New Song of the Week: ROADKEEPER – “Narcissistic Peoples”

Roadkeeper

This past April, I featured Texas band Roadkeeper on this blog when I reviewed their single “Old Man’s War”, a stunning song about anxiety and worry over things, both real and imagined. I loved the song so much it spent 18 weeks on my Weekly Top 30. Formed only a little more than a year ago, the Tyler, Texas- based four-piece consists of songwriter/producer John Hetherington (vocals, synths, rhythm guitar), Trevor Tull (lead guitar), Nick Cogdill (drums) and Daniel Griffith (bass), all long-time friends. Roadkeeper is completely independent and self-produced, doing their recording, producing and mixing in John’s studio – dubbed ‘Yacht Country’ – and releasing their songs on their own label Equal Temperament.

Blending dreamy shoegaze with dramatic psychedelic rock, Roadkeeper crafts exquisite songs that envelop us with complex melodies and lush soundscapes while delivering compelling and often socially relevant lyrics that give us a lot to think about. Since forming, they’ve released four outstanding singles, and now return to grace our eardrums with a beautiful new single “Narcissistic Peoples“, which officially drops September 6th. About the song, the band states: “This song was originally meant to be a satirical take on sci-fi future fascist recruitment propaganda but lyrically it ended up personal and political. It was inspired equally by the erasure of and actions against American indigenous cultures by the ruling class as well as the current refugee crisis at the southern US border.”

Musically, the song features exuberant layers of richly-textured guitars and shimmery synths, nicely driven by Griffith’s subtle bassline and Cogdill’s crisp, thumping drumbeats. It all provides a dreamy, melodic backdrop for Hetherington’s smooth falsetto vocals. The music feels light and breezy, belying the seriousness of the rather biting lyrics. Though brief, running scarcely more than two minutes, it’s an incredibly impactful song nonetheless.  “Narcissistic Peoples” is another in a string of perfect singles from this exceptionally talented band, and I’m delighted to make it my New Song of the Week.

If you could be someone else just for a day
Would you wash their cares away
Or does the thought that they have it worse
Make your feelings hurt because you like to feel
Like a warrior fighting to save the world

Do you feel it?

It eats you alive but you’re not alone
There are millions of people, bitter and selfish
Narcissistic people waiting on a future
Where everyone looks like them
Everyone has power
Everyone has religion
There’s no one left to conquer

Connect with Roadkeeper:  Facebook / Twitter  / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes / Google Play

JADED JANE – Single Review: “Trapped”

Jaded Jane3

This past April, I had the distinct pleasure of interviewing and writing about the remarkably talented and undeniably charismatic Olsson brothers Axel and Adam who call themselves Jaded Jane. (You can read my article and interview with Axel Jane here.) Originally from Gothenburg, Sweden, but now split between Gothenburg and Glasgow, Jaded Jane seeks to celebrate humanity and diversity through their music, writing compelling songs with positive, life-affirming lyrics. Drawing upon a wide range of influences such as pop, rock, soul, R&B and hip-hop, they create beautiful, piano-driven melodies and lush soundscapes. Since 2015 they’ve produced four outstanding albums, and are now recording their fifth, to be titled “117″ and due out in October.

They’ve just released the first single from the album, a gorgeous, contemplative song called “Trapped“. The deeply moving song was written by Axel Jane Olsson and recorded by Åke Linton. Axel played the beautiful piano melody, and the haunting cello was played by David Bukovinszky, with lovely string arrangements by Mattias Bylund and Nils Petter Ankarlund.

Axel explains that the song “is about feeling trapped in life, trapped in your circumstances, trapped in a loop of monotony.” Though he laments about feeling lost to the point of no longer recognizing who he really is, he retains a glimmer of hope that his life will get better through faith and love. His smooth, beautiful vocals are heartfelt as he sings:

Trapped in a loop I can’t get out
Stuck in a dream I had a long time ago
What do I really want to do
Now is the only time worth living for

Ah, I am trapped in a loop.
Ah. Am I stuck in a dream, that I had a long time ago

Wrapped up in my identity
Who am I, I no longer know, who I am
Lost my sense of reality
Talking to the man in the mirror now
Cause I don’t know, who I am anymore
Lift me up high where I belong
Fill me up with faith, hope & love again.

