Song Review: ANDY K LELAND – “The Kingdom”

Andy K Leland

Although he sounds like he’s from the northern reaches of the UK, indie singer/songwriter Andy K Leland is Italian. Born Andrea Marcellini, Andy plays a quirky but charming style of acoustic folk music. Formerly a founding member and bassist of alternative rock band My Cruel Goro, who split up a year ago, Andy is now a solo artist, and in February he released his first single “The Kingdom.” He plans to release his debut EP Happy Daze later this year.

“The Kingdom” is a delightfully pleasing tune, with gentle strumming acoustic guitar, accompanied by sounds from a toy keyboard organ. Andy’s off-kilter vocals that seem to skip letters or even whole words are infectiously beguiling, and perfectly suited to the catchy folk vibe. I must admit that when I first listened to the song, my initial reaction to his vocal style was ‘what the hell?’ but after a couple more listens I was hooked. Andy’s music is certainly unique and he sounds like no one else, which can be a very good thing in the massively overcrowded music scene.

I don’t often include the entire lyrics from a song, but these are so compelling and slightly humorous that I cannot resist. I may be off-base, but they seem to be from the perspective of someone who is dying or already dead, and now describing their observations of the afterlife:

Well the world has capsized
Turned my guts inside out
(They) got unplugged but FB
Keeps alive their ID’s
Save the day for sleeping
And the night for choking
In a bed of concrete
Next to walls that haunt me

Well outside it’s dawning la-la-la-la
I won’t see the morning la-la-la-la
I’ll be dead or dazzled by our own black nature

Got up one day in the kingdom
Surrounded by some strange folks
They held in hand their relics
And really dug my antics
So we danced together
Took some rest however
They were all plugged and wet so
They got electrocuted

Well outside it’s dawning la-la-la-la
I won’t see the morning la-la-la-la
I’ll be dead or dazzled by our own black nature

Yeah we are all guilty la-la-la-la
That makes me feel so filthy la-la-la-la
I won’t see the morning la-la-la-la
I’ll be dead or dazzled

Connect with Andy on Twitter and Facebook, and stream his music on Soundcloud

An Interview with Chatsong Roy

Chatsong Logo

Chatsong Roy is the creator and administrator of a successful music website called Chatsong, a multi-faceted platform for artists and musicians to post their music and information about themselves, and communicate with other artists. Roy, who is 32 and lives in The Netherlands, also writes feature reviews about many of the artists. Through his efforts, he has promoted numerous artists and gained them media exposure, including airplay on digital radio stations and connecting them with people in the industry who can help them further promote their music. I’m delighted to talk with Roy about his project and amazing success in building Chatsong into a major music website.

Hello Roy. Thank you for taking the time to discuss yourself with me – lol

Thank you for featuring me.

When we first followed each other on Twitter a year ago, we were both relative unknowns in the Twitterverse. At the time, you had done some modeling and your Twitter account was focused on that, as well as psoriasis which you’ve suffered from for some time. Tell me a bit about your modeling background.

As a teenager, I studied to be a male nurse,  graduated and got a job in an elderly home. Taking care of people was in my blood and I worked until 2014 as a nurse. When I was around 20, I was walking down the street one day when I was spotted by someone who asked me if I wanted to be a model. They found me charismatic, but I was shy and did not think I could be a male model. But I said yes and made an appointment for having pictures taken for a portfolio, and they liked my expressions and my attitude so I became a male photo model.

When I was 22 I discovered some spots under my eyes which looked very bad and itched, as well as elsewhere on my body, so I went to a doctor and he sent me to a skin specialist. It took awhile before they finally determined it was psoriasis. When my body was full of those spots I was very ashamed and stopped modeling. At that point, I focused on dealing with the disease and my nursing career until I stopped in 2014. After that, I went back to volunteering with elderly people again, and continued to see the skin specialist for ultraviolet light treatments. Some of them helped and some did not, but it finally occurred to me – why not make from my disease my work? So I emailed several modeling agencies and skin care magazines and they liked my spirit and motivation. I became a model at three agencies and ended up as a model in three magazines devoted to psoriasis, and a commercial. I was not ashamed anymore and wanted to inspire and help others who suffer from psoriasis. But 3 months after the light treatments I got arthralgia and they wanted to do a scan and injected some radioactive fluid. After that the pain got worse, I got two eye inflammations and several other physical issues, so the volunteer work stopped as well because of all the hospital visits and treatments.

