MICHAEL LANE – Single Review: “Coming Home”

Michael Lane is a German-American indie-folk singer-songwriter and producer based in Germany, near the city of Nuremburg. He was born in Germany to a German mother and an American GI father, but spent much of his childhood and teenage years living in America, before moving back to Germany as an adult, where he now lives with his wife and son. Michael himself served in the U.S. military, and was deployed to both Iraq and Afghanistan. A talented and prolific songwriter, Mike writes thoughtful lyrics inspired by his own life experiences, sets them to sublime melodies, and delivers them with fine guitar work and pleasing vocals.

Beginning with the release in 2014 of his debut album Sweet Notes, Michael has made a name for himself in Germany and beyond, even having his single “Liberty” chosen as the official song of the 2015/2016 Four Hills Tournament, Europe’s biggest international ski jump event. He followed up over the next five years with three more albums, his most recent being the outstanding Traveling Son, released in October 2019. He now returns with a lovely and moving new single “Coming Home“, released via Greywood Records on September 11th. Inspired in part by the COVID-19 quarantine that confined many of us to our homes for several months, Michael thought about how being at home has different meanings for each of us, in both positive and negative ways. And as different as people are, so are the emotions at the thought of coming home just as unique.

“Coming Home” is a message of hope and assurance that, in times of crisis, people will return to the important things in life. Michael explains: “The song ‘Coming Home’ isn’t just about coming home, but more about the feeling you get or have when you’re at a place that you would consider your home. Growing up I moved around a lot, and never really had a steady place that I could call home until I started my own family, and now I do have my own place to call home. It really is a sanctuary for my soul, where I can relax and enjoy the finer things in life.”

It’s a beautiful song, opening with Michael’s gently-strummed guitar and soothing vocals. He gradually layers additional sparkling guitar notes, along with subtle percussion, delicate synths and his own backing vocal harmonies, creating a dreamy soundscape evoking the warmth and comfort of home. He softly croons of his tender feelings for his loved one and their home: “Your smile warms me up like a fire inside / Our home is like a sanctuary for the soul / It will never get old when we’re here in our home.”

The beautiful video shows Michael walking along a path in the countryside at dusk, the fading light of the setting sun softly illuminating his face as he sings the song.

Follow Michael:  FacebookTwitter / Instagram

Stream/purchase his music:  SpotifyApple Music / Google Play

BLOOM DE WILDE – Album Review: “The Heart Shall Be Rewarded by the Universe”

Bloom de Wilde album art

Bloom de Wilde is a London-based singer-songwriter, producer and visual artist with a fascinating and eccentric avant garde sound. Born in the Netherlands to a Dutch artist mother and an Indonesian father who lead his own traditional Indonesian music ensemble known as Gamelan, Bloom’s experiences growing up in a multi-ethnic environment led her to develop an innovative and imaginative approach to her music. Drawing from an eclectic mix of influences by some of her favorite artists such as Radiohead, Jeff Buckley, Tom Waits, Björk, Billie Holiday, Chet Baker, Nina Simone and Toxic Chicken, Bloom fuses elements of dream, ethno and experimental art pop, folk and jazz with unconventional melodies and a rich mix of instruments to create exuberant, colorful soundscapes that transport us to exotic, faraway places. Moreover, her unusual and distinctive vocal style has earned her comparisons to Joanna Newsom, Kate Bush and Björk.

Bloom De Wilde2

Bloom has been writing and recording songs for several years, and some of her older tracks can be found on her Soundcloud account. In July 2019, she began releasing a series of singles, starting with “Soul Siren”, which won both the International Songwriting Award for best female singer songwriter, and the UK Songwriting Competition for Best Video. That October, she followed up with “Rock, Plant & Animal”, a hopeful ode to nature and earth. That song won the Alternative Friday Award for best Folk & Art-pop track. She later released two more singles “Atlas Cassandra” and “Do & Be”, and on June 12, dropped her debut album The Heart Shall Be Rewarded by the Universe.