The stunning video for “Trapped” was filmed on the streets of Glasgow, and shows the strikingly handsome Axel, who has a dancer’s physique, gracefully moving to the music in different settings.

Connect with Jaded Jane:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / YouTube
Purchase on iTunes / Google Play

Artist Spotlight on the massively talented TREVOR JAMES

I get followed by – and follow – so many artists and bands on social media that I often don’t have time to properly listen to all their music and, sadly, many slip beneath my radar. One such artist I’ve somehow missed out on listening to until yesterday is the massively talented and versatile singer/songwriter and guitarist/bassist Trevor James. The Los Angeles-based artist has been making music since the age of 14, and has been especially prolific over the past five years or so, releasing several outstanding albums and singles, the latest of which is the lovely and soulful “Always Be There”, which dropped earlier this month. Since hearing that song, I’ve been making up for lost time by binge-listening to his incredibly diverse music. I was going to review the single, but his music catalog is so varied, extensive and impressive that I’ve decided to do an Artist Spotlight on James instead.

James refers to his music style as “a combination of John Mayer and Lenny Kravitz with a touch of Jimi Hendrix“, and I’d say that pretty accurately describes one aspect of his sound, although it’s so much broader than that. In 2014, he released his first EP Show Time, a fine collection of songs melding pop, hip hop, R&B and funk. One of the standouts is “Mystery Girl”:

Completely changing direction, in 2016 he released two gorgeous albums – The Dreamer and World – that delved deeply into jazz fusion. The Dreamer is an instrumental-only production that really highlights James’ talents for writing beautiful and intricate melodies, and bringing them to life with his skillful musicianship and awesome guitar-playing. All 11 tracks are superb, but I’ll share the title track, which provides a good example of the album’s flavor:

World is more experimental and, like its title suggests, features greater use of world music influences, as well as sparse vocals on some tracks. James inserts elements of rock, funk, blues and soul into the jazzy mix, making for a fascinating and often captivating listening experience. The tracks are all named after natural or weather phenomena. One of the highlights out of many for me is “Earthquake”, where James’ funky guitar work shines. Take a listen to this gem:

Changing direction yet again, it’s on his monumental 2017 album My Train where James really taps into his John Mayer/Lenny Kravitz/Jimi Hendrix aura. Holy shit, this man can play the guitar! The Herculean album kicks ass with a mind-boggling twenty tracks (five of which are over seven minutes long), and every single one of them is fucking phenomenal! James lays down scorching, bluesy riffs in track after track, and I’m sorry I missed out on hearing this album when it came out in 2017, because I’d have named it among the best of that year. I strongly recommend my readers take the time to give this incredible album a listen, but I’ll share a few of my personal favorites.

First up is “Howling Wind”, a blistering, bluesy stunner that pays beautiful homage to Jimi Hendrix with some jaw-dropping guitar work:

Another spectacular track is the 9:22-minute-long epic “Drunken Blues”. James’ bluesy guitar runs are so gorgeous they bring tears to my eyes. Wow!

In 2018, James dropped his fourth full-length album Maxine, yet another exceptional work in which he continued to explore his rock side, only this time channeling his inner Lenny Kravitz by delving further into guitar-driven, melodic alternative rock grooves. Staying true to his eclectic influences, he still manages to incorporate ample amounts of funk, blues and jazz into the dynamic mix. The title track “Maxine” is one of the standouts, with dirty, bluesy riffs, soulful keys, crunchy drums and a funky-as-hell bassline. James’ raw vocals beautifully express his exasperation over Maxine’s intransigent and cruel behavior toward him: “Maxine, you’s the one I want. Maxine, what do you want from me? Maxine, how could you be so mean?

