TOBISONICS & COSTI release a powerful and timely new single “Eye of the Storm”

Tobisonics is the music project of Toby Davis, a longtime alternative electro-pop artist, composer, songwriter and music producer based in Luxembourg. For several years, he used his creative vision and talents mixing, mastering or remixing other artists and bands’ music, but starting in late 2018, he decided to create his own musical works as Tobisonics. About his moniker, he explains “All Tobisonics really means is Tobi sounds. And that’s how I think of myself, as a noisemaker, rather than a musician.”

Costi is a London-based hip hop artist and rapper who describes himself as an “Emcee slash poet who mixes spoken word with hip hop music.. plus a little guitar.” He’s been featured on Fresh on the Net – Fresh Faves 316 and the BBC Introducing Mixtape, and has been involved in numerous musical collaborations and projects, including as one half of the hip hop/electronic music duo One Line to an Angle, who released a terrific single “Cassette Tape”, along with several remixes, last October.

Costi

I’ve previously featured Tobisonics three times on this blog, most recently last October when I wrote about his single “Military Industrial Complex“, a politically-charged electronic track featuring two important and diametrically opposite speeches by Presidents Eisenhower and Trump. (You can read my previous reviews by clicking on the “Related” links at the end of this post.) Angered by Trump’s incendiary Rose Garden speech last June, in which he threatened a harsh government response to the Black Lives Matter protests, Toby decided to contrast Trump’s menacing words with Eisenhower’s 1961 Farewell Address warning of the need for perpetual vigilance to safeguard the liberties of the American people against the military industrial complex and include them in his song. Though the song resonated with listeners and music critics, and received radio play on Amazing Radio US, KGUP FM, and scores of respected independent radio shows, Toby later confessed to having mixed feelings: “I feel ‘Military Industrial Complex’ was artistically successful but, in terms of its application, it failed. I wanted to engage with traditional voters on the right, instead I just ended up just preaching to the choir.”

With that sentiment in mind, he decided to create a new song that would tackle populist nationalism not with clever comparisons, but with hope: “I wanted to inspire hope and remind people of a time when we believed we could be one race of humans, a better people, a great people, a global people.” He teamed up with Costi to collaborate on a song they titled “Eye of the Storm“, an electro-synth retro-wave anthem of hope to raise people up after all the stress, worry, fear and pain of 2020. The single will be released on all music platforms on Wednesday, January 20th, in recognition of Joe Biden’s Inauguration as the 46th President of the United States. It’s the first of four collaborative music projects Tobisonics has planned for 2021.

For the song, Tobisonics sampled President John F. Kennedy’s famous inaugural speech, along with lyrics written and sung by Costi. The track opens with Costi singing the chorus, followed by several verses alternating with the repeated chorus. Musically, Tobisonics employs a powerful thumping synth bass beat, accompanied by ominous swirling industrial synths that seem to mimic bombs dropping from the skies, while Costi raps the biting lyrics with an impressive and commanding flow. At the two-minute mark, Kennedy’s speech enters, followed by the chorus. In the fifth recitation of the chorus, Costi’s lyrics are interspersed with the most famous lines of Kennedy’s speech:

The future’s bright that’s the neon lights
(And so my fellow Americans)
Demolition man put your dreams on ice
(ask not)
Said it’s going down if you’re seen on sight
(what your country can do for you)
Countdown started and we leave tonight
(ask what you can do for your country)

The song ends with the often-overlooked second part to Kennedy’s most famous quote: “My fellow citizens of the world, ask not what America will do for you, but what together we can do for the freedom of man”, driving home the strong unifying message Tobisonics and Costi desired to great effect.

Click on this link https://distrokid.com/hyperfollow/tobisonicsandcosti/eye-of-the-storm to pre-save the track.

Connect with Tobisonics: Website / Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music
Purchase:  Bandcamp / Amazon

New Song of the Week – “Fire” by Two Feet

At the end of a week that saw one of the darkest days in recent American history, Two Feet goes and drops a fantastic new single “Fire“, bringing some badly-needed light and joy into the lives of his many fans. I think it’s one of his best songs yet – which is saying a lot – and I’ve chosen it as my New Song of the Week.

