JIM HUDSON – EP Review: “Fallen”

Jim Hudson is a singer-songwriter from Wolverhampton, England, who this past May released his debut EP Fallen. It’s a lovely but dark work, featuring three guitar-driven tracks with deep, poetic lyrics that speak to man’s internal conflict between his good and evil sides, and struggles to make it in this life. Jim wrote and recorded the songs, and played or programmed all the instruments. The EP was mixed by Matt Pinfield and mastered by West West Side Music (yes, West is repeated in the studio’s name).

The first track “Shadow” is a poignant song with a somewhat melancholy air. Jim’s layered acoustic and twangy electric guitar work is really nice, lending the track a bit of a folk vibe, while the assertive percussion keeps it in rock territory. His vocals have a pleasing, understated quality, and work well on this track. The lyrics seem to speak of someone who’s become a mere shadow of their former self after years of excess, realizing they’ve wasted their life and now have nothing or nobody: “No one remembers when you left, who you are, what you came here for. Lost three more days in a state. Through the haze; gone too far.

The dark and mesmerizing title track “Fallen” opens with a thumping drumbeat and an acoustic guitar chord progression that calls to mind the classic James Bond theme, only in a slowed-down manner. With a sense of sad resignation, Jim croons the fatalistic lyrics spoken by a man to his son, telling him that he will be inheriting a darker, less hospitable world because of the destruction caused by mankind: “Grab your things and run, through the barbed wire fence. From the hands that feed us, we don’t stand a chance./ Re-wrote the rules, transcended evolution. All this son, will one day be yours. Turned our backs, as we fled the garden. All of this, all of this is ours. Got inside my head, can’t get up any more. Cut my world wide open, threw my heart to the floor. You don’t know, you don’t see. Cut me, I’m in bits. There’s a hole, in my head. Leaves me cold in plastic.” His combination of acoustic and electric guitars, accompanied by humming bass, sparkling synths and measured percussion make for an exceptional track.

“Papercuts” has a softer, more upbeat folk vibe. The acoustic riff that continues throughout the song is quite charming, punctuated with tasty electric guitar runs in the choruses. The lyrics, however, are bittersweet. Jim states that they’re basically about an artist (music, visual arts, or whatever) struggling to make his way and get noticed. Perhaps he’s wasting his time, his efforts are all in vain, and maybe he shouldn’t bother trying to continue on. “It’s hard enough to get you where you’re seen. Should never be there. You’re in a dream. Listen in. Massage my self esteem. Are paper cuts enough to get you seen? It’s never easy being fine.”

Despite it’s rather dark tone, Fallen is an enjoyable little EP, and a very respectable debut for Jim Hudson. His thoughtful and extensive lyrics are pure poetry, and he’s a fine guitarist and vocalist too.

On Saturday 6th July, Jim will be performing at The Chindit in Wolverhampton, one of the venues in the Junction Festival of Contemporary Arts.

Connect with Jim:  Facebook / Twitter
Stream his music on Spotify
Purchase on Bandcamp

SOMEHOW – Single Review: “Shut Your Eyes and See”

Somehow

I’ve been revisiting a lot of artists and bands that I’ve previously featured on this blog, as so many of them are putting out new music and wanting my thoughts on it. The latest is by Somehow, the indie-pop project of Erwan Pépiot, a singer-songwriter and multi-instrumentalist from Paris, France. His pleasing sound hovers somewhere between Joy Division and Belle & Sebastian, with a vocal styling reminiscent of Morrissey or Ian Curtis. He writes, performs, records, produces and mixes all his music in his own home studio, with his only assistance coming from his long-time collaborator Aurélie Tremblay, who provides backing vocals and some fine cello work.

Somehow released his debut album The Desert of Wasted Time in 2016, receiving many positive reviews. This was followed a year later by his beautiful album Hidden Memories, released via Toolong Records, which also earned wide acclaim both in Europe and the U.S. In October 2017 I reviewed “Someday”, one of the wonderful tracks from that album. He now returns with a terrific new song, “Shut Your Eyes and See” the first single from his forthcoming album Low Tide, due for release this coming October.

It’s another enchanting track, featuring Somehow’s signature rich, multi-instrumental stew that gives his songs their incredibly sublime soundscapes. A beautifully-strummed bass line provides a splendid foundation for the song, over which are layered some lovely guitar, keyboards, melodica, cello and gentle percussion. Erwan’s vibrant vocals are as pleasing as his music, singing the verses with a comforting urgency while Aurélie provides delightful backing harmonies.

The lyrics seem somewhat ambiguous, but I think they’re about someone who’s breaking out from under self-doubt that’s plagued them, allowing them to live their life to its full potential, yet still remaining insecure.