Since the release of Maxine, James has dropped a number of great singles in 2019, one of which is the fiery rocker “Turn Me On”, with a sexy video that’s as hot as the track. It really showcases his strong charisma and good looks, and Jennifer’s pretty easy on the eyes too!

“Pick Up Your Phone” is another fantastic R&B single, and here’s a wonderful video of a live performance of the song by James and his backup band. It was recorded this past Spring at Joshua Tree National Park (located an hour from my home) as part of Dynaudio Unheard’s Desert Sessions:

Finally, I get to his latest release “Always Be There”, which instigated this entire post! It’s a sweet and charming love song, and one of the more pop-oriented of his tracks, with mostly acoustic guitar, subtle synths and crisp percussion. James tenderly sings of his undying love and devotion:

You’re my everything
I can’t explain, you’re my sunny day
You’re sweeter than some sugarcane
I’ll always be there for you
Take my hand, baby I’m your man
Don’t you know, I’m your biggest fan
You’re my queen, baby I’m your king
I’ll always be there for you girl

The music and James’ vocals gradually build as the track progresses, and he thrills us with a scorching-hot distorted guitar solo in the final chorus.

As I’ve tried to make clear in this post, Trevor James is a remarkable talent, and one of the most versatile artists I’ve come across in a long while. He’s a great songwriter, composer, vocalist and, most of all, a truly gifted guitarist and bassist, and I cannot gush enough about him and his music! Plus, he’s a gracious and kind man. I hope my readers will take the time to listen to some of his songs, and grow to like him as much as I have.

Connect with Trevor:  Twitter / Instagram
Stream his music:  Spotify / Soundcloud / Apple Music / YouTube
Purchase:  Google Play / cdbaby

YARD OF BLONDS – Single/EP Review: “Je veux danser tout l’été”

Yard of Blondes is a French alternative rock band now based in Los Angeles. They started out as a folk pop act made up of singer/songwriter and guitarist/vocalist Vincent Walter Jacob and bassist/vocalist Fanny Hill. They released a self-titled two-track EP in 2011, then followed up with a second EP Murderology in 2013. In 2014, they shot a documentary film “Joshua Trip” for French television program France 4, which inspired them to write the song “Born Again”. Jacob and Hill decided to settle in L.A., and eventually expanded the Yard of Blondes lineup with the addition of guitarist Burak Yerebakan and drummer Forrest Mitchell. They’ve been writing and recording new music for a full album being produced by Billy Graziadei (Biohazard, Powerflo) and mixed by Michael Patterson (Nine Inch Nails, Black Rebel Motorcycle Club).

Yard of Blondes2

The first single they’re releasing is “Je veux danser tout l’été“, which translates to “I wanna dance all summer long.” It’s a fun, upbeat track that the band states is “lighter, happier and more pop-oriented” than their usual songs. The single was released as an EP on July 19th with three versions: the original rock version (produced by Billy Graziadei), a synth-driven remix by Joachim Garraud, and the initial demo version produced by the band themselves. The song features layers of Jacob and Yerebakan’s jangly and gnarly guitars, fortified by Hill’s buzzing bassline and Mitchell’s lively, thumping drumbeats. Jacob fervently croons about the joys of dancing with sheer abandon, while Hill giggles in the background: “I never felt so young. I never felt the lights. Like a blessing, like a symphony, shining on the pavement. A first time of the year that I can hear the buzz outside. And the lights are calling me. A call to dance around. Je veux danser tout l’été.

For the filming of the video, they collaborated with DJ/producer Joachim Garraud, who also did a special remix of the song in his unique and innovative solar powered and completely self-contained recording studio on wheels he’s dubbed LAGOODVIBE.

Here’s an entertaining video chronicling the band’s adventure traveling from Los Angeles out to the Mojave Desert to record the track, under the direction of Joachim Garraud on his LAGOODVIBE.

