SHADOW OF EVEREST – Album Review: “The Hunting Ground”

Shadow of Everest album art

Shadow of Everest is a Canadian progressive groove metal band hailing from the beautiful city of Halifax, Nova Scotia. (I recently featured another Nova Scotia artist, singer/songwriter Guy Paul Thibault.) Formed in 2014, the band’s line-up includes guitarist/vocalist John Vriend, bassist Shaun Cowell, guitarist Andew Welsman and drummer Matt Burton. Influenced by some of their favorite hard rock bands Led Zeppelin, Black Sabbath, Machine Head, Mastodon, Tool and Karnivool, they play an arresting and innovative style of metal rock, featuring intelligent lyrics penned by Vriend and delivered with unconventional melodies, wicked riffs, driving bass lines and pummeling drums.

Shadow of Everest2

They released an impressive debut album Idle Hands in 2017, and this past March, dropped their sophomore album The Hunting Ground, which I’m reviewing today. As the album’s title suggests, the songs generally speak to the darker, feral nature inherent in each of us to some degree. Similar to their first album, The Hunting Ground opens with an intriguing instrumental track “Umm al-Maa”. Wondering what it might mean, I did a Google search and found it translates to “mother of water” in Berber Arabic, and is also the name of one of several lake oases in the Idehan Ubari Sand Sea located in the Sahara Desert of southwestern Libya. The music on this brief track consists of strummed guitar, delicate piano keys and what I’m guessing to be a cello, accompanied by sounds of wind and water that beautifully convey the sense of mystery and wonder of a remote oasis. The dark irony is that the water in these oases is too salty to drink. John commented “Imagine being lost in the desert and finding that oasis, and then drinking the salty water would be your demise.

They next launch into “Fifty Four”, serving up chugging riffs of gnarly guitars over a foundation of buzzing bass and hammering drumbeats, and punctuated by flourishes of distortion. Vriend’s commanding vocals express a raw urgency as he sings about feelings of hopelessness and ennui: “Substituting for a lack of stimulation. Seeking out the offspring of my mind. Beneath consciousness there’s desperation that fits nicely into my design.” The title track “The Hunting Ground” at first sounds almost like a continuation of “Fifty Four”, with a similar melody and chord progression, but the killer guitar solos in the bridge and outro turn it into an especially satisfying track. Vriend passionately sings the lyrics that seem to speak to the age-old notion of survival of the fittest – ‘kill or be killed”: “Hear that wild call. Smoke them out. Rise or fall. Become what you fear.”

Here’s a great video of the guys performing the song live.

One of the highlights of the album for me is the gorgeous “We Are Wrong”. I usually like when metal and hard rock bands show their softer side with a slow ballad, and Shadow of Everest are no exception here. I love the haunting melody, outstanding guitar work, and especially the sublime vocal harmonies of Vriend and guest singer Erin Crosby. Guest musician Lex Coulstring played keyboards on this lovely track. The message expressed in the lyrics seem to be that “ignorance is bliss”: “And the moments became too many. Time keeps passing on. One day we understand. The next day we are wrong.”

“Castle in the Sky” is hard-driving metal rock at its finest, with rock’n’roll overtones and more of the raging guitars this band so nicely delivers.  This song seems to be about needing to be rescued from a life of degradation and despair: “Couldn’t see the splendor from the underground. There was no will to satisfy. Pull me out of the loss and the ruin. Those broken pieces will build our castle in the sky.” The aptly-named “Dark Spiral” dives deeper into progressive metal, with interesting melodic transitions and greater use of dissonance in the song structure, not to mention fearsome riffs and Cowell’s crushing bass. Vriend’s impassioned vocals are almost chilling as he wails “How does it feel to be spinning on a tangible wave of magnificence? As an ignorant drone, completely unaware and obsessed with your own insignificance.”