Beginning with the release of his breakout single “Go Fuck Yourself” in 2016, the Brooklyn, New York-based singer-songwriter and guitarist has been on a creative roll, releasing several singles, including his #1 hit “I Feel Like I’m Drowning” in 2018, and two outstanding albums, the most of recent of which was last year’s Pink (you can read my review here). He’s become my favorite artist, and I love every single piece of music he’s released. Since that album’s release, Two Feet has dropped three singles – “Think I’m Crazy”, which is currently enjoying a long run on my Weekly Top 30, “Time Fades Away”, and now “Fire”, which dropped today, January 8th. 

I’ve stated previously that many of his songs are slow burns, and that’s certainly the case with “Fire”. The song has a sensuous and smoldering deep bass groove that sounds like a slowed-down version of “Every Breath You Take” by The Police – one of my all-time favorite songs. Two Feet and his trusted keyboardist/programmer Geoffrey Hufford (aka Huff) layer bluesy guitars and gorgeous sultry synths to create an almost cinematic soundscape that soars to a scorching crescendo befitting the song’s title. Two Feet sings in a much higher octave here than usual, with an almost breathy, yet impassioned falsetto as he croons to a lover of his intense ardor: “Darling, You call my name / I like the games you play / Charming, My love for you / Burning, I feel it too.” I love it!

Connect with Two Feet:  Facebook / Twitter / Instagram
Stream/purchase his music:  Spotify / Soundcloud / Apple MusicAmazon

THE OCEAN BENEATH ft. FRAN MINNEY- Single Review: “Skin”

When I last featured British electronic music project The Ocean Beneath on this blog in July 2019, it was to review his marvelous debut self-titled EP The Ocean Beneath (which you can read here.) The Ocean Beneath is the brain child of Leeds-based musician, composer and producer Matt Burnside. Influenced by bands such as Gunship, HVOB and Talk Talk, he combine 80’s synthpop elements with modern recording techniques, analogue synthesis and huge melodic grooves to create music that sounds retro, yet fresh and now.

He recently teamed up with Leeds-based singer-songwriter and electronic musician Fran Minney for their smoldering new collaborative single “Skin“, which drops today, September 29th. In their own words, the song “encapsulates the almost drunken touch-starved feeling a lot of us have experienced during lockdown these past few months with a beat to help you dance out that desperation.” Well, I must say that Matt and Fran do a superb job in capturing those desperate feelings of desire through their sensuous instrumentals, arrangement and vocals.

Photo by Matthew Baxter

After listening to “Skin” a few times, it struck me how it has a somewhat similar feel as Everything But The Girl’s 1995 hit song “Missing”, not only because of the way it transitions back and forth from a calm, moody vibe to a sensuous dance groove, but also that Fran’s sultry vocals remind me of Tracey Thorn’s.

The song opens with enchanting glittery synths, then Fran’s lush vocals enter as the music expands with darker, more ominous synths and a crisp percussive beat. At the one minute mark, a throbbing dance beat ensues along with Fran’s haunting, echoed vocals, and lasting around 15 seconds before calming down, only to briefly return at 1:50. This back and forth pattern continues through the rest of the track, building to an exhilarating crescendo in the final chorus before calming back down at the end. It all serves to create a strong sense of tension and unfulfilled desire that makes for a very powerful song.

The days and the months
The weight of your touch
I’ve waited so long
The dry thickened clay
Baked deep in the layers
I’m breaking away

I am lost in your skin
Feel the waves crash within
I’m off my feet
I’m floating
Your skin, your, your skin, skin
Your skin, your, your skin, skin

The sand and the blood
A coarse thickened flood
I waited so long
The foam and the blue
That brought me to you
The pull of a truth

I am lost in your skin
Feel the waves crash within
I’m off my feet
I’m floating

I die a little each time x3
I die a little
I die a little each time x3
Let me drown in this night

I am lost in your skin
Feel the waves crash within
I’m off my feet
I’m floating

Connect with The Ocean Beneath: Facebook / Twitter / Instagram
Stream their music:  SpotifyApple Music / Soundcloud
Purchase:  Bandcamp / Google Play

Connect with Fran Minney:  FacebookTwitterInstagram

New Song of the Week – US3R: “Oasis”

Us3r pic

US3R (pronounced ‘user’, and the artistic moniker of a very nice guy named Kristian Alexander) has been making a name for himself over the past year through his prolific output of great synthwave-inspired electronic pop music and dazzling live performances. Last year the Seattle-based singer-songwriter and composer dropped two albums, beginning in May 2019 with his debut 1985 (named for the year of his birth), then followed in December with INFLUENCE, a brilliant work addressing modern influencer culture and the loss of intimacy in the digital age. Both are outstanding, and I urge my readers to check them out on one of the music streaming platforms listed at the end of this review. So far this year, he’s released several new singles, some of them collaborations with other artists. In March, I featured his beautiful song “Forever Blue”, a collaboration with Minneapolis composer Jasper Mitchell (you can read that review here). Now US3R returns with a sunny new single “Oasis“, which I’ve chosen as my New Song of the Week.