Catch Yard of Blondes at the Troubadour in West Hollywood on Saturday, August 31

Connect with Yard of Blondes:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music
Purchase:  Google Play / Amazon

JIM HUDSON – EP Review: “Fallen”

Jim Hudson is a singer-songwriter from Wolverhampton, England, who this past May released his debut EP Fallen. It’s a lovely but dark work, featuring three guitar-driven tracks with deep, poetic lyrics that speak to man’s internal conflict between his good and evil sides, and struggles to make it in this life. Jim wrote and recorded the songs, and played or programmed all the instruments. The EP was mixed by Matt Pinfield and mastered by West West Side Music (yes, West is repeated in the studio’s name).

The first track “Shadow” is a poignant song with a somewhat melancholy air. Jim’s layered acoustic and twangy electric guitar work is really nice, lending the track a bit of a folk vibe, while the assertive percussion keeps it in rock territory. His vocals have a pleasing, understated quality, and work well on this track. The lyrics seem to speak of someone who’s become a mere shadow of their former self after years of excess, realizing they’ve wasted their life and now have nothing or nobody: “No one remembers when you left, who you are, what you came here for. Lost three more days in a state. Through the haze; gone too far.

The dark and mesmerizing title track “Fallen” opens with a thumping drumbeat and an acoustic guitar chord progression that calls to mind the classic James Bond theme, only in a slowed-down manner. With a sense of sad resignation, Jim croons the fatalistic lyrics spoken by a man to his son, telling him that he will be inheriting a darker, less hospitable world because of the destruction caused by mankind: “Grab your things and run, through the barbed wire fence. From the hands that feed us, we don’t stand a chance./ Re-wrote the rules, transcended evolution. All this son, will one day be yours. Turned our backs, as we fled the garden. All of this, all of this is ours. Got inside my head, can’t get up any more. Cut my world wide open, threw my heart to the floor. You don’t know, you don’t see. Cut me, I’m in bits. There’s a hole, in my head. Leaves me cold in plastic.” His combination of acoustic and electric guitars, accompanied by humming bass, sparkling synths and measured percussion make for an exceptional track.

“Papercuts” has a softer, more upbeat folk vibe. The acoustic riff that continues throughout the song is quite charming, punctuated with tasty electric guitar runs in the choruses. The lyrics, however, are bittersweet. Jim states that they’re basically about an artist (music, visual arts, or whatever) struggling to make his way and get noticed. Perhaps he’s wasting his time, his efforts are all in vain, and maybe he shouldn’t bother trying to continue on. “It’s hard enough to get you where you’re seen. Should never be there. You’re in a dream. Listen in. Massage my self esteem. Are paper cuts enough to get you seen? It’s never easy being fine.”

Despite it’s rather dark tone, Fallen is an enjoyable little EP, and a very respectable debut for Jim Hudson. His thoughtful and extensive lyrics are pure poetry, and he’s a fine guitarist and vocalist too.

On Saturday 6th July, Jim will be performing at The Chindit in Wolverhampton, one of the venues in the Junction Festival of Contemporary Arts.

Connect with Jim:  Facebook / Twitter
Stream his music on Spotify
Purchase on Bandcamp

SOMEHOW – Single Review: “Shut Your Eyes and See”

Somehow

I’ve been revisiting a lot of artists and bands that I’ve previously featured on this blog, as so many of them are putting out new music and wanting my thoughts on it. The latest is by Somehow, the indie-pop project of Erwan Pépiot, a singer-songwriter and multi-instrumentalist from Paris, France. His pleasing sound hovers somewhere between Joy Division and Belle & Sebastian, with a vocal styling reminiscent of Morrissey or Ian Curtis. He writes, performs, records, produces and mixes all his music in his own home studio, with his only assistance coming from his long-time collaborator Aurélie Tremblay, who provides backing vocals and some fine cello work.

