JADED JANE – Artist Spotlight & Interview

I’ve commented previously on this blog about my continual amazement at the sheer magnitude of enormously talented musicians around today who are creating incredible music. In such a seemingly overcrowded industry, it’s inevitable that so many of these musicians and bands struggle to get their music heard, despite the ready availability of a staggering amount of it that’s free for the taking (which as we all know is another entire set of issues). That’s where music bloggers like myself come in, writing about indie artists we like and helping to spread the word about their music and hopefully gain them a few more followers and fans. With that in mind, today I have the pleasure of introducing to my readers the remarkably talented and undeniably charismatic Olsson brothers Axel and Adam who call themselves Jaded Jane.

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Originally from Gothenburg, Sweden, but now split between Gothenburg and Glasgow, Jaded Jane seeks to celebrate humanity and diversity through their music, writing compelling songs with positive, life-affirming lyrics. Drawing upon a wide range of influences such as pop, rock, soul, R&B and hip-hop, they create beautiful, piano-driven melodies and lush soundscapes. Since 2015 they’ve produced four excellent albums, and are now recording their fifth, due for release later this year. I reached out to Jaded Jane to talk about themselves and their music, and was happy Axel agreed to share some of their story.

EML:  Hello Axel. Thank you for agreeing to talk with me. First off, by way of introductions, tell me a little about Jaded Jane – when did you guys form the band, and how did you and your brother Adam decide on the name “Jaded Jane”?

Axel:  Thanks Jeff. I am super glad to be part of your music blog. Jaded Jane and the musical adventure of brothers Axel and Adam Jane Olsson began in our early youth, being the sons of musician Christer Olsson (Plums, Noll 31, Scandinavian 5) and a mother with a passion for music. Growing up to the sounds of Motown, The Beatles and Michael Jackson, to name a few, it was only natural for us to develop a keen sense of melody, harmony and originality. We grew up in the Gothenburg, Sweden suburb of Hammerhill, and our path eventually lead us to New York & Los Angeles, where we spent ten years back and forth immersing ourselves with some of the most inspiring musicians on Earth. The name Jaded Jane came to me in a dream in 2013, when I was living in New York. The name deals with the jaded aspect of the modern human being. Jaded Jane is also a song from our debut album Diversity, and is about life, death and meaning. The name ‘Jane’ has an androgynous quality that is inclusive and gender neutral.

EML:  What prompted you to make those moves from Sweden to Los Angeles and New York, and why did you choose to leave New York for Glasgow, rather than return to Sweden? Does Glasgow have a more thriving music scene?

Axel:  It’s been a long road moving back and forth to New York, Los Angeles and now Glasgow. We came home to Sweden for a few years after New York, and then we ended up collaborating with a few Scottish artists which led us to Glasgow. It is a vibrant music city, with areas that remind me of Brooklyn, NY.  When you are moving to a new city you are putting yourself in a whole new world, which sculpts you into another story and adventure, I have always been excited about learning and growing on all fields as a human being. So I am now in Glasgow, while Adam is still based in Gothenburg.

EML:  Your music is beautiful and uplifting, and your songs offer positive, life-affirming messages. What is the inspiration behind your music and sound?

Axel:  That means a lot to hear that the songs & music spread those messages. We feel that the music we create is greater than us and has the power to heal by touching people on a deeper level. By being brutally honest with ourselves, we allow others to feel that side of us. The things that are the most personal are ultimately the most universal. My inspiration comes from experiencing all of life’s challenges, both the highs and lows.  From a young age, me and Adam starting asking questions about our society, and felt an urge to share our musical stories with other people in hope that it will touch and lift someone who is low.

EML:  Do you both write the songs and lyrics together? And do you both play all the instruments and synths yourselves, or do you work with other session musicians to help create your music?

Axel:  I have written all the songs on the albums released thus far, and we do play all of the instruments. However, on the new album “117” we’re currently working on, Adam is featuring two of his new songs. Adam plays fretless bass, guitar and sings, and I play the piano, synthesizers and also recording and producing the tracks. We previously collaborated with guitarist Mike Stern on our first album Diversity, and L.A.-based soul singer Frank McComb on The Puzzle, an album we made prior to becoming Jaded Jane. But our journey really took off in a new direction while meeting our third member Åke Linton, a sound artist from Sweden who is now part of creating the soundscapes and sounds of Jaded Jane.