It seems you’re getting somewhere after all
You finally found your way out
Through your silent eyes
All things looked hollow
Now candles and stars
Sparkle in daylight

It seems you’re getting somewhere after all
You finally found your way out
At the sound of the horn
You’ll run away then die
Over and over
For a thousand times

You will speak
You will fly
You will speed up the tide
You’ll be lauded and praised by hundreds of strangers

Hide from yourself
Shut your eyes and see

The charming video shows a young man, skateboard in tow, flying to London to see a young woman who’s an old friend or girlfriend. They then set off on a sightseeing adventure, taking in both the beautiful and not-so-beautiful kaleidoscope of life in the teeming city on the Thames. The video was produced by Julien Bengel, and stars Paco and Marina as the young couple.

Connect with Somehow:  Facebook / Twitter
Stream his music:  Spotify / Soundcloud
Purchase on Bandcamp / Google Play

New Song of the Week: COUNCIL – “Born Ready”

Council Born Ready
Photos by Evgeny Photography

New York alternative rock band COUNCIL are an act I’ve been following for over three years, and it’s been gratifying to watch their star rise (I hope they’ll still remember me when they get huge). With their sweeping melodies, bold instrumentation and anthemic choruses, COUNCIL’s dynamic sound has been compared to Imagine Dragons. I first featured them back in September 2016 when I reviewed their debut EP Rust to Gold, and they’ve been on an upward trajectory ever since. Their magnificent life-affirming lead single “Rust to Gold” received worldwide acclaim, including being played at the opening ceremonies of the 2018 Winter Olympics and the FIFA World Cup, as well as on American Idol, So You Think You Can Dance, World Of Dance and Premier League. It’s been streamed more than 4 million times on Spotify, and ended up on my list of 100 Best Songs of 2017.

Council

COUNCIL is comprised of three strikingly handsome brothers – Patrick, Doug and Andy Reeves. Patrick (bass and lead vocals) and Doug (drums) are twins, and Andy (guitar) is a year younger. Originally raised on a farm in rural upstate New York, they now split their time between tending the family farm and working on their music in New York City. The guys followed “Rust to Gold” with another great single “The World is on Fire” in July 2017, which I also reviewed, and now return with their first new single in nearly two years, “Born Ready“, which drops June 21st.

Like many of their songs, “Born Ready” is a powerful, uplifting anthem. Musically, however, it’s a bit of a departure for them, with a darker, more synth-heavy sound. It opens with an ominous bass-heavy horn synth as the guys chant “Born ready, born ready…oh oh oh, oh oh oh!“, which is then followed by a high-pitched electronically-altered vocal chorus repeatedly wailing “Born ready, born ready“, giving the track an otherworldly feel. As the moody synths swirl, somber piano keys, wobbly bass and thunderous drums enter the mix. Patrick fervently sings “I was born with a storm inside me. Hurricane full of rage set me free. Try to pray but the devil he finds me. Someone lift me up, someone lift me up./ On the run, here it comes.” Then all three brothers sing the soaring chorus “I was born ready, born ready. Oh oh oh, oh oh oh!”

Doug told me the lyrics were written from the perspective of a person who comes to terms with who they are, realizing that instead of allowing themself to be beaten up by the world, they have to acknowledge they were always “born ready” to empower themself to rise up and face all the shit the world throws at them. Although I don’t think “Born Ready” is quite as strong a single as “Rust to Gold”, I really like its dark, anthemic melody and edgier, synth-heavy vibe. And, as with all their songs, the production values, instrumentation and vocals are first-rate. I also like that COUNCIL is experimenting with their music and trying new sounds and styles, and can’t wait to hear what they come up with next.

COUNCIL will be appearing with The Strumbellas on Saturday, June 29 at Sharkey’s in Liverpool, New York. Order tickets by clicking here.

Connect with Council:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Reverbnation
Purchase it:  iTunes 

New Song of the Week: MONZA EXPRESS – “In the City”

Monza Express In The City

Monza Express are a five-piece guitar band from Aberdeen, Scotland who formed in 2017 from the ashes of several other bands. As they humorously state in their bio, they’re “all the wrong side of 30 [and] no strangers to live music, having played in various bands in Aberdeen over the years.” Drawing on influences from a variety of sources depending on which member you speak to, the band includes Fraser Bateman (lead vocals & rhythm guitar), “Mr Glass” Shaun Reid (lead guitar), Greg “Mercury” Burgess (bass), Kris Fraser (keyboards, backing vocals) and David “Deco” Smith (drums). (I love that ‘Fraser’ is the first name of one member and last name of another.)

