challenging thing called life:

Float above the surface
Think about tomorrow
Digging up the past it’s becoming real
We are getting somewhere
No more living in shadows
You got to show your face just get it done
On the edge of a dotted line, about to end it all
Wandering why I’d leave it all behind

Sink below the bottom
There’s not much to uncover
Behind the walls we’re finding all the clues
I’m on the edge for a second time, about to end it all
Wandering why should I turn away
But I’m melting into you
Into colour we flow, Into colour we flow
Screaming the words at you, all because of you
Gripping onto the edge, about to end it all
Wandering why should I turn away

Connect with Dying Habit:  Website / Facebook / Twitter / Instagram
Purchase on Bandcamp

BRAIN APE Release Trippy New Video for “Stop Sulking”

Brain Ape is a talented, wildly imaginative, and highly entertaining London-based rock band who skillfully fuse punk, stoner rock, grunge, noise rock and shoegaze to create their unique sound they call “Scratch Rock.” Originally formed at the beginning of 2012, the trio now consists of Minky Très-vain on guitar & vocals, Sol Alex Albret on bass, and Jamie Steenbergen on drums. In August 2017, they released their second album Auslander, which was released through Schlimbum Records, an independent record label started by Très-vain and Dydy Haynes. (The label was rebranded as Scratch Rock Records this past August.) It’s an ambitious work, containing 12 brilliant tracks and running nearly 55 minutes in length. I reviewed the album in January 2018, which you can read here.

Brain Ape 3

Brain Ape has just released “Stop Sulking”. the third and final single from Auslander, along with a trippy new video. The video, which is alternately disturbing, amusing and heartwarming, was filmed by frequent band photographer Nuri Moseinco, and produced by Alex, Minky and Dom Bolton. The dark song has a strong Nirvana vibe, with sharp, clipped verses, fuzz-soaked gnarly guitars and deep bass. I had a little chat with Minky about the track and video.

EclecticMusicLover:  First off, I really like your video for “Stop Sulking.” What made you & the band decide to make a video for that particular “Auslander” track?

Minky:  Glad you liked the video. For us, it’s a very defining end to our ‘Auslander’ experience. That record came out a couple of years ago now, and we’re very ready to move on from it. It’s been a terrific journey, and the band has turned into something much larger than we could ever have imagined. It’s still on an incredibly small scale, and I can’t stress that enough, but when we were recording the album we were in a band that nobody cared about, making music that was too harsh for most listeners, and due to a succession of drummers that didn’t work out we found ourselves playing live a lot less often than we would have liked. But ‘Auslander’ changed that. We’re now on the road more often than not, taking our music to places we’ve never been to before. We always took our little project as seriously as possible and have been dedicated to the music that we put out, so it’s nice for people to take our band seriously now too.

This video marks the end of that transition for us. It was important for us to do, for us. The reason we chose ‘Stop Sulking’ is because when we sat back having just completed ‘Auslander’ there was some debate as to what the first single should be off the record. ‘Give Me My P45’ won out as the lead single, but its only contender was ‘Stop Sulking’. So now with hindsight and the context of what the album means to us several years on, it felt only right to chose ‘Sulking’ as the finale.

EML:  The song seems to describe a depressed, petulant person who’s unhappy with his situation, feeling like he’s losing his mind or sense of self, that he has no control over what’s happening to him – am I close? I like how you’re shown wearing a straight jacket to convey these feelings described in the lyrics.

Minky:  It’s always interesting to me when I hear how people are interpreting our work. I’m a product of our genre in that I prefer to keep my own personal meaning to myself when it comes to lyrics, and I find it far more interesting to hear from other people about how our words have affected them. That’s the beauty in art: there is no right or wrong answer. As far as your interpretation? I’d say it’s not a terribly inaccurate description of where I was when we were making the record. The album ended up becoming a ‘coming of age’ story, but as we’ve lived with it for several years it’s come to mean something completely different to the band. Our lyrics tend to be ambiguous enough that they can lend themselves to different perspectives, even if those perspectives are coming from the same person years apart. My own interpretation can change from hour to hour, depending on my mood and environment. I’m a fairly rash person, and my mood can 180 at the flip of a coin.