The guys unleash their sonic fury on “Ravenman”, the most metal-esque (is that a word?) track on the album and another one of its highlights. It’s a monumental six minute, 49-second-long tour de force of rampaging riffs, buzzsaw bass and Burton’s speaker-blowing drums.  The hardcore backing vocals are sung by Lex Coulstring. Thought I’m not certain, my take is that ‘Ravenman’ represents the devil, or at least the inherent evil that each of us is capable of: “I know the nightmares, what they mean. What you should fear, the shadows in your head, the violence in your hand. Be not a patron to the failures of the damned.” It’s a fantastic song.

They close things out with “The River”, another epic track that seems to be about the end of the world: “The earth is parting and the vultures fly. Statues crumble while the pharaohs die. What glory lies beyond the river’s flow? We’re unaware how far this shadow goes.” As always, Vriend and Welsman deliver scorching riffs while Cowell and Burton confidently maintain the aggressive rhythm section. It’s a strong finish to a solid album of heavy hitters. The guys are all highly accomplished musicians who now have two outstanding albums on their impressive resume. I trust we’ll be hearing more great music from them in the future.

Connect with Shadow of Everest:  Facebook / Twitter / Instagram
Stream their music on  Spotify
Purchase on  Bandcamp / iTunes / Google Play

OCTOBERS – EP Review: “Summer Waste”

Octobers EP

Octobers is an alternative/dream pop/postpunk band from British Columbia, Canada who formed in 2015. Comprising the band are brothers Nick and Joel Ellsay (guitar, synths, vocals), Hayden Shea (drums) and Liam Rhynolds (bass). They released their excellent debut Misfits EP that same year to positive reviews, also garnering airplay on indie and college radio stations throughout Canada and the U.S. The band went on a brief hiatus in 2017 after a few major life changes, but are now back and better than ever with a new EP Summer Waste.

The EP kicks off with the sunny and upbeat “California“. The song opens with a blast of drumbeats, then settles into a pleasing soundscape of chiming guitars, sparkling synths and a humming bassline that evokes images of a summer day at the beach. The pace quickens in the choruses with an exuberant jangly guitar solo and pummeling drums. The song lyrics seem to have dual meaning, with the singer possibly expressing his love for both ‘California’ a girl and the state: “Hey California. Something about ya. You are the sweetest sound. California, always did love ya. You’re the summer all year round.”

Sunshine” has the singer pondering the love that brightens his world: “Are you my sunshine? Are you my starry sky? Are you these glowing lights, cause you burn so bright.” I love the thunderous jangly guitars and percussion, and the Ellsay brothers’ vocal harmonies are really marvelous. The sunny vibes turn darker with “Be Still“, a heartfelt plea to a loved one to try and meet him halfway, and salvage their damaged relationship: “Just be still, don’t say a word, cause you’ve been talking all your life. The tables turned, now tell me what that feels like. / Lay down your gloves, I don’t wanna fight.” Once again, the guitar work is fantastic, and the rhythm section nicely complements with pulsating bass, thumping drumbeats, and lots of crashing cymbals.

Summer Waste ends on a positive note with “Higher“, a jubilant anthem about not giving up, and reaching as high as you can to reach your goals: “Once you start you never can stop. You go higher and higher and higher. Oh yeah!” Their jangly guitars on this track sound a bit like The Cure, which is never a bad thing. Overall, it’s a terrific little EP, with a title that could be misleading as it’s anything but a waste. The lyrics, while not necessarily deep, are honest and heartfelt, and the instrumentals are all outstanding, as are Nick and Joel’s sublime harmonies. Nicely done guys!

Connect with Octobers:  Facebook /  Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes

WESTERN JAGUAR – Single Review: “Disappear”

western jaguar disappear

Western Jaguar is an alternative indie rock band I’ve followed awhile, and I absolutely love their music. Hailing from the picturesque Fraser River Valley of British Columbia, Canada east of Vancouver, they combine the best elements of alternative rock and dream pop to create beautifully moving and memorable soundscapes they describe as “sad indie rock”. Like many bands, they’ve recently undergone a number of changes in personnel, and the current lineup consists of Jeffrey Trainor (lead vocals/guitar), AJ Buckley (guitar), Davis Zand (bass) and Dave Montgomery (drums).