EML:  The track “Crystal Stair” on your latest album Salvation is an intriguing song. How did you discover that speech from Rev. Martin Luther King, Jr., and why did you choose to build a song around it?

Axel:  The whole Salvation album was recorded live in a studio in Gothenburg, on Queen’s old console and the song “Crystal Stair” was just a small improvised part that came from one of the sessions. Both me and Adam have always been inspired by Martin Luther King, and we thought it’d be cool to have his voice on top of the melodies and sounds of the improvised piece.

EML:  I was touched by your recent Instagram post about your struggles and frustrations with trying to make it in this very tough music business. Your music is so wonderful, and you guys need to be heard by a larger audience, which is why I’m happy to feature you on my little music blog. That said, one of the issues I think is that today, most people seem to prefer hip-hop, Country or rock music, rather than beautiful, piano-based easy listening compositions like yours. Yes, there is still a niche for your genre of music, and there are successful artists making music similar to yours such as James Blake and Sufjan Stevens, but they often collaborate with hip hop or other artists to appeal to a wider audience. You’ve stated that you would like to collaborate with other artists, and in fact have a couple of times, like you did with rapper Scope (Jake Lewis) on the track “Life” from your album “One Way”, but that it’s been a struggle getting more artists to collaborate. Any thoughts?

Axel:  You are very right, It is a big challenge to get people to listen to a full song nowadays, even though you spent your whole life building and working on your craft, The masses seem to react to the loudest playing songs. I am looking forward to writing and recording more with similar minded artists, The struggle in paying rent and earning money for food has and I am guessing will always be there when it comes to true artistry, I am a full time busker / street performer in Glasgow at the moment, and that has definitely made me humble in how hard it can be to earn money; it gives you a whole new respect for how to use them.

The music business is a tough field to be in, I have always felt and I know Adam felt it too. We are outside of the business, however, we the songwriters and artists are what makes it possible to make a business out of it, so I am determined to find out what’s going on.

EML:  Your press release states that you’re managed by Scirca Music Group. Some artists & bands choose to hire a management company or PR firm to help them, while others wish to do everything themselves. Have you found it helpful to work with a manager?

A year ago I reached out through social media in search for a music publisher and manager, which got me in contact with the newly started Scirca Music Group. It has been a learning experience for both me and Adam and for the management company, as they are just starting out. I would like to encourage other artists to learn about how it all works, and how it is built up, that is the key to understanding and hopefully knowing where you want to go from there.

EML:  What are you guys working on now? Any plans for another album?

Axel:  As I mentioned earlier, we’ve been recording a new album “117” to be released later this year. It’s being recorded and mixed by our Sound Artist Åke Linton. I’m singing & playing on an old upright piano, and Adam is playing a Spanish nylon guitar & also singing some vocals. The last pieces of the songs on ”117” are being recorded with string arranger & producer Mattias Bylund adding a cello to the songs by cellist David Bukovinszky. Last but not least, I am laying down the bass lines on a 1976 Moog Synthesizer and warm analog pads on a 1980s Korg Polysix. We just shot the first music video for our upcoming single ”Trapped”. It was exciting and it turned out great.

EML: Is there anything else you’d like people to know about Jaded Jane that I’ve neglected to ask?

Axel:  Yes, we want to share our message of “Ignorance Separates, Music Unites”. We want to take a stand even more, making it clearer that we are for all human beings,  especially the ones without a voice. Equality, Humanism, and Reverence for the Beauty and Majesty of Nature are all subjects we care about.

We are from the “hood” of our hometown and we wish to display a different side [to that part of the Gothenburg area] than what is mainly portrayed in media with their car fires, etc. The growth of racist/nationalistic political parties such as SD* is something that we want to be an antidote for. We’ve always stayed clear of politics in our music but when it comes to these ethical & moral values we want to be very clear that we stand for diversity, equality and lifting positive stories about the “hood” which almost always have been a place of brotherhood and acceptance for us. Yes there are problems, but there need to be a more nuanced and balanced portrayal in media. We want to do our part as a counterweight to the negative.

* SD stands for Sweden Democrats, ironically, a socially conservative and far right-wing populist political party.