What inspired you to create Chatsong in the first place? In other words, why did you decide to switch your focus from modeling to music, and how did you come to call it ‘Chatsong’?

After the sight issues and inflammation were gone for a while I had nothing to do at home. Since music was my passion, and I listened every day to music on the phone and television, I got an idea in my head: I wanted to help artists worldwide because there are a lot of talent shows but none was online here in the Netherlands. But, I never used social media before, not even knowing how to tweet. First I made an account called ‘Roy Model’ for my career as a model, and got a lot of followers from model sites and scouts from agencies. I then wanted to realize my music idea like I did with working as a psoriasis model.

So first I tweeted a famous DJ in the Netherlands from a radio station, and he said “email me your idea and suggestion.” I did that, and told him that maybe we could start an online show using YouTube videos from the bedroom to studio or television. I did not get an answer back, and 7 day later he announced he was going to do the first online audition for talented musicians. I was shocked and angry that he stole my idea while saying that he could not could set it up in only a week. I was overwhelmed and didn’t know what else I could do, so I needed to think of another project.

I knew there are many artists worldwide who make music but don’t get attention because no one knows they exist. Because it is the truth if people from other countries don’t know the artists accounts and channels they are not going to listen and search for them. In my experience, I only listened to music from famous artists or artists close to those I knew of, and not to artists from China, Japan or other countries. So I thought, what if I create a platform with chat rooms where artists could place their links and videos and other accounts? I made a website for the first time with no experience, and called it Music Lovers, which included chat rooms. I learned how to tweet and made the advertisement for that site, and suddenly artists from a lot of countries started posting their music and videos on it.

The idea worked but the site quickly got overloaded because the server could not handle the volume. So I removed that site, and found a provider with more server space called Jouwweb. In the meantime, I shared videos and links from the artists who posted at the old site to Twitter. I am always very personable to artists, and I asked one who was very supportive of me, known as The Honest Man, ‘how shall I name the project?’  He suggested either “Hear Them First” or “Chatsong.” I preferred Chatsong, and began designing the site with four chat rooms – two with video options and two with guest options where artists could just place links.

The old site had already built up a fan base with artists who came back regularly, so when the new site was launched they immediately posted in the chat rooms. When I reached 1000 followers I was very happy. But because of no experience, every day I had to learn internet engineering. I always searched for something to make it better, and have used several systems. But Chatsong was born and attracted a lot of artists and radio stations, one of which was Radio Wigwam that played only known music. I told them I could send an idea by email and maybe we could work together. They said yes, so I suggested we start a show for unsigned artists. They were the only online radio station who followed me back then, and I did not know at the time that there were more stations who did what they do. But they liked my idea and started the bandwagon which gave airplay for a lot of artists on Chatsong, and I was very proud of that. They even mentioned me a couple times when playing the artists. And then suddenly no more, but I was happy for the artists and made no big deal of it, though deep down I was hurt.

My old Twitter account, @ModelPsoriasis I use only rarely, when I try to work at my career as a male model for psoriasis publications. There are some projects coming, but working with Chatsong and dealing with all the artists, reviews and stuff is hard work and sometimes a lot of stress. It’s doing multiple things at the same time – ha ha you should know that.

You’ve featured hundreds of artists on Chatsong. What made you decide to write reviews about their music, instead of just featuring them and using their own bio descriptions in the write-ups?

