THIRD TIME LUCKIE – Single Review: “Love and Violence”

Third Time Luckie single art

Third Time Luckie – is that a great band name or what? – is a 3-piece alternative rock group based in the southern England resort town of Bognor Regis, Sussex. Formed back in 2006 by founding member Chris Horner (guitar & vocals), like many bands, Third Time Luckie has undergone some personnel changes in the intervening years, and now includes Carl Swietlik (drums) and Andy Clare (bass & vocals). Drawing influences from some of their favorite bands like Blink-182, Green Day, Alkaline Trio and Sum 41, they play a high-energy style of melodic pop/punk rock.

The band has recorded a number of fine tracks over the years, including their recent single “Wide Eyed Thinking” (you can check them out on their Soundcloud page). Their latest release is “Love and Violence“, a terrific song that will be included on their forthcoming EP Face the Beast, due out later this Spring.

Starting things off with a flourish of drumbeats, they quickly hook us in with an arresting guitar riff overlying a driving bass line and accompanied by a gentle drumbeat. The music then explodes into a stirring crescendo in the choruses, thanks to a speaker-blowing barrage of raging guitars, wildly crashing cymbals, and deep, buzzing bass. The guitar work is fantastic, and there are some nice piano keys in the final chorus as well, providing another texture of sound that makes for a really interesting and highly satisfying listen. Chris has a pleasing vocal style that sounds great whether he’s earnestly crooning the calmer verses or passionately wailing the dramatic choruses. The guys’ backing vocal harmonies in the choruses are wonderful too.

The poignant lyrics are a plea from one partner in a fraying relationship to another, urging her to stay with him and try to work out their problems. The words “love and violence” represent the highs and lows – the good times and bad – of a relationship.

Stay with me now
Cause I know we’re forever
And evermore it’s you and I in love and violence

Cry with me know
It doesn’t really matter
We’re living for today
Come on let’s run away

The guys’ skill at songwriting and crafting memorable melodies is strongly evident on “Love and Violence”, and they’ve got a bonafide hit on their hands. I really like this band, and am looking forward to hearing Face the Beast when it comes out.

Connect with Third Time Luckie:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation
Purchase on iTunes

TREMENDOUS – Single Review: “Open For Closing”

Tremendous

It takes some balls for a band to not only call itself ‘TREMENDOUS‘, but also use all caps in their name. Fortunately, the Birmingham, England-based band deliver the goods with their colorful and exuberant style of Glam Rock that’s heavily influenced by such legendary artists such as T.Rex, David Bowie, Journey, Slade, Def Leppard, Mott The Hoople, Cheap Trick, New York Dolls, The Babys, Roxy Music, Heart, and Aerosmith.  Comprising TREMENDOUS are Mark Dudzinski (Guitar/Vocals), Ryan Jee (Bass) and David Lee (Drums).

Following up on their glorious 2018 single “Rock’n’Roll Satellite”, the band has released a wonderful, anthemic new single Open For Closing“, along with an entertaining and provocative video. The track will be officially released via Horrendous Records on April 12th, and will be featured on the band’s forthcoming debut album Relentless, due for release this September. About the song, Mark stated “Its just an age old tale of heartbreak but with a bit of tragedy (in the video). A relationship gone toxic.” He explained that the song lyrics “don’t leave our love (open for closing)” translate to a plea to not leave things in such a way that the relationship is open to ending.

The song is melodically beautiful yet hard-hitting, packing quite a punch in just under three minutes. The layered guitars, driving bass and aggressive percussion are all spectacular from start to finish. I especially love the chugging riffs, accompanied by smashing drumbeats, at the end of each verse, and the wailing guitar in the chorus gives me goosebumps. Mark’s resonant vocals are fantastic, registering in the higher octaves and occasionally venturing into a soaring falsetto that raises the adrenaline. These guys are so good!