A highly creative and talented guy, Kristian came up with the name US3R for his music project through his work in the IT industry. “In computer terminology/operating systems, there are references to “user” in a million different forms. It felt like an archetypal term that represented computer culture… and also in hacker culture, we have a tendency to talk in “leet speak” (where you swap numbers for letters), so, ‘US3R’ is a reference to the hacky nature of my music.“ There are a lot of artists and producers out there making various kinds of electronic music, and US3R seeks to fill a gap by creating his own style of what he calls “electronic grunge that borders on R&B”.

US3R was inspired to write “Oasis” while visiting his mom in Palm Springs earlier this summer. He grew up in the Coachella Valley, where I now live. He explains “I grew up in Palm Springs. Swimming pools, sand everywhere, burning hot sun, a thriving diverse community, and teenage romance. I’ve wanted to write a song that felt this way. During quarantine I flew home and wrote this. This song was FUN to record. I layered my voice like old 90s house tracks. I played my us3r-style vocoders, I threw down some brass synths. Its all of the stuff I love about writing synth music.

And what a great job he does on “Oasis”. Starting with an infectious dance beat that aims straight for the hips, he layers sparkling keyboards, thumping synth bass and those smooth brass synths that give the track a sultry, summery vibe. US3R has a silky-smooth vocal style that’s both pleasing and seductive, and he turns up the heat when he croons “You got me walking through the desert. You got my heart and soul. And I can’t go. Move through the desert, got me craving your oasis.” It’s the perfect song for summer romance and hot pool parties. Makes me wish I was 29 again!

Connect with Us3r:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music /  Soundcloud  / YouTube
Purchase:  Google Play / Bandcamp

XENNON – Single Review: “Hilt”

XENNON is a British synthwave artist/producer who up until recently was based in Tokyo, Japan. His music is heavily influenced by the synthesized sounds of the 80s, as well as Japanese game and video culture. He’s also curator of the Synthwave Sounds playlist on Spotify, which has amassed over 40,000 followers. In September 2019, he released his debut album MIAMI COP, a concept work inspired by the 80s hit TV show Miami Vice, as well as the synth-driven pop-rock that was so popular at that time. MIAMI COP tells the story of an alternative Miami circa 1987, where the city is a dystopian world in which technology has advanced far beyond our own world’s, and crime has spiraled out of control. (You can read my album review here.)

Now XENNON is back with “Hilt“, the first single from his forthcoming second concept album Dark of a Distant World. Inspired by the sci-fi and fantasy movies of the 80s such as The Neverending Story and Masters of the Universe, the album will take the listener on a journey to other worlds as we follow Kurt, a boy who holds the key to saving the planet Eternicron, and embarks on an adventure that transcends time and space. Once again, the concept and featured artwork was done by Travis Wright, who continues to work with XENNON on all of his releases and stories.

The song opens with an assertive synth drum beat that provides a strong rhythmic groove driving the song forward. XENNON then layers a colorful mix of swirling, shimmery synths, pulsating percussive beats and lots of crashing cymbals to create a vibrant, optimistic soundscape that has an almost anthemic quality. As the character Kurt, he plaintively sings of his struggles and self-doubt, not sure whether he has the fortitude to continue, but clinging to the hope that through another’s love and support, he’ll prevail. “I’m not sure I’m getting better. Days drag me down sometimes I’ve found. But maybe if here, beside you I stand, with this hilt tight in my hand. I’ll take it to the other side and get out, safe and sound.”

It’s another great song by XENNON, and I look forward to hearing more tracks from his latest concept album.

Follow XENNON:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music
Purchase:  Bandcamp / Google Play

AGENT JOHNNY RED – Album Review: “Run Against the Sequence”

Agent Johnny Red album art

Agent Johnny Red is an electronic musician, singer-songwriter and composer based in Portland, Maine. He’s been fairly prolific in his music output over the past five years or so, recording and releasing several singles, EPs and compilations, most of which are available on his Bandcamp page. At the end of May, he dropped his first official album Run Against the Sequence, a concept work inspired by his own personal life experiences.