They’ve dropped a number of stellar releases, starting with their debut EP Glacia in 2013, then followed two years later with the album Wayfarer, and a second EP Memorial in 2017, and I’m proud to say I own them all. (The guys have generously made their music available for a reasonable sum on their Bandcamp account, so do check it out.) In September 2018 they released a hauntingly beautiful single “Darker Days”, and started off 2019 by dropping a gorgeous new single “Disappear.” The exuberant song has more of a pop-rock feel than most of their other songs, but still features the signature reverb-heavy guitars, throbbing bass and high-voltage percussion we’ve come to love about their music.

About the song, Jeff Trainor explains: “The overall theme of the single centrally focuses on changes that have occurred in our band. Over the past year we ended up losing a few band members and having some changes to our lineup. It happens over time with a band, but I saw this as an opportunity to get into the head space of change. Through “Disappear,” I wrote about the perspective of this change as a sense of relief. In some occasions, losing someone or something can end up freeing you in a lot of ways. The song deals with the struggle of cutting that weight loose, but also the feeling of making that negativity disappear once and for all. Musically, it’s the most pop friendly track we have in our repertoire, but with that being said, we still [believe] the feel and style of it connects to some of our biggest inspirations such as bands like Foals, Catfish and The Bottlemen and Modest Mouse.

The song is fantastic, with a bold, complex melody that grabs and holds our attention from start to finish, and the instrumentals are stunning. The guys employ layer upon layer of richly-textured guitars, delivering a glorious and powerful mix of fuzzy, jangly and chiming riffs that bring chills. The throbbing bass and sparkling synths are perfectly balanced with the muscular drums that give heft to the track while still allowing the guitars to shine. And I especially love the little Foals-inspired riff in the bridge (being a massive Foals fan myself). Trainor’s vocals have an earnest vulnerability that’s really wonderful as he sings to someone for whom he no longer has strong feelings: “I just needed reason to stay. But you were gone. What was I supposed to do? There’s nothing left here for you. I’ll make you disappear.”

The stylishly-filmed video shows three of the charismatic band members performing the song in a chilly interior setting, as evidenced by the steam emitting from their mouths.

Connect with Western Jaguar:  Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Soundcloud
Purchase on Bandcamp / iTunes

REBELLE – EP Review: “Hide”

Rebelle Album

Followers of my blog know I like featuring indie artists and bands, as I want to give them exposure and help them gain new fans. Another recent find is REBELLE, a wonderful band from Quebec, Canada who describe themselves as “Filthy with a beat, but really, really sweet.” Their melodic, aggressive sound immediately grabbed my attention and had me returning to their music again and again.

Based in Wakefield, a small town 20 minutes north of Ottawa, REBELLE consists of siblings David (guitar, lead vocals) and Rylee Taggart (synths, backing vocals), Ryan Wiles (bass, guitar, backing vocals), and Joey Kane (drums). In November 2017 they released their debut EP Hide, featuring three fantastic tracks.

Rebelle2

The title track “Hide” opens with Rylee’s sharp, menacing synths, then a scratchy guitar riff takes over, backed by Ryan’s throbbing bass line and Joey’s pounding drums. The tempo is broken at intervals by a screeching guitar, followed by an assault of David’s shredded and distorted riffs in the chorus and outro. His vocal gymnastics are quite amazing, going from smoldering to falsetto as he snarls the lyrics warning someone who’s deceived him: “Hide your head in the sand and stay out of my sight I told you. You’re walking into trouble. Cause I’m a creature lurking in the night, I’m behind you. You better run and hide.