So lets dig a bit into Jaded Jane’s wonderful catalog and get a feel for their music. They released their debut album Diversity in 2015, a genre-bending work featuring eight tracks drawing upon pop, rock, soul, R&B and hip hop elements. As the title suggests, the songs address uplifting themes of embracing diversity and working together to make the world a better place. Every track on the album is superb, but my favorites are the lovely ballad “Jaded Jane”, the anthemic “After”, “Meaningful Destiny”, with its beautiful piano and shimmering guitar, the funky “The Cure”, with guest vocals from rapper KJ Denhert, and the soulful and fun “Walk the Walk”. Their musicianship and knack for writing infectious melodies that hook us in right from the start are impressive, and I love Axel’s casual vocal style that frequently breaks into a crooning falsetto.

In February 2017, they released their fantastic second album One Waywhich saw them branch out and further experiment with their sound by incorporating more complex and multi-textured synthesizers, deep bass lines and trap beats into their soulful mix. The highlights here are “Tell Me What”, with spacey synths and a funky bass line that’ll rock your world, “Breathing”, with colorful psychedelic synths and guitar chords that are fucking magical, and “Life”, a brilliant track featuring killer rap verses by British rapper Scope (Jake Lewis) that beautifully complement Axel’s falsetto vocals. The uplifting lyrics speak of not letting your past troubles define you or keep you from realizing your dreams: “Living life just watch me risk it, made mistakes but don’t regret ’em / I put on a happy face to hide where I come from / Put your knife down, listen to my rhyme / Everything’s gonna be alright.

Only eight months later, Jaded Jane dropped yet another album Always & Forever, once again going off in another direction with their sound. This time, Axel’s beautiful piano playing takes center stage, with the songs all featuring sublime piano-driven melodies that take their music toward an ambient, easy-listening vibe. In describing his inspiration for the album, Axel wrote as if speaking to his father: “When I sat down by the piano I could feel your presence. I let the songs happen the way they were meant to. Through music we can communicate with another world, here it is, and it is for you, in the here and now and in the hereafter.” The beautiful title track “Always & Forever” is a moving tribute to their father. “Hard to believe that you are gone this time. Oh give me strength to carry on. Easy to smile when you are by my side. You’ll live forever in my heart.” The video was filmed on a snowy night in Gothenburg.

The opening song “Serendipity” is a serene, 13-minute long piece of atmospheric heaven, with extended runs of delicate piano, guitar and whispery synths that are mesmerizing. The song begins as an instrumental-only track that seems to end at around 3:45 minutes, then starts back up at 4:00, this time with Axel’s tender vocals singing the praises of their father: “It was your light. It was your love, that shone through all of us.” This portion of the song ends with a gradual fade-out of reverb at around 8:45, only to start back up at 9:30 with sparse piano keys, accompanied by strummed guitar and whispery synths that throb until the end of the song.

Jaded Jane Salvation

Their fourth and most-recent album is the gorgeous Salvation. Released in November 2018, the album continues with what Jaded Jane refers to as their “exploration of soulful soundscapes of consciousness” that we loved on Always & Forever.  The entire album flows like an atmospheric river of mesmerizing piano-driven sound, enveloping and transporting us to a comforting place of love, peace and serenity. The beautiful title track “Salvation” has simple, spiritual lyrics that speak to finding peace of mind and salvation in the hereafter: “I’ll stay right here, through my last tears. Ain’t got nothing left to fear. Salvation. It’s the longest street, I will follow thee to another space and time. I will walk this road, never looking down, to the place that we’ll call home.”

Another standout track is “Ethereal”, which lives up to its name with breathtaking atmospheric music. Axel’s piano work is absolutely stunning, backed by sweeping glittery synths, gently thumping drumbeats and Adam’s subtle guitar notes.

“Orion” is a beautiful instrumental track, consisting of only delicate piano, gentle drumbeats and whispy ambient background synths. Though over five minutes long, it seems much shorter. The track segues uninterrupted into album closer “Crystal Stair”, with a continuation of the gentle drumbeats and whispy synths. At one minute, words from a famous 1960 speech by Rev. Martin Luther King, Jr. at Spelman College enter: “Your life’s blueprint must be a commitment to the eternal principles of beauty, love and justice. Don’t allow anybody to pull you so low as to make you hate them. Don’t allow anybody to cause you to lose your self-respect to the point that you do not struggle for justice. However young you are, you have a responsibility to seek to make your nation a better nation in which to live.

The track encapsulates the message of love, tolerance and social justice that Jaded Jane seeks to spread by Salvation, and with all their songs. I greatly admire these guys, both in terms of the wonderful music they make, and the positive vibes they spread through their kindness, love and joy. I cannot wait to hear their new album.