He explained that the album “is about how humans get stuck in recurring behavior patterns or programs that are based upon past events. This is an album about Agent Johnny Red running against the sequence or patterns that were ultimately controlling his life. Addiction to bad relationships, food and drugs are all part of the sequence.” He added that the word ‘Against’ stands for how difficult it is to overcome these bad habits: “Kind of like an Alfred Hitchcock movie, no matter what you do you can’t escape it. But the character in this story does eventually escape at the end.”

The album opens with sounds of a man speaking the words “I won’t deny that there’s some strange, evolutionary process going on, but mankind won’t be destroyed. The fact that you and I are already here today is evidence of that“, and thus begins the first track “Just keep Repeating“. Agent Johnny Red uses an array of dark, yet beautiful swirling synths set to a pulsating EDM beat to create a mysterious atmosphere that conveys a feeling of being in a kind of twilight zone. Eventually, the man’s voice returns to say “Another day is done all over again.” “Figure out this Mess” has an equally ominous vibe, with harsh swooping and pulsating industrial synths forming a psychedelic backdrop for Johnny Red’s droning moody vocals.

On “Lightning in a Black Hole“, Johnny Red seems to be speaking to someone who can save him from himself and his troubles: “Tell me what you want me to be. I’ll tell you I’m all that I can ever be. / I just want to go out for a drive. Just to see the sky. I know it’s crazy, but we’ll be fine if we forget about time.” I really like the lush combination of synth sounds and textures he uses in this and other tracks, and how well his music pairs with his vulnerable, rather melancholy vocals.

The album features a number of terrific instrumental tracks, including “Videodrome“, with its fascinating mix of synthwave, sci-fi, EDM and dubstep elements; the uptempo and otherworldly “Destination of Red“; the mesmerizing, psychedelic and spacey “Save Some Space“; the techno-heavy “Survival is Changes“; and one of my favorites “Don’t Destroy the Water“, a wonderful futuristic fantasia of swirling sci-fi synths and haunting female chorale-like vocal drones, set to captivating dubstep beats.

The title track “Run Against the Sequence” encapsulates everything the album is about, which is the struggle to reach a point of mental clarity and emotional freedom from bad habits and addictions that have kept you enslaved: “Every step that I take will get me closer to awake. Every love that you find will get you closer to rewind. I know that time’s confusing. What if it’s an illusion?” Musically, the song has a haunting piano-driven melody, with a colorful mix of wobbly and stabbing synths, accompanied by hand claps.

Hack Time (You Work Harder)” has an eerie, almost goth-like vibe, with throbbing industrial synths set to a hypnotic rhythmic beat. The tinkling piano keys add a nice textural contrast, keeping the track from sounding too dark.  Johnny Red’s electronically-altered echoed vocals sound pained as he laments of wanting to feel better and be free of his demons and addictions that offer only temporary relief from the pain: “Break free from the things in your brain. / You fell asleep at the wheel. You’re happy when you can feel. You’re happy when you heal. / I just wanna move around the sequence. I just wanna hack time.” It’s another one of my favorite tracks on the album.

Save the Light” is the point of escape, when Johnny finds the truth in the pain of not succumbing to addiction. His vocals are auto-tuned, giving them an even more haunting feel as he sings of being trapped by his addiction, and wanting to break free. ‘Seven seas’ are a metaphor for his freedom: “Back when you thought you could be everything, you saw something great in the seven seas. You ran benediction through your head but addiction had you dead. But you were here and you were sure that if you come back to the seven seas. Come back and let me be. I believe this is a dream come true.” He realizes he needs to be strong, keeping freedom from addiction at the forefront of his goals: “Think the way that you can feel. Fight the urge to make the deal. All these scars that will not heal are just dreams, they are not real.”

Yet he continues to struggle with self-doubt and guilt over pain he’s caused others: “No I don’t want to go back home. I want to stay on this earth. I wanna stay on this earth but you keep killing it. I am telling you I don’t want to see them die. I don’t want to see them cry just so I can feel alive.” He ultimately comes to the realization that he wants to live a life free from addiction: “And if I save the light, then the dark might take me tonight. And on the seven seas everything might be alright.” Johnny Red uses complex and lush industrial and psychedelic synths and some lovely guitar notes to create a somber, yet hopeful mood. It’s a magnificent and moving track.