Following up on their 2018 double-single release “Sunshine/Big Dumb Rock” – both terrific songs that I urge my readers to check out using one of the links below – Monza Express just dropped a delightful new single “In the City“, which I’ve selected as my New Song of the Week. The song has a rather serendipitous little back story. The recording session was a runner-up prize in a Facebook competition put out by Aberdeenshire-based Floortom Studios, inviting acts to submit their rough song demos for possible selection by studio producer Steve Curtis. The band submitted a live GoPro rehearsal recording of “In the City”, and were delighted to learn they’d been awarded one of the coveted spots. The song was recorded, mixed and produced by Curtis, and mastered at Metropolis Studios in London.

The sweet song addresses themes of escapism from the standard 9 to 5. Fraser explains:  “I called it ‘In the City’ as both The Jam and The Who have songs [with that title] and I love those bands and what they stood for.” Bateman adds: “The composition came from a bass line Greg had been playing and we went from there. I like the almost early 60s style of the arrangement, especially when Shaun is just playing the main melody. It gives the song a little familiarity.”

The lighthearted song has a bouncy, guitar-driven melody that’s just too damn infectious! It’s the perfect feel-good song for summer, and it’s made me a big fan of Monza Express.

When you’re living in the city
And the bar looks so so pretty
Running shelter from the weather
Beer, pool and ripped up leather
I can take you miles away
Circle JFK for the day
Come and climb the Empire State
We’ll have ourselves some cake
We’ll have ourselves some cake

When you’re living in the city
And the barmaid oh so pretty
Running shelter from the thunder
Fill your glass with endless wonder
I can take you miles away
Eurostar to Paris today
Come and sail the Seine with me
We’ll have a cup of tea
We’ll have a cup of tea…and whiskey

The equally delightful and endearing animated video is a good indication that the guys don’t take themselves too seriously. Says Bateman: “I went on the website Fiverr and commissioned an animator in Pakistan to make us a video. I sent the song, the lyric sheet and photos of the band and left him to it. What resulted was an almost literal translation of the lyrics that we couldn’t not use. We think it’ll get laughs and multiple views.” I love it!

Connect with Monza Express:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Apple Music

New Song of the Week: TITUS CALDERBANK: “Mistakes”

Titus Calderbank

Titus Calderbank is a remarkably talented young singer/songwriter from Vancouver, British Columbia, Canada, and he’s just released a beautiful and moving new single “Mistakes“. The song has a bit of a gospel quality, with a haunting piano-driven melody fortified by a soaring organ riff, celebratory drumbeats and Titus’ gorgeous vocals, backed by anthemic choruses. His deeply resonant vocal style is quite marvelous, with a power to stir our hearts and souls.

About the single, Titus explains “‘Mistakes’ is a song about failure and regret. A song about missing the mark. It’s also a song of redemption and asking for forgiveness. Humans often fall short. At the end of the day, we have to accept that we’re all trying our best. What I hope to communicate through this song is that mercy and forgiveness are always an option. We can either be slaves to our past mistakes or make peace with them and move on. We can grace our enemies with forgiveness or we can die with bitter hearts.

Choices I made
Long ago they
Bubble up
And they surface to my soul

But darling then
Was I myself
Was I who I wanted me to want to be

Won’t you take a part of me
Won’t you take a part of me
Place it deep, deep, deep, deep, deep, See if I still make mistakes

Here’s a video of him performing the song live, with his lovely piano as the only instrument to accompany his beautiful vocals that remind me a bit here of Rufus Wainwright.

Also released in conjunction with “Mistakes” is a second track “Could Have Done Better“. It’s a bit lighter in tone, with a catchy guitar-driven melody, but still features that lovely organ, strong percussion, and Titus’ arresting vocals. Like “Mistakes”, it also deals with atoning for one’s past wrongs and asking for forgiveness. It’s a wonderful song too.

Connect with Titus on Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on iTunes /  Bandcamp

New Song of the Week – GHOSTLY BEARD: “Tell Me”

Ghostly Beard Tell Me

In an effort to try and showcase more artists and bands on this blog, today I’m launching another new feature “New Song of the Week”, where each week I’ll post a newly-released single. For my first selection, I’ve chosen the poignant new song “Tell Me” by Canadian artist Ghostly Beard, which dropped yesterday, May 6th. Ghostly Beard is the artistic moniker of French born, but now Montréal, Canada-based, singer/songwriter Patrick Talbot, who I first wrote about in March 2018 when I reviewed his beautiful album Inward.

