Tag: Hip Hop

St. Louis Band iLLPHONiCS Release New Digital 45: “X-Rated”

On By EclecticMusicLoverIn Reviews3 Comments

illphonics

St. Louis music innovators iLLPHONiCS are more than a band, they’re an identity. They’re also a rarity, in that all five individuals in the band are founding members, and since 2006, they’ve consistently made some of the most groundbreaking music to come out of the St. Louis music scene, if not the entire Midwest. Their infectious, high energy sound incorporates elements of hip hop, rap, R&B, soul, pop, jazz and funk, with stylish compositions and harmonic vocals that grab and hold listeners and audiences rapt attention. The five band members include lead singer/emcee Larry “Fallout” Morris, Keith Moore (keyboards, backing vocals), Kevin Koehler (lead guitar, backing vocals), Simon Chervitz (bass) and Chaz Brew (drums, backing vocals).

I had the pleasure of reviewing their superb fifth album Gone With the Trends in 2016 (which you can read here), and in 2017 they followed with Purple Piano Society,  which was named one of St. Louis’ best albums of 2017 by The Riverfront Times.  Now the band is set to release their first Digital 45 entitled “X-Rated” on Friday, May 25. “X-Rated” will include two songs, an A-side “Breathe Like” and a B-side “Green Note$.” The band calls the Digital 45 “a comfy middle ground between the paltry single and the increasingly trendy EP.” “X-Rated” will be available to stream on Spotify and Soundcloud, among other platforms. The band requests all downloads be purchased from their Bandcamp account.

A week later, on Saturday, June 2, iLLPHONiCS will celebrate the release with their first St. Louis live performance of 2018 – “A Sensory Experience,” to be held at the Stage at KDHX, starting at 8 pm. Tickets are $10 and available in advance through Ticketfly. The band will be collaborating with Captured Planet on visuals for the event, which will also serve as a kind of ‘unofficial’ release party for ‘X-Rated.

ILLPHONICS 45

iLLPHONiCS went on tour in 2017 to promote Purple Piano Society, performing in Detroit, New York and Boston, among other cities. Then they spent this past winter writing new songs, the first of which are the two now being released. Regarding these new songs, band frontman and emcee Larry “Fallout” Morris explains: “Musically we have melded many types of genres but the one genre we haven’t explored the most is Hip-Hop. It only makes sense that we go deeper into what’s at the core of our sound.”

“Breathe Like truly is what it is. We all have physical desires and fantasies, and they are even better when you’re engaging with someone who shares the same passion for you, as you for them. Being able to act upon those things and being open with your partner (and vice versa) is a beautiful thing and something worth celebrating. I appreciate love songs and the beauty of intimacy, but sometimes you got to kick it up a notch. This keeps things interesting!”

“Green Note$ is inspired by my own experience but also by stories I’d get from my cousin and bandmate Chaz, who at one point used to frequent gentlemen’s clubs often. I know many regular people who attend strip clubs, and I feel that it’s awkward that society often looks down on the profession, especially when we are embracing sexuality in ways they didn’t when my parents were growing up. I also play on the power dynamic, because even though some unfortunately may see the profession of stripping as “lowly,” I see the power in a person being able to seduce an individual to come off some cash.”

“Breathe Like” has a slow and sexy hip-hop beat, with background breathy sounds that continue throughout the track. Cool synths and a crisp snare drum are the dominant instruments, but there’s smooth bass and terrific harmonic vocals holding it all together. Morris croons “I love when you bend down and let me feel some.” And “Green Note$” features sparkling synths and smooth guitar set to a mesmerizing beat. The harmonizing vocals are especially nice on this track, but then that can be said of all iLLPHONiCS songs. They’re both exceptional tracks, and fresh proof that, after 12 years of making music, this band is still at the top of their game.