The album closes on a more upbeat and positive note with “A Puzzled Picture“. The track has a lighthearted vibe, thanks to a lively mix of skittering spacey synths. The man’s spoken voice we heard on the opening track returns to offer a few lines of wisdom, though I’m unable to make out exactly what he’s saying.

Not being a musician, nor very knowledgeable about music theory, technique or mechanics, it’s often hard for me to fully articulate what I hear when listening to electronic music. That said, I have nevertheless written about quite a lot of it, and can confidently state that Run Against the Sequence is in the top tier of electronic music albums I’ve reviewed. Agent Johnny Red is a highly creative, talented and imaginative composer, as well as thoughtful songwriter, and should be very proud of his latest work. This is an album that requires a couple of close listens to fully appreciate all of it’s many nuances, but you will be rewarded for your effort.

Follow Agent Johnny Red on Instagram
Stream/purchase his music on BandcampSpotify / Google PlayApple Music

Song of the Day Challenge – Day 10: ABSOFACTO – “Lemon Drop”

Song A Day Challenge

Today’s Song of the Day Challenge is “A song that’s been stuck in your head”, and my pick is the delightful “Lemon Drop” by Absofacto. I love the song, which is currently in the midst of a long run on my Weekly Top 30.

Absofacto is the solo project of singer/songwriter and musician Jonathan Visger. He’s been making music for over 15 years, first as a member of Michigan-based indie rock band Mason Proper, and later as a solo artist, and recently scored his first breakthrough hit with his captivating single “Dissolve”. A sleeper hit, the song was originally released in 2015, but went nowhere. In 2017, he signed with Atlantic Records and released his EP Thousand Peaces. “Dissolve” was included on the EP, then re-released as a single in 2018, but once again failed to gain traction, which is hard to believe as it’s such a great song.

Absofacto

In 2019, the song received renewed interest due to a meme on the music and video-sharing app TikTok, and became a surprise hit. It debuted on the Billboard Alternative chart in June 2019, and after a long, steady climb, reached #1 in January 2020. Absofacto followed up with the single “Rewind” in November 2019, then in March 2020, dropped “Lemon Drop”, along with another song “Python”.

On his Facebook account, Absofacto describes his music as “warped cloud odd dream beat / bubblejam / idyllicrunk / spacebass / twilight zoneout / wavewave“, which pretty well paints an accurate and colorful picture of his cool, synthpop sound. “Lemon Drop” is one of his best tracks, with a breezy, uptempo vibe and infectious dance beat. He uses lots of sweet and spacey synths to create a dreamy, atmospheric soundscape for his soft, breathy vocals. They have an ethereal, yet seductive quality that makes them utterly enchanting as he sings to a loved one of his ardor. It’s a fresh and modern take on the age-old subject of romance.

Blond camaro, gold leaf, yellow lemon drop
You’re my one and only, just the way you are
Wanna see the world from the front seat of your car
Tell me you ain’t far, tell me you ain’t far 

Follow Absofacto: Facebook / Twitter / Instagram

US3R & Jasper Mitchell – Single Review: “Forever Blue”

I love when artists collaborate on music projects, as the talent and creative energy each bring to the mix often results in some really terrific work. Last week I featured such a song by L.A. artists Harley Bird and Barren Gates, and am now pleased to feature another collaborative effort, this time by Seattle-based singer-songwriter and composer US3R, and Minneapolis-based synth artist and composer Jasper Mitchell. They teamed up to create a deliciously chill song “Forever Blue“, which dropped March 15th.

Us3r
US3R

US3R (pronounced ‘user’, and the artistic moniker of a very nice guy named Kristian Alexander) makes synthwave-inspired electronic pop, dream pop and house music. I had the pleasure of meeting him and his lovely wife last December when they were in the Coachella Valley to visit family and friends before the Christmas holidays. (Kristian grew up in Cathedral City, where I now live.) I asked him about his name US3R, and he said it was inspired by his work in the IT industry: “I’ve been a computer guy since I was very young. In computer terminology/operating systems, there are references to “user” in a million different forms. It felt like an archetypal term that represented computer culture… and also in hacker culture, we have a tendency to talk in “leet speak” (where you swap numbers for letters), so, ‘US3R’ is a reference to the hacky nature of my music.

