ARTHUR KAY – EP Review: “Arthur Kay”

Arthur Kay

Arthur Kay is a renaissance man of sorts. The hard-working and versatile Norwegian musician has been a prominent figure in the Oslo music scene for the past decade. In addition to being frontman for galactic jazz-pop band Dr Kay and his Interstellar Tone Scientists, Kay has worked or collaborated with indie rock band The Switch, Norwegian rapper Ivan Ave, and neo-psychedelic pop-rock band Orions Belte, among others. Becoming a veritable whiz kid on synths and keyboards while still a young child, Kay had mastered Ray Manzarek’s iconic “Light My Fire” organ solo by the age of eight.

Now Kay has recorded his first solo effort, a self-titled EP Arthur Kay that’s scheduled for release on October 11 via Jansen Records. In advance of the EP release, he’s unveiled the first single “Holiday Pay“. The upbeat song is a celebration of the Norwegian institutional policy of employers being required by law to pay a certain percentage of last year’s wages as holiday pay during the Summer months. Like the title would suggest, the song has a bouncy dance beat that evokes a blissful summer day at the beach. Kay artfully employs a mix of sunny keyboard synths, an irresistible dance groove, and touches of jazz and funk to create a breezy track that just makes you feel good. Kay’s smooth vocals are pleasing as he sings about the joys of having nothing pressing on his schedule: “The rush of sweat pants, and lazy mornings every Sunday. Of waking up too early Monday, knowing where I’ll be the entire day. Holiday day, holiday pay, that’s the life that I chose, OK.”

Kay has produced two versions of the song, a 6:13 minute-long ‘single version’ featuring some terrific instrumental runs that would have made it a great disco song back in the late 70s or early 80s, and a shorter 3:42 minute-long radio edit.

The EP will feature four other tracks, the first of which is “Say It Out Loud“, an exuberant jazz-infused tune with an infectious strutting beat. If this song doesn’t get you moving, nothing will! Kay’s jazzy synths and intricate keyboard work are sublime, and quite impressive. It’s no wonder he’s in such demand by other artists wanting him to play music for their songs. The lyrics speak to his adoration for his love and how, even though he’s hurt her in the past, she’s the one that sustains him: “You are my power. You are my one. You are all the things I love under the sun.”

Next up is “Higher Ground“, a languid, ethereal track with hazy atmospherics and glittery synths that make for an enchanting listen. The bittersweet lyrics lyrics speak to coming to terms with the fact that the only way to survive is to completely avoid the one you want but cannot have: “A higher ground is all there is, and all that’s left for me to do. This blankly stare at empty space, and concentrate on simply just not calling you. Take a stand, as a peaceful man, and make my way from A to B./I’ll keep on falling. I’ll keep on getting through. And all I have to do is stay away from you. That’s everything that’s left of what was me and you.

On “My Love is an Only Child“, Kay seems to channel James Blake, with stunning piano work, delicate synths and soft, layered vocals. With a sense of sad resignation, Kay croons the poignant lyrics that seem to touch on the fragile nature of his love: “My love is an only child. No he can’t come play outside. Won’t go running around with scissors. That’s the point that you’ve been missing.” It’s a really captivating track.

Standing on Shoulders” starts off with a beautiful piano-driven melody as Kay sings about growing up with childhood fantasies and dreams of being a hero, going on adventures and saving the world: “I was mad with desire, stoking a fire, singing my songs of a savior far away. The savior was older and wiser than me. He held all the answers and sway. His feelings could be what he’d like them to be, but never did he run away. ” Suddenly, the music transitions to a lively Latin-infused beat, with exuberant synths and percussion added to the mix. Kay acknowledges that his childhood dreams were made possible by being able to stand on the shoulders of others who were there to support and nurture him: “Well, that savior was me, but now age 33, I have the hopes of my youth now following me. / I’m beginning to see that my savior was also just standing on shoulders and reaching for dreams that were living inside an adventure that’s made just for people like me.

Arthur Kay is a lovely and immensely enjoyable little EP by this talented singer-songwriter and musician. He’s a great lyricist and composer, skilled at crafting songs with thoughtful, introspective lyrics, memorable melodies and beautiful instrumentals.