The system I was using showed only 50 comments or 10 comments and then disappeared, and I thought ‘how can I not lose those artists and their links?’ So, I began to write reviews. The artists who got reviews were extremely thankful and touched by my write-ups. I write what I feel and think, and if their music made me cry or feel something else I wrote it. And with offering the reviews, I also collected artists and their names for my goal of helping artists to be found and heard worldwide. As you already know, I always tried to improve the website, or searched for a system to make it better for the artists.

I found Discus, which made it possible to post videos and SoundCloud songs and was shareable. But some artists found Discus too difficult to use, so I searched for other systems to allow comments and display links and videos. I put back the chat room and got some posts but not what I expected. I needed to find a forum to use that would allow artists to post and reply and like, and would also allow their names to be shown so they would be easier to find among millions of others artists. Or something similar with sharing and video option. I did not want to be only a music platform, but a website where they all can come together and chat about music projects, and also give unknown artists the chance to heard and searched in other countries. I’ve also posted many advertisements on Instagram and Twitter with images about Chatsong, and I know people like the platform.

Are you surprised at the incredible number of followers you now have on Twitter (over 9,000), as well as the huge response by artists to Chatsong?

I am indeed very surprised at the number of followers and the artists who’ve followed me and posted on Chatsong. And because of my reviews, word of Chatsong spread. Artists shared or talked about my website to other artists, which made Chatsong go viral. Every day I get 60 to 80 new Twitter followers, including related music account followers like record labels and radio stations who admire my work. Because of my personal approach, they like the person behind it and noticed I worked very hard. I’ve partnered with  CONTROLRadioUK, StudioGMusicLab, and Pink Dolphin Music, and now more and more companies want to be pictured on my site. I never expected this, because I was not sure if the idea was going to hit worldwide. And that gave me more motivation to keep going and improve the website.

What are the most rewarding aspects of your Chatsong project?

The most rewarding thing has been connecting with radio stations that played artists featured on Chatsong, and record labels and studios who read the reviews and forums. They have provided some artists for me to review, and sometimes even themselves posted on the site. Some even wanted this year to roster artists for a contract and, in the meantime, other artists got signed or offered a record deal, and I was so happy and proud. Also, it’s rewarding to know that your website is going from the Netherlands to the Philippines with your logo and the musicians on it. What I also find beautiful are the friendships and relations I’ve built with artists and bloggers like you, as well as related accounts in music. The highlight for me was when the CEO of a big label followed me on my personal account, as well as a recruiter who’d worked with Taylor Swift.

Any frustrating or negative aspects?

Frustrations I have daily – I am also just a normal person haha. Mostly it has to do with technical problems or issues with the website, or when artists say they will post something but don’t follow through.

You seem to be receptive to most music genres. Do you have any particular favorites?

I love all music genres from classical to hard trance. My favorite is dance and house music and pop, but with all the artists who follow me, I offer any genre a spotlight. There is a good one among them in any genre, as well as artists who need some advice or just are not good.

Recently, you’ve begun making your own techno and house remixes and posting them on SoundCloud. What inspired you to do that? Do you have any previous experience making music – either playing instruments or singing?

I never made music before, though I did sing in a choir. I always wanted to my entire life, but had no self-confidence. After the recent death of my grandpa, and me not being able to easily express my feelings, I thought ‘why not try to put that in my favorite music genre?’ I searched music software and apps, and begin mixing and I liked it. I made the tracks public, not knowing how my audience would respond, but they loved the sounds and mixes.

https://soundcloud.com/chatsongmusic/lost-unexpected-mp3

Do you have any thoughts about today’s music or trends in the music industry?

There are so many musicians and genres nowadays, with music reaching more fans than ever. Real music is coming back, with singer/songwriter musicians writing good lyrics and playing their own instruments, especially acoustic with a guitar that is popular among younger audiences. I think people my age and older are more fans of dance and pop music, as well as rock and heavy metal.

Are you doing this mostly for fun, or do you want to make a living from it? And where do you want Chatsong to go from here? Any plans for additional features or significant changes to the site, and how long do you want to continue doing this?