Somehow released his debut album The Desert of Wasted Time in 2016, receiving many positive reviews. This was followed a year later by his beautiful album Hidden Memories, released via Toolong Records, which also earned wide acclaim both in Europe and the U.S. In October 2017 I reviewed “Someday”, one of the wonderful tracks from that album. He now returns with a terrific new song, “Shut Your Eyes and See” the first single from his forthcoming album Low Tide, due for release this coming October.

It’s another enchanting track, featuring Somehow’s signature rich, multi-instrumental stew that gives his songs their incredibly sublime soundscapes. A beautifully-strummed bass line provides a splendid foundation for the song, over which are layered some lovely guitar, keyboards, melodica, cello and gentle percussion. Erwan’s vibrant vocals are as pleasing as his music, singing the verses with a comforting urgency while Aurélie provides delightful backing harmonies.

The lyrics seem somewhat ambiguous, but I think they’re about someone who’s breaking out from under self-doubt that’s plagued them, allowing them to live their life to its full potential, yet still remaining insecure.

It seems you’re getting somewhere after all
You finally found your way out
Through your silent eyes
All things looked hollow
Now candles and stars
Sparkle in daylight

It seems you’re getting somewhere after all
You finally found your way out
At the sound of the horn
You’ll run away then die
Over and over
For a thousand times

You will speak
You will fly
You will speed up the tide
You’ll be lauded and praised by hundreds of strangers

Hide from yourself
Shut your eyes and see

The charming video shows a young man, skateboard in tow, flying to London to see a young woman who’s an old friend or girlfriend. They then set off on a sightseeing adventure, taking in both the beautiful and not-so-beautiful kaleidoscope of life in the teeming city on the Thames. The video was produced by Julien Bengel, and stars Paco and Marina as the young couple.

Connect with Somehow:  Facebook / Twitter
Stream his music:  Spotify / Soundcloud
Purchase on Bandcamp / Google Play

New Song of the Week: COUNCIL – “Born Ready”

Council Born Ready
Photos by Evgeny Photography

New York alternative rock band COUNCIL are an act I’ve been following for over three years, and it’s been gratifying to watch their star rise (I hope they’ll still remember me when they get huge). With their sweeping melodies, bold instrumentation and anthemic choruses, COUNCIL’s dynamic sound has been compared to Imagine Dragons. I first featured them back in September 2016 when I reviewed their debut EP Rust to Gold, and they’ve been on an upward trajectory ever since. Their magnificent life-affirming lead single “Rust to Gold” received worldwide acclaim, including being played at the opening ceremonies of the 2018 Winter Olympics and the FIFA World Cup, as well as on American Idol, So You Think You Can Dance, World Of Dance and Premier League. It’s been streamed more than 4 million times on Spotify, and ended up on my list of 100 Best Songs of 2017.

Council

COUNCIL is comprised of three strikingly handsome brothers – Patrick, Doug and Andy Reeves. Patrick (bass and lead vocals) and Doug (drums) are twins, and Andy (guitar) is a year younger. Originally raised on a farm in rural upstate New York, they now split their time between tending the family farm and working on their music in New York City. The guys followed “Rust to Gold” with another great single “The World is on Fire” in July 2017, which I also reviewed, and now return with their first new single in nearly two years, “Born Ready“, which drops June 21st.

Like many of their songs, “Born Ready” is a powerful, uplifting anthem. Musically, however, it’s a bit of a departure for them, with a darker, more synth-heavy sound. It opens with an ominous bass-heavy horn synth as the guys chant “Born ready, born ready…oh oh oh, oh oh oh!“, which is then followed by a high-pitched electronically-altered vocal chorus repeatedly wailing “Born ready, born ready“, giving the track an otherworldly feel. As the moody synths swirl, somber piano keys, wobbly bass and thunderous drums enter the mix. Patrick fervently sings “I was born with a storm inside me. Hurricane full of rage set me free. Try to pray but the devil he finds me. Someone lift me up, someone lift me up./ On the run, here it comes.” Then all three brothers sing the soaring chorus “I was born ready, born ready. Oh oh oh, oh oh oh!”

