JIM HUDSON – EP Review: “Fallen”

Jim Hudson is a singer-songwriter from Wolverhampton, England, who this past May released his debut EP Fallen. It’s a lovely but dark work, featuring three guitar-driven tracks with deep, poetic lyrics that speak to man’s internal conflict between his good and evil sides, and struggles to make it in this life. Jim wrote and recorded the songs, and played or programmed all the instruments. The EP was mixed by Matt Pinfield and mastered by West West Side Music (yes, West is repeated in the studio’s name).

The first track “Shadow” is a poignant song with a somewhat melancholy air. Jim’s layered acoustic and twangy electric guitar work is really nice, lending the track a bit of a folk vibe, while the assertive percussion keeps it in rock territory. His vocals have a pleasing, understated quality, and work well on this track. The lyrics seem to speak of someone who’s become a mere shadow of their former self after years of excess, realizing they’ve wasted their life and now have nothing or nobody: “No one remembers when you left, who you are, what you came here for. Lost three more days in a state. Through the haze; gone too far.

The dark and mesmerizing title track “Fallen” opens with a thumping drumbeat and an acoustic guitar chord progression that calls to mind the classic James Bond theme, only in a slowed-down manner. With a sense of sad resignation, Jim croons the fatalistic lyrics spoken by a man to his son, telling him that he will be inheriting a darker, less hospitable world because of the destruction caused by mankind: “Grab your things and run, through the barbed wire fence. From the hands that feed us, we don’t stand a chance./ Re-wrote the rules, transcended evolution. All this son, will one day be yours. Turned our backs, as we fled the garden. All of this, all of this is ours. Got inside my head, can’t get up any more. Cut my world wide open, threw my heart to the floor. You don’t know, you don’t see. Cut me, I’m in bits. There’s a hole, in my head. Leaves me cold in plastic.” His combination of acoustic and electric guitars, accompanied by humming bass, sparkling synths and measured percussion make for an exceptional track.

“Papercuts” has a softer, more upbeat folk vibe. The acoustic riff that continues throughout the song is quite charming, punctuated with tasty electric guitar runs in the choruses. The lyrics, however, are bittersweet. Jim states that they’re basically about an artist (music, visual arts, or whatever) struggling to make his way and get noticed. Perhaps he’s wasting his time, his efforts are all in vain, and maybe he shouldn’t bother trying to continue on. “It’s hard enough to get you where you’re seen. Should never be there. You’re in a dream. Listen in. Massage my self esteem. Are paper cuts enough to get you seen? It’s never easy being fine.”

Despite it’s rather dark tone, Fallen is an enjoyable little EP, and a very respectable debut for Jim Hudson. His thoughtful and extensive lyrics are pure poetry, and he’s a fine guitarist and vocalist too.

On Saturday 6th July, Jim will be performing at The Chindit in Wolverhampton, one of the venues in the Junction Festival of Contemporary Arts.

Connect with Jim:  Facebook / Twitter
Stream his music on Spotify
Purchase on Bandcamp

SOMEHOW – Single Review: “Shut Your Eyes and See”

Somehow

I’ve been revisiting a lot of artists and bands that I’ve previously featured on this blog, as so many of them are putting out new music and wanting my thoughts on it. The latest is by Somehow, the indie-pop project of Erwan Pépiot, a singer-songwriter and multi-instrumentalist from Paris, France. His pleasing sound hovers somewhere between Joy Division and Belle & Sebastian, with a vocal styling reminiscent of Morrissey or Ian Curtis. He writes, performs, records, produces and mixes all his music in his own home studio, with his only assistance coming from his long-time collaborator Aurélie Tremblay, who provides backing vocals and some fine cello work.

Somehow released his debut album The Desert of Wasted Time in 2016, receiving many positive reviews. This was followed a year later by his beautiful album Hidden Memories, released via Toolong Records, which also earned wide acclaim both in Europe and the U.S. In October 2017 I reviewed “Someday”, one of the wonderful tracks from that album. He now returns with a terrific new song, “Shut Your Eyes and See” the first single from his forthcoming album Low Tide, due for release this coming October.