Somewhat of an enigma, Ghostly Beard prefers the focus to be entirely on his music rather than him, therefore, has chosen to remain physically anonymous, and never shows his image on any of his albums or social media, nor does he perform live. That said, he’s a thoughtful and talented songwriter, producer and multi-instrumentalist with a lot to tell us, which he beautifully expresses through his compelling lyrics, sublime vocals and dreamy, mellow soundscapes that draw from soft rock, jazz, pop, progressive rock and fusion, among other influences. When listening to his music, one can hear his inspiration from such legendary artists and bands as Steely Dan, Pink Floyd, Michael Franks, James Taylor, Cat Stevens, the Beatles, Genesis, XTC, and Weather Report. All his music is entirely self-produced at his own Studio GB in Montréal.

“Tell Me” starts off with a somber piano riff and strummed electric guitar, then as Ghostly Beard’s smooth, comforting vocals enter, gentle percussion and bass are added to the mix, creating a rather melancholy yet lovely soundscape. The bluesy guitar solo in the bridge is especially nice, and I love the glittery keyboard synths in the final minute that end the song on a high note.

My interpretation of the lyrics are that they speak of a troubled relationship that’s breaking apart, and that only through their shared love can they try and salvage what remains. Ghostly Beard told me that on a broader level, they’re generally about how things in the world seem to be upside down these days.

The beast is crawling
A darker looking future
You can’t live without a tear
The door is closed, alone it ends, tonight
Hiding the light, oh no!

Now tell me what’s knocking me down
And why were you screaming so loud
Tell me what’s knocking me down
While the world is spinning around

There’s only one thing left
To stop this pain
With all our loving
We could try

Connect with Ghostly Beard:  Website / Facebook / Twitter / Instagram
Purchase his music on iTunes / Bandcamp / Amazon

THIRD TIME LUCKIE – EP Review: “Face the Beast”

Third Time Luckie EP art

A month ago I featured British alternative pop/punk band Third Time Luckie on this blog when I reviewed their beautiful single “Love and Violence”. They’ve now dropped a new EP Face the Beast, which I have the pleasure of reviewing today. Originally formed in 2006, the band had early success, releasing two EPs and an album, but eventually disbanded in 2014. Fortunately for us, founding members Chris Horner (guitar & vocals) and Carl Swietlik (drums) decided to give it another go, and Third Time Luckie was reborn an older and wiser trio in late 2016 with a new bassist Andy Clare. Based in the southern England resort town of Bognor Regis, Sussex, the band’s high-energy style of melodic pop/punk rock is strongly influenced by some of their favorite bands like Blink-182, Green Day, Alkaline Trio and Sum 41.

Face the Beast features five stellar tracks, including “Love and Violence” and some other previously released songs. Green Day’s influence can clearly be heard on the first cut “The Grind“, with a frantic riff that’s strikingly similar to the main riff in “American Idiot”. The guys follow through with more electrifying guitar solos of their own, along with a driving bass line and thunderous drums that make for an exhilarating song. The lyrics speak to escaping a soul-crushing rut in a boring town, and making a change for the better: “And so, we all stick to the grind. And so, something gets left behind. Go do what you like, cause my mind’s made up now. And so, fuck you, I’m leaving this town.”

That Day” is a reworking of a song the band originally recorded back in 2008. The upbeat song is a rousing pop/punk ode to a woman he loves, recalling the day he met her: “I remember that day so clearly. It’s stuck down in my head. I get the warmest feeling lying next to you in bed. The grass is always greener when you are around.” The anthemic “Never Alone” is a song of encouragement to someone suffering from depression. Chris does some fine shredding on his six-string as he fervently sings: “You found your way, your way back to our lives. You found your way, your way back to our hearts. All the while you were lost in the smoke. We were there too, and you were never alone. / You can push back and fight it. Or face the beast and ignite it.” Andy and Carl keep the rhythm with a solid bass line and a cascade of tumultuous percussion.

The poignant “Love and Violence” is a plea from one partner in a fraying relationship to another, urging her to stay with him and try to work out their problems. The words “love and violence” represent the highs and lows – the good times and bad – of a relationship. “Stay with me now cause I know we’re forever. And evermore it’s you and I in love and violence.” The guitar work is fantastic, and Chris’s pleasing vocals sound great whether he’s earnestly crooning the calmer verses or passionately wailing the dramatic choruses. The guys’ backing vocal harmonies are wonderful too.

The final track “Wide Eyed Thinking” was the first single the reconstituted band released in 2017, and it’s a real banger. The guys let loose here, unleashing a furious barrage of gnarly riffs, wildly crashing cymbals, and chugging bass. The song’s only two and a half minutes long, but it’s a beast. The lyrics speak to finally coming to terms with the reality of a toxic relationship that’s beyond repair: “Nothing I did was ever good enough for her. Wide eyed thinking, how can I get away? This ship is sinking, and I’ve been led astray from you. Now I sing a different tune.”