For the video, we collaborated with the great Nuri Moseinco. He’s an amazing videographer and photographer, and our walks of life have been different enough that our views on the track were very varied when we sat down to brainstorm ideas for the video. I can’t remember who exactly came up with the idea for the straight jacket, but it plays off the rest of the footage. I’ll leave the meaning up to the viewer, as I think that’s important. No one wants to know how the magic trick is done once they’ve found out. They’d rather re-experience the wonder of not knowing. But once you know, it’s too late to go back. Ignorance is bliss, and art is ignorance.

EML:  The interplay between you and Sol & Jaime in the scenes where the three of you are together is interesting. Sometimes you’re all playing your instruments, and other times you’re sitting around looking serious or you are horsing around with Sol. Was there any conscious intent in the filming of those scenes?

Minky:  Everything we’ve ever done has always been very deliberate. In our view, if something’s worth doing at all then it’s worth doing right. The world needn’t be filled with people like us who take our art too seriously, as there’s always room for comedy, satire, and absurdity. For the most part, in fact, it’s very necessary to have those things. We’d all go mad, otherwise. But for whatever reason, Brain Ape has always been a serious deal to us. I don’t think we take ourselves too seriously, mind you. But we’d rather not make a mockery of a product that took years, blood, sweat, tears, and a lot of sacrifices to make. So when it comes to those scenes; yes, there was intent. My intent was probably different to Sol’s, and his probably different to Jamie’s. But every detail was thought out. The choice of camera, for example, was a deliberate artistic choice. It held a lot of meaning for us. We wouldn’t half-arse anything. The only thing I didn’t mean to do was dye my hair green before shooting the straight-jacket scenes. That was almost a complete fiasco.

Here’s the video, so enjoy!

Catch Brain Ape at one of their upcoming shows in the UK, beginning tonight:

NOV 14 – IVW Launch w/ Brain Ape, Manalishi, Junky Love, Indigo, 7 PM, Dublin Castle, Camden, London
NOV 15 – w/Gutterflower, Manalishi, & The Kecks, 8 PM, The Pipeline, Brighton
NOV 16 – A Northern Underground Liverpool, 2 PM, The Jacaranda Club, Liverpool
NOV 17 – A Northern Underground Manchester, Aatma, Manchester
NOV 26 – RAMS Presents II: Brain Ape, 7 PM, The Cavern Club, 83 Queen Street, Exeter

Connect with Brain Ape:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on Bandcamp / iTunes

MMIV – Single Review: “Room for Requirement”

MMIV 2

MMIV is a fairly new band from Leeds, England, comprised of Max Rawdon (vocals, guitar), Charlie Adshead (bass) and Jasper Exley (drums). They formed in mid 2018 when Charlie noticed some lo-fi tracks that Max had posted on the University of Leeds Band Society online pages, and reached out to him. The two immediately hit it off, and started working together on acoustic demos and performing as a duo at open mics around Leeds. They tried out a few drummers, eventually settling on Jasper, who had previously been in the local band Turn Stones with Charlie, and is also currently keyboardist for funk band Everyday People. For their debut single, they recorded one of Max’s original songs “Room for Requirement“, which was released on October 17.

In an interview with the webzine Lippy, Max said that “Room for Requirement” is “indebted” to his life at the university. Written during his first semester of first year, the song speaks to his period of transition coming from a small rural area to the overwhelming big city. The song celebrates the life of a student, even those times when it can all seem bewildering. You feel torn between missing the comforting familiarity of home, and the excitement of experiencing new things and meeting new people in a completely different environment. It’s against this backdrop that the roller coaster highs and lows of a budding romance can feel so intense.

The song has a pleasing lo-fi quality, with a catchy melody that slowly builds to a jubilant tempo in the chorus. Max lays down some very fine guitar work, letting loose with a terrific solo in the bridge. Charlie’s prominent bass line is particularly good, giving the track a solid depth, which is accentuated by Jasper’s lively drumbeats. Max’s low-key vocals are really nice, and being a sucker for British accents, I like how his shines through on this track. It’s a great debut from MMIV, and I look forward to hearing more from this promising band.