I am doing this for fun, but my goal is to develop an app that would be even better and easier for artists and fans to use. I never would ask for money, but when I need to develop the app I would invest in it and hopefully grow further. I will keep going so long as I can do it. If I can’t handle it anymore on my own, I’ll either sell the idea or collaborate with others, maybe even hire employees.

Check out Chatsong, and connect with Roy on Twitter, Facebook and Instagram.

EP Review: ORTARIO – ‘A Place Called Home’

I reviewed Welsh band Ortario as a guest on The Symphony of Rock blog.

M. Perez-Vega's avatarTHE SYMPHONY OF ROCK

 GUEST BLOGGER
JEFF JAYPEG
A Place Called Home EP Artwork
Welsh alternative rock band Ortario are quickly establishing themselves as one of the best new rock bands in the UK. Following up on their first two singles released in 2016, “Forte” and “All Outta Money” – both of which are very good – they dropped their debut EP A Place Called Home in late January, and it’s outstanding. Ortario consists of Chris Clark (Vocals), Jamie Thomas (Bass), David Wheeler (Guitar), Mark Lloyd (Guitar) and Nathan Lewis (Drums). Having two guitarists plus a bassist gives their music a dynamic, guitar-heavy sound.
 

OrtarioORTARIO

 
When I asked about the theme of A Place Called Home, bassist Jamie Thomas explained “For us, there is no place like home. [Being] a band that situate ourselves in different Welsh valley towns, we’re proud of our Welsh heritage and where we come from. The song “No Place Like Home” for instance is basically about leaving…

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Top 20 Songs for March 5-11, 2017

1. SHINE – Mondo Cozmo (2)
2. HUMAN – Rag’n’Bone Man (3)
3. STILL BREATHING – Green Day (1)
4. SHAPE OF YOU – Ed Sheeran (6)
5. CLEOPATRA – The Lumineers (4)
6. BLOOD IN THE CUT – K.Flay (5)
7. SCARS TO YOUR BEAUTIFUL – Alessia Cara (8)
8. I NEED A LIGHT – Run With It (9)
9. HEAVYDIRTYSOUL – twenty øne piløts (11)
10. RUST TO GOLD – Council (12)
11. ON HOLD – The xx (13)
12. WATER UNDER THE BRIDGE – Adele (14)
13. ATLAS, RISE! – Metallica (7)
14. 7 – Catfish and the Bottlemen (16)
15. LOVE IS MYSTICAL – Cold War Kids (19)
16. I FEEL IT COMING – The Weeknd, Daft Punk (18)
17. DON’T WANNA KNOW – Maroon 5, Kendrick Lamar (10)
18. SQUARE HAMMER – Ghost (15)
19. MY NAME IS HUMAN – Highly Suspect (20)
20. TAKE IT ALL BACK – Judah & the Lion (17)

EP Review: NEON HURRICANE – “Liquor Sweet”

I have a particular fondness for hard-working do-it-yourself indie artists and bands who write their own songs and play all their own organic music. Neon Hurricane is such a band. The relatively new, four-man collective from Glasgow, Scotland make music that stays true to the roots of classic rock and roll, employing three-part guitar harmonies to give their sound a definable retro vibe. The band members are Jason Minto on vocals, Graeme Craig on guitars, Connor Browning on bass, and James Maxwell on drums.

neon-hurricane2

The guys just recorded their debut three-track EP Liquor Sweet, and I’m delighted to review it. The first track “Sweet Lady” is a mellow rock tune, with lively buzzing guitars that remind me somewhat of early Boston. The song is anchored by just the right amounts of Connor’s bass and James’ sharp percussion, and Graeme’s guitar riffs are first-rate. Jason’s earnest, soulful vocals are perfectly suited for the song.

Everything ramps up a notch in “Raining Mondays,” with a faster, heavier beat and more aggressive guitars and drums. Jason’s vocals are also louder and more emotionally raw. The song lyrics speak of a guy who feels down on his luck until he meets a woman who shows him some interest. He fervently sings “And then I saw your face, then I heard you say, you take a chance on, you take a chance on, you take a chance on me, I take a ride with you.”