Face the Beast is a terrific little EP that showcases the strong songwriting and musicianship of Third Time Luckie. I’m impressed by these guys’ resilience, as well as their dedication to excellence, and I hope they continue making more great music for our listening enjoyment.

Connect with Third Time Luckie:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation
Purchase on iTunes

JADED JANE – Artist Spotlight & Interview

I’ve commented previously on this blog about my continual amazement at the sheer magnitude of enormously talented musicians around today who are creating incredible music. In such a seemingly overcrowded industry, it’s inevitable that so many of these musicians and bands struggle to get their music heard, despite the ready availability of a staggering amount of it that’s free for the taking (which as we all know is another entire set of issues). That’s where music bloggers like myself come in, writing about indie artists we like and helping to spread the word about their music and hopefully gain them a few more followers and fans. With that in mind, today I have the pleasure of introducing to my readers the remarkably talented and undeniably charismatic Olsson brothers Axel and Adam who call themselves Jaded Jane.

Jaded Jane 2

Originally from Gothenburg, Sweden, but now split between Gothenburg and Glasgow, Jaded Jane seeks to celebrate humanity and diversity through their music, writing compelling songs with positive, life-affirming lyrics. Drawing upon a wide range of influences such as pop, rock, soul, R&B and hip-hop, they create beautiful, piano-driven melodies and lush soundscapes. Since 2015 they’ve produced four excellent albums, and are now recording their fifth, due for release later this year. I reached out to Jaded Jane to talk about themselves and their music, and was happy Axel agreed to share some of their story.

EML:  Hello Axel. Thank you for agreeing to talk with me. First off, by way of introductions, tell me a little about Jaded Jane – when did you guys form the band, and how did you and your brother Adam decide on the name “Jaded Jane”?

Axel:  Thanks Jeff. I am super glad to be part of your music blog. Jaded Jane and the musical adventure of brothers Axel and Adam Jane Olsson began in our early youth, being the sons of musician Christer Olsson (Plums, Noll 31, Scandinavian 5) and a mother with a passion for music. Growing up to the sounds of Motown, The Beatles and Michael Jackson, to name a few, it was only natural for us to develop a keen sense of melody, harmony and originality. We grew up in the Gothenburg, Sweden suburb of Hammerhill, and our path eventually lead us to New York & Los Angeles, where we spent ten years back and forth immersing ourselves with some of the most inspiring musicians on Earth. The name Jaded Jane came to me in a dream in 2013, when I was living in New York. The name deals with the jaded aspect of the modern human being. Jaded Jane is also a song from our debut album Diversity, and is about life, death and meaning. The name ‘Jane’ has an androgynous quality that is inclusive and gender neutral.

EML:  What prompted you to make those moves from Sweden to Los Angeles and New York, and why did you choose to leave New York for Glasgow, rather than return to Sweden? Does Glasgow have a more thriving music scene?

Axel:  It’s been a long road moving back and forth to New York, Los Angeles and now Glasgow. We came home to Sweden for a few years after New York, and then we ended up collaborating with a few Scottish artists which led us to Glasgow. It is a vibrant music city, with areas that remind me of Brooklyn, NY.  When you are moving to a new city you are putting yourself in a whole new world, which sculpts you into another story and adventure, I have always been excited about learning and growing on all fields as a human being. So I am now in Glasgow, while Adam is still based in Gothenburg.

EML:  Your music is beautiful and uplifting, and your songs offer positive, life-affirming messages. What is the inspiration behind your music and sound?

Axel:  That means a lot to hear that the songs & music spread those messages. We feel that the music we create is greater than us and has the power to heal by touching people on a deeper level. By being brutally honest with ourselves, we allow others to feel that side of us. The things that are the most personal are ultimately the most universal. My inspiration comes from experiencing all of life’s challenges, both the highs and lows.  From a young age, me and Adam starting asking questions about our society, and felt an urge to share our musical stories with other people in hope that it will touch and lift someone who is low.

EML:  Do you both write the songs and lyrics together? And do you both play all the instruments and synths yourselves, or do you work with other session musicians to help create your music?

Axel:  I have written all the songs on the albums released thus far, and we do play all of the instruments. However, on the new album “117” we’re currently working on, Adam is featuring two of his new songs. Adam plays fretless bass, guitar and sings, and I play the piano, synthesizers and also recording and producing the tracks. We previously collaborated with guitarist Mike Stern on our first album Diversity, and L.A.-based soul singer Frank McComb on The Puzzle, an album we made prior to becoming Jaded Jane. But our journey really took off in a new direction while meeting our third member Åke Linton, a sound artist from Sweden who is now part of creating the soundscapes and sounds of Jaded Jane.