Released via Dream Society Records, the album features those four tracks plus two others. I asked her why she’s calling it an album when it contains only six tracks. She responded that “format-wise it’s an EP, but content-wise it’s definitely an album.” The songs were written and arranged by Bloom, who sang all vocals and played several instruments including piano, Fender Rhodes electric piano, guitar, harmonium, glockenspiel, organ and synth programming. The tracks were co-produced by her and Nick Trepka and Sam Ritchie, who also played some of the instruments. In addition, ten other musicians played various instruments on the album, including flugelhorn, kora, viola, violin, trumpet, trombone, saxophone, tuba and double bass, all contributing to the songs’ lush, dreamy sounds.

About the album, Bloom explains: “These songs have all been inspired by the human beings and cats that are closest to my heart; and as we are all the Universe perceiving itself through infinite subjective perspectives, I feel it is via the Heart that the Universe speaks. In these strange and challenging liminal times, I feel it is possible for us to create a new reality – a life-sustaining harmonious world where people are kind and generous to all earthlings, human or animal, and look after the planet and it’s plant life with love and care. This album is an invitation to celebrate life in all its wondrous, colourful exuberance. Let’s sing, dance, dream, paint, play and meow a new world into existence.

Bloom opens her album with “Soul Siren“, a delightful song of love. Employing an exotic and lush array of instruments, highlighted by soulful trumpet and shimmery notes from a West African kora, she fashions an enchanting backdrop for her quirky vocals. She uses her voice like another instrument, reaching almost childlike high notes as her voice sweetly coos, then soars with an emotion-filled confidence in the choruses.  She sings of her strong emotional and physical connection with her beloved – she’s the siren to her soulmate: “I will show you all the secret hearts I’ve hidden in my chest. We could now do all the things that we always wanted to, but never dared. I’m all yours, your Soul Siren.”

On the pleasing and catchy “Do & Be“, Bloom urges us to just live our lives as simply and honestly as possible, keeping in touch with the real world and the natural beauty around us, and not overthink everything: “Sleepers should be dreamers, oh i know It’s so obvious it drives me crazy.” The colorful and whimsical video she made for the song showcases her creativity and playfulness.

Atlas Cassandra” has a rather dark spiritual vibe, with Bloom sounding like a high priestess as she croons against a dramatic and mysterious backdrop of tinkling xylophone, somber drumbeats and soaring strings. The captivating “Rock, Plant & Animal” is a beautiful, uplifting tribute to earth and nature. She explained her inspiration for the song: “I wrote this song for my children, about this living Earth I love so dearly, and all the precious life upon it. I believe everything in this world has a living essence, a soul, and all is connected. We are all One – Rock, Plant and Animal.” (You can read my detailed review here.)

The exuberant anthem “Animal Spirit” was written in 2018, and in a sense could be considered Bloom’s theme song. It expresses her philosophy – her inherent ‘animal spirit’ if you will – of her reverence for earth and all living things, and how she chooses to conduct her life on this planet, promoting respect for life in all its myriad forms: “I won’t stop, I’ll never give up. I’m inside this eternal movement. I will not be held back by darkness or heaviness. Never, never cease to be driven by the heart, by the art, the magic and the marvellous.”

Pale Moon, Golden Light” is a tender and languid ballad, with a more stripped-down sound consisting of only piano and light percussion. Bloom softly croons to a boy with assurances that her love can calm the savage beast in him: ” What’s the matter with you boy? Madness strikes under your window with a sword. Climbing up & down the ladder. Who is there? I’m there. / Could it be that you’re the one for me?

The Heart Shall Be Rewarded by the Universe is an utterly enchanting and eccentric little album that’s unlike anything I’ve ever heard by any other artist. Bloom de Wilde is a brilliant, creative and innovative artist, though I can imagine that her style and sound might not appeal to everyone. But if you like music that’s colorful, avant garde and thoroughly unique, you will enjoy this album.