The song’s video is beautifully filmed and entertaining, but also pretty dark, and ends on a rather violent note. The guy wants the girl to be his, almost to the point of stalking her, but she very clearly has other ideas. She does everything she can to dissuade him from pursuing her, finally resorting to hitting him on the head and knocking him unconscious, then leaving him tied up and locked in an abandoned building. Ouch!

“Open For Closing” was nominated for “Track Of The Week” on the Classic Rock webzine, and came in third place, which you can see by clicking here.

TREMENDOUS has an upcoming show on April 4 at Dublin Castle in London.

Connect with Tremendous on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on iTunes

DENSE – Single Review: “Displaced Face”

DENSE Displaced Face

DENSE is an awesomely talented psychedelic garage rock band hailing from Leeds, England, who combine thick, fuzzy grooves with fiery riffs and intricate melodies to create a unique and heavy sound that’s at once retro and futuristic. Despite their youthful, boy-next-door image, their music is incredibly intense and badass, with an impressive maturity, complexity and density – as their name would imply. The best description I can think of for their sound would be ‘industrial surf-metal psychedelic rock’. Making this phenomenal music are Charlie Fossick (Guitar/Vocals),  Dylan Metcalf (Bass) and Sam Heffer (Drums).

DENSE2

I’ve previously featured them several times on this blog over the past two years, most recently last May (2018) when I reviewed their explosive single “The Smoke”. (You can check out those reviews by clicking on the “Related” links at the bottom of this page.) Now they return with another mind-blowing new single “Displaced Face“. The song is aptly-named, cause it’s positively face-melting!

The track opens strong, with an ominous, gnarly mix of deep, throbbing bass, distorted psychedelic guitar sounds and spacey background synths lasting approximately 40 seconds. Suddenly, everything erupts into a maelstrom of tortured, reverb-heavy riffs, heavy, thunderous bass and explosive percussion – all seemingly hell-bent on blowing out our eardrums and throwing us against the wall. Charlie screams lyrics I can’t quite make out, but who cares, as the music is fucking on fire! These guys are literal beasts on their respective instruments, and Charlie is a freaking madman when he opens his mouth!

I’ve loved every single one of their songs, and “Displaced Face” is no exception, delivering four minutes of intense, psychedelic ear candy. The marvelously creepy artwork for the single was designed by band friend Elle Penketh.

Connect with DENSE:  Facebook / Twitter / Instagram
Stream “Displaced Face” on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcamp

The Only Route [TOR] – Single Review: “Not Worth It”

The Only Route2

British alternative indie rock band The Only Route (also known as TOR) play some of the most exciting guitar-driven rock around, slicing through the airwaves with razor-sharp riffs, thunderous percussion and addictive melodies. Hailing from Lowestoft, England, TOR consists of Ryan Redwood (vocals, guitar), Robby Hodgey (lead guitar), Andy Kirk (bass) and Matty Larkman (drums). Since early 2017, they’ve released a series of terrific singles, the most recent of which was the scorching-hot “Made”, which I reviewed upon it’s release in January 2018. Now they return with a powerhouse new single “Not Worth It“, which drops today.

The song is a giant kiss-off to someone who’s exhausted everyone’s patience. To drive home their point, the guys lay down aggressive riffs of gnarly guitars, anchored by a pulsating bass line and pummeling drumbeats. They’re all excellent musicians who are quite skilled with their respective instruments. The interplay between Robby and Ryan’s guitars and Andy’s bass in the bridge is fantastic, and to my ears channels a bit of a Jack White vibe from both a melodic and technical standpoint. I love Ryan’s distinctive rapid-fire vocals and strong accent as he chastises the trouble-making jerk: “We all know you by now. You’re just causing shit. You’re not worth it! You’re definitely not worth it, mate!

“Not Worth It” is a great song, and another in a series of strong singles from this talented young band.