Connect with Arthur on Facebook
Pre-order Arthur Kay on Bandcamp

LAZY QUEEN – Single Review: “Apocalipstick”

I’m back in Norway (having just featured the band Vöödöö) to now shine my spotlight on alternative rock band Lazy Queen. Three months ago I reviewed their brilliant single “Turn From Void,” and am now thrilled to present their provocative new single “Apocalipstick.” The genre and gender-bending band pushes boundaries with their identity and music, and is “for the disenfranchised, the outcasts, the queers, the allies, the feminists, for the pissed off, for the isolated and lonely, the weirdos and the freaks.” Their music is boisterous mix of noise rock, grunge and punk – the sonic equivalent of a car crash, as another writer so eloquently put it.

Lazy Queen was formed in 2013 by Henrik Søberg, who’s Norwegian with Colombian roots and gender fluid, while living in Brooklyn, New York. The band then consisted of Søberg and three American musicians, and they released four singles and the excellent EP Drift to critical praise from both national and international press. Søberg had hoped to settle in New York, but a bureaucratic snafu at the Norwegian embassy forced a return to Norway. Once back in Oslo, Søberg reformed Lazy Queen with Norwegian musicians Jonas Røyeng, Jon Bernhard Hunskaar, Peter Mortensen and Petter Anderdal.

Lazy Queen
Photographs by Anine Desire

“Apocalipstick” is the second single off their forthcoming EP A Sigh So Deep, and details Søberg’s experiences as an non-binary person. They explain: “Even through society is slowly becoming more aware of the challenges of trans and non-binary people there’s still a long way to go. ‘Apocalipstick’ is a nail polish painted middle finger to any and all transphobes and a big, bearded kiss from a pair of lipstick covered lips to all non-binary and trans folx who fight every day for the right to exist without the threat of murder, violence and discrimination all over the world.”

The song blasts through the gates, instantly slamming us against the wall with a thunderous assault of shredded and distorted guitars, crushing bass and speaker-blowing drums. Søberg fervently sings of both self-empowerment and anger over being negatively judged:

I wear my mother’s lipstick ’cause it makes me feel pretty!
I can’t talk to you cause it makes me feel shitty
Now you wonder, oh you wonder am I still you’re son?
Oh believe me, oh believe me no you’re not the only one

Oh I wear my girlfriend’s dress because it makes me feel fucking hot
Like I belong in this world and it’s never ever gonna stop
I feel like I, feel like I, feel like I’m floating
And your side-eyed stare doesn’t do me nothing

The relentless aural onslaught continues unabated, slashing the airwaves with jagged riffs of ear-splitting distortion and hammering percussion. Søberg ‘s screams can occasionally be heard amidst the cacophony, and despite the intensity of the music, it’s still incredibly melodic. They ultimately express their exasperation over the transphobia they’ve had to endure, defiantly shouting: “You make me feel fucking broken! You think it’s just a fad. I really don’t care. I really don’t!” The band unleashes all the sonic fury they can muster in the last 30 seconds as the track comes to an explosive and dramatic finish, leaving me spent. What a fucking fantastic song!

Take a listen and see if you don’t agree – and be sure to turn the volume all the way up!

Connect with Lazy Queen:  Website / Facebook / Instagram
Stream their music on Soundcloud / Spotify / Apple Music
Purchase on  iTunes and Drift may also be purchased on Bandcamp

VOODOO – Album Review: “Ashes”

Voodoo Ashes album

Norway has a vibrant music scene, and I’ve featured on this blog a number of bands and artists from the Scandinavian nation, including No Mind State, Sherpa, Antipole and Lazy Queen. My latest find is alternative rock quartet Vöödöö. Formed in late 2014 and based in Bergen, the band consists of Gøran Stavang Skage (Vocals), Sveinung Fossan Bukve (Guitar), Stian Brungot (Bass) and Giuliano Antonio LoMonaco (Drums). They combine powerful rock beats with massive guitar riffs and catchy melodies to create their exciting modern sound, which is showcased on their debut album Ashes. The album dropped in mid-September, after the release over the past several months of a number of singles that are featured on the album.