It’s another enchanting track, featuring Somehow’s signature rich, multi-instrumental stew that gives his songs their incredibly sublime soundscapes. A beautifully-strummed bass line provides a splendid foundation for the song, over which are layered some lovely guitar, keyboards, melodica, cello and gentle percussion. Erwan’s vibrant vocals are as pleasing as his music, singing the verses with a comforting urgency while Aurélie provides delightful backing harmonies.

The lyrics seem somewhat ambiguous, but I think they’re about someone who’s breaking out from under self-doubt that’s plagued them, allowing them to live their life to its full potential, yet still remaining insecure.

It seems you’re getting somewhere after all
You finally found your way out
Through your silent eyes
All things looked hollow
Now candles and stars
Sparkle in daylight

It seems you’re getting somewhere after all
You finally found your way out
At the sound of the horn
You’ll run away then die
Over and over
For a thousand times

You will speak
You will fly
You will speed up the tide
You’ll be lauded and praised by hundreds of strangers

Hide from yourself
Shut your eyes and see

The charming video shows a young man, skateboard in tow, flying to London to see a young woman who’s an old friend or girlfriend. They then set off on a sightseeing adventure, taking in both the beautiful and not-so-beautiful kaleidoscope of life in the teeming city on the Thames. The video was produced by Julien Bengel, and stars Paco and Marina as the young couple.

Connect with Somehow:  Facebook / Twitter
Stream his music:  Spotify / Soundcloud
Purchase on Bandcamp / Google Play

DAVID VIVIAN – Single Review: “Weekend”

David Vivian

David Vivian is a young graduate student and budding singer-songwriter and guitarist from the beautiful coastal California city of Santa Barbara. Writing and recording songs in his bedroom studio, David has released three singles over the past few months, the latest of which is “Weekend“, which drops today, June 14th.

The lyrics speak to how many of us seem to live for the weekends, yearning for the promise of thrills and the respite they bring from the routine and drudgery of our weekday lives, always aware that they’re doomed to come to an end way too quickly. David opens the song with a strummed guitar riff, sunny synth and perky xylophone, giving us a sense of hopeful optimism that another weekend is upon us. Abruptly, the music turns sour like a smile suddenly becoming a frown as reality sets in, but then it all perks back up to a breezy, upbeat tempo that continues through to the end of the song. Along the way, David lays down some fine guitar work, accompanied by pleasing keyboards, bass and percussive synths, and I especially like the horn synths he inserts after the final chorus.

His soft, echoed vocals have an ethereal quality, and mesh quite nicely with the lush instrumentals, giving the song a dreamy atmospheric quality.

[Verse 1]
How the hell’d it get so late?
Hold on, please wait
I’ll do, what it takes
Go all in, raise the stakes

Another weekend’s here
I’ll call you darling, call you dear

[Chorus]
Hey babe
That’s no reason to stay
I’ll come up w/ words to say
And we’ll always find a way to play
Come back and let’s do it right
We’ll get lost in the endless night
So come play just one more hand
I’ll take you to the promised land

[Verse 2]
How the hell’d I get this way?
Sun comes up, it’s another day
Time goes on, takes our pay
Doesn’t care what we have to say

Another week ends here
Oh I’ve felt freedom, I’ve felt fear

[Chorus]
Hey babe
That’s no reason to stay
I’ll come up w/ words to say
And we’ll always find a way to play
Come back and let’s do it right
We’ll get lost in the summer night
So come play just one more hand
I’ll take you to the promised land

Connect with David on Facebook / Instagram
Stream his music on Spotify / Soundcloud / YouTube
Purchase on  Bandcamp / Apple Music / Google Play

THE FRONTIER – Single Review: “Dark Places”

The Frontier

The Frontier is an unsigned indie-pop/alt rock band from Vienna, Virginia (the Washington D.C. area). The band was formed in 2016 by singer/songwriter and guitarist Jake Mimikos, who first released an EP Chaos to Clarity as a solo artist in 2015. He initially called the band The Internal Frontier, and released a wonderful self-titled EP The Internal Frontier, which I reviewed in July 2016.

Like many bands, they’ve undergone some changes in line-up over time, and now consist of Jake on vocals & guitar, Eric Boggess on lead guitar, Eric Dolinger on bass, Kate Stanley on synths & vocals, and Eduardo Santana on drums. They changed their name to simply ‘The Frontier’, and released the terrific and upbeat singles “Young Machine” in late 2017 and “Follow This Feeling” in May 2018. Now they return with a gorgeous new single “Dark Places“, the first single to be included on their forthcoming EP Luminescence, to be released later this year.