 

The band has a busy tour schedule in the coming week, and those of you in the UK can catch them at one of these shows:

TOR March Tour

Connect with TOR:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Google Play
Purchase on iTunes

IAMWARFACE – Single Review: “Fear the Future”

British electro-rock band IAMWARFACE can do no wrong when it comes to making music as far as I’m concerned. Based in Brighton and London, their aggressive name is a fitting metaphor for their bombastic high-energy, groove-based sound, and they rank high among my favorite UK bands. In addition to founder and frontman Matt Warneford, the band members include Lou Matthews (guitars), Tom Howe (DJ synth), Mike Smith (bass) and Adam Stanley (drums).

IAMWARFACE new
Photo by Caitlin Stokes

I first featured them on this blog in 2016 when they released their face-melting debut single “Say My Name”, then again in July 2018 with the release of the magnificent “Closer“. I loved both tracks so much that they peaked at #1 on my Weekly Top 30, and “Say My Name” placed at #14 on my Top 100 Songs of 2016, and “Closer” at #8 on my Top 100 Songs of 2018. They now return with another incredible, hard-hitting single “Fear the Future“, providing further proof (as if any is needed) that these guys are phenomenal musicians.

The song launches with Adam’s smashing drumbeats, Tom’s grinding synths and Lou’s jagged riffs, all hallmarks of the band’s signature electrifying sound. As the track progresses, layers of sparkling industrial synths and jangly guitar are added to the mix while Mike lays down a pulsating bass line that drives the song forward. Matt has a powerful, resonant singing voice, and he raises adrenaline levels here with his arresting, passionate vocals that soar to the heavens in the chorus as the instrumentals reach a spine-tingling crescendo.

The biting lyrics seem to address the bullshit and fear-mongering being fed to the masses in a pernicious attempt to dumb-down and divide us, thereby allowing us to be controlled.

It’s all in the news 
The act is done
They’ve got us all and alone
Praise the lord
Cheat us all
Its televised
Another fear

Its all i hear
It gives me the creeps

I fear the Future
Wont you take me with ya
Aw come on come on now

High five
Where are we now
Cheap seats the end of the world
And free lies
The Bubblegum shit
Closes eyes dreams of England

IAMWARFACE have another massive hit on their hands with “Fear the Future”. While they may fear the future with regard to the current fucked-up sociopolitical state of things, they needn’t fear for their future as a band on an straight upward trajectory.

Connect with IAMWARFACE:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase on Bandcamp / iTunes

THE COMMON VIEW – Artist Spotlight & Review

The Common View (2)

I continue to be amazed at the sheer volume of musical talent that exists today, with so many really fine musicians and bands making outstanding music. A recent find is a young four-piece from Leeds, England who call themselves The Common View. I liked their music at first listen, and as I learned about their social and political views and willingness to be outspoken advocates for social justice, being an unapologetic progressive liberal myself, I’ve also come to admire them and am proud to feature them on my blog today.

The band was formed in 2018 by three University of Leeds students with a shared love of music: Dom Robertson (guitar, vocals), Jose Ignacio Barrera (guitar) and Jacob Lindsay (drums, vocals). Bassist Joe Sykes joined a bit later, filling out the band’s sound and completing their lineup.  Their indelible and dynamic style of alternative rock is influenced by indie pop-rock, post-punk revival and Rockabilly.

They released their self-titled debut EP The Common View, Vol. 1 in December 2018, featuring three outstanding tracks. The guys recorded, mixed and mastered the EP themselves, and I must say that the production values are first-rate, sounding very professional for a debut effort. They also have a terrific little blog on the website musicglue, where they share news about themselves, their music and coming events, so do check it out here. Dom has quite the sense of humour (I thought I’d be cheeky and use the British spelling), and provides entertaining insight into the creation and meaning of the songs, some of which I’ll quote below.