US3R has had a very busy year, first releasing his debut album 1985 in May (2019), then following up in December with his second album INFLUENCE, a brilliant work addressing modern influencer culture and the loss of intimacy in the digital age. Both are outstanding, and I urge my readers to check them out on one of the music streaming platforms listed at the end of this review. In February and early March, US3R embarked on a North American tour covering Seattle, Portland, San Francisco, Hollywood, NYC, and Toronto, before it was abruptly halted by the Coronavirus outbreak.

Jasper Mitchell
Jasper Mitchell

Jasper Mitchell likewise creates dreamy chillwave, synthwave and atmospheric electronic music. He released his debut EP Awakening in 2018, and followed a year later with his stunning album Her, both of which I also highly recommend.

Like many collaborations, “Forever Blue” was recorded and produced in different locations. Mitchell came up with the initial music concept, then sent it to US3R, who wrote the lyrics and made some chord changes. He recorded the vocals while in Southern California last December, then sent his vocal recording to Mitchell in Minneapolis, who did the production work on the track. They then worked back and forth over the internet until they got the song just right.

US3R states that the song is about driving down the Pacific Coast Highway in California from Santa Monica to Malibu, “reminiscing about a woman that used to sit in the passenger seat, and every time you do the drive it brings up old feelings.” He adds “Its about reflecting on your life in the face of mortality. We ironically wrote this before Coronavirus happened, but it seems very relevant all of a sudden.”

Employing a colorful mix of warm, sparkling synths, set to a languid trip hop percussive beat, Mitchell artfully creates a captivating atmospheric soundscape evoking a sun-kissed day along the California coast, but with an underlying air of melancholia. US3R has a silky-smooth vocal style that’s immensely pleasing, and the perfect voice for a chillwave song. His soft, almost breathy croons beautifully convey the wistful emotions expressed in the bittersweet lyrics: “If I died tomorrow would I be happy with it all? / I’ve had some good times / There’s so many things I saw / I don’t wanna go / There’s still so much i wanna see / I need to know are you the one who’s saving me? / Forever blue, when I look at you.”

It’s a gorgeous track. Nice work guys!

Connect with Us3r:  FacebookTwitterInstagram
Stream his music:  SpotifyApple MusicSoundcloud  / YouTube
Purchase:  Google PlayBandcamp

Connect with Jasper Mitchell:  FacebookTwitterInstagram
Stream his music:  SpotifyApple MusicSoundcloud
Purchase:  Google Play

XENNON – Album Review: “MIAMI COP”

Xennon Miami Cop

XENNON is a synthwave artist/producer and music teacher who’s originally from the U.K., but now based in Tokyo, Japan, and he’s just released his debut album MIAMI COP. A busy man, he’s also curator of the Synthwave Sounds playlist on Spotify. Inspired by the 80s hit TV show Miami Vice, and the synth-driven pop-rock that was also popular in the 80s, MIAMI COP is a concept album that tells the story of an alternative Miami circa 1987. In this story, the city is a dystopian world in which technology has advanced far beyond our own world’s, and crime has spiraled out of control. Against this backdrop of illegal firearms and drug trafficking stands a troubled police officer named Jack Lancer, the MIAMI COP who aims to do battle with the bad guys.

The album was written, performed, produced and mixed by XENNON, and mastered by acclaimed music engineer Pete Maher, whose clients have included such noted acts as U2, The Killers, The White Stripes, The Pixies, The Rolling Stones, Nine Inch Nails, the 1975, Katy Perry, Depeche Mode, Liam Gallagher, Linkin Park and many more. Additional guest vocals and voice-over work on some tracks were provided by Allie, Bill Fore and Benny Rose. XENNON has dedicated his album to the memory of Jeanette Portues.

MIAMI COP opens with “Miami Beach Chase“, a fast-paced song that sets the stage for the battle to come, as Jack goes on a high-speed pursuit of a criminal on the streets of Miami. The exuberant track immediately reminds me of Patti Labelle’s 1985 dance-pop hit “New Attitude”, which was also featured on the Beverly Hills Cop Soundtrack. XENNON turns introspective on the poignant “Flashback to Holly“, where Jack reflects on better times with his now ex-wife Holly, who left him because of his drinking and aggressive behavior, and how he wishes he’d treated her better: “But I can’t say the words that are deep in my regret. Like, ‘did I let you down?’ I couldn’t see you smiling back at me at first, but I can now./Let go, moving slow, because time is the only thing that makes it better.” The vibrant, shimmery synths and pulsating percussive beats enhance the powerful emotions expressed by XENNON’s clear, plaintive vocals.