EML:  The track “Crystal Stair” on your latest album Salvation is an intriguing song. How did you discover that speech from Rev. Martin Luther King, Jr., and why did you choose to build a song around it?

Axel:  The whole Salvation album was recorded live in a studio in Gothenburg, on Queen’s old console and the song “Crystal Stair” was just a small improvised part that came from one of the sessions. Both me and Adam have always been inspired by Martin Luther King, and we thought it’d be cool to have his voice on top of the melodies and sounds of the improvised piece.

EML:  I was touched by your recent Instagram post about your struggles and frustrations with trying to make it in this very tough music business. Your music is so wonderful, and you guys need to be heard by a larger audience, which is why I’m happy to feature you on my little music blog. That said, one of the issues I think is that today, most people seem to prefer hip-hop, Country or rock music, rather than beautiful, piano-based easy listening compositions like yours. Yes, there is still a niche for your genre of music, and there are successful artists making music similar to yours such as James Blake and Sufjan Stevens, but they often collaborate with hip hop or other artists to appeal to a wider audience. You’ve stated that you would like to collaborate with other artists, and in fact have a couple of times, like you did with rapper Scope (Jake Lewis) on the track “Life” from your album “One Way”, but that it’s been a struggle getting more artists to collaborate. Any thoughts?

Axel:  You are very right, It is a big challenge to get people to listen to a full song nowadays, even though you spent your whole life building and working on your craft, The masses seem to react to the loudest playing songs. I am looking forward to writing and recording more with similar minded artists, The struggle in paying rent and earning money for food has and I am guessing will always be there when it comes to true artistry, I am a full time busker / street performer in Glasgow at the moment, and that has definitely made me humble in how hard it can be to earn money; it gives you a whole new respect for how to use them.

The music business is a tough field to be in, I have always felt and I know Adam felt it too. We are outside of the business, however, we the songwriters and artists are what makes it possible to make a business out of it, so I am determined to find out what’s going on.

EML:  Your press release states that you’re managed by Scirca Music Group. Some artists & bands choose to hire a management company or PR firm to help them, while others wish to do everything themselves. Have you found it helpful to work with a manager?

A year ago I reached out through social media in search for a music publisher and manager, which got me in contact with the newly started Scirca Music Group. It has been a learning experience for both me and Adam and for the management company, as they are just starting out. I would like to encourage other artists to learn about how it all works, and how it is built up, that is the key to understanding and hopefully knowing where you want to go from there.

EML:  What are you guys working on now? Any plans for another album?

Axel:  As I mentioned earlier, we’ve been recording a new album “117” to be released later this year. It’s being recorded and mixed by our Sound Artist Åke Linton. I’m singing & playing on an old upright piano, and Adam is playing a Spanish nylon guitar & also singing some vocals. The last pieces of the songs on ”117” are being recorded with string arranger & producer Mattias Bylund adding a cello to the songs by cellist David Bukovinszky. Last but not least, I am laying down the bass lines on a 1976 Moog Synthesizer and warm analog pads on a 1980s Korg Polysix. We just shot the first music video for our upcoming single ”Trapped”. It was exciting and it turned out great.

EML: Is there anything else you’d like people to know about Jaded Jane that I’ve neglected to ask?

Axel:  Yes, we want to share our message of “Ignorance Separates, Music Unites”. We want to take a stand even more, making it clearer that we are for all human beings,  especially the ones without a voice. Equality, Humanism, and Reverence for the Beauty and Majesty of Nature are all subjects we care about.

We are from the “hood” of our hometown and we wish to display a different side [to that part of the Gothenburg area] than what is mainly portrayed in media with their car fires, etc. The growth of racist/nationalistic political parties such as SD* is something that we want to be an antidote for. We’ve always stayed clear of politics in our music but when it comes to these ethical & moral values we want to be very clear that we stand for diversity, equality and lifting positive stories about the “hood” which almost always have been a place of brotherhood and acceptance for us. Yes there are problems, but there need to be a more nuanced and balanced portrayal in media. We want to do our part as a counterweight to the negative.

* SD stands for Sweden Democrats, ironically, a socially conservative and far right-wing populist political party.

So lets dig a bit into Jaded Jane’s wonderful catalog and get a feel for their music. They released their debut album Diversity in 2015, a genre-bending work featuring eight tracks drawing upon pop, rock, soul, R&B and hip hop elements. As the title suggests, the songs address uplifting themes of embracing diversity and working together to make the world a better place. Every track on the album is superb, but my favorites are the lovely ballad “Jaded Jane”, the anthemic “After”, “Meaningful Destiny”, with its beautiful piano and shimmering guitar, the funky “The Cure”, with guest vocals from rapper KJ Denhert, and the soulful and fun “Walk the Walk”. Their musicianship and knack for writing infectious melodies that hook us in right from the start are impressive, and I love Axel’s casual vocal style that frequently breaks into a crooning falsetto.