Shoot Me Down” really showcases the band’s skill at writing great melodies, as well as their strong musicianship. The guitar work on this track is stunning, and once again, David’s vocals are sublime. But it’s on the third track “The Rapture” that REBELLE really show us what they can do. Blistering riffs of gritty guitars, heavy bass and tumultuous percussion set the tone for the hard-hitting song. David defiantly challenges those stoking fear of  impending apocalypse: “They say today we better change our ways. Won’t make it through tomorrow. There ain’t no other fate. No no, hey hey, this ain’t gonna ruin my day.” The music explodes as David wails “So you call this the rapture!” There’s some tasty guitar noodling in the bridge, followed by a reprise of the scorching instrumentals. The sharp, otherworldly synths that opened “Hide” close out “The Rapture,” bringing this marvelous little EP full circle. Though it’s short, the three songs sure pack a punch. My only criticism is that I wish there were more of them!

They’ve just released a dark new video for “The Rapture,” containing footage from the 1924 German silent film Die Niebelungen: Siegfried. David told the webzine Soundfiction that “The Rapture is weird and ambiguous, but suggestive. Mildly post apocalyptic, yet medieval.” Have a look:

I love REBELLE’s music and hope they bless us with more songs very soon. To learn more about them, check out their Website

For those of you in far eastern Canada, you can see them play at the following shows:

FEB 1
Quebec, QC, Canada
FEB 2
Fri 10 PM UTC-04 · by Rebelle
Halifax, NS, Canada
FEB 3
Sat 9:30 PM UTC-04 · by Rebelle
Moncton, NB, Canada
FEB 4
Sun 8 PM UTC-04 · by Rebelle
Charlottetown, PE, Canada
MAR 3
Gatineau, QC, Canada

Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud  / Apple Music
Purchase on Bandcamp / iTunes

Single Review: MIDDAY SWIM – “Hold On Tight”

Toronto, Ontario, Canada has a thriving music scene, and I’ve featured a good number of artists and bands based there on this blog. Indie dream pop-rock band Midday Swim is my most recent find, and I’m happy to feature their gorgeous new single “Hold on Tight.” The band combines exceptional, multi-layered guitar work, smooth keyboards, superb percussion and lush vocals to create music that’s both dynamic and sublime.

Midday Swim consists of five seasoned musicians: David Mitchell (lead vocals, guitars), Stephan Ermel (keyboards, vocals), Sebastian Shinwell (guitar, vocals), Craig Saltz (bass, vocals) and Max Trefler (drums). Several were previously involved with other bands, while Saltz has scored music for over 30 films, and Ermel is a classically-trained pianist who’s performed a number of one man shows. They formed as a band in 2014 and a year later released their self-titled debut EP Midday Swim, which is excellent and I highly recommend my readers check it out. 

They’ve now recorded new music for their follow-up EP Climbing Out of Caves, due out later this year. “Hold on Tight,” recently released on May 4, is the first single from that EP.

Midday Swim

The bittersweet song is a plea for a loved one not to give up on a relationship by recalling poignant memories of their youth. With heartfelt vulnerability in his lovely vocals, Mitchell sings: “Hold on tight to me, can you reach before our boat goes down? All that time while we were sinking, I thought of what you meant when you said lets behave like we were those bear cubs climbing out of caves like we were made for this./ You better find your way home.”

Musically, the song features beautiful jangly guitars, backed by warm synths and lots of crashing cymbals. Delicate keyboards can be heard throughout, and at the bridge, we’re treated to a brief but tasty shredded guitar solo. Mitchell’s soothing vocals are backed up by sweet harmonic choruses.

For the clever, beautifully-filmed video, the band and director Pedja Milosavlijevic found inspiration from films like The Secret Life of Walter Mitty, Pulp Fiction, and The Grand Budapest Hotel, with their intrigue and crazy plot twists. Both the song and video aim to capture the spirit of childhood, with the main character on an adventure into the mountains, carrying his red suitcase and escaping a bear. He ultimately ends up back with his other band mates, whereupon they all jump into the opened suitcase.

