Neil and Adam are singer/songwriters Neil McCloskey and Adam Hilligardt, who hail from suburban St. Louis, Missouri (my previous home), and are the second St. Louis-based band I’ve featured on this blog. The two men have worked together musically since high school, and make pleasing folk/rock/pop music that reminds me a bit like that of Gavin DeGraw and John Mayer. Their latest single “Everything is Alright” is an infectiously uplifting song that’s getting a lot of airplay on indie radio stations across the U.S., Australia, the U.K. and elsewhere.
The song’s hopeful lyrics speak to how inner beauty is more important than one’s appearance: “It doesn’t matter what you look like, look like, everything is alright, you’re still an open book. What makes you think he doesn’t want you, want you? Don’t you want to have another look? What’s it gonna take to get into your heart?”
Musically, the song opens with an assertive drum beat, then Neil’s beautiful, plaintive vocals take over, with a great hook that immediately pulls you in. The strong drum beat continues, propelling the song forward, accompanied by Neil’s deft guitar and Adam’s gentle keyboards that add a lovely undercurrent to the song. The more I listened to “Everything is Alright,” the more I liked it. Take a listen to this gem:
Support Neil and Adam by liking them on Facebook and following them on Twitter and Soundcloud. You can stream their music on Spotify or purchase it on Google, itunes or Amazon.
U.K. rock band Partisan dropped their awesome new single “Juggernaut” at the end of July, and it’s a real winner! Following up on their previous stellar single “Two Lovers,” Partisan continues to amaze with their melodic, hard-driving alternative rock sound. Formed in Manchester in 2013, Partisan consists of Stuart Armstrong (lead vocals and guitar), Dan Albon (bass guitar) and Rob Jones (drums).
“Juggernaut” achieves lift-off with the sound of jets flying, backed by a thunderous opening guitar riff and hammering drums. Nimble guitars abruptly take over, then alternate with a repeat of the thunderous riffs, accompanied by Armstrong’s beguiling vocals that rise and fall with the intensity of the music that’s propelled forward by Jones’ aggressive drums. This is one gorgeous rock tune!
Partisan is coming to America, with concerts scheduled for September 24 in New York, and October 1 at the Whiskey A Go Go in Los Angeles (which I’m excited about seeing). To learn more about Partisan, check out their website, follow them on Twitter, like them on Facebook, and subscribe to their Youtube channel. Listen to their songs on Soundcloud, and purchase them on iTunes, Google, Amazon and all other music sites.
Bands that play pure, honest and unadulterated rock seem to be an endangered species, given the near-ubiquitous use of synthesized instruments, drum beats, and hand claps in so much music these days. Don’t get me wrong, I really like some of that music. But once in a while I just want to hear some good old honest rock and roll, but with a fresh sound. New Zealand indie rock band Poison Skies, who hail from Auckland, nicely delivers. (New Zealand seems to be a hotbed of great indie rock music, as I’m hearing of more and more bands from that Down Under country.)
The five-member band formed in 2013, and includes Nick (lead vocals, guitar), Sam (rhythm guitar and backing vocals), Paul (lead guitar and backing vocals), Jamie (bass guitar) and Carl (drums). According to their bio on their Soundcloud page, the band members were “already linked together through previous bands, gigs and tours” and, having a strong chemistry together, they decided to join forces and Poison Skies was born. Given their collective years of music experience and having three first-rate guitarists, the band has a high octane, hard-driving sound that’s characterized by killer guitar work and pulse-pounding drums.
Their song “Eighty Six” is a powerful indictment of the stupidity and waste of war, set to an equally powerful thumping bass line and awesome multi-layered guitar riffs that will have the hair on the back of your neck standing up straight.
“City Streets” storms out of the gate with furious guitar and rapid-fire drums, and keeps up the frenetic pace all the way to the end. These guys can play guitar! The highly entertaining video alternates between scenes of the band performing and a stressed out businessman who dresses as a clown and performs on a city street to make people laugh. He eventually ends up at the bar where Poison Skies is playing and joins them on stage. I can’t emphasize enough how much I love this song and video!
The band serves up another dose of mind-bending guitar on the high-energy “Victim Of Reality.”
I’m grateful to the band’s drummer Carl, who first contacted me on Facebook and introduced me to the band, because I’m now a huge fan! If they ever tour in Southern California, I’ll be first in line to buy a ticket to their concert. Show these guys some love and like them on Facebook, follow them on Twitter, and subscribe to their YouTube channel. Their music is available for streaming on Spotify and Soundcloud, or purchase on itunes.