In February 2017, they released their fantastic second album One Waywhich saw them branch out and further experiment with their sound by incorporating more complex and multi-textured synthesizers, deep bass lines and trap beats into their soulful mix. The highlights here are “Tell Me What”, with spacey synths and a funky bass line that’ll rock your world, “Breathing”, with colorful psychedelic synths and guitar chords that are fucking magical, and “Life”, a brilliant track featuring killer rap verses by British rapper Scope (Jake Lewis) that beautifully complement Axel’s falsetto vocals. The uplifting lyrics speak of not letting your past troubles define you or keep you from realizing your dreams: “Living life just watch me risk it, made mistakes but don’t regret ’em / I put on a happy face to hide where I come from / Put your knife down, listen to my rhyme / Everything’s gonna be alright.

Only eight months later, Jaded Jane dropped yet another album Always & Forever, once again going off in another direction with their sound. This time, Axel’s beautiful piano playing takes center stage, with the songs all featuring sublime piano-driven melodies that take their music toward an ambient, easy-listening vibe. In describing his inspiration for the album, Axel wrote as if speaking to his father: “When I sat down by the piano I could feel your presence. I let the songs happen the way they were meant to. Through music we can communicate with another world, here it is, and it is for you, in the here and now and in the hereafter.” The beautiful title track “Always & Forever” is a moving tribute to their father. “Hard to believe that you are gone this time. Oh give me strength to carry on. Easy to smile when you are by my side. You’ll live forever in my heart.” The video was filmed on a snowy night in Gothenburg.

The opening song “Serendipity” is a serene, 13-minute long piece of atmospheric heaven, with extended runs of delicate piano, guitar and whispery synths that are mesmerizing. The song begins as an instrumental-only track that seems to end at around 3:45 minutes, then starts back up at 4:00, this time with Axel’s tender vocals singing the praises of their father: “It was your light. It was your love, that shone through all of us.” This portion of the song ends with a gradual fade-out of reverb at around 8:45, only to start back up at 9:30 with sparse piano keys, accompanied by strummed guitar and whispery synths that throb until the end of the song.

Jaded Jane Salvation

Their fourth and most-recent album is the gorgeous Salvation. Released in November 2018, the album continues with what Jaded Jane refers to as their “exploration of soulful soundscapes of consciousness” that we loved on Always & Forever.  The entire album flows like an atmospheric river of mesmerizing piano-driven sound, enveloping and transporting us to a comforting place of love, peace and serenity. The beautiful title track “Salvation” has simple, spiritual lyrics that speak to finding peace of mind and salvation in the hereafter: “I’ll stay right here, through my last tears. Ain’t got nothing left to fear. Salvation. It’s the longest street, I will follow thee to another space and time. I will walk this road, never looking down, to the place that we’ll call home.”

Another standout track is “Ethereal”, which lives up to its name with breathtaking atmospheric music. Axel’s piano work is absolutely stunning, backed by sweeping glittery synths, gently thumping drumbeats and Adam’s subtle guitar notes.

“Orion” is a beautiful instrumental track, consisting of only delicate piano, gentle drumbeats and whispy ambient background synths. Though over five minutes long, it seems much shorter. The track segues uninterrupted into album closer “Crystal Stair”, with a continuation of the gentle drumbeats and whispy synths. At one minute, words from a famous 1960 speech by Rev. Martin Luther King, Jr. at Spelman College enter: “Your life’s blueprint must be a commitment to the eternal principles of beauty, love and justice. Don’t allow anybody to pull you so low as to make you hate them. Don’t allow anybody to cause you to lose your self-respect to the point that you do not struggle for justice. However young you are, you have a responsibility to seek to make your nation a better nation in which to live.

The track encapsulates the message of love, tolerance and social justice that Jaded Jane seeks to spread by Salvation, and with all their songs. I greatly admire these guys, both in terms of the wonderful music they make, and the positive vibes they spread through their kindness, love and joy. I cannot wait to hear their new album.