Connect with Bloom:  Facebook / Twitter / Instagram
Stream her music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play

NATH JACKSON – EP Review: “Dreamers & Deceivers”

Nath Jackson

June 5th was a popular day for new music releases, and I’ve been writing about a fair amount of it over the past few days. My latest entry is the new EP Dreamers & Deceivers by British singer-songwriter and guitarist Nath Jackson. I first learned about the talented Leeds-based artist last summer when I reviewed an EP by electronic music project The Ocean Beneath that he collaborated on. He co-wrote and sang the lyrics on two of the tracks on that EP, and I was really impressed with his beautiful vocals.

Nath has now released a collection of songs with his own debut EP. Once again, he collaborated with The Ocean Beneath, who produced the EP. Backing vocals were sung by his brother Aaron Jackson, with drums performed by Karl Rigby. The EP contains four tracks, the first of which, “Oncoming Storm“, was released as a single last December (you can read my review here). It’s a hauntingly beautiful number, highlighted by Nath’s gorgeous strummed acoustic guitar, melancholy but lovely piano keys, and gentle cymbals evoking waves crashing on the shore in advance of an oncoming storm. His smooth, clear vocals are urgent yet comforting as he sings to someone afraid of committing themselves to love or even to life, for fear of being hurt: “But it’s all too little too late. If life’s a game then you better play. From the upside to the down. The lost and the found. You better move soon before you hit the ground. And they’ve all got something to say. Waiting for those better days. From the love that you choose. There spreading out the news. Where do you go when you got nothing to lose? Nothing to lose.”

Setting Sun” was one of the songs he co-wrote and sang for The Ocean Beneath’s EP. Their version had a lush and mesmerizing synthwave approach in the style of Giorgio Moroder, whereas Nath’s version is more stripped-down, with stunning layered acoustic and electric guitars, drums and gentle orchestral synths. Both are wonderful and I love them equally. I love the sound of his vocals as sings of someone trying their damnedest to avoid committing to love: “Well you may be the last one standing. The devil’s on your tail but you keep on graspin’. Sail your dreams out to the sea. Pulling on the line and bring them home to me. The love light and watch it shine. And I won’t stop until you are mine. You don’t know what you’ve become. And you can’t hide behind the setting sun.”

The Beatles-esque “Blink of an Eye” starts off with just Nath’s piano keys and plaintive vocals, then the music gradually builds with added percussion, strings and guitar to become a beautiful, uplifting anthem. With his brother Aaron’s soaring chorus in the background, Nath entreats a loved one about what I’m guessing is an attempt to try and get their relationship back on the right track: “Maybe there ain’t time to look back. Trying to keep peace of mind. Staying on the right track. Well I guess no one’s to blame. Or in other words, stop sliding away, before it hurts. You keep on coming in and out of my head. Wanna say the things the things that are better left unsaid. We can dance under the moon. I’ll be your fool. Make up our own rules. Staring deep into space. And we’ll watch the world go by. Within the blink of an eye.

The title track “Dreamers & Deceivers” has an edgier folk-rock vibe, with a lively guitar-driven melody. I like the mix of acoustic and swirling electric guitars, and the organ adds a nice textural sound to the proceedings. The lyrics speak of both parties coming to the realization that their relationship is broken beyond repair, and it’s time to end things and move on: “Fingertips away but oceans apart. An exit to an overplayed part. As you stand, you dream and deceive your way to the end of the line. Hit the road always the first to say, it’s time now baby, bye, bye, bye. The air that you breathe, the money you need, it feels like you’re gonna explode. Hold on to one last look. It’s high time I gotta go, go, go, go go.”

Dreamers & Deceivers is a terrific little EP, and my only criticism is that I wish it had more than just four tracks. Nath is a fine songwriter, guitarist and vocalist, and I could listen to his pleasing music for hours. For now, I’ll just have to play his EP on repeat until he releases more music.