To learn more about Midday Swim, check out their website.

Follow them on Facebook /  Twitter /  Instagram
Stream their music:  Spotify /  Soundcloud /  YouTube
Purchase:  iTunes /  Amazon

Song Review: MAD MACHINES – “Once I Was a Lion”

Mad Machines is a five-piece band based in Toronto, Canada. Their high-energy music melds elements of Hard Rock, Funk, Punk-Noir and Dream Pop – with a bit of Disco thrown in just to mix things up – and their lyrics are always entertaining. They released an excellent debut EP Re-Humanizer in January 2016 (which I highly recommend my readers check out), and in March dropped a fun new single “Once I Was A Lion.

Mad Machines

The band line-up includes Jordan Lassalle (Lead Vocals, Guitar), Raymond Cara (Drums, Percussives, Backing Vocals), Jordan Quinn (Keyboards, FX, Backing Vocals), Neil Culbert (Guitars, Backing Vocals) and Joseph Slegtenhorst (Bass).

Regarding the backstory for the song, Lassalle explained: “Once I Was A Lion is a strange departure of a song for us; it was actually initially inspired by Disney’s The Lion King. I woke up one day with one of the songs from that film in my head and it got me to thinking something along the lines of, ‘what if Simba turned out to be a fuck-up drunkard of a king? Wouldn’t that be funny!’ Since then, the song has evolved; I found myself also writing a reflection piece on how at some point or another, we all feel like kings and queens of our respective kingdoms. It’s a feel-good tune and a real fun pop-rocker to play.

Indeed it would be, as it’s all that and more. The infectiously catchy song kicks off with a distorted guitar solo, then things bust wide open with crashing drums, heavy buzzing bass and lots of killer bluesy riffs. The guys are terrific musicians! Lassalle’s vocals are wonderful, occasionally soaring into a pleasing falsetto, and backed by his band mates’ harmonizing choruses. He croons the tongue-in-cheek lyrics that can’t help but put a big smile on your face:

Once I was a lion, yeah once I was king, crushing my problems between my teeth. Ruler of my kingdom with an iron paw. Rolling through the jungle like an atom bomb. All the lady lions used to stop and stare, hoping I would try and take ’em to my lair. Once I was a lion and life was sweet, until she came and took that crown away from me. / They took my fangs, they took my claws. / And I’m the king of the jungle baby. At least I was before.

Listen to “Once I Was A Lion” here:  Soundcloud

Connect with Mad Machines:  Facebook /  Twitter /  Instagram

Purchase their music on Bandcamp

Album Review: MUDD – “Look What I Found in Your Mom’s Top Drawer”

MUDD is a young pop-punk rock band from Kingston, Ontario, Canada. And by ‘young’ I mean young! The three band members are all just 16 years old and still in high school. They are:  Seth Hunt on lead vocals & guitar, Reilly Clark on bass & backing vocals, and Devin Pierce on drums & backing vocals. And even at their young ages, the guys already have a long history with music. According to their bio, Seth has been playing guitar since he was seven, Reilly started playing bass at the age of ten, and Devin has hit the drums since the age of seven. They formed as the band MUDD in 2014, and released their first full-length self-produced album on Bandcamp this past February.

MUDD

They recently approached me about reviewing their album and, upon seeing its title – Look What I Found In Your Mom’s Top Drawer – I had to say yes! Besides, I was impressed by their earnest belief in themselves, plus the fact they produced their own album and put themselves out there. The album features nine zany tracks that incorporate elements of punk, pop and garage rock into a wild stew of fun and crazy tunes about girls, sex and teenage angst that one would expect from 16-year-olds. The tracks are unmastered, so have a raw, unfinished quality that makes them sound essentially like live recordings, and it’s clear the guys had a blast recording them.