“Dark Places” is a stylistic departure for The Frontier, featuring a moodier, more synth-driven sound and I love it! As the title implies, the song is dark, but also quite beautiful, with a captivating vibe that immediately hooked me, compelling me to move to the sensual beat. The shimmering synths are exquisite, enveloping me in a dreamy soundscape I’m happy to remain trapped in. Subtle guitars, gentle bass and the perfect amount of crisp percussion complete the glorious instrumentals. Jake’s smooth, ardent vocals are enthralling, soaring into the higher octaves and sounding better than ever before. Kate’s backing harmonies are really wonderful too.

The lyrics speak to the internal struggles many of us experience with our darker side, and the attendant fears, anxieties, anger and even bad thoughts we must grapple with. Jake stated that they were inspired by a show he watched on Netflix about serial killers.

Maybe I’m just a little lost
Sometimes I lose myself in my obsessions
I’m just a victim of my thoughts
I’m only human, with imperfections

I’ve been to dark places in my mind
Seeing shadows in the night
It get’s a little lonely when I’m in dark places in my mind
Falling further from the light
It gets a little lonely when I’m in dark places

“Dark Places” is absolutely marvelous, and I’ve had it on repeat all morning. The Frontier have struck sonic gold with their first single on what I’m certain will be a fabulous album.

Connect with The Frontier on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation
Purchase on Bandcamp / iTunes

KAROLINA ROSE – EP Review: “INVICTA”

KarolinaRose8

Falling in love with a song or artist the moment you first hear their music is among life’s greatest pleasures – certainly for me anyway. And that is precisely what I felt when I listened to the new EP INVICTA by Karolina Rose. Inspired by the music of artists such as Kate Bush, Debbie Harry, Florence Welch, The Cranberries, David Bowie and Madonna, the Brooklyn, New York-based singer/songwriter writes songs about her own experiences and presents them with beautiful commanding vocals.

Born and raised in Philadelphia to Polish parents, Karolina graduated from the prestigious Wharton Business School and had a successful career on Wall Street, which she ultimately left to pursue her dream of making it as a full-time musician. (I can identify with her life-changing decision to leave behind a successful career for which she spent years of study, as I left my job as a city planner to own and operate a bed & breakfast inn.) She began writing songs on her acoustic guitar, and performing them in clubs in and around New York City, gradually building a loyal following. Realizing she needed to take her music to the next level, she teamed up with Grammy Award wining producer/engineer/mixer Andros Rodriguez (Madonna, Shakira, Florence + the Machine) for her debut EP INVICTA, which dropped on February 1st.

Speaking on the meanings behind the title and theme of INVICTA, Karolina explains: “The word ‘INVICTA’ means unconquered, and is found on the coat of arms of Warsaw (the city where my parents come from), so the title represents my strength and who I am. From quitting my job on Wall Street to having to navigate a brand new industry, there was a lot to learn on the journey towards INVICTA’s creation. Following your truth is not always the easy choice. And for that I call the record INVICTA; it is to say ‘I did it’ and I am ready to fight for what I love.”

KarolinaRose

The EP kicks off with the anthemic “Crystal Gem“, a hopeful declaration of Karolina’s determination to pursue her dream, no matter the odds. Backed by shimmering synths and a driving dance beat, she confidently sings: “No one can stop me now, from doing what I want to do. How nice it would be, to be taken care of endlessly. ” The track sounds like a song Katy Perry could have sung, only better. “Love Crazy” is a sultry affair that speaks to how we throw caution and common sense out the window when the pangs of love hit us like a ton of bricks. The track features lush swirling synths and fluttering percussion, creating a beautiful backdrop for Karolina’s fervent vocals that convey the blind passion of falling madly in love, helpless to resist its siren call: “Love, it makes you do crazy things. / Nothing else matters.”

One of my favorite tracks is “Going to Berlin“, a fantastic dance pop anthem that tells the tale of a woman who overcomes heartbreak by going off and jet-setting the world’s greatest cities. Karolina explains: “The concept first came to me when I was hanging at the Russian baths in downtown Manhattan with a good friend discussing her growth and how much she’s changed. She had left an old love behind in Europe to move to NYC and fearlessly follow her dreams. She then, of course, went to Berlin…” I love the throbbing EDM beat and Karolina’s wonderful layered vocals, and this lyric is so good: “She was lip-smacking good. Hold her tight if he could. But he lost her. Regret seeps in. She’s not coming back.”