I just hope there’s nothing left required
And I’ve admired you from afar
I might lean my head above the island
And try to find it by a star
Do you feel like a bursting into life
Alright

Cause I don’t need nothing now, maybe a home
I think I’m better off dancing alone
Up down, turned around
Up down, turned around

All of the lights are shining very brightly
My head feels like it’s tingling slightly
The touch of your hand is enough to make me think it might be love again

Connect with MMIV:  Facebook / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase:  Google Play

EMPTY FRIEND – Single Review: “Falter”

Empty Friend Falter

Many of the artists and bands I’ve written about recently seem to be from the UK, but there’s just so damn much great talent there that I can’t help but showcase some of it! My latest find is London-based rock band Empty Friend. Formed in 2015, their name was inspired by a song from one their favorite bands, L.A. alt-rock group Failure. Influenced by acts like the aforementioned Failure, as well as Queens of the Stone Age, Soundgarden, Alice in Chains and Incubus, Empty Friend fuses elements of hard rock, grunge, stoner and even a touch of metal to create music that’s heavy and loud, yet melodic and riveting. The current lineup consists of songwriter/vocalist David Kirk, guitarist Ryan O’Hare, drummer Karl Morgan, and bassist Daverage Norman.

They released their debut EP Saltwater in 2018, a fine work featuring five tracks steeped in grunge/stoner grooves. Two of the tracks, “Hanging On” and the title track “Saltwater” are especially good, and I encourage my readers to check them out on one of the music platforms listed below. Now Empty Friend return with a fantastic new single “Falter“, which dropped October 26th. The song is a hard-hitting protest song of sorts, with dramatic instrumentals and vocals that match the fiery intensity of the powerful lyrics.

The song opens with chugging riffs of fuzzy guitars, as Kirk’s fervent vocals command the proceedings. O’Hare’s gnarly guitars grow more intense as the song progresses, with flourishes of wailing distortion accompanied by Norman’s throbbing bass and Morgan’s tumultuous drumbeats. Now Kirk’s powerful vocals reach a crescendo as he emphatically screams the scathing lyrics calling out the ruthless, cynical leaders who prey on societal fears and divisiveness to gain and hold on to their power. Eventually, the masses will turn on these demagogues and drive them out (something I hope happens soon with assholes like Trump, Johnson, et.al.):

You rode the wave and made them love you
Stoking discontent
Whipping up the people into
Choices they regret

Now they hate you all the more
And they watch your every step
It’s one thing to forgive
And another to forget

Next you weaponised your lies
And you cracked down on dissent
You grew weaker with your pride
While the people gained their strength

Well enjoy your last sunrise
While the knives
Are being sharpened
In the shadows

Well the day’s gonna come
When you falter and run
All the people as one
Baying for blood

I’m glad that more artists are writing songs that speak to our current socio-political upheaval, and “Falter” is one of the best I’ve heard yet. It’s a brilliant track both musically and lyrically, and Empty Friend are surely a band to keep an eye on.

Catch Empty Friend at one of these upcoming shows:

Nov 23 – The Constitution, London, UK
Dec 07 – The Monarch Pub Camden, London, UK

Connect with Empty Friend:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music
Purchase:  Google Play / Bandcamp

SPIRAL ROCKS – Single Review: “Raw Suicide”

Spiral Rocks Raw Suicide

This fantastic review was written by occasional guest reviewer David Thurling, a lover of music from Britain who graciously helps me with my crushing workload. I previously featured Spiral Rocks on this blog this past May when I reviewed their single “Know Your Weapon”.

Spiral Rocks is a UK band from England’s distinctly working-class North West.  This is a region of the country that is best known for its smoke billowing factories, Victorian era tenements and dark, overcast skies.  It is also home to two of the country’s most influential music cities, Manchester and Liverpool.  Perhaps the above imagery is a little unfair in this modern day, and in this writer’s experience, there is wonderful warmth that oozes out of the very pores of the North that is distinctly more genuine and charming than anywhere else in the country.  Yet it is from the very essence of this austere world that we have seen some of the greatest musicians and bands emerge over the last 50 years or so.  It is therefore appropriate that my first listen to Widnes-based Spiral Rocks is their latest haunting tune, “Raw Suicide”.

