Cheddr is the music project of Jeff Hines, a talented and innovative composer and producer of electronic music. Based in the state of Connecticut, Jeff has written and played music for over 20 years. But recent improvements in the technology of music production have enabled him to work on this music anytime and anywhere, which has in turn led him to become extremely prolific over the past year, recording and releasing numerous singles, albums and EPs. He released Bear Beat Vol. 1 in October 2017, and Bear Beat Vol. 2 in May 2018, then quickly followed with Three Sheets: To the Wind a few weeks later. In August he dropped yet another EP For the Skies, but I will be reviewing Three Sheets: To the Wind.
Influenced by Tycho, Bonobo, Emancipator, Gramatik, Ratattat and Madeon, Jeff likes to think of him self as a post rock composer, producer, and multi-instrumentalist. Encouraged by recognition he’s received from independent music supporters from around the world, he’s continued to produce increasingly more advanced and complex music, which has been featured on music programs in the U.S., UK and Germany.
Before getting into Three Sheets: To the Wind, let me state right here that, though I’ve written about a number of artists who create electronic music, I’m far from being an expert about it and all its microgenres, which can get pretty esoteric and abstract. It seems the more I read about it, the more confused I become, but I’ll try my best to sound like I know what I’m talking about.
The track listings differ between Spotfy, Soundcloud, Bandcamp and iTunes, but I’ll discuss them in the order they appear on Soundcloud for the convenience of my readers. Cheddr kicks off the album with “Falling Into You,” a rather brooding but bewitching chillwave track with fuzzy, almost spacey synths overlying a deep bass-driven beat. Sparkling piano keys and soaring string synths are gradually added, transporting us into a dreamy soundscape we’re hesitant to leave.
As the second track “Unification Theory” envelops my eardrums, I’m struck by his skill at drawing out such interesting and exquisite sounds from his synthesizers, and weaving them together into gorgeous chord progressions and captivating melodies. The intricate sequenced piano and lush strings are breathtaking, and he adds lots of assorted otherworldly synths and deep bass to create a complex and stunning track that’s one of my favorites on the album.
The mesmerizing “Our Hearts are Beating Together” features sampled electronically altered female and male vocals, in a style that Cheddr states are “hypnagogic, approaching vaporwave.” (According to Wikipedia, vaporwave is defined by its appropriation of 1980s and 1990s mood music styles such as smooth jazz, R&B and lounge music, and typically involving sampling or manipulating tracks via chopped and screwed remixing techniques.) In addition to the vocals that chant the title words “Our hearts are beating together,” the track features glittery sequenced piano and lush synths.
Cheddr’s lovely sparkling pianos are a dominant element on the next three chillwave tracks. On “You’ll See,” he adds extra layers of delicate piano over the main riff, along with fuzzy, almost psychedelic-sounding synths. “Reach In” features a throbbing bass line and a mix of glittery and siren-like synths, and “The Winding Road” is brimming with pulsating wobbly synths and lots of plucky strings.
The trippy “Vapors” is the most experimental track on the album. It starts off with a similar vibe as most of the other tracks, with chill piano chords and delicate xylophone synths set to a languid beat, but gradually, Cheddr introduces quirky distorted and spacey synths that change the complexion of the song to one of discordance and unease, as if to symbolize having ‘the vapors.’ It’s a beautiful song nevertheless. The final track “Understory” has a solemn vibe, with a somber piano riff that continues throughout the song. At approximately one minute in, dark synths are added, then a rat-a-tat tat drumbeat kicks in. More synths are added as the pace quickens, then we’re hit with a brief flourish of mournful distorted electric guitar before the track closes with the same somber piano riff that opened the song.
I’ve listened to a lot of Cheddr’s music, and though I do like his Bear Beat Vol. 1 and 2 albums, I feel he really takes things to the next level on Three Sheets: To the Wind. His piano-driven melodies are glorious and more fully-developed, and I love all the lush and varied synths that he uses to create different moods, sometimes within the same song. If you like electronic music, this is an album you should add to your collection.