In their bio, they describe the elements of their music thusly: “The unique sound of Vöödöö comes from the band’s wide span in musical background and approach. Guitarist Sveinung Bukve is a gear-freak with a vast selection of pedals, sometimes combined to create overwhelming huge effects more similar to an organ or a spacecraft than an actual guitar, sometimes more controlled to cut through the mix with in-your-face riffs. The rhythm section is all about hard beats and hard bass fingering, though dynamic, it is about making you feel the beat, not only in your eardrums but through the torso and into the home of your soul. Last but definitely not least, Vöödöö will charm you all the way with the high-pitched mind-baffling vocals of the theatrical Gøran.”

Voodoo

So let’s dig into Ashes to see if Vöödöö lives up to the hype. The album opens strong with the sensational title track “Ashes,” immediately hooking us in with a spooky chord and strong drumbeat, followed by a cascade of jangley riffs. The guitars, bass and drums intertwine nicely with Gøran’s soaring impassioned vocals as they all build to a spine-tingling crescendo halfway into the track. Then Sveinung unleashes a blistering gnarly riff as Stian’s deep bass and Giuliano’s crashing cymbals bring things to a dramatic finish before ending with a drawn out repeat of the opening guitar chord. It’s a fantastic song, and listen for yourself to hear what I’m talking about:

Next up is the anthemic “Lay Me to Rest,” Vöödöö’s very first single release and a sizable hit, earning over 110,000 plays on Spotify. I can see why, as it’s a real banger, with a heavy, pounding beat, hard-driving bass and jagged guitar riffs that’ll have you shouting “fuck yeah!” Gøran brings chills as he all but screams: “But the only thing I want from you is to save me from being scared. Love me, then disappear. Hold me, then let me go. Drag me, but I’ll never face the fire to see you again.” The guitar work is outstanding, and I love the little flourishes of piano synths sprinkled throughout.

By the time the third track “The Secret” plays, I’m hooked on this band. I love their melodic, thumping rhythms, killer guitars and Gøran’s fiery vocals that bring unbridled passion to every track. And “Dots” has all these qualities in spades. The track starts off with a cool keyboard synth-driven melody, fuzzy guitars and lots of crashing cymbals. Suddenly, it’s all ripped apart by a stabbing cadence of gritty riffs and Gøran’s frenzied vocals that leave me gasping for breath all the way to the end.

Vöödöö continue delivering hard-hitting rock goodness with “Shine On,” the bluesy “Broken Cage,” and the frenetic “Let it Burn.” But one of my favorite tracks is “King and Clown,” a monumental work that borders on symphonic rock. This song has it all – catchy as hell surf guitar, dramatic, achingly beautiful melodies, heart-stopping percussion, and gorgeous soaring vocal harmonies. But the real highlight is Gøran’s jaw-dropping vocal gymnastics that bring a new layer of chills on top of the ones already caused by the incredible instrumentals. This man can sing! He alternately seduces, pleads and screams, his voice nearly reaching the breaking point as he wails “Freedom is power you know. It’s not over. Free from deception and lies, it’s not over.” My god, this is an awesome song!

They close the album with “The Rope,” a slow, mournful song that’s a major departure from their other hard-rocking songs. The brief but beautiful tune opens with only an acoustic guitar, accompanied by Gøran’s sorrowful vocals, then is joined in the second half by a gnarly electric guitar that seems to convey the sense of heartbreak expressed in the lyrics: “When you are gone. Left me here, I’m hanging by the rope. You broke, even though you never meant to hurt.”

To sum up, Ashes is a phenomenal album and an impressive debut for this talented band of musicians. Their songwriting, musicianship and vocals are incredible, and they should be very proud of this work.