I turn my spotlight back to Europe for a look at Scottish alternative indie rock band Vida, who have an exceptional debut double-sided single “Fade Away/Switch It Off.” Hailing from Clackmannanshire County (love that name), Vida – which means ‘beloved friend’ in Scottish – consists of Jamie Pollock (lead vocals, rhythm guitar), Nathan Evans (lead guitar, backing vocals), Ross McShane (bass guitar, backing vocals), Greg Ballantyne (keyboards) and Jamie Piggott (drums). The guys are all quite young, but already accomplished musicians.
“Fade Away” is a somewhat melancholy but beautiful song about coming to terms with a relationship gone bad. “And how does it feel when you know that you’ve lied? Watching the wheels that go round and round when you say to me ‘It’s never easy as it seems’. And all those childhood dreams, they fade away.” The song has a stellar arrangement, with gentle percussion and gorgeous swirling guitars. I also like that Pollock’s Scottish brogue is evident in his beguiling vocals. The really pleasant video for the song shows the band at various spots in the lovely Scottish countryside.
The equally good B-side “Switch It Off” has a heavier rock sound, with some really excellent multi-textured guitar riffs. It has a bit of an Oasis meets The Cure vibe, and I love it! The song appears to end at about 4 minutes, but then the percussion and killer guitar pick back up as the band continues to jam in fine style.
Here’s a video of a great live performance at Sneaky Pete’s in Edinburgh.
Show Vida some support by subscribing to their YouTube channel, and following on Twitter and Facebook. You can purchase their songs on itunes.
The Frontier is an indie rock/pop project by the talented singer/songwriter Jake Mimikos, who hails from the Washington, D.C. area. His new self-titled sophomore EP The Internal Frontier dropped on July 22, 2016, and is the follow-up to his excellent debut EP Chaos to Clarity. And what a winner this one is, with five stellar tracks that only confirms The Frontier as a music artist to be reckoned with. The songs on this EP have a somewhat more polished, radio-friendly sound than those on Chaos to Clarity, but are still every bit as good.
The first track “Wake the Dawn” is a gorgeous, celebratory song with an incredibly catchy hook, lush guitar and strong – but not overpowering – percussion. Mimikos’ beguiling vocals soar at just the right moments, eliciting goosebumps. He sings “And I feel free, free as I can be. Together we have found our destiny. And I feel free, free as you and me. Together we can be our remedy.” I guarantee you’ll be playing this on repeat.
The upbeat, melodic track “Neon Rays,” sounds like it could have been performed by the band Walk the Moon, which is a good thing in my book. “Gravity” and “Paradigm” are lovely, hopeful tracks with delicate guitar riffs, gentle synth and clean percussion, accompanied by Mimikos’ sweeping vocals. I love the video for “Gravity,” which wonderfully complements the song.
The fifth track “Bluff”, about the pain and bitterness from a break-up, is the saddest of the bunch, but one of my favorites. To swirling guitar and gentle percussion, Mimikos emotionally sings “And what you do is not what I’ve done. But it’s wrong if I’m not moving on. What you’ve done is hit and run. Now you’re gone like a bullet from a gun. And I need time to figure you out. Only took a minute and there’s not much I found.”
Support The Frontier by purchasing his music on Bandcamp, and following him on Twitter and Facebook. You can also stream songs from Chaos to Clarity on Soundcloud.
If you like your rock hard, guitars shredded and vocals raw, then Australian band Drillhorse is for you! They play formidable, take-no-prisoners metalcore rock guaranteed to have you saying “fuck yeah!” Sometimes you just want to hear music that KICKS ASS, and Drillhorse delivers the goods.
I was immediately struck by this band’s honest authenticity, which I’ve found is what makes fans truly loyal at the end of the day. I hate to paraphrase too much, but in their bio, the band articulates their mission in a way I can’t improve upon:
“Over a period of seven years, we’ve managed to evolve from punk hardcore to ‘pale riders of hard rock.’ For most of that 7 years we were known as ‘A Lost Sense of Direction’ which got us ignored or confused with boy bands, [causing] significant pain. But believing wholly and solely in the capacity of rock to deliver joy to the human spirit in ways no other genre can, we’ve steered away from asking for external assistance, preferring to do it all off our own bat, commitment to tight, unreconstructed hard and innovative rock, free from interference, the media or general public indifference, other than that [which] we always get from our beloved fans. Drillhorse will continue to perform music we design our way and deliver it with punch to attract like-minds, those lonesome riders who come out to hear and see us whenever we play.”