Ominous grinding synths beautifully capture the evil essence of notorious arms dealer Baron Cleeth on “A New Enemy“. Jack comes to terms with what he must do to redeem himself and save Miami: “Saved in me, is the least that I can do to erase what I regret. Now, take me from me./Hating what I’ve done. Know then what I’ll do. Hating what I’ve become. But I know then what I’ll do.” Bill Fore provides Cleeth’s menacing voice-over. “The Visit” sees Jack going to visit Holly in an attempt to win her back, but she’s having none of it. The track has a bouncy, upbeat tempo and sweeping glittery synths that belie the bittersweet lyrics. Guest vocalist Allie sings Holly’s parts as she gives Jack the brush-off: “Shifting blame is what you do best. But I’m tired, yeah I’m tired. And I’m tired of trying.”

The Broken Man” is a near-epic, mostly instrumental track running seven and a half minutes. The music starts off with magical-sounding synth chords, accompanied by a deep, fluttering jazzy bass riff. The music then expands with psychedelic synths and an ominous throbbing percussive beat. Later in the song, guest vocalist Benny Rose performs the spoken voice-over for Jack’s boss Captain Carson, who admonishes him for being stupid and foolish to embark on a dangerous raid, and to use his pain and suffering as the fuel to re-ignite the fire inside him and become the valiant man he used to be.

Heeding his captain’s advice, Jack cleans up his act and pulls himself together on “The Montage“. XENNON employs more of those 80s dance-pop grooves with a bouncy deep percussive beat and lots of shimmery synths, giving the track a sunny, upbeat vibe that complements the hopeful lyrics: “Finally the fog is lifting and I can see everything once again. Achingly, I stand assisting the reason I’m here taking over me.”

With his attitude improved and confidence back, as he prepares to do battle with Cleeth, Jack decides to try again with Holly, sending her “The Letter“. Musically, the song has a strong 80s synth-pop sound, with a chorus that reminds me a bit of the chorus in Starship’s 1986 hit “Nothing’s Gonna Stop Us Now”. XENNON’s vocals are especially wonderful here, soaring to a near-falsetto in places as he croons “I’m alive, I’m seeing sights with my soulmate standing by my side. Can’t believe my eyes, where everything I ever wanted is mine. This part of my heart, is forever growing. I hope I show it every day. All the years that we spent, I want more of them. Cause I couldn’t be happier another way.

Everything comes to a head on “The Raid” an exhilarating eight-minute-long tour de force. The track starts off with a cool special FX arrangement by Benny Rose, where we hear crystalline sounds of breaking glass, voices from a crowd of people and a circling police helicopter, all accompanied by deep, throbbing bass. Both Fore and Rose are back, providing voice-overs for Cleeth and Captain Carson, respectively. XENNON delivers a complex kaleidoscope of swirling, psychedelic, and industrial synths to create aural imagery of the epic battle between the Miami police and Cleeth’s gang of thugs. It’s a dramatic finish to a clever and imaginative concept work.

I’m not entirely sure we needed more 80s-inspired synthpop, but XENNON brings a fresh and creative approach to the genre with his ambitious and impressive debut effort. He’s done a very fine job composing exciting music and writing thoughtful lyrics, then using synthesizers to create the distinct moods and sounds that bring his classic tale of good vs. evil to life.

To learn more about the storyline for MIAMI COP, as well the character bios and images, go to XENNON’s Website.  You’ll find everything you need to know about the MIAMI COP universe, allowing you to more fully enjoy the overall experience. All artwork for the album and website was done by Travis Wright.

Connect with XENNON:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music
Purchase:  Bandcamp / Google Play

STONED PIRATES – Album Review: “Flag, Skull and Rock n Roll”

Stoned Pirates album art

Stoned Pirates is the music project of Algerian-born Khaled Sahour, a creative and highly imaginative musician, visual artist and filmmaker. Growing up in a home where he was exposed to lots of music and art, he early on developed a love of rock, pop and disco, and taught himself to play music on a broken two string guitar. He started a band and sung his heart out to young Algerian audiences that seemed to connect very well, but eventually relocated to Los Angeles to further his career in music and film. On August 9th, he released his debut album Flag, Skull and Rock n Roll, which I’m pleased to be reviewing today.