The first track, “I Can’t Get Your Face Out of My Mind” is a delightfully sultry affair, with pulsating riffs of swirling guitars, throbbing bass and snappy drums delivering moody vibes and a captivating melody. Dom describes the song’s genesis: “My memory is somewhat comparable to a goldfish, but if I recall correctly, the song started off with a vaguely similar chord progression and a completely different strumming pattern. It was admittedly a bit of a mess, but I distinctly remember the moment it all came together; For some unknown reason I started to try a bit of a Ska rhythm, akin to something The Specials would use in their hits, and it started to sound really good! After that, the rest of the song started to fall into place and we worked on the progression and the voicings (which usually consists of Jacob’s best whale impression to the sound of the song), with the solo and actual wording being sorted much later on.”

I confidently state that it all came together quite nicely. The tight instrumentation is a clear indication of this band’s impressive musicianship, and I really like Jacob’s sultry, yet heartfelt vocals that convey a sense of sad resignation as he laments to someone who broke his heart: “Oh, if you’re feeling low, don’t come running. I’m moving on now, you can’t keep me down. Got my head spinning round. Your words are poison. You’re killing all the boys, and I’m intoxicated, Hear me out. And you led me on, said I was the only one for you. But you were lying through your teeth. How could you do that to me.

The socially relevant “Ignorance” greets our eardrums with a rousing mix of jangly and fuzzy guitars, accompanied by a frantic punk-rock beat that makes for a exhilarating listen. About the track, Dom explains: “At the risk of sounding like a dickhead, I am actually quite proud to say I wrote the lyrics to ‘Ignorance’, even if it was at 3 am in a disgustingly dirty kitchen in student halls (This will become a trend). They draw from the general idea that there are so many things in the world that seem so obviously wrong (whether it be Global Warming, genocides, racism or terrorism to name a few) that to anyone who ignores, pretends or simply doesn’t understand the fundamental basics is so glaringly ignorant, I’ll never understand them. Ignorance may well be bliss, but we really should be better than this!

On “The Hollow“, Jose and Dom deliver a languid, soulful groove, with shimmery riffs of chiming guitar that are drop-dead fucking gorgeous! And if all that beauty wasn’t enough, Jacob and Dom’s vocal harmonies are positively sublime. Dom discusses their creative genius behind the song’s captivating melody: “‘The Hollow’, despite being the slower track of the EP, will always hold a special place in my heart. It came about as we were recording our music in Jose’s apartment in Manchester and were looking for another song to go on the EP. Jose and I picked up our guitars and were messing about with a few ideas and eventually one of us (I think it was me) started to use the 7th chords which sounded a little jazzy, and Jose immediately picked up on it. We worked together to form the verse, then he started to add a little bit of lead to it and Jacob worked his magic, moaning like a buffalo in the plains of the wild west in tune to the music, to find some voicings that worked, and then altering some of Jose’s proposed lyrics to fit the tune. Then all of a sudden we had it – a completed song, from start to finish, composed by all of us together, in the space of about 20 minutes. Then, in about half an hour we had it all recorded and had to rush to the coach station to head back home to Leeds. It truly was ‘made in the studio’!”

Shortly after the release of their EP, they dropped a provocative new single “Fuck Them“, where they call out the failure of British society and the government to adequately address the chronic issues of health care, poverty and homelessness: “We are sick of the way the NHS is so poorly funded and mismanaged. We are sick of the rising levels of homelessness and the complete neglect to do anything about it. We are sick of the glorification of food banks as a solution rather than proof of failing policy. We can’t change the government, but we can let them know that we don’t want them!” 

Musically, the track has an exuberant tempo that belies the scathing lyrics, with roiling riffs of jangly and gnarly guitars, sparkling synths, bouncy drumbeats and an abundance of crashing cymbals. Jacob coldly sings: “Everyone is in despair. Hard to find someone who cares. People dying in their beds, cause there’s no money for their meds. We’ve got to work and do it right. But all you ever do is fight. / We don’t, we don’t want you. We don’t, we don’t need you. We don’t, we don’t believe you. We don’t, we don’t need you here.”