Follow Nath: Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud/ Apple Music
Purchase on Bandcamp / Google Play

CORMAC O CAOIMH – Single Review: “I’m in Need”

A few weeks ago, I featured Cork, Ireland-based collaborative music project SomeRiseSomeFall when I reviewed their beautiful song “The Rain Came Down on Everything”. After reading that review, fellow Corkonian (I love that word) musician and singer-songwriter Cormac O Caoimh reached out to me about his new single “I’m in Need“, and I’m glad he did because I really like his music! He’s a skillful wordsmith and guitarist, writing sublime indie folk/pop songs overflowing with thoughtful, intelligent lyrics about the universal subjects of life, love, hope and loss, and delivered with subtle hooks, fine instrumentals and his pleasing vocals that sounds a bit like Paul Simon at times. His catchy melodies seem to effortlessly draw us in, then stay with us long after the songs end. I found myself humming “I’m in Need” long after hearing it. As Mojo Magazine so eloquently put it: “each song superglues to the memory“.

Cormac O Caoimh

Cormac has released a substantial amount of music over the past 15 years or so, including four studio albums, the most recent of which was his marvelous 2017 release Shiny Silvery Things. (I strongly encourage my readers to check out his music, which you can find on most music platforms, some of which I’ve listed at the end of this post.) Now he’s putting the finishing touches on his forthcoming fifth album Swim Crawl Walk Run, due for release on May 15. “I’m in Need” is the album’s lead single, which Cormac released on February 21st. The single and album were produced by his friend and fellow musician Martin Leahy, a talented multi-instrumentalist who’s collaborated with Cormac on previous records, and also played drums, bass, keyboards and more on the new album. The lovely backing vocals on “I’m in Need” and other tracks on the album are by Aoife Regan.

Cormac gave me the opportunity to have an advance listen to Swim Crawl Walk Run, and it’s a stunning work. It’s obvious he poured his heart and soul into it, as he explained in his message to me: “It is the first album I actually enjoyed making. I have been playing live with Martin Leahy for over 8 years but this is my first time making an album with him. It was a joy. I loved the whole process. It was relaxed, exciting, calm, manic. Everything. And the end product is something I could not be prouder of. The songs morphed and moved and grew during the process and the end result is an album I’m not sure I can top. It is full of singles. I want to release them all and I can’t wait for the first one to get out there.”

About the song, Cormac states: “During the writing of ‘I’m in need’ I did have the simplicity and directness of The Beatles ‘Help!’ as an influence. ‘Help me’ as a lyric is so fragile and honest and sad…but the song isn’t. The song is catchy and poppy. It works on two levels. I wanted the same for ‘I’m in need’. I wanted it to have meaning but more so a groove and be catchy. The feeling of the song also evolves. What starts as vulnerable ends up as a celebration of our humanity. We are all in need at times. Our feelings can be shaped by our thoughts. Musically the chorus gets more emphatic and joyful as the song progresses musically demonstrating the power of positivity.”

“I’m in Need” has a mellow and catchy acoustic-guitar driven melody, but a deeper listen also reveals a slight jazzy quality to Cormac’s guitar work that’s quite marvelous. His guitar notes beautifully meld together with the gentle percussion and keyboards, resulting in a harmonious and captivating soundscape. His calm, smooth vocals are exquisite, and like the music, blend in perfect harmony with Aoife Regan’s backing vocals. I like the spacey little sound effects inserted into the middle of the song that perk up our ears.  It’s a lovely and wonderful song.

Catch Cormac at one of these upcoming shows, all in Ireland:

Apr 27 – Mick Murphy’s, Ballymore Eustace
May 02 – The Glens Centre, Manorhamilton
May 15 – Album launch @ The Kino, Cork
May 29 – The Dc Music Club, Dublin
Jun 12 – The Weir Folk Club, Midleton

To learn more about Cormac, check out his Website
Connect with him on  FacebookTwitter
Stream his music on SpotifySoundcloudApple Music
Purchase/pre-order on BandcampWebsiteGoogle Play

New Song of the Week – NATH JACKSON: “Oncoming Storm”