The single’s cover art reinforces the desperation and bleakness that permeates the 5:29-long track.  Yet the at the same time, the black and white photograph of menancing clouds overlooking a steel arch bridge reveals a hopeful sun fighting to breakthrough an ominous sky.  “Raw Suicide” begins with a measured lone guitar arpeggio that defies the aural take-off that comes later. Gently picked notes move up and down the guitar neck providing a wistful backdrop to a two part vocal that immediately sets a confronting tone both vocally and lyrically.  Lets not mince words here, “Raw Suicide” is a painful confession that is indeed, raw.

Thinking to myself
That I don’t like to die.
As I’m writing this old song
With a tear in my eye

“Raw Suicide’ continues in this vein with its anguished lead vocals but then something quite special happens, almost like a reward for having made it through the inherent sadness of the first half of the song. The band erupts into an exhilarating and extended guitar solo/bridge that seems to provide hope for the antagonist. It is a soaring moment with pounding drums and bass providing a magnificent platform on which a wailing guitar lead overwhelms the listener. To finish, we go back to the beginning with the gentle guitar picking being in this case, the calm AFTER the storm. There is something about this song that reminds me of Pink Floyd, especially the beginning guitar and vocal stylings.

Spiral Rocks is an interesting story. A band that has been gigging on and off together for many years. You get the sense that bands like Spiral Rocks are gems in the rough that in another era where autotune and drum sampling were thankfully absent, they may well be receiving the attention they deserve. A refreshing, unapologetic song that is worth a listen. Spiral Rocks is Antony Shone (vocals/guitar), Dave Baker (guitar), Stephen “Rowy” Rowe (bass) & Mark Bevan (drums).

Connect with Spiral Rocks:  Facebook / Twitter / Instagram
Stream their music on Spotify / YouTube
Purchase their music on iTunes / Amazon / Google Play

MELISANDRE’S BEAVER – Double-Single Review: “Brother/Never Be That Cool 2019”

Melisandre's Beaver

Just from their name alone, it’s clear that any music coming from a band who call themselves Melisandre’s Beaver is guaranteed to take listeners on a wild ride. Influenced by some of their favorite bands like Green Day, Blink-182, AC/DC, Weezer, Reel Big Fish and Tenacious D, they play a rowdy style of music they refer to as ‘spicy punk’, which pretty much nails their frenetic, head-banging sound. Formed in 2016, the Dover, England-based band now consists of Daniel Drew (guitar, lead vocals), Sam ‘Mac’ MacNamara (bass, backing vocals) and James ‘Nesbo’ Nesbitt (drums, backing vocals). As for their provocative name, they explain it was chosen “after a lengthy ‘you had to be there at the time’ joke from our mate Tom.  Melisandre’s Beaver are three mates who decided that our friendships were so good, we needed to start a band to calm things down.”

Melisandre's Beaver single art

They released a terrific debut EP No Offence Meant, Plenty Taken in 2017, and followed a year later with their fireball of an album If Only We Were Serious, featuring 13 mind-blowing bundles of sonic dynamite. In late September, they returned with an outrageous new single “Brother” and its B-side “Never Be That Cool 2019”. “Brother” is a hilarious ode to Hulk Hogan, the retired pro wrestler and TV personality.

According to a great write-up about the band on The Sweet Distortion Blog, the idea of writing a song about Hogan was born from a trip to Oxford that Drew and MacNamara took with a few friends. They spent five days on a small boat, dressed as pro wrestlers who “beat the shit out of each other. Drew was dressed up as Mankind/Cactus Jack and MacNamara was dressed up as Hulk Hogan.” When they got home, they began watching Hulk Hogan videos online and laughing at how ridiculous his act was. “A massive orange leathery balding beefcake. He’s like a cartoon character. All show, Doesn’t give a fuck, he’s all about the people and the showmanshipThe song explores his nature of being a badass, unstoppable, torrent of showmanship along with some of his ridiculous well-known phrases thrown in.”

The track opens with a voiceover snippet from one of Hogan’s shows, then explodes with a bombastic onslaught of raging guitars, driving bass and smashing drums that never lets up for a second. Drew’s fiery riffs slice through the airwaves like a machete-wielding banshee, and Mac’s intricate bass line is a thing of wonder. The interplay between them is fucking incredible, and combined with Nesbo’s relentless, pummeling drumbeats, “Brother” delivers all the heavy punk rock goodness one could possibly hope for. Drew’s powerful vocals are aggressive and raw as he all but screams the lyrics, matching the music’s intensity note for note.