Connect with Jaded Jane:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on iTunes

AISHIA – Single Review: “Aura of Gold (The First Meeting)”

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As EclecticMusicLover, I’m always thrilled when given the opportunity to write about artists from around the world. Today I’m featuring a second artist from Malaysia – the lovely and talented young singer-songwriter Aishia, who just released her beautiful debut single “Aura of Gold (The First Meeting)“. Born and raised in Mumbai, India, she now lives in Kuala Lumpur (like the Malaysian artist Lyia Meta who I featured earlier this month). Only 17 years old, Aishia has a golden voice, with maturity and vocal ability that seems far beyond her tender age.

She began writing songs at the age of 12 and started proper vocal training at 15, though she had performed in small events and gatherings in Kuala Lumpur, which helped her gain experience performing. Like most artists, Aishia loves music, and had this to say: “Music is a part of me; no matter where I go, I need to be able to create music. It’s who I am and something I love doing. I’m also always listening to as many different kinds of music I can get my hands on. It keeps me inspired and motivated to create new things.”  Some of her musical inspirations include such varied artists as Frank Sinatra, Dean Martin, Ed Sheeran, Lana Del Rey, Taylor Swift, Estrella Morente, Stromae, Sofia Ellar, Henry Mancini and Michel Legrand.

“Aura of Gold” is the first single from her forthcoming debut album of the same name, scheduled for release in March. The album is an experimental concept album, co-written and produced by Malaysian composer and music producer Zameer. Her main aim in putting the concept album Aura of Gold together was to create an almost cinematic environment through which its music could successfully tell the story of two people who fall in love, but eventually have to part ways due to events beyond their control.  Zameer told me they used mostly orchestral instruments to create the organic sounds, with no modern synths or FX.

The enchanting song has a lush, sweeping soundscape of Indian and Middle Eastern influences, delivered by a rich array of instruments, including sitar, tabla, flute, violin and other Indian and Middle Eastern string and percussion instruments. The music evokes the mystery and romance of the legendary stories of Scheherazade and the Arabian Nights. Aishia’s clear, strong vocals are beautiful and captivating as she sings to a new lover: “You came with the fire of life in your eyes. Walking towards me like some heavenly sight. I recalled your face from those ancient times. Aura of gold, silvery lights.”

“Aura of Gold (The First Meeting)” is a gorgeous song, and a promising debut from this very talented young woman. She and Zameer have created something quite wonderful, and I cannot wait to hear the whole album.

Connect with Aishia:  Facebook / Instagram / Twitter
Stream/purchase “Aura of Gold” on  Spotify / SoundcloudiTunes 

STUART BLANCE – Album Review: “Utopia”

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Stuart Blance is a talented and thoughtful singer-songwriter from Perth, Scotland. (He also happens to be a terrific landscape and events photographer.)  He’s been writing and recording songs since 1999, and in 2001 he released his debut CD Utopia, an ambitious work featuring 13 tracks covering genres ranging from folk and Americana to pop and rock. In the years since, he has performed in venues throughout Scotland and also in London, and recorded several singles, three of which are included on his 2018 EP On Your Side.  Given the renewed interest in his music, Stuart felt the time was right for Utopia to be heard again, and so the album was re-released in digital form in December 2018, and I have the pleasure of reviewing it today. The songs all sound as fresh and relevant now as they did when they were recorded nearly two decades ago.

Stuart’s engaging music style is characterized primarily by gently-strummed acoustic guitar, often accompanied by percussive synths and occasional subtle bass notes. His contemplative lyrics touch on oft-covered subjects of life, humanity, heartache and pain, with the goal of sharing uplifting messages of hope and optimism. This is clear on the opening track “Lifeline“, where he urges us to stay true to ourselves in finding our way forward in life: “You’ve got it all, don’t throw your life away. And you’ll see where your path lies. Just follow your lifeline. The future lies ahead, it’s yours to keep.” So too on the title track “Utopia” a pleasant folk song where he extols the virtues of positive thinking and striving to be a good person: “You may be a dreamer, seeing good when it’s not there. Or maybe a believer in being kind and fair. Even if you’re feeling low, always try and smile.” And on Burnout“, he gently advises us to not push ourselves to the breaking point: “Slow down, take a short break. Just take your time. Enjoy the ride. You’re heading for a burnout.”

