
The Sylvia Platters are a wonderful band from Vancouver, British Columbia, Canada, and I love their music. Comprised of Alex Kerc-Murchison, Stephen Carl O’Shea, and brothers Nick and Tim Ubels, they play melodic jangle pop, infused with elements of alternative rock, indie, shoegaze and dream pop, and served up with stellar arrangements, exquisite instrumentation and Nick’s sublime vocals. While not at all retro, their pleasing sound nevertheless reminds me at times of such 90s bands as the Gin Blossoms and Toad the Wet Sprocket, with hints of 60s The Byrds.
From what I can tell, they’ve been putting out really fine music for about nine years, beginning with their 2015 debut album Make Glad the Day. Since then, they’ve released a second album Shadow Steps, in 2018, as well as numerous singles and three EPs, including the outstanding Live at Malibu Sound last year. If you like great jangle and power pop, I strongly recommend checking out at least some of their back music catalog.

Now the guys are back with a marvelous new single “Kool Aid Blue“, a tasty cup of jangle pop goodness. Released January 19th, the track was recorded and produced by Jordan Koop at The Noise Floor, Gabriola Island, BC, and mastered by Greg Mindorff at Suite Sound Labs in Vancouver. I know next to nothing about the mechanics of music, so can only do my best to describe what I hear.
First off, I really like the song’s fascinating melody that sounds more complex and unpredictable than a typical pop or rock song, which I find causes me to want to listen more carefully and closely. Second, I love the contrasting gnarly and jangly guitars, which makes for a richer, more dramatic soundscape. And what exceptional guitar work it is, those gorgeous jangly guitar notes sparkling like precious gems, accompanied by grungier notes soaked in glorious reverb. Of course, I have to call out the brilliant rhythm section of resounding bass and aggressive percussion that together drive the song forward so beautifully.
Nick’s vocals are warm and comforting as he sings the poetic, yet relatable, lyrics that seem to be about having uneasy feelings of self-doubt and uncertainty, and attempting to escape from them through alcohol, symbolized by Kool Aid blue.
Living in sequence
Gets a little uneven
Spin in a fixture
Alight as a stone
Alternative vision
A tragic hair decision
Read in the leaves
That all you need’s a missing page
Glimpse the ether
A mirror figure
It’s just a phase you can’t escape
A sinking feeling
Amber light; a dimmer view
But that sinking feeling
Will dissolve in Kool Aid blue
Slow motion sickness
Wasted in stasis
Another draft begins alone
With three sheets to the wind
You follow it home
A sequined ceiling
In the dark, a clearer view
And that sinking feeling
Will dissolve in Kool Aid blue
And that sinking feeling
Will dissolve in Kool Aid blue
Will dissolve in Kool Aid blue
Oo oo oo oo oo oo
The video was written and directed by Daniel Sparrow, filmed by Brendan Taylor, with additional photography by Daniel Sparrow and Alex Kerc-Murchison, and produced by Zone Pictures. It stars Junnicia Lagoutin, who’s shown in scenes with and without Nick Ubels, along with Jordan Hughes and the other band members.
And here’s the song on Bandcamp, along with a bonus “sugar free” instrumental version:
Follow The Sylvia Platters: Facebook / X (Twitter) / Instagram
Find their music on Bandcamp / Spotify / Apple Music / Soundcloud / YouTube
Great band name… And you’re right about the contrasting guitar sounds. They definitely give the song some nice texture!
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Isn’t it though! Thanks Marc.
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Love it, Jeff! The Sylvia Platters’ jangly guitar sound is right up my alley. I also think Kerc-Murchison’s vocals are beautiful and a perfect fit to that magic guitar sound – so good! In addition to Byrds and Gin Blossoms, I’m also a bit reminded of The Rembrandts.
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Splendid, Christian! I’m a sucker for jangly guitars too, and I agree his vocals are wonderful.
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One interesting intro to the song. Pretty cool song.
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I like their sound, easy to listen to!
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Thanks Tiffany. It’s really nice!
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Nice jangly guitars indeed. Cool song. Thanks!
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Cool retro vibe. The hazy vocals are dreamy. Great track.
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Very 60s vibe… they remind me a bit of a retro XTC. Something about this kind of sound emotes so well with me. I often wonder if this is because it’s the era I was born in, or would it have had this effect on me regardless? Will Gen-Zs look back in 30 years with nostalgia at the intrinsic beauty of Taylor Swift tracks? Thanks, Jeff!
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Interesting observations Rann. Thanks for listening & commenting.
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I like this one A LOT. This is right up my alley. It’s very timeless…it could have been released in different decades and fit in.
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I agree. As I wrote, it has l 90s influences, yet also channels 60s acts like the Byrds.
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Thanks for introducing them to me Jeff.
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You’re welcome Max.
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