The guys save the best for last, with the amazing tour de force “Follow the Rock n Roll.” They fully unleash their sonic weaponry, compressing so much creative energy and incredible musicianship into one song, that the result is nothing short of phenomenal. The track begins with the sound of wind, then a harmonica wails as Connor’s heavy, throbbing bass line takes over, augmented by James’ pounding drums. In short order, Graeme’s distorted and snarling guitar enters the scene, intensifying the song’s impact. Jason’s powerful vocals are more raw and bluesy than ever, and when backed by the guys’ harmonizing vocals and combined with the aforementioned music, we’re left with one of the most exciting rock and roll songs I’ve heard in a while. At 4:40 the guys blow the lid off with a vitriolic flourish of frantic bass, guitar and drums, and Graeme provides some high-pitched wails to match his screaming guitar solo. This track alone is more than enough proof that these guys are highly skilled musicians.

I love this band, and can’t wait to hear what they come up with next. Show them support by following on Facebook and Twitter. Liquor Sweet will soon be available for purchase on iTunes & Amazon.

EP Review: QUICK MACHINE – “Live Fast”

quick-machine-cover

There’s something special about guitar-heavy rock and roll that can’t be beat, especially when it’s fast, loud and in your face. Four-piece Boston band Quick Machine fill all those qualifications and then some! As their name suggests, they play ‘high-energy rock and roll fueled by dueling Gibsons, stacks of 100-watt amps and domestic adult beverages‘ (in their own words). Making the noise are  Eric Jackson (Lead Vocals/Guitar), Richie Kidd (Bass/Backing Vocals),  Shane Quinn (Lead Guitar/Backing Vocals) and Gia Love (Drums/Backing Vocals). (It’s very cool when a rock band has a female drummer.)

Quick Machine formed in early 2015 and, like several bands I’ve recently featured on this blog, spent much of their first year on the road playing gigs and building a dedicated and enthusiastic fan base before heading into the studio to begin recording their own songs. In November 2016 they dropped their debut EP Live Fast, a collection of four rousing rock and roll tracks guaranteed to have you on your feet and moving within seconds.

quick-machine

The EP opens strong with the exhilarating title track “Live Fast.” True to its title, the song blasts through the speakers with aggressive, shredded guitars and Richie’s heavy bass, signaling that we’re in for a wild ride. Gia pounds the hell out of her drum kit, while Eric and Shane’s guitars swirl and snarl with abandon as they lay down some formidable riffs. The song lyrics get to the point: “Live fast, die last, you keep on going ’til you can’t stop, you can’t stop, oh no.”

The awesome video for “Live Fast” shows the band performing the song in a dark industrial building, a perfect setting for the hard-driving track.

Not skipping a beat, “Devil in Me” keeps the high energy going at full speed, and the dizzying pace never lets up through “Steal My Soul” and “Skeletons.” Our ears are treated to more scorching-hot guitar riffs, buzzing bass and pounding drums. Eric’s powerful vocals add a raw, bluesy vibe to these rock and roll gems. In “Skeletons” he wails “Where is the fun in being revealed in the public eye? Nowhere to run, nowhere to hide, no, I have become my Mr. Hyde. I drink, smoke, lie and cheat. I’m everything you want me to be.”

This is a great EP, with no throwaway songs. My only criticism is that with only four tracks, it’s over too soon, leaving me wanting more. For now I’ll just have to play it on repeat, and wait for Quick Machine to quickly drop some more tunes.

Here’s a great live performance of “Devil in Me.” This is clearly a band whose music is tailor-made to hear live, and if they ever make it to L.A. I’ll be first in line to buy a ticket.

To learn more about Quick Machine, check out their website. Show them support by following on Twitter,  Facebook and Instagram, and subscribe to their YouTube channel. Stream their music on Spotify or Reverbnation.  Live Fast may be purchased on Bandcamp, iTunes or  Amazon.