Doug told me the lyrics were written from the perspective of a person who comes to terms with who they are, realizing that instead of allowing themself to be beaten up by the world, they have to acknowledge they were always “born ready” to empower themself to rise up and face all the shit the world throws at them. Although I don’t think “Born Ready” is quite as strong a single as “Rust to Gold”, I really like its dark, anthemic melody and edgier, synth-heavy vibe. And, as with all their songs, the production values, instrumentation and vocals are first-rate. I also like that COUNCIL is experimenting with their music and trying new sounds and styles, and can’t wait to hear what they come up with next.

COUNCIL will be appearing with The Strumbellas on Saturday, June 29 at Sharkey’s in Liverpool, New York. Order tickets by clicking here.

Connect with Council:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Reverbnation
Purchase it:  iTunes 

New Song of the Week: MONZA EXPRESS – “In the City”

Monza Express In The City

Monza Express are a five-piece guitar band from Aberdeen, Scotland who formed in 2017 from the ashes of several other bands. As they humorously state in their bio, they’re “all the wrong side of 30 [and] no strangers to live music, having played in various bands in Aberdeen over the years.” Drawing on influences from a variety of sources depending on which member you speak to, the band includes Fraser Bateman (lead vocals & rhythm guitar), “Mr Glass” Shaun Reid (lead guitar), Greg “Mercury” Burgess (bass), Kris Fraser (keyboards, backing vocals) and David “Deco” Smith (drums). (I love that ‘Fraser’ is the first name of one member and last name of another.)

Following up on their 2018 double-single release “Sunshine/Big Dumb Rock” – both terrific songs that I urge my readers to check out using one of the links below – Monza Express just dropped a delightful new single “In the City“, which I’ve selected as my New Song of the Week. The song has a rather serendipitous little back story. The recording session was a runner-up prize in a Facebook competition put out by Aberdeenshire-based Floortom Studios, inviting acts to submit their rough song demos for possible selection by studio producer Steve Curtis. The band submitted a live GoPro rehearsal recording of “In the City”, and were delighted to learn they’d been awarded one of the coveted spots. The song was recorded, mixed and produced by Curtis, and mastered at Metropolis Studios in London.

The sweet song addresses themes of escapism from the standard 9 to 5. Fraser explains:  “I called it ‘In the City’ as both The Jam and The Who have songs [with that title] and I love those bands and what they stood for.” Bateman adds: “The composition came from a bass line Greg had been playing and we went from there. I like the almost early 60s style of the arrangement, especially when Shaun is just playing the main melody. It gives the song a little familiarity.”

The lighthearted song has a bouncy, guitar-driven melody that’s just too damn infectious! It’s the perfect feel-good song for summer, and it’s made me a big fan of Monza Express.

When you’re living in the city
And the bar looks so so pretty
Running shelter from the weather
Beer, pool and ripped up leather
I can take you miles away
Circle JFK for the day
Come and climb the Empire State
We’ll have ourselves some cake
We’ll have ourselves some cake

When you’re living in the city
And the barmaid oh so pretty
Running shelter from the thunder
Fill your glass with endless wonder
I can take you miles away
Eurostar to Paris today
Come and sail the Seine with me
We’ll have a cup of tea
We’ll have a cup of tea…and whiskey

The equally delightful and endearing animated video is a good indication that the guys don’t take themselves too seriously. Says Bateman: “I went on the website Fiverr and commissioned an animator in Pakistan to make us a video. I sent the song, the lyric sheet and photos of the band and left him to it. What resulted was an almost literal translation of the lyrics that we couldn’t not use. We think it’ll get laughs and multiple views.” I love it!