Nath Jackson

Nath Jackson is a talented singer-songwriter from Leeds, England, who I learned about this past July when I reviewed an EP he collaborated on with electronic music project The Ocean Beneath. He wrote and sang the lyrics on two of the tracks on that EP, and I was really impressed with his captivating vocals. Nath is now writing and recording songs for his own debut EP Dreamers and Deceivers, due out in Spring 2020. He’s just released “Oncoming Storm“, which I’ve chosen as my new song of the week. It’s the first single from his forthcoming EP, along with an accompanying live recording of a second track “Best Laid Plans”.  The Ocean Beneath produced the tracks, with backing vocals sung by Nath’s brother Aaron and drums performed by Karl Rigby.

Nath Jackson2

“Oncoming Storm” is a beautiful and haunting track, starting off with sounds of approaching winds and Nath’s strummed acoustic guitar, accompanied by gentle cymbals that evoke waves crashing on the shore in advance of an oncoming storm. As the song progresses, his guitar strums become more urgent, while lovely but melancholy piano keys and measured percussion enter the mix to create a stirring backdrop for his warm, resonant vocals.

The lyrics seem to me to be about someone afraid of committing themselves to love or even to life, for that matter, fearing they’ll get hurt.

I know you wait
You waited for so long
You’ve been trying to run from the oncoming storm
So come along, won’t you come with me
I’ll get behind those eyes
I’ve got something that you better see

But it’s all too little too late
If life’s a game then you better play
From the upside to the down
The lost and the found
You better move soon before you hit the ground
And they’ve all got something to say
Waiting for those better days
From the love that you choose
The spreading out the news
Where do you go when you got nothing to lose?
Nothing to lose

On “Best Laid Plans”, it’s just Nath’s heavily-strummed acoustic guitar and strong, clear vocals, which are all that’s needed to make a highly satisfying and impactful folk-rock tune. The song speaks to not letting one’s life become trapped by too many rigid plans that can result in disappointment:  “And I find it hard to believe that the best laid plans fall apart at the seams. With just a roll of the dice, you can be free. Can’t wait til the moment’s gone. Dreamer keep dreamin’ on.

Though both quite different in sound and style, they’re both great tracks that showcase Nath’s skilled guitar work and beautiful vocals. I look forward to hearing all of Dreamers and Deceivers when it’s completed.

Connect with Nath:  FacebookTwitterInstagram
Stream on  SpotifySoundcloudApple Music
Purchase on  BandcampGoogle Play

BLOOM DE WILDE – Single Review: “Rock, Plant & Animal”

I recently learned about London, England-based singer-songwriter, producer and visual artist Bloom de Wilde when she reached out to me about her new single “Rock, Plant & Animal.” I was enchanted by her fascinating avant garde sound and imaginative approach to her music, and am happy to feature her on my blog. Influenced by her favorite artists such as Radiohead, Erik Satie, Jeff Buckley, Meredith Monk, Miles Davis, Tom Waits, Björk, Billie Holiday, Chet Baker, NIna Simone, Moondog and Toxic Chicken, Bloom fuses dream, ethno and experimental art pop, folk and jazz with surrealistic yet uplifting lyrics and unconventional melodies to create exuberant, colorful soundscapes that transport us to dreamy, faraway places.

Bloom De Wilde2

Bloom has been writing and recording songs for several years, and some of her older tracks can be found on her Soundcloud account. In July, she released a beautiful single “Soul Siren”, and on October 7th, she dropped “Rock, Plant & Animal”, a hopeful ode to nature and our Earth. The track was written and arranged by Bloom and co-produced by her and Nick Trepka, who also did the mixing. Recording was done at the Cowshed Studio in London by Joe Leech, with assistance by Grace Banks, and mastered by Nick Watson. Bloom sang vocals, played guitar, piano and programming, and had assistance by several musicians, including Nick Trepka on bass and programming, Yuval Juba Wetzler on drums, Sam Ritchie on flugelhorn and trumpet, Jally Kebba Susso on kora (a West African long-necked harp lute), Gazel Algan on viola and violin, and Mao Yamada on double bass.