Song Review: ONESTEP – “In War We Rust”

onestep2

Nearly every day I receive submissions from artists, bands or their publicists wanting me to review or feature them on my blog, and I’m thrilled when their music is really good. So it was a pleasant surprise to discover a promising young band from Kiev, Ukraine called OnesteP. They play an intense style of alternative heavy metal, and just released their fantastic new single “In War We Rust” in advance of their debut EP, due for release this coming April.

Formed in 2011, OnesteP consists of Siddy on vocals, Eugene Sikoza on guitar & production, Taras Kolomoiets on guitar, and Bogdan Korol on bass. (The band also has a session drummer.)  Having two guitarists gives their music a muscular, hard-hitting sound that quite effectively delivers. Their music style is strongly influenced by the great bands Korn, Limp Bizkit and Linkin Park, but the guys bring a fresh approach to their music. Like many new bands, they toured heavily the first few years, experimenting with their sound until they felt it fully represented who they wanted to be, then started writing songs for their first EP. Along with “In War We Rust,” the band states that their EP ‘will feature songs with deeply emotional lyrics about existential malaise and trends in modern society.’

In the band’s own words, “In War We Rust” is a protest against war and mankind’s fear to change its behavior or take any responsibility.  The lyrics are searing: “Your satellites are haunting me and making me blind and I’m losing sight. Now look around and find your waste that you’ve made of this another site.”  

The blistering track immediately hits you like a punch to the gut, leaving you breathless. It’s both savage yet melodically beautiful – always a powerful combination in heavy metal. Eugene and Taras shred their guitars to pieces, making them snarl, wail and scream with abandon, while Bogdan’s intense, heavy bass gives the track incredible heft. Toss in thunderous, hammering drums and Siddy’s fierce, impassioned vocals, and the result is a tremendously satisfying heavy metal track. I love it, and eagerly look forward to hearing their entire EP.

Support OnesteP by following them on Facebook. “In War We Rust” may be purchased on Bandcamp.

Top 20 Songs for February 26-March 4, 2017

1. STILL BREATHING – Green Day (3)
2. SHINE – Mondo Cozmo (4)
3. HUMAN – Rag’n’Bone Man (7)
4. CLEOPATRA – The Lumineers (1)
5. BLOOD IN THE CUT – K.Flay (5)
6. SHAPE OF YOU – Ed Sheeran (6)
7. ATLAS, RISE! – Metallica (2)
8. SCARS TO YOUR BEAUTIFUL – Alessia Cara (11)
9. I NEED A LIGHT – Run With It (10)
10. DON’T WANNA KNOW – Maroon 5, Kendrick Lamar (8)
11. HEAVYDIRTYSOUL – twenty øne piløts (16)
12. RUST TO GOLD – Council (13)
13. ON HOLD – The xx (18)
14. WATER UNDER THE BRIDGE – Adele (15)
15. SQUARE HAMMER – Ghost (9)
16. 7 – Catfish and the Bottlemen (17)
17. TAKE IT ALL BACK – Judah & the Lion (12)
18. FEEL IT COMING – The Weeknd, Daft Punk (19)
19. LOVE IS MYSTICAL – Cold War Kids (20)
20. MY NAME IS HUMAN – Highly Suspect (14)

EP Review: KROSST OUT – “Life of the Party”

I love when hip hop is melded with other music genres. That’s one of many reasons why the music of artists such as Linkin Park, Rage Against the Machine and twenty øne piløts is so incredible. So I was happy to discover the young Canadian rapper Krosst Out, who skillfully melds hip hop with punk rock to create a style uniquely his own. He’s set to release his debut EP Life of the Party in early March, and I have the pleasure of reviewing it.