Connect with iLLPHONiCS:  Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp

DANCING ON PLUTO – EP Review: “Paradise Fahrenheit”

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Dancing on Pluto

Dancing on Pluto is a talented and charismatic rock band I learned about at the beginning of this year, when I first heard their fantastic single “Feels Good” (which I reviewed). Formed in early 2017 and based in Grand Rapids, Michigan, Dancing on Pluto is made up of four long time friends Chas (lead vocals), Josh (drums), Gilbert (guitar) and Ishmael (bass). Drawing influences from many of their favorite genres, including rock, hip hop, R&B, reggae, synth-pop, shoegaze and grunge, they create music that’s eclectic, interesting and unpredictable. They released their superb debut EP Abandon Ship in 2017, followed by “Feels Good” at the end of the year. In April, they dropped their second EP Paradise Fahrenheit, delivering five great new tunes for our listening pleasure.

Like they did on Abandon Ship, Dancing on Pluto really bends genres and mixes things up on Paradise Fahrenheit – one of the things I love about their music. The first track “Ozone” has a sunny reggae beat, but a hip hop element is added via Chas speed-rapping in the song’s middle. The acoustic and wobbly electric guitars are particularly good, with a tasty little riff in the bridge. The song seems to essentially be about not seeing the forest for the trees, and feeling pessimistic about life: “All I see, nestled in green, tripping over nothin’ by my own damn feet. I can’t see at all, no stars in the sky. No food and I’m starving.” But after spending time in the forest, he finds clarity and peace of mind, and his attitude becomes more optimistic: “Nestled in green. Visibly at ease. The stars are so beautiful.”

“Where the Wild Things Are” starts off as an uptempo rock song, with buoyant riffs and peppy drums. Halfway through, the track shifts to sort of a ska beat, with jangly guitars and strutting bass. Chas sings of teenage insecurities, self-doubt and the struggle for independence: “I know what people see. I’m scared that you’re too good for me. That’s why I’m always scared. / Is it because I get jealous when I see you in a crowd? Is it because I can’t take you where my thoughts get loud? Am I not beautiful enough for you to want to treat me good?”

The joyously uplifting gem “Feels Good” is the song that first made me fall for Dancing on Pluto. Beginning with Chas yelling “It feels good, yeah!“, followed by a few seconds of a simple drumbeat and tapping drumsticks, the track bursts wide open with a barrage of shredded guitars, then settles back down. Chas’ incredible vocal dexterity really shines on this track – sounding as smooth and soulful as John Legend one minute, then raw and loud the next.  The tempo goes from a mellow, bass-driven groove while he croons “When you’re on your own, take time and deep breaths. And when you’re on your own you’ll find out…”, to an explosion of wailing guitars and thunderous drums with the refrain that perfectly describes the song’s affect on me:  “It feels good! It’s so good, right on!”

The guys change things up again with “Snowflakes on Mercury,” which sounds totally different than any of the other tracks on the EP.  The beautiful, languid song has more of a shoegaze vibe, with greater use of synths and keyboards, yet they insert some grungy riffs in the bridge, adding a bit of poignant drama. The lyrics seem to address self-awareness and appraisal: “Snowflakes, I want to see you even when you hurt my eyes. I want to feel you even when you hurt my skin. Falling and floating. You help all of my footprints be seen. So I can see how far I am from where I’ve been. Falling and floating.”

“Monet,” is a seven-minute-long rock song with an incredibly pleasing and catchy melody, and marvelous strummed acoustic and electric guitar work. At roughly four minutes in, the tempo slows and riffs of jangly guitar dominate until drums and crashing cymbals return. The instrumentals all quiet down to just a simple acoustic guitar riff to close out the track. The lyrics seem to be about working through problems in a relationship: “I’d paint a picture of love that I can’t put into words for you. / This is your whole life, not just a cause worth fighting for. / I’m standing outside your door, ’cause I thought that I was more than the half-hearted fool you took me for. We’re fine ’cause our creator says so. We’ll be fine.”

With Paradise Fahrenheit, Dancing on Pluto have another solid EP under their collective belts as they start to build an impressive discography. I love their music, and look forward to hearing more great and innovative songs from them.

Connect with Dancing on Pluto:  Website / Facebook / Twitter / Instagram
Stream their music: Spotify / Soundcloud / Apple Music
Purchase on iTunes

JAMES BAKIAN – Single Review: “Ice Cold”

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James Bakian

James Bakian is a majorly talented and charismatic young singer/songwriter from London, UK. He’s only 14 years old, but possesses a phenomenal vocal styling with a maturity beyond his years. He writes all his own songs and music, and records all the instruments. He’s also a hard-working and prolific musician. James released his second EP Unstoppable – a really fine effort featuring six tracks – in late 2017 (which I reviewed), and in the first three months of 2018 he’s already dropped five new singles, the latest of which is “Ice Cold,” which debuted on March 30.