Making the music are Miles ‘Ajax’ Bedak-Stone (vocals), Owen ‘Boo’Lawson (Rhythm Guitar), Harry ‘Cuddle’ Monson (Bass), and Jesse Adams (Drums/Percussion). Their songs are so awesome and compelling I’d like to include them all in this post, but have selected four of my favorites that provide a good representation of the band’s music range.
The first is their hyperkinetic single “Choppergate.” With pummeling drums, gnashing guitars and Bedak-Stone’s furious raspy vocals, the song blasts through the speakers at a dizzying pace. The song lyrics attack the ‘ripoff pollie motherfuckers taking the people’s money and laughing all the way to retirement’ (in the band’s words). “Baby you look so good in your helicopter. Taking the bus from now on. Brought you down! Pull my leash! Tied to the mast, my captain.” I liked this track so much the first time I heard it, I played it another three times before moving on to their next song!
“Drillhorse” storms out of the gate in a bombastic barrage of shredded guitars and pounding drums, with Bedak-Stone’s raw vocals on full display. This is a real head-banger!
One of the band’s more hardcore tracks, “Madmen” is a brutal attack on the military industrial complex. To their signature gnashing guitar, punctuated by some terrific riffs, Bedak-Stone screams “No shame, we kill and maim.”
The melodic rock gem “Half” is one of my favorite Drillhorse songs, with a great bass line, steady hard-driving beat and killer riffs.
To hear more of Drillhorse’s great music, check out their Soundcloud page, or you can purchase it on Bandcamp. Support these guys by following them on Twitter and Facebook, and subscribe to their YouTube channel.
Aaron J. Trumm’s Twitter bio states he’s a singer, emcee, poet and producer. He’s also a survivor, and an inspiration to all who want to pursue their dream in the face of life-threatening illness or adversity. Aaron, who calls Albuquerque, New Mexico home, was born with Cystic Fibrosis, but managed to maintain a pretty healthy existence in his youth and early adulthood, playing several sports in high school and college. But by the early 2010’s, his health deteriorated and breathing became increasingly difficult to the point where his long-term survival was in question. So, in July 2013, he underwent a double lung transplant, which gave him a new life, along with an enormous appreciation for it.
Aaron starting making music in his teens, and in 1994 created NQuit Music, one of the oldest independent music labels still in existence. He also earned a Master’s Degree from Stanford University. But his main focus was doing slam poetry at competitions where poets read or recite their poetry in front of an audience, and judges are chosen from the audience. At one point, he ranked 10th in the world. Here’s a video of him at one of the competitions.
According to Aaron’s website bio, his music influences are eclectic and varied, “from The Roots, which he loves because they continue the oldest hip-hop tradition of honest, creative story telling without all the gangster posturing, to Rage Against The Machine, because they’re revolutionaries who can rock, to Johnny Cash and Bob Wills, who remind him of his roots, but buck the stifling traditions and closed mindedness of the country establishment, and were constantly looking to collaborate with people outside their box.” He fuses these disparate elements of hip-hop, rap, rock, blues and country into a unique style and sound all his own, exploring subjects both upbeat and positive, and dark and disturbing.
In the jazz-infused “Livin Is Bling,” from the album of the same name, Aaron draws from his own experience, poking the specter of life’s hazards squarely in the eye and declaring that he can survive anything, loving life along the way. He raps “I’m alive, I’m alive, ready for anything, sing it with me if you think living is bling.” I love this song’s arrangement, with awesome piano, funky bass and percussion.
Aaron takes a decidedly more serious turn with “Open Oceans,” another compelling track from Livin Is Bling that deals with the terrible toll that war takes on relationships. “I been runnin from my bones for days, lookin for another way I can say this to ya. I ain’t never really comin home, they got another little trick in they bag o stones. They call it stop loss, and it means I ain’t comin back. So make a little snack go to bed and relax.” In the video, Aaron raps in front of footage from the Iraq War. The song sounds like it could have been performed by Nirvana, and the woman singing with him is Jennifer Malin.
The dark, heavy rock track “Bleed,” released in 2006, appears to address a relationship gone bad and his partner’s slipping away from addiction, while he sings of his own demons and restlessness. I’m guessing the lyric “I wanna bleed so you can suck it down” alludes to his wanting his partner to regain “life” through his blood. The rather disturbing black and white video has Aaron shaving his hair with a large knife, cutting himself in the process and covering his body with blood. Images of the Devil intertwine with his own image as he looks in the mirror, and at the end his partner licks blood from his body. Heavy stuff indeed!
Follow Aaron on Twitter and Facebook, and subscribe to his YouTube channel. His music is available for purchase on his Website and Spotify as well as other music venues.