Connect with Monza Express:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Apple Music

New Song of the Week: TITUS CALDERBANK: “Mistakes”

Titus Calderbank

Titus Calderbank is a remarkably talented young singer/songwriter from Vancouver, British Columbia, Canada, and he’s just released a beautiful and moving new single “Mistakes“. The song has a bit of a gospel quality, with a haunting piano-driven melody fortified by a soaring organ riff, celebratory drumbeats and Titus’ gorgeous vocals, backed by anthemic choruses. His deeply resonant vocal style is quite marvelous, with a power to stir our hearts and souls.

About the single, Titus explains “‘Mistakes’ is a song about failure and regret. A song about missing the mark. It’s also a song of redemption and asking for forgiveness. Humans often fall short. At the end of the day, we have to accept that we’re all trying our best. What I hope to communicate through this song is that mercy and forgiveness are always an option. We can either be slaves to our past mistakes or make peace with them and move on. We can grace our enemies with forgiveness or we can die with bitter hearts.

Choices I made
Long ago they
Bubble up
And they surface to my soul

But darling then
Was I myself
Was I who I wanted me to want to be

Won’t you take a part of me
Won’t you take a part of me
Place it deep, deep, deep, deep, deep, See if I still make mistakes

Here’s a video of him performing the song live, with his lovely piano as the only instrument to accompany his beautiful vocals that remind me a bit here of Rufus Wainwright.

Also released in conjunction with “Mistakes” is a second track “Could Have Done Better“. It’s a bit lighter in tone, with a catchy guitar-driven melody, but still features that lovely organ, strong percussion, and Titus’ arresting vocals. Like “Mistakes”, it also deals with atoning for one’s past wrongs and asking for forgiveness. It’s a wonderful song too.

Connect with Titus on Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on iTunes /  Bandcamp

New Song of the Week – GHOSTLY BEARD: “Tell Me”

Ghostly Beard Tell Me

In an effort to try and showcase more artists and bands on this blog, today I’m launching another new feature “New Song of the Week”, where each week I’ll post a newly-released single. For my first selection, I’ve chosen the poignant new song “Tell Me” by Canadian artist Ghostly Beard, which dropped yesterday, May 6th. Ghostly Beard is the artistic moniker of French born, but now Montréal, Canada-based, singer/songwriter Patrick Talbot, who I first wrote about in March 2018 when I reviewed his beautiful album Inward.

Somewhat of an enigma, Ghostly Beard prefers the focus to be entirely on his music rather than him, therefore, has chosen to remain physically anonymous, and never shows his image on any of his albums or social media, nor does he perform live. That said, he’s a thoughtful and talented songwriter, producer and multi-instrumentalist with a lot to tell us, which he beautifully expresses through his compelling lyrics, sublime vocals and dreamy, mellow soundscapes that draw from soft rock, jazz, pop, progressive rock and fusion, among other influences. When listening to his music, one can hear his inspiration from such legendary artists and bands as Steely Dan, Pink Floyd, Michael Franks, James Taylor, Cat Stevens, the Beatles, Genesis, XTC, and Weather Report. All his music is entirely self-produced at his own Studio GB in Montréal.

“Tell Me” starts off with a somber piano riff and strummed electric guitar, then as Ghostly Beard’s smooth, comforting vocals enter, gentle percussion and bass are added to the mix, creating a rather melancholy yet lovely soundscape. The bluesy guitar solo in the bridge is especially nice, and I love the glittery keyboard synths in the final minute that end the song on a high note.

My interpretation of the lyrics are that they speak of a troubled relationship that’s breaking apart, and that only through their shared love can they try and salvage what remains. Ghostly Beard told me that on a broader level, they’re generally about how things in the world seem to be upside down these days.

The beast is crawling
A darker looking future
You can’t live without a tear
The door is closed, alone it ends, tonight
Hiding the light, oh no!

Now tell me what’s knocking me down
And why were you screaming so loud
Tell me what’s knocking me down
While the world is spinning around

There’s only one thing left
To stop this pain
With all our loving
We could try

Connect with Ghostly Beard:  Website / Facebook / Twitter / Instagram
Purchase his music on iTunes / Bandcamp / Amazon