Connect with Voodoo:  Facebook / Twitter / Instagram
Stream their music on Spotify Apple Music / Soundcloud
Purchase on  Bandcamp / Indie Recordings

LAZY QUEEN – Single Review: “Turn From Void”

Lazy Queen
Photographs by Anine Desire

As EclecticMusicLover, I have a special fondness for artists and bands who push boundaries and go outside the proverbial box in the creation of their music and/or identity. So it was my lucky day when I was contacted by Henrik Søberg of Norwegian band Lazy Queen for consideration of their new single “Turn From Void.” In their bio, the band states they “speak for the disenfranchised, the outcasts, the queers, the allies, the feminists, for the pissed off, for the isolated and lonely, the weirdos and the freaks.” Since I fall into several of those categories myself, they’re definitely for me! Their music is a loud and intense mix of noise rock, grunge and punk – the sonic equivalent of a car crash, as someone so eloquently put it.

Lazy Queen was started by Søberg in 2013, who’s Norwegian with Colombian roots and gender fluid, while they were living in Brooklyn, New York. The band then consisted of Søberg and three American musicians, and they released four singles and a fantastic EP Drift to critical praise from both national and international press. They earned a broad following from performing in numerous shows in the New York region, a tour in Puerto Rico, and opening slots for legendary bands such as Psychic TV. Søberg had hoped to settle in New York, but a bureaucratic snafu at the Norwegian embassy forced them to return to Norway.  Upon returning to Oslo, Søberg reformed Lazy Queen with Norwegian musicians Jonas Røyeng, Jon Bernhard Hunskaar, Peter Mortensen and Petter Anderdal. They’re now recording songs for a forthcoming EP or album, and “Turn From Void” is the first single.

The song is brilliant, with numerous melodic change-ups that keep us in a near-constant state of surprise. There’s a lot going on, and it took several listens for me to fully digest this complex track. It starts off with a little acoustic guitar riff, then Søberg begins singing “Take what you need, and leave the rest to me.” A heavy drumbeat soon kicks in, along with gnarly guitars and a humming bass line that take the song deep into grunge territory.

The guitar riff that appears in the chorus is absolutely captivating and so damn good! Søberg’s vocals grow more passionate and raw as the music swells, backed by a vocal harmonies that bringing goosebumps. Suddenly, we’re hit with a wild punk rock flourish of frenzied guitars and thunderous percussion, while Søberg wails at the top of his lungs. Just as quickly, things calm back down to the same acoustic riff and gentle vocals we heard at the opening, until the song ends with a massive crash of guitar chord and cymbal. Wow, what an awesome track! I cannot wait to hear what new songs Lazy Queen will throw at our ears.

Connect with Lazy Queen:  Website / Facebook / Instagram
Stream their music on Soundcloud / Spotify / Apple Music
Purchase on  iTunes, and Drift may also be purchased on Bandcamp

NO MIND STATE – EP Review: “Rubber & Glue”

No MInd State EP

No Mind State is a very charismatic alternative rock band from Oslo, Norway, and they’re thrilled to release their debut EP Rubber & Glue, which drops today. The EP features four brilliant tracks, including two I’ve previously reviewed on this blog: “Hold Me Back, I’m Leaving” and “Fodder of Galaxies.” The band plays high-energy melodic rock, bombarding our ears with thunderous riffs, heavy bass lines, and speaker-blowing percussion. Making all this great noise are Henrik Posèbo Sørebø (Guitar, lead vocals), Vetle Berthelsen (Lead Guitar), Vegard Tveito (Bass, backing vocals) and Christian Gathe (Drums).

No Mind State 4

The title track “Rubber & Glue” is a fantastic hard-driving rock song about deceit and betrayal: “And I know you lied, ’cause your pants are on fire.” Stabbing riffs of fuzzy guitars interplay with a throbbing bass line and thunderous drumbeats. I love Henrik’s charming Norwegian accent that shines through in his raw, impassioned vocals.

Hold Me Back, I’m Leaving” is an exciting track, and their very first single. Henrik and Vetle lay down energetic riffs of gritty guitars over Vegard’s driving bass line, while Christian forcefully pummels the beat on his drum kit. Henrik’s sultry vocals explode into aggressive wails as he sings the lyrics about knowing you should get out of a dysfunctional relationship, but not being able to escape.