The new song is a bit of a departure from his usual soulful pop sound. James states that he’s been exploring R&B and lo-fi hip-hop, and boy does he deliver! The track is mesmerizing, starting off with sounds of static and a hesitating synth chord, then unfolding into a gorgeous soundscape of shimmering keyboard synths floating above a languid hip hop beat. James’ smooth vocals are captivating, and sound better than ever. He can seduce us one moment, then raise goosebumps with impassioned pleas the next. It’s a fantastic song, and it’s wonderful seeing his music and vocals continue to mature so nicely.

“Ice Cold” speaks to not allowing self-doubt and past mistakes to turn you into a bitter person:

Build up strength to live a day yeah
All you want is to escape yeah
Don’t let words intoxicate you
We all get deserted sometimes

We get disappointed with what we’re assigned
Can’t go without a complaint in your mind
Losing your patience is turning you blind
You need space to rewind

Cause you’re ice cold
And it’s making you bad but you deserve a chance
And we all make our mistakes but they are just mistakes
We don’t catch the message so we all get sad

https://youtu.be/MjMLTwIzJV8

Connect with James:  Website / Facebook / Twitter / Instagram
Stream his music on  Spotify / Soundcloud / Apple Music
Purchase on  iTunes

JOHN DEFEO – Single Review: “Unwind”

On By EclecticMusicLoverIn Reviews5 Comments

John DeFeo

John DeFeo is a soulful R&B/hip hop artist based in Ft. Lauderdale, Florida, and he’s got one of the hottest new singles I’ve heard in long while. Taken from his EP Champagne Heart (which just dropped in February, is marvelous, and I urge everyone who reads this to give it a listen), “Unwind” is so steamy it’ll leave you needing a cold shower.  With a sensuous mellow dance groove that aims straight for the hips, the track is reminiscent of Justin Timberlake’s “Rock Your Body,” only better and sexier. Jangly, funk-infused guitars seem to flirt with the erotic bass-driven hip hop beat, and quite honestly, who can blame them!

DeFeo’s seductive vocals leave little doubt about his romantic intentions as he tries to convince a woman to give him a try: “Live a little, don’t be stuck up and beautiful. You got too many Instagram followers. I’ll give you the attention you need. We should leave soon.” I can’t get enough of this song, and the video’s awesome too!

Connect with John: Facebook / Twitter / Instagram
Stream his music: Spotify / Apple Music / Soundcloud
Purchase on iTunes

KROSST OUT – Single Review: “The Death of Me ft. Jor’del Downz”

On By EclecticMusicLoverIn Reviews3 Comments

krosst-out

Krosst Out is a talented young hip hop artist from Toronto, Canada. In March 2017, he released his debut EP Life of the Party, an outstanding effort that examined the darker aspects of the party life, and its attendant abuse of sex, drugs and alcohol (you can read my review here). He’s now releasing a new autobiographical single “The Death of Me featuring Jor’del Downz.” It drops February 26, which is also his birthday and will be available on all music streaming and purchase sites.

The track is fantastic, with a strong trap beat and mysterious wobbly synths creating a deep sense of foreboding. The production is flawless and tight, and Krosst Out’s performance shows how his vocals have matured since Life of the Party. He passionately sings of his anxiety and insecurities of trying to make it as a hip hop artist, and the frustration of having to spend much of his precious time working at dead-end jobs instead of devoting it to his music dream:

When I’m gone they’ll know they’re wrong
These words are all I got
They’ll never know what I go through
It’s the death of me
I’ve really been at my wits end lately
This back and forth between jobs got me going crazy
Now I don’t want to fight with my boss
It’s just that he don’t pay me
How do you expect me to not say these things?
Not pretend that I am not bleeding

Jor’del Downz enters 2/3 of the way through the track, rapping about the pressures of being a rapper and confirming the feelings expressed by Krosst Out:

I’m fed up and I’m stressed out
And I could care less about who’s opinion on who’s the next out
Probably cause you’re left out
But that’s expected when it’s rap I mess with
Or any other genre I might invest in

Since the song’s release, Krosst Out has dropped a cool new video that includes only his portion of the track.