Downhill” is a slow, moody track filled with powerful sweeping synths and mesmerizing percussion. In an interview with webzine CelebMix, Karolina states that the lyrics speak to the “simultaneous feelings of excitement and fear when pursuing something entirely new and unknown.” She passionately sings “I’m on the edge, lost and found. Can you hear the screaming sounds? We reach the skies before we go downhill.”

A standout track is the sad but beautiful “Goodnight, Mr. Moon“, inspired by Karolina’s experiences of exploring grief through dreams and nightmares. On her Facebook page she explained: “I have suffered from nightmares for many years. I often have hallucinations when I sleep. I wake up and see things in my bedroom or projected onto the walls or something within my room takes a different shape and moves. The first verse of the song takes inspiration from one of my nightmares where I woke up and it literally looked as if the moon was projecting a spotlight onto my wall and it looked like a scene was playing out. It may sound magical, but it was quite frightening. I started coming up with the visualization of someone hallucinating in the middle of the night, bringing back their loved one by talking to Mr. Moon. She communicates with her lost love in the nighttime. She processes her grief through dreams. She thinks it’s real until the end of the song when she wakes up from the dream and knows it’s really time to say goodbye.

The dreamy synths, gentle percussion and her mix of soft and soaring vocals are a perfect match for the poignant lyrics: “How do I get it all back? All the pieces of my heart? How do I get it all back? All the pieces came apart. How do I get you back?

The final track “Move With Me” was actually Karolina’s very first single, which she released two years ago, in February 2017. The song has a wonderful throwback 80s New Wave vibe that’s become so popular again recently. I love the bouncy EDM beat that aims straight for the hips, along with the glittery techno synths that remind me of songs by A-ha and New Order. Karolina’s vocals exude seduction as she implores the object of her desire to quit wasting time and get busy loving her: “Check my pulse. Am I still alive? / Do you know you took me by surprise? Fragile, young love. What will be, will be. Move a little bit faster now. Go a little bit faster now. There’s no time to waste, so baby pick up the pace and move with me.

INVICTA is an outstanding EP that beautifully showcases the impressive songwriting and vocal talents of this very lovely artist. Every track is superb, making for a thoroughly enjoyable listening experience. I want to give special thanks to fellow blogger Hasan Bayez of SheBOPS for recommending Karolina. Check out his great blog too!

To learn more about Karolina, check out her Website
Connect with her on Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud / Apple Music
Purchase on iTunes / AmazonBig Cartel

WIDE EYED BOY – EP Review: “Sun Again EP”

Wide Eyed Boy Sun Again EP

Since first hearing their incredible debut single “Wolves” two years ago, I’ve been totally smitten with British band Wide Eyed Boy. I’ve featured the charismatic Liverpool foursome on this blog three times now, beginning with my review of “Wolves” almost exactly two years ago, in February 2017, then a review of their magnificent follow-up single “Loving You is So Easy” that July, and an interview in May 2018, shortly after the release of their third single “Sun Again”. They’ve just dropped their first EP Sun Again EP, and it’s my pleasure to feature them for the fourth time.

Wide Eyed Boy consists of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitar, keyboards) and Tom Taylor (Drums). They all met at the Liverpool Institute for Performing Arts, and quickly bonded over their shared love of music. They made the decision to release a series of singles to get their music out there and heard, and they’ve succeeded quite nicely. Since the release of “Wolves”, they’ve earned a reputation as one of Britain’s best indie bands, and have gained a large following of loyal fans.

The EP includes their three aforementioned singles, plus two new tracks. It opens with the title track “Sun Again,” an exuberant affair, with roiling riffs of Jonny and Kobi’s fuzzy guitars and bass, propelled by Tom’s furious drums and wildly crashing cymbals. Oliver has one of the most beautiful voices around today, and his smooth, clear vocals are dazzling, soaring along with the instrumentals as they build to a goosebump-inducing crescendo. About the song, the band states: “It’s about escape. Breaking out of that vicious cycle of mundane life and getting back that sense of freedom to go do whatever the hell you want.”