Several of the tracks on Utopia are really lovely and deeply moving. One of my favorites is “Memories“, a beautiful song with strummed guitar and delicate atmospheric synths that create a haunting, yet enthralling soundscape for Stuart’s calm, soothing vocals. He wistfully sings about revisiting past experiences that shaped his life: “Memories keep flooding back. Creeping into places that I haven’t been to in quite a while. Diaries kept for years on end. Words unheard for decades. Untold secrets brought to life. Oh I feel so at ease about these old memories. Won’t you please reminisce with me about these old memories?

Another favorite is “Slower Than the Flow“, a languid, hymn-like song in which he asks compelling questions for which simple answers continue to elude us: “Why do people go through life with their eyes closed? Why so many people without homes? Why can’t we take some time to look around us? Spare a thought and show someone you care. / Why must we fight like little children? Why must it always end in tears? Why is the root of violence in religion? When will the stigma disappear?

On the amusing “Fact or Folklore“, Stuart playfully ponders a number of fairy tale myths with droll satire: “Did Jack climb his beanstock, was Goldilocks so pure? She slept with the three bears, then went back for more. / Did Humpty Dumpty fall? I heard at first they shot him, then kicked him off the wall. / Climb over the rainbow, we’ll meet the Wicked Witch. She thinks that she’s scary, but she’s a stupid bitch.” And yet another personal favorite is “Anytime“, one of the most interesting tracks on the album from a music standpoint, and also the longest, clocking in at six minutes. The song opens with fluttering spacey synths which gradually fade into the background as Stuart’s pleasing layered acoustic guitar notes and smooth vocals enter the mix. The synths return to the forefront as the guitars fade, and continue through to the end as the song closes on a mysterious and atmospheric air.

Stuart switches gears in a big way on the final two tracks, replacing his laid-back folk persona with a punk-rock alter-ego. “Groovy People” is a simple but fun tune about partying with cool people in a hot club, delivered with chugging riffs of fuzzy guitars and a rousing drumbeat. Stuart’s vocals sound completely different here, with a bit of an early David Bowie twang. Even better is “Comin’ On Up“, where he really lets loose with hard-driving riffs of gnarly guitar and buzzing bass, set to a heavy thumping drumbeat. I really love this track, and want to hear more of this side of him! Some might feel these last two tracks don’t belong on what is otherwise an acoustic folk album, but I think it’s perfectly fine, and makes for a great, upbeat ending to an excellent work.

Connect with Stuart on Facebook / Twitter
Stream his music on Spotify / Soundcloud
Purchase through his website https://stuartblance.com/store and some songs are also available on Bandcamp

SARAH MAY – Single Review: “Because I Turned You Down”

Sarah May is a seasoned singer/songwriter and music producer based in London, England who’s been writing and recording songs since she was a teen. Only a month ago, in early December 2018, she impressed us with her release of a beautiful and haunting single “Nothing to You”. The song addressed the pain of unrequited love and being obsessed with someone who has no feelings for you, and showcased Sarah’s captivating, yet understated vocal style. (You can read my review here.)  She now returns with a new single “Because I Turned You Down“, a bold track with brutally frank lyrics that speak to female empowerment, specifically with regard to the expectations some men have about dating and sex. It’s an incredibly satisfying song from both a musical and message standpoint.

Sarah wrote the music and lyrics and produced the track, with mixing and mastering done by James Preston. The music consists primarily of subtle keyboard and percussive synths set to a thumping dance beat. As the track progresses, bits of spacey and wobbly synths provide added texture to the music, but still allow Sarah’s smooth, clear vocals to shine as she defiantly sings the no-holds-barred lyrics:

Can you try to understand
I don’t hate you just cause you’re a man
I just hate the way you think
And the way you treat women
Yeah, you’re simply a dick
To you it comes as a surprise
That a girl can go out drinking with the guys
And end the night in her own bed
Without giving you head in the taxi ride

Do you think that’s how you pull a girl
Buy her a drink and throw your cliche lines at her
Just cause I’m drunk, doesn’t mean that its okay
So take your hands off me, please pull yourself away

And because I turned you down, you say that I’m a bitch
I must be a lesbian or some kind of hardcore feminist
I should feel lucky that you showed interest in me
Cause I’m ugly, I’m not worthy of your time
I’m some kind of hippie freak

Connect with Sarah May: Facebook / Twitter / Instagram
Stream/purchase her music on Spotify / Soundcloud / iTunes

LYIA META – Single Review: “All of My Love”