Connect with Jaded Jane:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on iTunes

ROADKEEPER – Single Review: “Old Man’s War”

Roadkeeper

It always makes me happy when I discover a new band and instantly love their music. I was so impressed by the beautiful songs of the band Roadkeeper that I had to write a review of their latest single “Old Man’s War“. The Tyler, Texas- based group was formed less than a year ago by producer/vocalist John Eric Hetherington and drummer Nick Cogdill, who both previously played in the post-punk group Knifight, as well as guitarist Trevor Tull and bassist Daniel Griffith, all of whom are long-time friends. Roadkeeper is completely independent and self-produced, doing their recording, producing and mixing in John’s studio – dubbed ‘Yacht Country’ – and releasing their songs on their own label Equal Temperament.

Blending dreamy shoegaze with dramatic psychedelic rock, Roadkeeper crafts exquisite songs that envelop us with complex melodies and lush soundscapes, while delivering compelling lyrics that give us something to think about. Beginning in the fall of 2018, they released a series of singles, starting with “God in the Light of the Bar”, a laid-back song with shimmering guitars, horns and breezy synths, and “The Creeps”, a beautiful, anthemic song about emotional manipulation and abuse. In February 2019, they released their mesmerizing third single “Gushers”, which the band explains “deals with recent years’ murders of unarmed black people by police officers, and the way law enforcement and apologists reframe the job of police officer as a war or conflict between the just and unjust. Also how privileged people are starting to reframe their own lives and minor struggles as heroes journeys.”

Now the band follows up with their fourth single “No Man’s War” a melancholy but beautiful song about anxiety and worry over things, both real and imagined. The song starts off with a mix of both chiming and strummed acoustic guitars, as John sings in soft, breathy vocals of his fears:

I’m afraid of so many things
What the hell am I doing
Waiting for a change
People never change
And I’m stuck inside my heart
Waiting for someone to pick me up
And tell me everything’s OK
That it’s only just a dream
Wait and see

The music swells with lush shimmery synths, fuzzy bass and chiming guitars as he tries to convince himself that all is right with the world and he’s got nothing to worry about:

No disease is coming for me
And no conditions waiting to take you from me
And the world is happy
No one is dying
The ice isn’t melting
And everyone can be themselves

The dramatic sweeping synths continue during the bridge, then abruptly end, leaving us with just a simple strummed acoustic guitar as John reaffirms his anxieties and feelings of pessimism in the final verse:

I’m afraid of so many things
Every time I read
What’s breaking in the world
I lose a piece of me
To an old man’s war
They won’t be around to pick it up
When everything falls down

With “No Man’s War”, Roadkeeper continue to bat a thousand, delivering their fourth consecutive win in the form of a perfect song. I’m happy to be following this talented group of guys, and excited to hear what they come up with next!

Connect with Roadkeeper:  Facebook / Twitter  / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes

THIRD TIME LUCKIE – Single Review: “Love and Violence”

Third Time Luckie single art

Third Time Luckie – is that a great band name or what? – is a 3-piece alternative rock group based in the southern England resort town of Bognor Regis, Sussex. Formed back in 2006 by founding member Chris Horner (guitar & vocals), like many bands, Third Time Luckie has undergone some personnel changes in the intervening years, and now includes Carl Swietlik (drums) and Andy Clare (bass & vocals). Drawing influences from some of their favorite bands like Blink-182, Green Day, Alkaline Trio and Sum 41, they play a high-energy style of melodic pop/punk rock.

The band has recorded a number of fine tracks over the years, including their recent single “Wide Eyed Thinking” (you can check them out on their Soundcloud page). Their latest release is “Love and Violence“, a terrific song that will be included on their forthcoming EP Face the Beast, due out later this Spring.

Starting things off with a flourish of drumbeats, they quickly hook us in with an arresting guitar riff overlying a driving bass line and accompanied by a gentle drumbeat. The music then explodes into a stirring crescendo in the choruses, thanks to a speaker-blowing barrage of raging guitars, wildly crashing cymbals, and deep, buzzing bass. The guitar work is fantastic, and there are some nice piano keys in the final chorus as well, providing another texture of sound that makes for a really interesting and highly satisfying listen. Chris has a pleasing vocal style that sounds great whether he’s earnestly crooning the calmer verses or passionately wailing the dramatic choruses. The guys’ backing vocal harmonies in the choruses are wonderful too.

The poignant lyrics are a plea from one partner in a fraying relationship to another, urging her to stay with him and try to work out their problems. The words “love and violence” represent the highs and lows – the good times and bad – of a relationship.

Stay with me now
Cause I know we’re forever
And evermore it’s you and I in love and violence

Cry with me know
It doesn’t really matter
We’re living for today
Come on let’s run away

The guys’ skill at songwriting and crafting memorable melodies is strongly evident on “Love and Violence”, and they’ve got a bonafide hit on their hands. I really like this band, and am looking forward to hearing Face the Beast when it comes out.

Connect with Third Time Luckie:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation
Purchase on iTunes