See Krosst Out at one of these upcoming Cognitive Diss Eastern Canada Tour shows:

APR 13 FRI  –  Overtime Sports Bar, Kingston, Ontario
APR 14 SAT  –  The Diezel Room, Oshawa, Ontario
APR 18 WED  –  Lexi’s Lounge, Moncton, New Brunswick
APR 20 FRI  –  Menz & Mollyz Bar, Halifax Nova Scotia
APR 21 SAT  –  Baba’s Lounge, Charlottetown, Prince Edward Island
APR 27 FRI  –  Detour Music Hall, St Catharines, Ontario
APR 28 SAT  –  Cognitive Diss Tour/ Melotika EP Release Party @ The Cavern Bar, Toronto

Connect with Krosst Out:  Website / Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on Bandcamp

KENDRICK LAMAR/SZA – Single Review: “All the Stars”

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kendrick-lamar-sza-all-the-stars-music-video-black-panther-tw

I’m absolutely head over heels in love with the gorgeous new song “All the Stars” by Kendrick Lamar and SZA. The track is one of many fantastic songs featured on the soundtrack for the monster hit film Black Panther. A stylistic departure for Lamar, the song is highly melodic, with lush sweeping synths and orchestration, set to a captivating dance beat. His vocals are mesmerizing and powerful as he sings the biting lyrics about duplicity and betrayal:

Love, let’s talk about love
Is it anything and everything you hoped for?
Or do the feeling haunt you?
I know the feeling haunt you

Tell me what you gon’ do to me
Confrontation ain’t nothin’ new to me
You can bring a bullet, bring a sword
Bring a morgue, but you can’t bring the truth to me
Fuck you and all your expectations
I don’t even want your congratulations
I recognize your false confidence and calculated promises all in your conversation
I hate people that feel entitled
Look at me crazy ’cause I ain’t invite you
Oh, you important?
You the moral to the story, you endorsing?
Motherfucker, I don’t even like you
Corrupt a man’s heart with a gift
That’s how you find out who you dealin’ with
A small percentage, who I’m building with
I want the credit if I’m losing or winning
On my momma that’s the realest shit

And SZA blows our minds with her beautiful, soulful vocals that raise goosebumps. She passionately sings about her inability to resist another’s charms despite the fact he’s no good for her, always putting her faith in love and the stars, and when their voices are combined, it’s sheer bliss.

This may be the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer
This may be the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer

Skin covered in ego
Get to talkin’, I get involved, like a rebound
No control, no off switch in the way that you bringing me down
It’s a turn on, get it away from me
Know you mean wrong, keep away from me
And it’s all wrong, get it away from me, yeah
I just cry for no reason, I just pray for no reason
I just thank for the life, for the day, for the hours and another life breathin’
I did it all ’cause it feel good
You could live it all if you feel bad
Better live your life
We are running out of time

The video for the song is positively stunning. I started to describe it, but it’s so complex and filled with such extraordinary imagery that you just need to watch it for yourself and form your own opinions. Prepare to be amazed!

MELOTIKA – Single Review: “Unaware Part II [Blindside]”

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Melotika single

Melotika is a Toronto, Ontario, Canada-based electronic indie/pop project consisting of singer/songwriter Mel Yelle and DJ/producer Jackman Jones, also known as Mista T Dot. Last year they released two singles “Downtown Summer ft. Krosst Out” and “Unaware,” and on January 30 they dropped a sultry new track “Unaware Part II [Blindside].”