Krosst Out grew up in a small town in Ontario, where he studied piano as a child. In his teens, influenced by artists such as Manafest, Eminem, Underoath, Rage Against The Machine, System Of A Down, Nas, and Marilyn Manson, he took up the bass guitar. He ended up playing in various local bands, developing his rapping skills along the way, and eventually settled in Toronto, where he began writing his own songs.

krosst-out

In the creation of Life of the Party, he teamed up with musicians Daniel Salij and Eric Soto, who also was beat master. Combine his biting, relevant lyrics with their music skills, and the result is a superb EP with six hard-hitting tracks that examine the darker aspects of the party life, with its attendant abuse of sex, drugs and alcohol. As Sandie Glasmacher wrote in her review for G Music Lab, it’s  ‘a gritty cautionary tale of what happens to the life of the party when the party is over and the lights turn back on.’

The strong EP opener “Skincrawler” is about a tormented soul crying out for help. Musically, the song is complex, with a haunting intro of plucky acoustic guitar, followed by unsettling male voices speaking of mental illness before Krosst Out’s impassioned rapping takes over. To a strong hip hop beat, he cries ‘The monster that my skin hides, on the inside, is eating me alive. It’s keeping me alive. I am picking, itching, tearing at my skin. I only want you to get in. I only want you to begin to see what it’s like to be me.’ The superb multi-textured guitars are accompanied by a melancholy but beautiful violin that adds great emotional depth to the track.

Calling out others’ bad behavior while not being honest about your own is the subject of the hip hop track “Tea 4 One.” Krosst Out sings ‘This is tea 4 one, put the kettle on, this has just begun. Everything and anything goes. You better be prepared to start eating crow, ’cause no one ever told me not to throw stones.’ He goes on to shout out his own shortcomings.

“Kick It” is three minutes of punk rock awesomeness, with powerful, distorted guitars, thumping bass, rapid-fire drums and crashing cymbals. Krosst Out frantically raps ‘Everybody kick it now. We got the skills, to rock the mic and act like it kills. Real punk rock thrills. That’s right, we could go all night, we could go all night.‘ I love this song, and it’s one of my favorites on the EP.

“Life of the Party” speaks to the good, bad and ugly of party life. To a pounding hip hop beat and crushing bass, Krosst Out assertively raps ‘We party like it’s nothing ’cause we’ve done this before. Breaking all the rules with the bottles on the floor. If you want to see our party, then wait what’s in store. I’m the life of the party, I’ve said that before.” At 2:30, the tempo changes abruptly, signifying that the party’s gone awry. Throbbing synths take over, the beat drops, and to discordant percussion he raps ‘Man you joking, this dude’s trying to choke me. Acting like a dope fiend.’ Party’s not so fun now…

The powerful track “Contradiction” opens with a mysterious voice chanting to a hypnotic beat and throbbing bass ‘Can you take me back to where I came from? Can you take me back?‘ Then Krosst Out begins rapping about his internal struggle between who he is and who he thinks he should be. ‘I can take this rock and I can shove it up my nose. I can take this 40 and I can drink it through a hose. I’m so white trash, man, everybody knows.  Watch my Chevrolet explode when I’m midway down the road. / And I know I’m white trash, I know I’m not Black. Stop being ignorant just ’cause I like rap.‘ Take a look at the great video for the song:

The last track on the EP , the compelling “I Don’t Care,” gets to the heart of the EP’s subject – the highs one experiences from uninhibited partying, and the crushing lows that can follow (feelings to which I can certainly attest from my own experience). Krosst Out laments: “I don’t have a care when the lights go out, when the lights go out, when the lights go out. I don’t want to feel when the lights come on, when the lights come on, when the lights come on. What you know about losing yourself at 2 am? Going through the drugs and booze again? Climbing on the roof again? Screaming that you’re losing it? And jumping in the pool again.‘

The song features a mesmerizing hip hop beat, haunting melody and some pretty awesome distorted guitar riffs, along with the beguiling guest vocals of his friend Mel Yelle.

To sum up, Life of the Party is a solid EP that gets better with every listen. The music and production are first-rate, and the intense song lyrics are so loaded with meaning that I discovered something new each time. To learn more about Krosst Out, check out his website and follow him on Facebook,  Twitter, and Instagram. Stream his music on Spotify and purchase on iTunes and other sites offering music for download.