There’s clearly a British Invasion going on these days, with a seemingly endless stream of new emerging artists and bands from the U.K. making awesome music (in addition to the hundreds of long established ones like Coldplay, Adele, Ed Sheeran, Arctic Monkeys, Foals, etc.). I’ve previously reviewed several musicians from the U.K., so was pleasantly surprised to discover yet another one – Mosley Bar – when they tweeted me their new EP Another Record Sleeve, which dropped on April 18. I took a listen to the four tracks and liked them instantly.
Given the huge number of new bands breaking into the music scene, it’s easy for many to get lost in the crowd, but Mosley Bar has something special. This four-member band from Northwest England plays some really exceptional alternative indie rock, which is all the more amazing given their youth – all are in their late teens! They wield their guitars with abandon, knocking out riffs that are sonically hard-hitting, yet captivating. And their song lyrics are fairly simple but authentically mature.
Formed in 2015, the band is comprised of Ryan Ward (guitar/lead vocals), Matthew Wright (drums), Tim Williams (bass/vocals) and Adam Eccleston on guitar. They cite as some of their music influences the Arctic Monkeys, Catfish and the Bottlemen, Two Door Cinema Club, Circa Waves and The Libertines. While incorporating some of those influences, Mosley Bar are developing a style all their own.
The band released their stellar debut single “Record Sleeve” in October 2015, which quickly received airplay on BBC6 Music, and in January 2016, the band was invited to play The BBC Introducing stage for BBC Radio Lancashire. This compelling rock song has incredible guitar work, with layer upon layer of melodic riffs over an awesome bass line. Ward’s smoldering vocals give the song a vibe so mesmerizing that I found myself replaying it over and over, wondering how such amazing music could come from teens.
The band dropped their second single “Risk” in April 2016. This exuberant song storms out of the gate and keeps the pace at full speed with shredded guitars and pulse-pounding drums. In this track you can hear Catfish and the Bottlemen influences.
The EP features two other tracks, “Rendezvouz” and “The World and I,” both excellent. My only criticism with Another Record Sleeve is that it contains only four songs. They’re so good I wish there were four more! Mosley Bar has incredible potential that I’m certain will be realized as they continue to grow and make more awesome music.
It was my lucky day when the alternative indie rock band The Ninetyten followed me on Twitter, because I had the pleasure of discovering their phenomenal music. It makes me happy when I hear music from a newly-discovered artist and love it at first listen. Their formidable guitar-driven sound is authentic and raw, yet richly melodic with arrangements that can only be described as perfection.
The four-member band hails from Britain’s West Midlands, and consists of James Graham (vocals, guitar, keyboards), Robert Skett (lead guitar), Bob Timmins (bass) and Darren Hanson (drums). This band has only released a few songs, but all of them are superb.
The band’s awesome guitar prowess is on full display in the song “Home.” The song starts out with a simple riff and James Graham’s tentative vocals, then gradually erupts with furious, swirling guitar and pulse-pounding drums. Graham’s vocals take on a passionate urgency that match the music’s power, leaving your hair standing on end. The lyrics are compelling too: “A million miles from home, million miles from everything/Got what I wanted…Only love can save me now.” Take a listen:
“Dust” offers more mind-blowing guitar and assertive percussion that only cemented my feeling that The Ninetyten are highly-accomplished musicians deserving of star status. This is some of the best guitar playing I’ve heard in a while.
In “Missing Person” the band unleashes its sonic weaponry with a barrage of heavy bass and unrelenting drums. Graham’s vocals once again soar to meet the merciless guitar riffs.
Support this amazing band by following them on Twitter and Facebook. Listen to their music on Soundcloud and TONEDEN, and subscribe to their YouTube channel.
1. RIDE – twenty øne piløts (4th week at #1)
2. SPIRITS – The Strumbellas
3. THE SOUND OF SILENCE – Disturbed
4. 7 YEARS – Lukas Graham
5. GENGHIS KHAN – Miike Snow
6. WALKING ON A DREAM – Empire of the Sun
7. OPHELIA – The Lumineers
8. UNDER THE INFLUENCE – Elle King
9. 10,000 EMERALD POOLS – BØRNS
10. COLOR – Finish Ticket
11. SOMEBODY ELSE – The 1975
12. BAD REPUTATION – Adelitas Way
13. PRETTY PIMPIN – Kurt Vile
14. REAPERS – Muse
15. ALONE – Sun Arcana
16. TRIP SWITCH – Nothing But Thieves
17. LOVE YOURSELF – Justin Bieber
18. OFF THE GROUND – The Record Company
19. THE POP KIDS – The Pet Shop Boys
20. WHEN WE WERE YOUNG – Adele