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I’ve featured a number of international artists on this blog, and one of my favorites is Malaysian singer/songwriter Lyia Meta. Based in the beautiful capital city of Kuala Lumpur, Lyia is a stunning woman with a voice to match. With her deep, resonant vocal style, she’s become an international star, having won numerous music awards over the past three years, including the VIMA (Voice Independent Music Award, representing multiple countries in Southeast Asia) for Best Overall Female Act in 2016, the GLOBAL Music Award and Radio Wigwam (UK) Award for Best Female Artist in 2017, and the 2018 Josie World Music Artist Award, which was presented to her last September at the world’s largest independent awards show, in Tennessee. She also happens to be an amazingly talented visual artist!

In early 2018, Lyia released her enchanting single “Without Walls”, which I reviewed and liked so much it earned a spot on my Top 100 Songs of 2018. In December, she dropped her latest single “All of My Love“, a powerful pop/rock anthem written by award winning British singer/songwriter and producer Paul Michael Curtis. She usually writes her own songs, but said “All of My Love” really resonated with her when Paul pitched it to her. The song is the perfect vehicle for Lyia, as her commanding vocals hold their own against the soaring instrumentals.

The song has a throwback 80s feel, reminiscent of some of the pop-rock anthems of that period, but with an updated sound. The beautiful, sweeping instrumentals are marvelous, especially the piano and lush strings, and the hard rock guitar riffs add a nice bit of drama to the track. Lyia passionately sings of her longing for someone she still loves and can’t get over, despite the fact they’re no longer together. “But I’m still waiting, and I can’t let go. My heart is breaking and I want you to know. You’ve got all of my love, and all of my heart. I believed you when you said we’d never be apart.” It’s a great song, and so is the video, which features a dynamic mix of lovely and bittersweet visuals.

Connect with Lyia: Website / Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud / Apple Music / Reverbnation
Purchase on iTunes / Amazon

SARAH MAY – Single Review: “Nothing to You”

London-based singer-songwriter Sarah May has had music in her blood nearly all her life. She began writing songs at the age of nine, and taught herself to play guitar and keyboard. She recorded her first song when she was 14, and released her first CD of original songs at 17. Since then, she’s continued to write, play and release music, also managing to earn a Bachelor’s degree in Criminology and Criminal Justice along the way. To date, she’s written over 100 songs that touch on many of life’s perplexing issues such as love and heartache, depression, addiction, politics, sexism, partying and financial hardship.

Sarah has just dropped a gorgeous and haunting new single “Nothing to You.” It’s a rather long track, clocking in at 5:22 minutes, but is so lovely and compelling I don’t want it to end. Opening with a somewhat mournful keyboard synth, the song gradually expands into a captivating soundscape of moody synths and gentle percussion as Sarah’s smooth vocals wash over our ears. Her voice is stunning and understated as she earnestly sings the lyrics addressing the pain of unrequited love, of being obsessed with someone who has no feelings for you:

Sittin’ here missing you knowing I’ve not crossed your mind
Things still remind me of you regardless of the passing time
Trying to find out what you’re doing without having to get in touch
Feeling like a stalker, Never knew I liked you this much

I wanna go wherever you are right now
Though I know it’s not a good idea
Or I could drink alone at home
Find someone else on Tinder

I want you to see me and fall in love with me
I want you to be near and sense that I am here
But dream is all I do, because I mean nothing to you

The backing choruses, which I’m guessing are Sarah’s own vocals layered over her main vocals, are sublime, giving the track a dreamy ethereal quality that beautifully emphasizes the sense of loneliness expressed in the lyrics. It’s a marvelous song.

Connect with Sarah May: Facebook / Twitter / Instagram
Stream/purchase “Nothing to You” on Spotify / Soundcloud / iTunes

JAMES BAKIAN – Single Review: “Terrified”

James Bakian Terrified

James Bakian is an exceptionally talented, hard working and charismatic young singer/songwriter from London, England. He wrote his first song at the age of six, began studying piano at seven, and released his first EP By Your Side in 2016 when he was only 13. In the two years since, the prolific musician has continued recording and building a loyal fan base. He released his appropriately-named second EP Unstoppable – a really fine effort featuring six tracks – in late 2017 (which I reviewed), and so far in 2018 has released an astonishing 12 singles, the latest of which is “Terrified,” which drops today, November 23.