Stoned Pirates’ unusual and eclectic music style comes from a wide array of influences ranging from classic rock acts such as the Rolling Stones, Led Zeppelin and Guns N’ Roses, to the funk of Sly & the Family Stone, the dance grooves of Chic and Nile Rodgers, and the soulful pop of Michael Jackson – all spiced with an Algerian flavor. Not only does Khaled write, perform, record and produce all his music, he also creates his own visuals for his Stoned Pirates project. The album was mixed and mastered by Thomas Juth, and opens with “Turmoil (Intro)“, a brief track that sets the tone for the album. With a backdrop of otherworldly industrial synths and a hypnotic beat, Stoned Pirates chants “I’ve been waiting for the wind to blow. I guess it’s time to rock’n’roll.

Next up is “Nothing“, a dark, trippy song about feeling overwhelmed by loneliness and hopelessness, like one is powerless to change the sorry state of things. Stoned Pirates weaves a mesmerizing soundscape out of a fascinating kaleidoscope of synth instruments and exotic sounds. I love the xylophone, spooky keyboards, deep bass and guitar, accompanied by a cool, carnival-like synth riff. Khaled has a quirky vocal style in which he sometimes sings in a baby-like falsetto that I suppose could be off-putting to some, but once I got into his music I found it sort of charming. Using that falsetto, he sings: “Throw me a bone. Hit me with a stone, I just wanna feel something real.” But then, he sings in a deeper, almost menacing tone: “Nothing, absolutely nothing has changed today. Same old, same old sins and heartbreaks coming in new ways.

The surreal video he made for the song shows an astronaut floating aimlessly through dark space along with various objects like an old TV playing static, boxing gloves and pieces of furniture.

One of my favorite tracks is “The Devil in You“, a great kiss-off song to someone who’s deceived and caused hurt. The song has a sensual beat, with jazzy synths, funky bass, swirling guitar and some really terrific sax. Stoned Pirates bitterly sings “I didn’t see fully the devil in you. What are you truly, if not a foe? Don’t come back crying, knocking on my door.” Keeping with a similar theme, “Mr. Nice Guy” addresses someone who keeps taking advantage of a guy whenever she screws up: “If you cry for help, he will come to you. Convenient nice guy is always at your rescue.” Once again, Stoned Pirates employs a rich assortment of sparkling synths, along with a hypnotic dance beat to create a captivating backdrop for his colorful vocals.

On the bittersweet “In Time“, he laments of his regret about having broken up with a lover: “If I could I would go back in time, I would change the way we drew the lines. If I could I would go back in time. I would try harder to change your mind. Love will come to you in time. Just be patient, don’t cry.” The soulful track has a Michael Jackson vibe, featuring deep, sensual synths, highlighted by funky guitar and brass, all set to a strong, hip-swaying beat. The soulful, funky “Rebound” has him calling out someone who’s using him to get over another guy:  “Oh girl, who you think you’re trying to fool? Oh girl, who you think you’re playing here? Cause all the signs are clear. I’m talking about the rebound.”

Stoned Pirates uses a vampire metaphor on “Midnight Lover“, a sexy song about a seductress who preys on men to get what she wants. I love this lyric: “I saw her on the dance floor still trying to get more. Staring at me in the eyes while biting another guy.” Funky grooves abound on “Where I Belong“, another sultry tune with marvelous swirling synths and a beat so damn infectious it had me doing a lap dance in my chair! The aptly-titled album closer “The End” features a sultry Latin beat and jangly guitars drenched in reverb, accompanied by some tasty exuberant horns. Khaled employs his deeper vocals here, as he sings in an almost menacing whisper: “Sit back, relax, nobody is going anywhere. You think the end, but it’s only just the beginning.”

I’ve got to say that Flag, Skull and Rock n Roll is a marvelous album and a very impressive debut from Stoned Pirates. His innovative music is totally original, sounding like no one else I’m aware of. I love how he’s taken an eclectic mix of influences to create his own unique, fascinating sound. His beautiful, seductive melodies, compelling lyrics and use of a wide array of lush instruments and synths make for some really captivating songs that are pure joy to hear.

Connect with Stoned Pirates:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play