On tracks like “Twitch,” “SOB,” the electronic “Interlude (Not Today TM),” “Going Nowhere Fast” and “I Don’t Wanna Go Home,” the guys show off their skills on their respective instruments. Lots of shredded guitars and frantic drumming are on display, making for some real head bangers guaranteed to get the party started and keep the energy flowing at high speed. Their vocals are a bit weak, but I think that’s mostly due to their young age. Their voices haven’t yet fully developed, and will likely improve as they grow, both in age and experience.

Some of their lyrics are hilarious. On “Interlude (Not Today TM),” Seth sings “This unicorn fell upon me, as it raced toward me with its horn, driving it towards my anus. I clenched my anus as I blocked the horn and I said ‘Not today.’ And then, I took out my sword of Avalon once again…” On “Japananoque,” the guys seem to just be fooling around, laying down some frenetic riffs as they sing “The women are fine, the women are fine, the women are fine everywhere.  They are not greasy, they’re very pretty. Japananoque. Suck on my cockque.

The guys can get serious too. “Where Are You” speaks to missing a lost love after a broken relationship. “I toss and turn, thinking about you sleeping in my bed. Old memories return and pictures they burn, except for the evidence of you in my bed. Where are you, and why can’t I see clearly now?”

Track listing:

  1. Twitch
  2. No Looking Back
  3. Where Are You?
  4. SOB
  5. Interlude (Not Today TM)
  6. Punk Rock Chick
  7. Going Nowhere Fast
  8. I Don’t Wanna Go Home
  9. Japananoque

https://mudd3.bandcamp.com/album/look-what-i-found-in-your-moms-top-drawer

MUDD’s songs are only available on Bandcamp at this time, and they don’t yet have any YouTube videos.  They’re currently in the process of recording a new EP with the provocative title No Peeing In The Pool. It should be another head banger! Connect with MUDD on Facebook and stream or download their EP on Bandcamp.

Artist Spotlight: THE ELEGANT DEVILS

Elegant Devils

I’ve been featuring quite a few artists and bands from Canada recently, and The Elegant Devils are the latest. The talented four-piece rock band hails from Ottawa, Ontario and, like many bands, has experienced some personnel changes over time. Their current line-up includes Drew James (lead vocals, guitar), Rob Frank (drums/vocals), Josh West (guitar), & Josh Barkley (bass/vocals). They’re all seasoned musicians with divergent backgrounds, and each of them embrace their unique individual styles while coming together to create some really fine rock music that’s intelligent, powerful and often fun.

The Elegant Devils recorded their debut EP Guilty Pleasure in 2015, followed a year later by a five-track EP Live at Zaphod’s that contained some tracks from Guilty Pleasure along with a few new ones.  Their songs range from hard-driving rock to poignant ballads, and always with deeply compelling lyrics that speak to the complexities of life, love and relationships. These guys write from their own experiences and, as a result, their songs come off all the more personal and heartfelt. In addition, their arrangements, instrumentation and production values are all first-rate.

Their strong musicianship is vividly apparent on all their songs, but especially shines when they really get rocking. On their harder rock tracks “Lie With Me,” “Divebomb” and “Loaded Gun,” they coax some amazingly intricate and formidable riffs from their guitars, while Josh Barkley lays down some heavy thumping bass lines and Rob keeps the pace with his assertive drums and crashing cymbals. Drew’s powerful vocals are always delivered with raw emotion, whether he’s expressing anger, pain or loving devotion.

“Divebomb” in particular is a real head-banger and one of my favorites. The thunderous shredded guitars are scorching hot, and when combined with powerful buzzing bass and pounding drums, nearly succeed in blowing out the speakers. “Loaded Gun” – a rock bombardment packed into a mere two minutes that fully lives up to its title – is also pretty awesome, but then, so are all their songs!

The band shows its softer, more romantic side with the gorgeous love ballad “Amaranthine,” about which the band states “We cracked open the heart of a devil and found a love song – a song written as a message to the person you love most in the world.