The beautiful new video just released for “Sun Again” features actor Daniel Donskoy, and alternately shows scenes of Wide Eyed Boy performing the song, and scenes of Donskoy portraying a man who’s angry and in distress, racing his car through the English countryside, then running from the car into a field and collapsing on the ground, spent and finally feeling free.

I loved “Wolves” the moment I heard it, and made me an instant fan of this band. Everything about this phenomenal track is perfect – the haunting melody, compelling lyrics, flawless arrangement and production, propulsive drumbeat, gorgeous sweeping synths, nimble, layered guitars, and Oliver’s incredible vocals that are absolutely mesmerizing. Oliver stated the song ‘is about letting people in that are bad for you.’ He passionately sings “Why can’t I leave it all behind? Why can’t I save myself this time? I fall just a little bit, don’t wanna be a part of it. Wolves are the only friends I know.”

“Wolves” was so awesome that I didn’t think the guys could top it, but I was even more blown away by their magnificent follow-up single “Loving You is So Easy“. The swirling guitars, sultry bass line, sweeping gnarly synths and Oliver’s captivating vocals are all positively breathtaking. The song lyrics are fairly straightforward – “I don’t care the way you care. I can see it in your stare. But the way that we collide, it’s getting harder every time. Loving you is so easy. Easy when I’m down, down, down” – but Oliver delivers them quite seductively, before launching into a soaring falsetto in the chorus, adding more chills to the ones already covering my body. I love this song so much it ranks #13 on my Top 100 Best Songs of 2017 (“Wolves” was #17).

Next up is “See the Light“, yet another beautiful song from this amazing band. This track is slower in tempo and more ballad-like than their other songs, with acoustic guitar, shimmery synths and gentle percussion. The song is about a relationship that’s failed past the point of return and the desire to move on. Oliver’s heartfelt falsetto vocals are sublime as he plaintively sings the poignant lyrics: “I’ve gone missing. Something’s not alright. I don’t wanna run but I’m struggling to see the light. / Can’t you see what I’ve become? Stay away from me.”

The band closes out the EP with the rousing pop/rock banger “Fire“. The radio-friendly track features a catchy melody, pulsating synths, chiming guitars and pummeling drums that all build to an exciting crescendo in the chorus. The lyrics are a plea to someone for whom the singer has strong feelings to save him with their love and support: “Fire! I’m burning now. I really need you now. Fire! Don’t let me down. Pull me from the ashes.

Sun Again is an awesome little EP with five outstanding tracks, and a testament to Wide Eyed Boy’s impressive songwriting and musicianship. I cannot wait to hear what new songs they come up with next to dazzle our eardrums.

Connect with Wide Eyed Boy: Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  iTunes / Google Play

JAMES BAKIAN – Single Review: “Terrified”

James Bakian Terrified

James Bakian is an exceptionally talented, hard working and charismatic young singer/songwriter from London, England. He wrote his first song at the age of six, began studying piano at seven, and released his first EP By Your Side in 2016 when he was only 13. In the two years since, the prolific musician has continued recording and building a loyal fan base. He released his appropriately-named second EP Unstoppable – a really fine effort featuring six tracks – in late 2017 (which I reviewed), and so far in 2018 has released an astonishing 12 singles, the latest of which is “Terrified,” which drops today, November 23.

Now 15, James possesses a phenomenal vocal styling with a depth and maturity beyond his years. He writes all his own lyrics and music, records all the instruments, and is now even producing his songs. I’ve been following him for about two years, and it’s gratifying to watch him grow professionally and hear his vocals and music style get better and better as he matures. He was recently a Featured Artist on BBC Radio London’s BBC Introducing show, where his song “Ice Cold” was played.

“Terrified” is a lovely, soulful track, with sublime jazzy synths set to a gentle drum loop. James’ tinkling piano keys are exquisite, driving the delicate melody forward and creating a beautiful backdrop for his smooth, heartfelt vocals that speak to feeling lost, aimless and alone, without purpose or love in his life. James states that it’s “about someone going through a dark time but choosing to remember and hope for the good times, and reaching out for help.” Despite his youth, he manages to convey the sense of pain and despair expressed in the lyrics in a way that’s believable and convincing. It’s another stellar effort from James that only bolsters my belief that this talented young man has a very bright and promising future.