The bold, in-your-face lyrics, written by Mac, perfectly capture Hogan’s wildly exaggerated bravado and bluster:

Well let me tell you something
Brother I built myself from nothing
With the meanest as my witness
Its time we got right down to business

I fought with giants and the warriors in the glory days
Ill wipe that smile off your face
With a thirst for violence and a hunger for the winning ways
I’ll put you right back in your place

What ya gonna do?
What ya gonna do when I’m running wild, all over you?
What are you going to do?

Well let me tell you something
I straight up started out with nothing
Natural bravado
Force feed you if it’s tough to swallow

I stripped the flesh right off the dirtiest player in the game
Fought wars with savages and braves
I’ve broken hearts and smashed through boulders that were in my way
I’m an all you can eat showmanship buffet 

The zany video for “Brother” was shot by Mac’s sister Emily and edited by him, and showcases the band’s playful, high-energy live performances. Filmed in a car paint spray booth owned by Mac’s dad, which the guys filled with soft play equipment to create the feel of a wrestling ring, they dressed up in tight spandex, wigs, sunglasses and walrus mustaches to parody Hulk Hogan. The Sweet Distortion Blog article stated that after filming the video, the band “experienced what those in the removals business call ‘The Gray Lung’. The car spraying booth being covered in dust left the band hacking up their lungs afterwards.” Didn’t someone once write about suffering for the sake of one’s art, or something to that effect?

Never Be That Cool 2019” is a remake of a track that first appeared on their EP No Offence Meant, Plenty Taken. This version is 37 seconds shorter, which is achieved by a much faster tempo than the original, which to my ears had a Weezer/Blink-182 vibe. Thanks to the sped-up tempo and harder-driving music, the new version has a more of a punk rock feel, sounding like a song Green Day could have recorded. Also, Drew’s gruff vocals remind me a bit of Mick Jagger, giving the track an edgier feel. I like the original, but I like this remake even more.

The lyrics speak to feeling like a bit of a boring loser, who will never be cool enough:

Watchin MTV2 when I get home from school
Darling I’m obsessed with my cesspool
I’m probably not the greatest , I’m sure I’ll never make it
and I’ll definitely never be that cool

Connect with Melisandre’s Beaver: Facebook / Twitter / Instagram
Stream their music: Spotify / Apple Music
Purchase: Bandcamp / Google Play

THE COMMON VIEW – EP Review: “Man on the Moon”

The Common View EP art

Early this year, I featured young British alt-rock band The Common View on this blog after learning about them and becoming impressed by both their outstanding music and outspoken advocacy for social justice. Formed in 2018, the Leeds four-piece consists of Dom Robertson (guitar, vocals), Jose Ignacio Barrera (guitar), Jacob Lindsay (drums, vocals) and Joe Sykes (bass). (After recording their latest EP, Jacob took a hiatus from the band to study abroad for seven months, and has been temporarily replaced on drums by Venezuelan native Marco La Fata, who may remain with the band long-term).

They released their self-titled debut EP The Common View, Vol. 1 in December 2018, then quickly followed with a provocative single “Fuck Them”, a scathing critique of the failure of British society and the government to adequately address the chronic issues of health care, poverty and homelessness. In May of this year, they released their single “A Perfect Bridge” (which I reviewed), then followed up with the stunning Coldplay-esque “The End of Time” in July.  Now the prolific guys are back with a wonderful new EP Man on the Moon, which dropped October 7.

True to their passion for writing and recording topical, socially relevant songs, the title track “Man on the Moon” speaks to the issue of climate change. They drive their message home with a dramatic and gorgeous soundscape of chiming and jangly guitars, accompanied by swirling synths, a deep, throbbing bass line and crisp percussion. The arrangement and production values are superb, and I think this is one of their finest songs yet. I really love Jacob’s vocals, and here he fervently makes his case for standing up to the empty rhetoric of many politicians and climate change deniers and doing what each of us can to affect meaningful change.