This brilliant song was expertly mixed and mastered by Alexander Elegger, a young audio engineer and producer from Tula, Russia who began working in sound engineering at the tender age of 14! And the photo used for the video is by Matt Collamer for Unsplash, and was published on February 12, 2018.

Lastly, here’s a video of the band playing an acoustic version of their latest track, a love song called “A Perfect Bridge“. These guys are supremely talented songwriters and musicians and I’m helplessly hooked on their music. Even at their young ages, they’re already masters of their craft, and I expect we’ll be hearing even more incredible music from them in the future. There’s nothing common about The Common View, and I’m excited about following them on their musical journey.

Connect with The Common View on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / ReverbnationApple Music
Purchase on iTunes

REVOLVERS – Single Review: “True Love”

Revolvers True Love Art

Revolvers are a four piece indie band based in London who play high-energy guitar-driven melodic rock. Originally formed in 2016 at the London College of Music, the band now consists of James Thurling (guitar/lead vocals) Will Oliver (guitar/backing vocals), Steven Morrison (bass/backing vocals) and Rhys Kibble (drums).  They released their debut EP Your Indie Heroes Will Betray You in January 2018 to positive reviews, and now return with an exuberant new single “True Love” which drops today, February 20th. 

It’s a terrific, hard-hitting song that reflects the band’s trend toward a heavier rock sound. The thing that really stands out for me is the fantastic guitar work. James and Will deliver an explosion of lush, reverb-drenched jangly riffs that continue throughout the track, punctuated by a tasty little gnarly guitar solo in the bridge. Steven lays down a solid bass line while Rhys pounds his drums and crashes his cymbals like a banshee, adding tremendous impact to this exhilarating song. James has a commanding vocal style, and I really like how his strong British accent shines through when he sings.

The lyrics seem to address dual themes of the impermanence of romantic love, and how as we grow and change, we can never go back to what once was. It’s a rough thing to come to grips with, as anyone who’s moved away has experienced upon returning to a place where you used to live, or to an old flame you once loved, but for whom the feelings have faded or disappeared for at least one of the parties.

Letting go has never been so easy
You know that more than anyone
Cause I don’t believe true love ever exists
It’s a game made up by mankind

Say farewell to small town agendas
Streets and corners where you surrendered
All those days
Racing through your life without warning
Then you realize that you never belonged here
You don’t belong here

True love never makes it to midnight

The wonderful video for the song shows a man back visiting the town he grew up in, and seeing himself in various situations with old friends and girlfriends but feeling lost and out of sorts, no longer fitting in.

Catch Revolvers at this upcoming show:

ondon

Connect with Revolvers on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on iTunes / Bandcamp

HARROLAND – Single Review: “Home”

Harroland Home

Harroland is an alternative indie-rock band from Reading, England, comprised of siblings Michael (vocals, rhythm guitar) and Kate Kennedy (keyboards, backing vocals),  Steve Tabor (lead guitar) and Sam Tranckle (drums). They’ve just released a new single “Home“, the first of a number of releases planned for 2019. They wrote and self-recorded the track on a shoe-string budget in a freezing cold converted laundry house outside Reading, and had close friend Liam Memmott do the mixing. Mastering was done by two time Grammy Award-winning analog mastering engineer Andres Mayo.

The song opens with an ominous synth chord, then expands into a darkly beautiful soundscape of shimmering keyboard synths, chiming guitars and smooth percussion. The moody piano riff is particularly sublime. Michael has a unique vocal style that’s incredibly appealing, and Kate’s lovely backing vocals harmonize beautifully with his, making for a wonderful listening experience. I found myself wanting to hear this song again and again, liking it more with every listen.