In an interview with Jacqueline Jax on A.V.A. Live Radio, Drew explained the origin for Amaranthine:  “[It] is as pure a love song as you can get. It was written as a wedding gift for one of my very best friends. He asked me to perform it at the wedding itself, and they had their first dance to the song. It was written at a time when I had almost given up finding a happy ending for myself. I had just been through a really bad break-up and while I was going through it, I was so happy to see that my friend and his wife were able to find something so…solid. So inspiring. I wrote Amaranthine to tell them how proud I was of them finding love, how scary it must have been for them to commit completely to another person, and to say thank you to them for giving me a reason to still believe in love when I had given up on it myself. Thankfully, the hope they gave me tided me over until I found my own Amaranthine. And so now, every time I sing it, I sing that song as much for her as I do for them.

Take a listen to this beautiful track:

The Elegant Devils are in the process of writing and recording more songs for what will be a full-length album to be released later this year. In the meantime, check out their website, connect with them on Facebook,  Twitter and Instagram, and subscribe to their YouTube channel where you can watch their weekly sessions. Stream their music on Soundcloud,  Reverbnation or  Spotify, and purchase it on iTunes.

Album Review: The Autumn Stones – “Escapists”

I stumbled upon the Canadian band The Autumn Stones a while back on Twitter, so had to check out their music. I was immediately struck by their amazingly compelling sound that’s retro, yet fresh, with an 80’s vibe. Perhaps it’s the lively sax that’s heavily featured in their songs, or the fact that they seem to channel The Smiths or Blow Monkeys a bit in their style, but their music is definitely current.

Formed in 2009, The Autumn Stones have been though several personnel changes – not uncommon with bands – and are now comprised of Ciaran Megahey (vocals, lead guitar), Gary Butler (saxophones, guitar) and Marcus Tamm (bass). Their sophomore album Escapists dropped in July 2015, four years after their excellent debut album Companions of the Flame.  (Michael Newton played bass and Matthew McLaughlin hit the drums on Escapists, but have since left the band.)

According to Megahey in an interview for the website Pop Matters, “Lyrically, Escapists is a celebration of life, love and liberty. It’s also a flick to the nose of naughty faith-based ideologies.  Although that may sound super-heavy and serious, we aren’t delivering sermons—just trying to give people a compelling listening experience.”  He added that the addition of saxophonist Butler gives their songs on Escapists more character and nuance.

Regarding that amazing sax, Butler explained to The Quietus, “Our sound is the sum of many parts. We’re very early-alt rock influenced but at the same time we keep our feet firmly planted in modern subgenres, especially dream pop.”

Three singles included on the album were released in 2014, prior to the album’s launch a year later. The first, “End of Faith,” is brilliant. The subtle yet topically relevant lyrics – “This is the end of faith/the poisonous talk enslaved/freedom at last/chains of the past/what took so long to write this song,” – are expressed through Megahey’s smoldering vocals, and empowered by gorgeous, throbbing guitars reminiscent of Johnny Marr’s jangly riffs in “How Soon is Now?”, plus Butler’s assertive, wailing saxophone.


Their most recently-released single “Endless War” has a catchy, uptempo melody. The combination of both shredded and gentle guitars, punctuated by rapid-paced sax, contrast with the song’s darker lyrics “Gotta endless war on our hands.”

One of my favorite tracks on the album, “Time Is a River,” has a mellower, jazzy vibe, with nimble guitar riffs and funky sax that still manage to keep the energy level high.

“In With the Out Crowd” and “Dark Age” keep the jazzy energy flowing, while the track “Sweet Libertine” slows things down to a languid pace with acoustic guitar and mellow sax. The beguiling “Ooh La La,” another of my favorites, seems to channel early 80’s Smokey Robinson, as does “Creatures,” with their gentle, jangly guitar and wobbly sax.
You can learn more about the Autumn Stones on their website. Follow them on Twitter and listen to their music on Soundcloud or Spotify, or purchase on itunes.
A special thanks to Alison Waddell for the use of her photo.