Hey, we need to talk
I’m getting tired of politicians and their speeches and their forked tongues
They put a man on the moon
But now they’re blinded by the money from the gasses filling our lungs
Stand your ground, as you turn it upside down
Let the tide roll in as a solid rain
And don’t mind me
I’m just another one who’s nobody
But I’ll just do my best to make a change

Annabelle” is a delightfully rousing, guitar-driven head banger, and a further testament to these guys’ incredible musicianship. Dom and Jose slice through the airwaves with an exuberant mix of jagged and swirling riffs, while Joe and Jacob keep the hard-hitting rhythms pumping at full throttle. If this track doesn’t get you going, then you must be dead! The lyrics speak to a woman named Annabelle who’s driving him crazy with her teasing and indifference, making him fall for her but withholding her affections. It’s a misery many of us have experienced at one time or another.

You’re putting me down
You got a real sick mind to take my time
Hearing the sound of your voice inside my head
You took my heart and left me underneath your spell 

The third track “What Can I Say?” delivers more of the band’s signature driving melodies and mind-blowing guitar work. The chiming guitars in the bridge are absolutely breathtaking, leaving me dumbstruck by their beauty. The song is about a relationship that’s beyond repair, and Jacob laments of the hurt and betrayal he feels:

I used to think that it was all okay
But, if you are gonna treat me in that way
You got another thing coming girl
You’re not the only person in this world
So stop, cut the shit and let me find my way
Feel like I’m living in a dream
With all the shit that I’ve seen
Who ever knew it could get that dark?

Even with only three tracks, Man on the Moon is a spectacular little EP. I’ve stated it before, but it bears repeating that there’s nothing common about The Common View, as these guys are phenomenal songwriters and musicians. I’ve loved every single track they’ve released, and these three rank high among their collection.

Catch The Common View at one of these upcoming shows:

18 October – Bar 21, Manchester, England, w/Bluelights, The Notion, Friday Forever & Skinner’s Lane
8 November – 360 Club, Leeds, England, w/LØE & Pathways

The cool artwork for the EP was designed by Rachel Wilcox.

Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation / Apple Music
Purchase on iTunes / Google Play

REVOLVERS – Single Premier: “Confusing Times”

Revolvers single art

One of the best indie rock bands I’ve had the pleasure of getting to know in 2019 was London, England four-piece Revolvers. Formed just three years ago in 2016, Revolvers was comprised of singer-songwriter James Thurling (guitar/lead vocals) Will Oliver (guitar/backing vocals), Steven Morrison (bass/backing vocals) and Rhys Kibble (drums). I say ‘was’, because they recently disbanded due to a number of factors, some of which are the cause of many a band breakup that I won’t go into here. Suffice it to say I was gutted, because I really love their high-energy, guitar-driven melodic rock music.

I’ve featured them twice on this blog over the past nine months, when I reviewed their fantastic singles “True Love” and “Rubbing Shoulders With the Devil” (the latter of which has spent the past four months on my Weekly Top 30). Fortunately for us, they’re releasing as their swan song a terrific new single “Confusing Times“, which I’m thrilled to premiere. The hard-rocking song speaks to the crazy times we’re now living in. Like their last three singles, “Confusing Times” was recorded at Kore Studio in London, and produced by George Apsion (White Lies, Catfish and the Bottlemen, Ellie Goulding). 

Revolvers go out on a high note, pulling out all the stops on this exhilarating head-banger. The song instantly blasts open with a frantic barrage of fuzz-coated jangly guitars and pummeling rhythms that never let up. They sound better than ever, delivering layers of intricate melodic riffs and explosive percussion that raise goosebumps. Thurling passionately sings of his frustration with the current state of things, and the mind-control that media exerts over society, aided by corrupt and incompetent politicians who prey on a deeply divided public. The lyrics include a reference to John Lennon’s iconic song “Imagine”, and later on state “life goes on like a Beatles song“, giving a nod to the enduring cultural significance of classic songs of yesterday as a symbol of hope for a better future.

I can’t hide from the TV screen
The old days are dead and gone
Whatever happened to Lennon’s song?
It goes on, it goes on
We live in confusing times
Least to say confusing times
And I don’t want to listen to this politician

The self-produced and highly entertaining video draws its source material from popular political and cultural GIFs, memes and footage found on the internet. It makes for a compelling and provocative snapshot of our very confusing times.

Finally, though Revolvers are no more, band frontman and songwriter James Thurling will continue to feature some of the their songs in his new rock band project Bitter Lime, so stay tuned.

Stream their music on Spotify / Soundcloud
Purchase on iTunes