According to Michael, “‘Home’ is told from the viewpoint of someone who gained power using empty promises and feeding on other people’s hopes and dreams. The lyrics reflect the mindset of the kind of person that only wants to enrich themselves, no matter who gets hurt because of their promises. We think it’s important to question who you can and should trust, or if they’re just telling you what you want to hear, especially in the political climate we’re all in at the moment. We’ve all been burnt by people like that.”

The lyrics are extensive, but here’s a snippet of verses that drive home the song’s message from someone intent on holding onto their own power while disregarding the hopes and dreams of others (perfectly describes the vile Liar in Chief currently occupying the White House):

Flip up the table,
But it don’t move,
Now they say,
They’re threatening,
My home, your dreams,
My right to rule

So move aside,
I won’t play no part,
I’m better to be someone with no broken heart
Don’t you ever feel it’s
Best I stake my claim.

And I got my home,
and I got my ways,
and I’ll take your dreams,
In some old fashioned way

“Home” is the band’s last collaboration with drummer Sam Trackle, who is stepping down to spend more time with his family. He will be replaced by Stu Roberts, who will debut with Harroland at their March 16th show at the Rising Sun Arts Centre.

Catch Harroland at one of these upcoming shows:

Saturday, March 16       Rising Sun Arts Centre, Reading
Saturday, March 23       Hope & Anchor, Wokingham
Wednesday, March 27  Purple Turtle, Reading
Saturday, May 18           Rising Sun Arts Centre, Reading
Saturday August 10       A Different World Festival, Abbey Rugby Club, Reading

Connect with Harroland on Facebook / Twitter / Instagram
Stream “Home” on Spotify / Apple Music
Purchase on Bandcamp / iTunes

BLACK | LAKES – Single Review: “Dissident”

Black Lakes

A few posts back, I mentioned that it seemed half the artists and bands I’ve previously featured on this blog are releasing new music in 2019, and another one of them is BLACK|LAKES, a progressive alternative metal rock band that collectively hail from South Wales & Southwest England. Comprising the band are five enormously talented musicians – Will S. Preston (lead vocals), Scott Bradshaw (guitar, backing vocals), James Rowlands (guitar, backing vocals), Lee Harris (bass) and Dafydd Fuller (drums). Last October (2018), they released a monumental single “The Divide” which I reviewed, and now return with hard-hitting new single “Dissident“, which drops today.

The track opens with a brooding guitar riff accompanied by an ominous synth chord, then explodes with a barrage of chugging riffs, pummeling bass and thunderous drums. After ten seconds, everything calms down to a melodic interlude of pulsating guitars and measured percussion during the verses, only to ramp back up into a furious onslaught for the choruses, keeping us in a continual state of tension. The guitar work throughout the song is fantastic, really showcasing Scott and James’ considerable talents on their respective six-strings. Lee’s deep bass lines drive the track forward while Dafydd pounds his drums like his life depends upon it.

Will’s resonant vocals remind me a bit of Puddle of Mudd’s Wes Scantlin, starting off smooth and plaintive as he bitterly renounces someone who’s hurt and betrayed him: “Here inside this cage, this never ending maze. Watching myself waste away. The bitterness I taste. Complete intemperance. I sit and slowly count the days.” They turn raw and impassioned in the choruses when he defiantly screams that he will survive and move on: “The last words I’ll ever say. In spite of you I will not fade into a world plagued by you.

“Dissident” is a magnificent and electrifying rock song that proves Black|Lakes’ can continue to deliver the heavy and melodic progressive metal we’ve grown to love from this amazing band.

Connect with Black|Lakes:  Facebook / Twitter / Instagram
Stream/purchase on Spotify iTunes

WIDE EYED BOY – EP Review: “Sun Again EP”

Wide Eyed Boy Sun Again EP

Since first hearing their incredible debut single “Wolves” two years ago, I’ve been totally smitten with British band Wide Eyed Boy. I’ve featured the charismatic Liverpool foursome on this blog three times now, beginning with my review of “Wolves” almost exactly two years ago, in February 2017, then a review of their magnificent follow-up single “Loving You is So Easy” that July, and an interview in May 2018, shortly after the release of their third single “Sun Again”. They’ve just dropped their first EP Sun Again EP, and it’s my pleasure to feature them for the fourth time.