Connect with James:  Website / Facebook / Twitter / Instagram
Stream his music on  Spotify / Soundcloud / Apple Music
Purchase on  iTunes

DVR – EP Review: “Down”

DVR pic

DVR is a studio project by singer/songwriter and multi-instrumentalist Olav Christensen. Originally from Denmark, Olav is now based in Brooklyn, NY, and writes, records, produces and masters all his music. He’s been recording music for a number of years, and began releasing singles in 2015, and dropped his first full-length album California in 2016. That work was inspired by memories collected by Olav when he lived in Santa Monica, and was a collaborative effort with bassist/synth musician Ancelmo James.

In late July, he released a new EP Down, which he describes as “five depressing songs for the kids, guaranteed to make you feel better.” While the songs’ themes do address the down sides of love and relationships, his wonderful music is generally upbeat, having the effect of softening the raw emotions expressed in his dark, poetic lyrics.

The first track “Precious Little Time” is a lovely pop-rock ballad that seems to be about regret over past transgressions that resulted in the loss of a loving relationship. The instrumentals are a pleasing mix of acoustic, electric and slide guitars, accompanied by gentle percussion, that perfectly complement the wistful lyrics:

Precious little time makes me lose my head
It’s not that you did wrong, I’m just hanging by a thread
Running out of time and I keep slowing down
Beat and broken down, knees to the ground
I’ll send you love from the great beyond
To take the edge off breaking my bond

Low” has an edgier rock sound, with fuzzy and psychedelic guitars, heavy bass and industrial synths set to a driving beat. DVR’s electronically distorted vocals give the track a bit of a Peter Gabriel vibe. It’s a brilliant song, and probably my favorite on the EP. “Another Year” is a soulful pop-rock track with some fine, intricate electric guitar and a strong thumping drumbeat.  His smooth vocals are really nice, as are his own backing harmonies, which he very effectively uses on other tracks as well. He sings about his shortcomings and how he always fails to live up to his best intentions: “I won’t make no resolutions. There really is no point. Cause when it comes to execution I just disappoint.”

He speeds things up on “Your Shoes,” a peppy, upbeat-sounding rock song with great guitar work and decidedly dark lyrics. Spoken from the point of view of someone who’s completely cynical and emotionally dead, his words offer a bit of empathy to another who’s suffering, though from what we’re not told. His earnest, emotionally-charged vocals almost reach a falsetto level at times.

It’s a bitter pill to swallow 
But I’ve been dead for a while 
My spirit’s dull and hollow 
My soul is dark and vile
But here 
Close to the ground 
Flat on my back 
Nothing to lose 
Here 
I realize what it’s like 
To be in your shoes

On “Undetected,” DVR employs a wide assortment of rich guitar textures, and layers them over a thumping bass line and strutting drumbeat to create an uptempo backdrop for his heartfelt vocals. With a sense of sad resignation, he laments about how the object of his desire doesn’t seem to care about him:

I’d like to be on your radar
It’s my favorite place to be
But all the while, here you are
Not looking for me
I’m always undetected
As I drift across your scope
I’ll always be neglected
Here at the end of my rope

Down is a great little EP that left me wanting more from this versatile artist. Though he refers to himself as a “shitty” guitarist in his Twitter bio, I’d say he’s a pretty good one! And given his rather prolific output over the past few years, I’m sure we’ll be hearing new music from DVR soon.

Connect with DVR:  Facebook / Twitter / Instagram
Stream on Spotify
Purchase Down on Bandcamp

THE PUSS PUSS BAND – Single & Video Review: “We Should Be”

Puss Puss Band We Should Be

I’m back in Wales (having just featured Welsh band Dying Habit), this time to talk about the lovely new single “We Should Be” and it’s delightful video from The Puss Puss Band.  Based in Cardiff, and consisting of multi-instrumentalists Asa Galeozzie and Lee Pugh, the band is named for Asa’s cat Puss Puss. Both are accomplished musicians who’ve worked with numerous artists and bands in the UK and Welsh music industry over the last ten years as writers & session musicians. They perform every aspect of their music: songwriting, instrumentals, vocals, arranging, engineering, producing and mixing. Asa plays guitar, bass, percussion, piano and melodica, while Lee plays lead guitar, bass and piano, as well as sings lead vocals.