According to Mel Yelle, it’s a continuation of the theme expressed in “Unaware,” and open to interpretation. My take is that “Unaware” is about struggling to maintain one’s identity in the face of a relationship that’s unraveling. In “Unaware Part II [Blindside],” she’s confronting the person who blindsided her, telling them she no longer cares, is moving on, and so should they:

Quit callin’ when my make-up fallin’ and I wonder why you’re not alone? 
Big ballin’ and I see you stallin’ while your trippin’ at the mall 
Go getter, why you even bother? When it’s just so clear you see 
No better, doesn’t even matter, no it doesn’t really matter to me 

If you want it! Can you start it! You’re a getaway! 
If you thought it! And you need it! Do it anyway! 
Jumpstart, we won’t be apart; to the unknown 
If you want it, and you need it I won’t ever want you alone 

Blindside of the future, blindside it’s my nature 
Don’t want any part of it, so much more to see 

Mel Yelle

Born and raised in Montreal, Mel Yelle’s rich, smoky vocals remind me at times of fellow Quebecois Celine Dion, with whom she also bears a striking resemblance. Combined with Jones’ sultry hip-hop beats and mysterious echoed synths, together they’ve produced a track brimming with sensuous grooves that raise body temperatures and aim straight for the hips. It’s a marvelous song.

Melotika will be releasing their first EP in March. To learn more, connect with them on  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on iTunes or Bandcamp

Drake gives away nearly $1 million in his new video for “God’s Plan”

On By EclecticMusicLoverIn Commentary3 Comments

Hip hop superstar Drake released a new video today for his latest single “God’s Plan,” which is currently #1 on the Billboard Hot 100 and numerous R&B, Hip-Hop and Rap charts. At the beginning of the video, a caption states “The budget for this video was $996,631.90. We gave it all away. Don’t tell the label.” The video goes on to show Drake buying groceries for everyone in a supermarket, surprising random people on the street to whom he gives money, buying toys for kids at a mall, surprising a family with a new car, making donations to the Miami Fire Department, a women’s shelter, and more.  Within hours, multiple videos were made by others showing people’s reactions to the video.

While one could argue that it’s all for publicity, it was still a nice thing for Drake to do. It’s certainly money well-spent, generating more good will than simply a million-dollar’s worth of ads.

Here’s the official music video:

DANCING ON PLUTO – Single Review: “Feels Good”

On By EclecticMusicLoverIn Reviews1 Comment

Dancing on Pluto

It’s always a pleasure to discover a new band or artist whose music I instantly love. Dancing on Pluto is such a band. Formed just a year ago and based in Grand Rapids, Michigan, they’re an alternative rock band consisting of four long time friends Chas (lead vocals), Josh (drums), Gilbert (guitar) and Ishmael (bass). Their fun, energetic music is a blend of their favorite genres, including rock, hip hop, R&B, synth-pop, shoegaze and grunge – to name just a few of the influences I detect in their eclectic sound. They released their debut EP Abandon Ship in 2017, featuring five awesome tracks that I highly recommend my readers check out. They’ve now followed up with a terrific new single “Feels Good”  that immediately blew me away.

In an interview with the web magazine From the Depths Entertainment (which you can read here), the band explained the origin of their name, and what they want listeners to take away from their music:

“The concept, in short, is that Pluto is a planet of unexplored potential. It took until recent to even say it was a planet again. But Pluto is like our music. When you listen to our music, it is much like taking a trip to another planet. You are exploring the planet. But at the same time, you hear the song and they are jams. It makes you wanna dance, jam, tap your feet, or whatever. Thus, the name Dancing on Pluto. Our music is always changing and complicated because people, including us, are always changing and complicated.”

Dancing on Pluto3

Well, complicated is a good thing when music sounds as good as it does on “Feels Good,” which Chas announces with a shout out at the beginning of the track. After a few seconds of tapping drumsticks, a barrage of shredded guitars ensues, along with Chas’ wonderful vocals that sound as smooth as John Legend one minute, then raw and loud the next.  The tempo goes from a mellow, bass-driven groove while he croons “When you’re on your own, take time and deep breaths. And when you’re on your own…”, to a bombastic onslaught of more gritty shredded guitars with the refrain “…you’ll find out it feels good! It’s so good, right on! Get up! Go ahead, get down! Go ahead, right on!”

The track seems to end at around 2:50 with the line “I’m having a revelation. Maybe we’re better off alone in the night.” But after a couple seconds, the calm is shattered when Chas lets out a yell, and a barrage of wailing guitars rains down upon us before settling back down at the end. We’re left drained but totally satisfied by this fantastic song that’s candy for the ears.

