CLINT SLATE & IONA JAMES – EP Review: “The Silent Sea”

Sometimes the best things are born of chance encounters, and that’s exactly the case with the new EP The Silent Sea, a collaboration between French artist Clint Slate and Scottish singer-songwriter Iona James. Coming from different worlds, the two met serendipitously in early 2021 after entering a songwriting competition hosted by a radio station. The two hit it off professionally, and decided to write songs and record them together. The four-track EP The Silent Sea is their first in a series of planned releases.

For a bit of background, Clint Slate is the musical alter-ego of French singer-songwriter and multi-instrumentalist Gregg Michel. Based in Paris, the versatile fellow has been involved in numerous projects as a singer, musician and actor over the years, and created Clint Slate (a variation of ‘clean slate’) in 2015 to further explore a more experimental side. He’s released three albums, beginning with this debut work Before the Dark, an exploration of his feelings of grief and loss after the death of his father. He followed in 2017 with his exquisite second album Woodn Bones, which was recorded in a single take and premiered in a live performance on the internet with a full band plus choir in a theatre. This past January, he dropped his third album Dragons, an innovative and imaginative genre-blended work inspired by his love of David Bowie’s album Earthling, which was itself based on the idea of a ‘cadavre exquis musical’ (or ‘exquisite musical corpse’). The brilliant album was created virtually and remotely, with the help of two other musicians, bassist Francesco Arzani and drummer Louison Collet. You can read my review of Dragons here.

Iona James is a nurse from Scotland with a life-long love of music. As a young child, she’d sing along with her mum to songs by the Bee Gees, Jackson 5 and Cyndi Lauper, then learned to appreciate classical music while playing in her school band. She later grew to love such diverse acts as Nirvana, Enya and The Cranberries, and began writing her own songs while learning to play guitar. She eventually joined the army and became a nurse, but continued to feed her passion for music by writing songs in secret. Iona made an attempt to satisfy her craving to be involved in music by joining the Scottish military wives’ choir, but it was her father-in-law urging her to do something she loved that finally compelled her to take a songwriting course. Meanwhile, working as a nurse during the pandemic brought anxiety, stress and dread, causing insomnia for her. She found solace in writing songs, and made a new year’s resolution to record one of them, which led to the release of her first single “To the Moon” this past January.

The first track “No Way Out” was released in advance of The Silent Sea on May 24th. The song opens with shimmery strummed guitar chords backed by spooky ethereal synths and handclaps, then Iona’s lovely vocals enter, accompanied by a warm bassline. Her vocals are soon joined by Clint’s as the music expands into a luxurious, moody soundscape, punctuated by jangly guitar and enchanting keyboards. The interplay between Iona and Clint’s vocals is really wonderful as they complement and play off each other in perfect harmony. The powerful lyrics seem to touch on dealing with personal demons and regrets over past mistakes: “Stranded alone, alone in the crowd. Prisoner in my own head. Can’t seem to find my way out. This haunted memory, merry go round. Grasping the last piece of straw. Can’t take this no more.” It’s beautiful and haunting, and I think it’s my favorite song on the EP.

On the captivating “Believe“, the two admonish us to not live in the past or fall prey to all the noise we’re bombarded with on a daily basis, but to instead remain cognizant of that which is good and meaningful in our lives: “Be free of what you see In the fake news you read. When your heart controls your mind. Embrace what you have, not what you had.” The song is really lovely, with a gentle melody built around watery chiming guitars and delicate percussive sounds. Clint’s vocals sound a lot like Bono’s here (he in fact performs as Bono in a U2 tribute band), and once again, he harmonizes beautifully with Iona’s clear, resonant vocals.

Tell Me Now” is a pleasing folk-pop song, with an opening guitar riff that sounds a bit like that in the 1978 hit “Reminiscing” by the Little River Band. The sunny, upbeat melody contrasts with the simple, bittersweet lyrics spoken between a couple coming to terms with the fact their relationship appears broken beyond repair: “Loving you was easy, but loving you could be so damn hard. I didn’t know trying to hold on would tear us apart.” “The Ticking Tide” is the longest and most musically complex of the four tracks, starting off with quirky synths that are replaced by a piano driven melody, which gradually evolves into more of a rock feel with urgent guitars and heavier percussion. Lyrically, the song touches on the relentless passage of time, and our powerlessness in its wake. Everything that’s happened in our past continues to shape who we are going forward, but we cannot let those things imprison us: “The ticking tide, waits for no one. Tomorrow is today. The ticking tide it tempts me, I’m drifting away. The ticking tide one day will set me free. Time is an ocean. We’re helpless, but time is in motion, forging us.

The Silent Sea is a lovely little EP, and a fine debut effort by this talented duo. Iona and Clint are both great songwriters and vocalists in their own right, and their combined efforts have paid off nicely in the creation of these wonderful songs.

The special edition includes the EP, four alternate versions called ‘The Naked Sea’, a Radio Edit for ‘The Ticking Tide’ and the digital booklet.

Follow Clint:  Facebook / Twitter / Instagram

Stream his music:  Spotify / Soundcloud / Apple Music

Purchase:  Bandcamp / Amazon

Follow Iona:  FacebookTwitterInstagram

Stream her music:  SpotifyApple Music 

7 thoughts on “CLINT SLATE & IONA JAMES – EP Review: “The Silent Sea”

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