Up In The Air” is a beautiful rock song, and perhaps the most melodic of the four tracks. The guitar work is exquisite, and the riff that begins in the bridge and continues through the song’s end is absolutely breathtaking.

The magnificent “Fodder of Galaxies” starts off with sounds transmitted by a space station, then a gradual building of synths accompanied by a jangly guitar riff, humming bass, thumping drums and crashing cymbals. The biting lyrics speak to the evils of capitalism and greed, and the damage it’s doing to society and our earth:

What have we done
We’ve reaped all that we’ve sown
Still we crave for more
Galaxy dust is what we’ll swallow next just to quench our lust
Kill it faster – Grow more after
Villainous grab it – Hold it, Suffrage – Boring
Give me more
How can you say, that your way’s any better?
How can you know that we’re not just the fodder of Galaxies in my mind

Rubber & Glue is a great little EP, and I love this band. They’re currently working on their first full-length album, and I’m eager to hear more great songs from these talented musicians.

Connect with No Mind State: WebsiteFacebook / Twitter / Instagram
Stream their music on Spotify or Apple Music
Purchase on iTunes or Deezer

NO MIND STATE – Single Review: “Fodder of Galaxies”

Fodder of Galaxies

No Mind State is an alternative rock band from Oslo, Norway, and they’ve just released a brilliant new single “Fodder of Galaxies.” The single follows up on their superb debut track “Hold Me Back, I’m Leaving,” which I reviewed last month. The band plays high-energy melodic rock, bombarding our ears with thunderous riffs, heavy bass lines, and speaker-blowing percussion. Making all this great noise are Henrik Posèbo Sørebø (Guitar, lead vocals), Vetle Berthelsen (Lead Guitar), Vegard Tveito (Bass, backing vocals) and Christian Gathe (Drums).

No Mind State 4

“Fodder of Galaxies” is awesome, and I like it even better than their previous single (which I really liked a lot). It starts off with sounds transmitted by a space station, then a gradual building of synths accompanied by a jangly guitar riff, humming bass, thumping drums and crashing cymbals. The instrumentals ramp up as the song progresses, Henrik’s raw vocals becoming more impassioned as the music intensifies. Vetle and Henrik shred their guitars, Vegard’s bass gets heavier and Christian pummels his drum kit with abandon. Halfway through, a brief but stunning guitar riff is introduced, and the music continues building to a crescendo, raising goosebumps on this old body of mine. It’s a magnificent track!

The biting lyrics speak to the evils of capitalism and greed, and the damage it’s doing to society and our earth:

What have we done
We’ve reaped all that we’ve sown
Still we crave for more
Galaxy dust is what we’ll swallow next just to quench our lust
Kill it faster – Grow more after
Villainous grab it – Hold it, Suffrage – Boring
Give me more
How can you say, that your way’s any better?
How can you know that we’re not just the fodder of Galaxies in my mind

Connect with No Mind State: WebsiteFacebook / Twitter / Instagram
Stream their music on Spotify or Apple Music
Purchase on iTunes or Deezer

NO MIND STATE – Single Review: “Hold Me Back, I’m Leaving”

No Mind State 3

No Mind State is an alternative rock band from Oslo, Norway, and they’ve released their first single “Hold Me Back, I’m Leaving.” It’s an exciting track, and an auspicious debut for the band. Making the music are Henrik Posèbo Sørebø (Guitar, lead vocals), Vetle Berthelsen (Lead Guitar), Vegard Tveito (Bass, backing vocals) and Christian Gathe (Drums). From some of their photos, as well as posts on Instagram, the guys have a strong sense of humor, something I always find appealing in a band.