I love Dancing on Pluto and cannot wait to hear more songs from this incredibly talented young band.

Connect with Dancing on Pluto:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase:  iTunes

PROJECT – EP Review: “Purge”

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Purge

I discovered Welsh rapper Project a few months ago when he contacted me about his new EP Purge. At the time, I had a huge backlog of reviews that I’d already committed to write, but at long last I’m finally getting around to reviewing Purge. I must state up-front that I find a lot of today’s rap and hip-hop music to be dull or uninspiring, but Project’s music is brilliant on every level.

Born Jake Brimble and based in Cardiff, Wales, Project draws inspiration from hip-hop artists such as Tech N9ne, Atmosphere, Macklemore and Hilltop Hoods. Melding sweeping orchestral instrumentals with bass-heavy hip hop beats and gritty riffs, he creates music that’s edgy and melodic, something I find incredibly appealing when it comes to hip-hop. He’s also an exceptional wordsmith, penning authentic and deeply personal lyrics that address relevant topics such as ambition, relationships, loss and substance abuse. With his nimble, rapid-fire rapping style, he delivers those lyrics with an energy and passion that’s electrifying.

Project

Project released his terrific debut EP Rectify in July 2015, which was well received by DJs, music critics and fans, and followed up with Purge, which dropped at the end of May. The EP features five tracks, all of which are excellent. The hard-hitting first track “Vocalise” perfectly exemplifies his dynamic music style. Opening with tinkling piano, xylophone and resonant strings, a strong bass-driven hip-hop beat soon kicks in, and Project raps the poetic lyrics that speak to his struggle with making it as a rapper:

You see I need that sweet release
So give me a greasy beat with a fat-ass bassline
Now that’s my kind of treat
Don’t give a fuck about what anyone else is doing
I’ll just keep on spewing verse after verse til my brain feels like I’m abusing it.
I’m losing it. I just cant stop
All the voices in my head are talking about is hip-hop
I’m rhyming in my sleep when I should be counting sheep
Has this shit gone too deep, am I a broken fucking freak?

The instrumentals become more complex as the song progresses, with scratching added, along with chorale-like backing choruses that he heavily uses to dramatic effect on most of the tracks. Those soaring choruses are expertly blended with haunting strings, electric guitar and a thumping bass line on “Him” and “Energy,” the latter of which also features a marching band-style drumbeat and some lovely piano keys in the outro.

Project’s skillful use of disparate and contrasting instruments and technique is beautifully represented on the superb “Aftermath.” The track starts with a mournful church-like organ riff and delicate xylophone, then explodes with nu-metal guitar riffs and thumping bass. Backed by an ominous chorus, Project’s fast rapping really showcases his amazing vocal dexterity. The song lyrics seem to address the replacement of his identity as a person with that of his rapper persona:

I put the pistol to my head, the moment we said goodbye
I pulled the trigger even quicker and to my surprise
I stood up took my pulse but I was still alive
Jake was no where to be seen. I’m the only one survived

The dark video shows Project singing the song inside an abandoned graffiti-covered church.

A standout on the EP is “Midnight Rush,” a powerful and rather painful song about acting in a careless and self-destructive manner while under the influence of alcohol that results in tragedy :

I got a chip on my shoulder, better knock it off
‘Cause if I push too hard I’ll have to pay the cost
I can’t see through the flames of froth
I shoulda took my chances when the coin was tossed
Ah fuck it, let’s have another ball
What’s the worst that can happen when you hit the bomb?
If I’m gonna get pushed then I’ll just push back
Talk shit get punched maybe catch a bitch slap
That’s a given, but I’m invincible

The track is quite melodic, with an R&B feel and soulful backing vocals by Sophie Adams.

 

Purge is an exceptional sophomore effort from Project that provides further proof of his amazing talents as a composer, lyricist and vocalist. He’s currently working on his third EP, which he states will take more of an organic musical approach, and I can’t wait to hear it.

Connect with Project:  Facebook / Twitter / Instagram

Stream his music:  Spotify / Soundcloud / YouTube

Purchase:  iTunes