In April 2017, with help from seasoned musician John ‘Rabbit’ Bundrick, the guys released their beautiful debut album Echoes Across the Cruel Sea. I reviewed the album along with an interview with Lee, which you can read here. Over the past six months or so, they’ve been writing and recording songs for a second album, and “We Should Be” is the first single. It’s a wonderful song, delivering the pleasing jazz and folk-infused pop we’ve come to expect from these talented guys. And once again, Mr. Bundrick lends his expertise on the keyboards.

The bittersweet song is about missing someone and wishing they were back in love with you so you could be together. Layers of gently strummed guitar, crisp percussion and delicate synths create a sparkling backdrop for Lee’s smooth, breathy vocals that convey a sad resignation as he sings the poignant lyrics:

Lighted excited waiting in the rain
Two minutes ‘til I see you again
Near misses, longed for kisses
An everlasting wait
The magic word that is her name

We stole our days away
Wishing by the sea
Wrapped up in you
Wrapped up in me

The way you see the world
Is just the same
It’s just the way you feel about me that’s changed

But we should be….
We should be in love
We should be in love…
See you’re all I’m wishing on

Dying, just trying to find
The words to say
The few minutes that I’ll see you today
Near misses, longed for kisses
An everlasting wait
The tragic word that is my name

If the way you see the world
Is just the same?
Maybe there’s no need…
To hurt in vain?

Is it right?
To close up tight?
To feed this cold divide…
Between you and me?
Is it so hard to see?…
That we should be

We should be…
We should be in love…
We should be in love…
You’re all I’m wishing on
We should be….in love

The video is one of the most delightful I’ve seen in a long while. It shows a man in a cat suit (played by Lee) sitting or standing in various locations on a busy street in Cardiff, holding a large flip chart printed with words that are directed at his love interest. By and by, he walks past a busking musician (played by Asa) and throws a few pieces of dry cat food into his guitar case. I love the scenes where he’s chasing pigeons, riding the merry-go-round, and when he sits on the bench, offers some of his food to a man who politely turns him down, then proceeds to eat it out of the bowl. At the end, the busker sees him sitting forlornly on the ground next to the merry-go-round, offers his hand, and they walk off together down the street holding hands. What a sweet story, and I love both the song and video!

Connect with The Puss Puss Band:  Website / Facebook / TwitterInstagram
Stream their music on Soundcloud
Purchase on Bandcamp or iTunes

WIDE EYED BOY – Artist Spotlight & Interview

Wide Eyed Boy

Liverpool foursome Wide Eyed Boy burst onto the local music scene in early 2017 with their gorgeous debut single “Wolves,” quickly making a name for themselves throughout the UK and beyond – even here in the Coachella Valley of Southern California where yours truly resides. They followed up in July with another magnificent single “Loving You is So Easy.” I loved both songs so much I featured them on this blog, and both reached #1 on my Weekly Top 20. “Wolves” ended up at #17 and “Loving You is So Easy” at #13 on my 100 Best Songs of 2017.

Wide Eyed Boy is comprised of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitars, keyboards) and Tom Taylor (Drums). In March, they dropped their third single “Sun Again,” another stellar track that provides further proof they’re a band of exceptional songwriting talent and musicianship. The exuberant track opens strong with roiling riffs of fuzzy guitars, propelled by Tom’s hammering drums and a cascade of crashing cymbals. Oliver’s smooth, clear vocals are dazzling as always, soaring along with the instrumentals as they build to a goosebump-inducing crescendo. Regarding the song, the band states: “It’s about escape. Breaking out of that vicious cycle of mundane life and getting back that sense of freedom to go do whatever the hell you want.”

I’d like to say that I ‘sat down with’ the band for a conversation – which I would absolutely love to do! – but, given the fact we’re 6,000 miles apart, we conducted our interview over the internet. Fortunately, all four band members took time to respond to my questions.

EML: Hello guys, I’m honored to have the opportunity to interview you! As you know, I’ve been a huge fan of yours since I first heard “Wolves.” I think you’re one of the best indie bands in the UK, if not the world! I already know a bit about you – that you all met at the Liverpool Institute for Performing Arts (LIPA), became friends and eventually formed a band. Also, you went to Budapest, Hungary in 2016 to write songs. What prompted you to decide to go to Budapest? Did you feel you’d have more inspiration for your songwriting there, rather than in Liverpool, and if so, why?