The song is hard-hitting, melodic rock at its finest. Henrik and Vetle lay down energetic riffs of gritty guitars over Vegard’s driving bass line, while Christian forcefully pounds out the beat with his thumping drums and a barrage of crashing cymbals. Henrik’s sultry, aggressive vocals are impassioned and raw as he sings the lyrics that speak to knowing you should get out of a dysfunctional relationship, but not being able to escape:

Hold me back, I’m leaving
Couldn’t shake off the feeling of being wrong, but that’s alright.
Drag me down, I’m breathing
Suffocation’s relieving, feels so right but I am wrong
Raise the bridge and shackle me then I’ll be here for you
Don’t dare to rest an eye, or you know the end is nigh
Lock the door and throw the key, then I’ll be here for you
Build a castle for the night, know its wrong but that’s alright

Connect with No Mind State:  Website / Facebook / Twitter / Instagram

Stream their music on Spotify or purchase on iTunes

ANTIPOLE – Album Review: “Northern Flux”

Antipole Album Cover

Antipole is a coldwave/post-punk project from Trondheim, Norway, and the second act from Norway that I’ve featured on this blog (the first being Sherpa, who I featured in July 2016). They just dropped their first full length album Northern Flux. Released through  Unknown Pleasures Records, the ambitious new album contains 14 tracks, including five remastered songs originally featured on their previous EP Getting Frequent Now.

Essentially a solo project of songwriter/guitarist Karl Morten Dahl, Antipole was formed in early 2014, after Karl met Anne-Christel. He had previously written songs and been in other bands, but was inspired by Anne-Christel to write and record more music on his own in an early 80s new wave and post-punk style. In 2014, Antipole released a debut digital-only EP Panoply. Songs for AC, that featured eight instrumental tracks. This was followed with a second EP Getting Frequent Now in early 2017.

The songs on Northern Flux were written by Karl in collaboration with Paris Alexander and Eirene, both of whom are from Brighton, UK, and also provided ethereal vocals for all the tracks. The album was recorded at Lysverkvegen in Trondheim, Norway, and Blue Door Studio in Brighton,UK, and produced, mixed and mastered by Paris.

In an interview with Jeff Haight of the web magazine Overblown (which you can read here), Karl describes Antipole and some of the influences on their sound:

“I’m trying to create addictive, melancholic coldwave/post-punk. When I started Antipole in early 2014 the idea was to write melodies and record them in a way that they sounded like a post-punk band recording from 1982. I started recording songs again after I met Anne-Christel. She’s heavily into obscure post-punk old and new, and listening to that inspired me a lot. Obvious influences were and are New Order, Joy Division and The Cure. Not as obvious influences would be The Chameleons, The Sound and also newer bands like The KBV, Motorama and Mode Moderne. Whether the influences can be heard or not I’m not the one to decide. “Disintegration” by The Cure has been kind of a gold template to me. Very sad and emotional music, yet so beautiful. The songs have gotten more electronic after I started collaborating with Paris Alexander. He has also contributed a lot to song ideas/arrangements/writing and of course vocals plus writing his lyrics. Lately Eirene has also contributed a lot.”

Beginning with album opener “October Novel,” the strong influences of  Joy Division and The Cure can clearly be heard in Antipole’s mesmerizing sound. Hypnotic dance beats, jangly guitar-driven melodies and dreamy synth chords are the distinctive elements of their music.  Paris’ and Eirene’s distant, almost chant-like vocals are strangely seductive, lending an otherworldly feel to most tracks. Each track flows effortlessly into the next, allowing the listener to become swept away by the spellbinding rhythmic beats.

A standout track is “Shadow Lover,” with it’s powerful, throbbing bass line and intricate, jangly guitar work. With a hint of menace in his breathy vocals, Paris sings “You see through me. And I want you. I still want you. Yes I want you.”

Another of my favorites is the captivating 8 1/2 minute-long “Narcissus.” A pulsating beat drives the track forward as mysterious synths and a constant jangly guitar riff play off each other, gradually building in intensity as the song progresses. Paris hauntingly chants “I see you.

Track listing:

1.  October Novel
2.  Shadow Lover
3.  Dans l’entrée
4.  Summer Never Ends
5.  Reflected in You
6.  Magnolia Skies
7.  All Alone
8.  Le Châtelet
9.  Someday 45
10. Narcissus
11. Distant Fall
12. Closer
13. Please Let Me Sleep
14. Insight (Joy Division Cover)

Connect with Antipole:  Facebook / Twitter
Stream their music:  Spotify
Purchase:  Bandcamp