Wide Eyed Boy consists of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitar, keyboards) and Tom Taylor (Drums). They all met at the Liverpool Institute for Performing Arts, and quickly bonded over their shared love of music. They made the decision to release a series of singles to get their music out there and heard, and they’ve succeeded quite nicely. Since the release of “Wolves”, they’ve earned a reputation as one of Britain’s best indie bands, and have gained a large following of loyal fans.

The EP includes their three aforementioned singles, plus two new tracks. It opens with the title track “Sun Again,” an exuberant affair, with roiling riffs of Jonny and Kobi’s fuzzy guitars and bass, propelled by Tom’s furious drums and wildly crashing cymbals. Oliver has one of the most beautiful voices around today, and his smooth, clear vocals are dazzling, soaring along with the instrumentals as they build to a goosebump-inducing crescendo. About the song, the band states: “It’s about escape. Breaking out of that vicious cycle of mundane life and getting back that sense of freedom to go do whatever the hell you want.”

The beautiful new video just released for “Sun Again” features actor Daniel Donskoy, and alternately shows scenes of Wide Eyed Boy performing the song, and scenes of Donskoy portraying a man who’s angry and in distress, racing his car through the English countryside, then running from the car into a field and collapsing on the ground, spent and finally feeling free.

I loved “Wolves” the moment I heard it, and made me an instant fan of this band. Everything about this phenomenal track is perfect – the haunting melody, compelling lyrics, flawless arrangement and production, propulsive drumbeat, gorgeous sweeping synths, nimble, layered guitars, and Oliver’s incredible vocals that are absolutely mesmerizing. Oliver stated the song ‘is about letting people in that are bad for you.’ He passionately sings “Why can’t I leave it all behind? Why can’t I save myself this time? I fall just a little bit, don’t wanna be a part of it. Wolves are the only friends I know.”

“Wolves” was so awesome that I didn’t think the guys could top it, but I was even more blown away by their magnificent follow-up single “Loving You is So Easy“. The swirling guitars, sultry bass line, sweeping gnarly synths and Oliver’s captivating vocals are all positively breathtaking. The song lyrics are fairly straightforward – “I don’t care the way you care. I can see it in your stare. But the way that we collide, it’s getting harder every time. Loving you is so easy. Easy when I’m down, down, down” – but Oliver delivers them quite seductively, before launching into a soaring falsetto in the chorus, adding more chills to the ones already covering my body. I love this song so much it ranks #13 on my Top 100 Best Songs of 2017 (“Wolves” was #17).

Next up is “See the Light“, yet another beautiful song from this amazing band. This track is slower in tempo and more ballad-like than their other songs, with acoustic guitar, shimmery synths and gentle percussion. The song is about a relationship that’s failed past the point of return and the desire to move on. Oliver’s heartfelt falsetto vocals are sublime as he plaintively sings the poignant lyrics: “I’ve gone missing. Something’s not alright. I don’t wanna run but I’m struggling to see the light. / Can’t you see what I’ve become? Stay away from me.”

The band closes out the EP with the rousing pop/rock banger “Fire“. The radio-friendly track features a catchy melody, pulsating synths, chiming guitars and pummeling drums that all build to an exciting crescendo in the chorus. The lyrics are a plea to someone for whom the singer has strong feelings to save him with their love and support: “Fire! I’m burning now. I really need you now. Fire! Don’t let me down. Pull me from the ashes.

Sun Again is an awesome little EP with five outstanding tracks, and a testament to Wide Eyed Boy’s impressive songwriting and musicianship. I cannot wait to hear what new songs they come up with next to dazzle our eardrums.

Connect with Wide Eyed Boy: Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  iTunes / Google Play