Jonny:  Thanks for having us! Yeah that’s how it all started. We’ve written a lot of music in Liverpool so Budapest was an opportunity to go somewhere completely different, have some fun, get sunstroke and gain some inspiration from a new environment. As Oli’s family are originally from Hungary they still have a house  in the country which is what gave us the chance to go over and make some noise for a couple of weeks.

EML: Is your songwriting a collaborative process that each of you take a roughly equal part in? Or do certain band members take greater responsibility for writing lyrics and/or music?

Kobi:  Our songwriting is definitely a collaborative process! Most of the time Jonny, Tom and I will have more of an influence on the music/arrangement side of things and Oli writes the main melodies and harmony and lays down the bare bones of lyrics. But the cool thing is, at the end of it, we sit down and go through all the ideas Oli has and we finish the lyrics off together to get some sort of finalised song. Collaboration is the only way to make music great!

EML: I don’t know your ages, but you all exhibit a real maturity in your songwriting, both in terms of compelling lyrics and your gorgeous melodies, not to mention your amazing musicianship. Were any of you active musicians or play in other bands prior to attending LIPA?

Tom: We all played in bands before we went to LIPA. It’s what we loved to do, I started my first band back at school. I remember we got all of our mates to come down to the local pub and we played a gig, I think we only had two songs so the rest we just played covers. So yeah we all played loads of music before WIDE EYED BOY I’m sure if you asked we still all remember our first gig but that’s another question.

EML: Oliver, you have an incredible voice, which I’m guessing is a natural gift to a large degree. Did you have formal vocal training while growing up or at LIPA?

Ollie: Thank you for the compliment. I had one to one singing lessons at LIPA and I also had training in Germany years ago. Obviously it did always come natural to me and I started singing professionally at the age of 10 but after my voice broke I felt like I needed to relearn how to use my voice properly.

EML: Your songs are really magnificent, with expansive instrumentation and arrangements that transcend mere pop and rock. What and/or who are some of the influences for your sound and songwriting?

Tom: In WIDE EYED BOY we are each influenced by so many different bands but its good really as it means when we’re travelling we have loads of different tunes on in the car. We all agree on Oasis and RHCP, but coming from a city like Liverpool there are so many bands that we’ve been watching for years like Clean Cut Kid and The Wombats. We’ve also been lucky to go on tour with Feeder and The Rifles and we learnt loads from them. There’s too many to list really.

EML:  I already love your latest single “Sun Again,” which you formally released on March 9th, but I saw a video of you performing an acoustic version of it a year ago on Liverpool Noise. I’m assuming it’s one of the many songs you wrote while in Budapest. I’m curious as to why you are periodically releasing singles, rather than an EP or album, given that you’ve already written enough songs for a full album? And when do you plan on releasing a full album?

Jonny: Thank you very much, Sun Again was actually one of the first songs we wrote as a band and was an idea around for a while that we’re really glad we finished and recorded. We’re still a really new band so releasing singles just made a lot of sense to us at this point although there’s no doubt bigger bodies of work will be coming sometime soon.

EML: Despite releasing only a few singles, you’ve managed to quickly build quite a large following, which has to be incredibly gratifying. Has your seemingly overnight success been a surprise, and do you feel any pressure to keep upping your game?

Ollie: It truly feels amazing when the crowd sings along to our songs because it shows that we actually managed to reach people. I wouldn’t personally call it an overnight success because if you are so closely involved in a project you don’t even realise how it’s growing. However, we do obviously notice the positive resonance and all we can do is to try our best, and release music we are very proud of.

EML:  I see this question asked by a lot of interviewers, but I’m gonna ask it anyway LOL. In addition to what we’ve already discussed, are there any other things about you or your music I neglected to ask that you’d like your fans to know?

Kobi: Haha, if you’re wondering if we have any new songs coming soon…we have LOTS of new material we have been working on…that’s all I can say at the moment but they’re very exciting, not going to spoil anything (I’m terrible at secrets).

Here’s a fun fact, our band name Wide Eyed Boy is actually someone…a human in this world (alive)…I’ll let people figure it out!

Have a listen to their songs and I’m confident you’ll agree that they’re pretty amazing.

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Stream their music:  SpotifySoundcloud
Purchase:  iTunes / Google Play