Now 15, James possesses a phenomenal vocal styling with a depth and maturity beyond his years. He writes all his own lyrics and music, records all the instruments, and is now even producing his songs. I’ve been following him for about two years, and it’s gratifying to watch him grow professionally and hear his vocals and music style get better and better as he matures. He was recently a Featured Artist on BBC Radio London’s BBC Introducing show, where his song “Ice Cold” was played.

“Terrified” is a lovely, soulful track, with sublime jazzy synths set to a gentle drum loop. James’ tinkling piano keys are exquisite, driving the delicate melody forward and creating a beautiful backdrop for his smooth, heartfelt vocals that speak to feeling lost, aimless and alone, without purpose or love in his life. James states that it’s “about someone going through a dark time but choosing to remember and hope for the good times, and reaching out for help.” Despite his youth, he manages to convey the sense of pain and despair expressed in the lyrics in a way that’s believable and convincing. It’s another stellar effort from James that only bolsters my belief that this talented young man has a very bright and promising future.

Connect with James:  Website / Facebook / Twitter / Instagram
Stream his music on  Spotify / Soundcloud / Apple Music
Purchase on  iTunes

ALEXIS GERRED – Album Review: “Alexis”

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Alexis Gerred is a hard-working, charismatic and multi-faceted artist based in London, England. A seasoned performer, he’s appeared in numerous stage productions in The West End, on national television, and on various tours around the UK and Asia for over 10 years. Some of those productions include American IdiotOur House, Dreamboats and Petticoats, The West End Men, Rooms, and many more. He loves being creative in any area of performance, but his true passion lies with singing. Alexis has penned numerous pop/rock songs over the past several years, and earlier this year, he launched a crowdfunding campaign to raise funds for the recording of his first album, reaching his goal in a matter of weeks. On October 26, he dropped the album, simply titled Alexis, but there’s nothing simple about it, as it’s filled with ten solid tracks ranging from lovely heartfelt ballads to rousing pop-rock bangers.

Alexis album

Many of the songs on Alexis offer positive, upbeat messages, and no more so than album opener “Sweet Angel,” a beautiful, uplifting song about unconditional love and support that Alexis released this past April as the lead single (you can read my review here). Originally written as a thank you to his parents, he says the song now also reflects how he wishes to bring up his own two children. Layers of chiming and fuzzy guitars, delicate piano and just the right balance of percussion provide the perfect backdrop for Alexis’ dynamic vocals that are raw and passionate one moment, then a gentle falsetto the next as he sings the stirring lyrics “I know you’re falling. I see you falling deeper down. I’ll show you how to fly with broken wings. Sweet Angel.

Face the Crowd” is a rousing pop-rock song about standing up for yourself and not letting your fears or self-doubts keep you from realizing your potential. “Stand up and face the crowd. Find out what your worth. Stand up and greet the crowd.” Alexis’ fervent vocals remind me a bit of Steve Perry on this and a few other tracks when he really gets into the groove. A particularly strong standout is the anthemic “Rule the World,” a powerful duet with fellow stage performer Danielle Steers, who has an astonishing voice in her own right. Their soaring vocal harmonies are so good they give me goosebumps, and the hard-hitting rock instrumentals are fantastic. This song should be released and pushed as the next single, as it’s as radio-friendly a tune as any I’ve heard all year.

Alexis has a beautiful voice, and it’s on the slower ballads where that beauty really shines through. “Hold You Close” is a lovely and deeply moving pledge to his young children that he’ll love and protect them, guiding them as they grow: “I’ll hold you close. I’ll help you fly to the moon. Stay by me. Don’t let anyone take away your dreams. Stay true to you. / I love you my girl, my son.” The gentle acoustic guitar and Alexis’ tender vocals are sublime. He turns very emotional on “Save Me,” as he sing of the hopelessness he feels: “Save me, I can’t do this anymore. Through dark nights. Medicate me, I can’t do this anymore.” Another favorite of mine is “The Lucky Ones” a gorgeous and poignant piano-driven ballad about the loss that results from the end of a relationship. Alexis’ plaintive vocals convey the sadness and despair expressed in the lyrics: “It broke my heart to say goodbye when your eyes said ‘I’m leaving you my darling.’  But I’ll hold you close at a distance.”

Alexis lets the sparks fly on the hard-rocking “Don’t Let Go,” his passion-filled vocals reaching for the skies along with the raging guitar riffs and thunderous drums. He teams up with Norwegian country singer Liv Austen on the lovely folk ballad “Home.” Their pleasing vocals blend together quite nicely on this wistful song about missing each other and looking forward to being together again: “I’ll be coming home, I’m coming home. I’ll never see the light of day til I hold you once again.” He shows his soulful side on “Road to Redemption,” his edgy R&B-tinged vocals accompanied by gnarly riffs and funky bass.    Album closer “No Ordinary Girl” is another uplifting and incredibly catchy rock anthem. The opening melody and drumbeat of the song reminds me a little of The Cranberries’ classic song “Dreams.” Alexis’ powerful soaring vocals pair beautifully with the high-energy riffs of jangly guitars, heavily crashing cymbals and hard-driving beat, making for a marvelous and exhilarating track.

Alexis is a beautiful, meticulously-crafted album and a testament to Mr. Gerred’s skillful songwriting, musicianship and vocal abilities. It’s an impressive debut, and one that should make him quite proud.

To learn more about Alexis, check out his website
Connect with him on Facebook / Twitter / Intagram
Stream his music on Spotify / Apple Music
Purchase on iTunes

MELOTIKA Releases New Video for “Bittersweet Reality”

Melotika is an indie/pop artist based in Toronto, Ontario, Canada, and the alter-ego of singer/songwriter Mel Yelle. Born and raised in Montreal, Mel’s rich, smoky vocals remind me at times of fellow Quebecois Celine Dion, with whom she also bears a striking resemblance. She teamed up with electronic DJ/producer Jackman Jones (also known as Mista T Dot) to create urban beats for her debut EP Unaware, which dropped this past March. I reviewed her sultry single “Unaware Part II [Blindside]” in February, which you can read here.

Melotika

She’s just released a stylish new video for “Bittersweet Reality,” one of the tracks on Unaware. The song features cool synths set to a hypnotic dark wave dance beat, with hand claps, kick drum, bass and chanted backing vocals adding fullness to the sound. Mel’s vocals have a sense of bitter resignation as she sings about the conflict between our reality and the self-image of the persona we project to the world based on who we think we should be: “Doesn’t matter what we say, you won’t believe it anyway. Done my time but talk is cheap. Your bittersweet reality. Running back and forth at times can drain all my energy.”

About the video, Mel explains “‘Bittersweet Reality’ is about losing yourself in a synthetic realm of beauty and social media appearance. The character I am playing is a vulnerable side of me believing everything the media has taught me, and on the other hand rebelling against it.”

She’s shown scrolling through her social media accounts on her mobile device, elated one moment, then frustrated and angry the next as she reacts to either the attention she feels she deserves or criticism – or even worse, indifference – which pisses her off (sentiments I can certainly attest to feeling at times). Ultimately, she suffers a meltdown over all the conflicted emotions. Take a look:

Connect with Melotika on  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on iTunes or Bandcamp

HANNAH CLIVE – Single Review: “Remember to Breathe”

Hannah Clive2

Hannah Clive is a lovely and charming singer/songwriter based in London, UK, and I’ve been meaning to feature her on this blog for a while. Influenced by such legendary ladies of song as Adele, Carole King, Kate Bush and Janis Ian, Hannah writes heartfelt songs that cross many genres, including indie rock, folk, pop, alt-country, blues and even a bit of jazz. She released a gorgeous single “Remember to Breathe” in November 2017, and I’m finally getting around to reviewing this wonderful song.

The track opens with an ominous synth chord that draws us in, then Hannah’s exquisite piano riff enters and we’re instantly hooked. Wow, this is stunning! A delicious assortment of sparkling synths are added along with subtle guitar and gentle percussion, courtesy of producer Brian Tench, creating a dreamy soundscape that’s the perfect backdrop for Hannah’s captivating vocals. I’m blown away by her ability to seduce us one moment, then nearly move us to tears the next. It’s all incredibly breathtaking, so her admonition for us to ‘remember to breathe’ is entirely apropos! The song is so utterly mesmerizing that I keep hitting replay.

The lyrics speak to the concept of having faith and believing in yourself, casting aside obstacles that try to stand in your way, and finding your own truth and path in life:

And when the power of love is greater than the love of power
So it’s said, then my friends we might find some peace
And though it sounds naive –
It’s a direction in which I could set my feet…but just
Remember to breathe

Connect with Hannah:  Website / Facebook / Twitter / Instagram
Stream her music on Spotify / Apple Music / Soundcloud
Purchase on  Bandcamp / iTunes