And what a captivating song it is, with the kora, horns and strings adding a dreamy, exotic lushness to the sound. The rich instrumentation and enthralling melody provide a stunning backdrop for Bloom’s bewitching vocals. Her unusual and distinctive vocal style is somewhat reminiscent of Björk, in that she uses her voice like another instrument. She’s not quite a soprano, but reaches almost childlike high notes as her voice sweetly croons and soars, creating quite an emotional impact.

About the song, Bloom explains: “I wrote this song for my children, about this living Earth I love so dearly, and all the precious life upon it. I believe everything in this world has a living essence, a soul, and all is connected. We are all One – Rock, Plant and Animal. We are all instances of the Universe, perceiving itself from infinite subjective perspectives. With everything that is happening in the world right now, I think it is clear the time has come to change our ways. To approach each day with humble gratitude, our hearts open wide, souls radiating, dancing and dreaming a new world into reality. A harmonious, life-sustaining world, where we look after each other, our animal brothers and sisters, and our Earth mother that nurtures us.”

There lives a humble sound
That renders love and peace
It ripples on the water
And rustles in the trees

We’ll make that sound a yes
We’ll make that sound a yes, yes, yes

Of our beloved earth
As puzzle poem beings
Rock, Plant and Animal all dream
We’ll bravely open doors
Our shadows softy cooing
My darling, you’ve done the wait, now sing
Your true song

And make that sound a yes
And make that sound a yes, yes, yes

The enchanting video was produced by Bloom and Kai Nobuko, and stars Bloom dancing about a forest clearing, wearing a colorful floral headpiece designed by Jimmy Boer. As she dances, bright flowers, butterflies and birds issue from her fingertips. It’s all so wonderfully magical.

Connect with Bloom:  Facebook / Twitter / Instagram
Stream her music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play

HOLLY REES – Single Review: “Getting By”

Holly Rees single art

The music industry is as alive and well as it’s ever been, with so many artists and bands continuing to put out great music, and it seems many of them are releasing new music today, Friday the 6th of September! One such artist dropping a new single today is Holly Rees, a delightful indie folk singer-songwriter based in Newcastle Upon Tyne, England. Her thoughtful, relatable lyrics, infectious melodies, skillful guitar-playing and lovely, heartfelt vocals have earned her critical acclaim and a loyal following, with flattering comparisons to the likes of Laura Marling and Courtney Barnett.

Holly launched her career with her debut EP Ilex in 2017, receiving airplay on BBC 6 Music and a feature on Tom Robinson’s BBC Introducing Mixtape. In 2018, she performed at the Hit The North and Evolution Emerging music festivals, and followed up with her excellent second EP Slow Down. She released “Text Me When You Get There”: The Live EP in May 2019, and is now back with a wonderful new single “Getting By“.

The song was written and performed by Holly, who played guitar on the track, with assistance from Rhys Melhuish on drums, Ryan Peebles on bass, and Olivia Ord on keyboards. It was recorded at Loft Music Studios, and mixed and mastered by Matt Dunbar. About “Getting By”, Holly explains  “This is a song about struggling with mental health – how things can be really good and really bad at once, and ultimately how sometimes just getting through it is all you can do, and that’s okay. Sometimes it’s okay to just survive. The tide will always come back in.”

The song has a bouncy, upbeat tempo that contrasts with, yet complements, the more serious lyrics. Holly’s pleasing strummed guitar takes center stage, and her supporting musicians do a fine job keeping the rhythm and adding texture and depth to the track. I really like her vibrant vocals that beautifully convey both resolute strength and a vulnerable world-weariness as she sings her honest, poetic lyrics:

Oh we’re just like everyone we know
Far too young to be this old

I’m doing great, I’m doing fine, I’m doing terribly
I’m confident, intelligent, I’m scared of what you think of me
Crossing oceans of emotion for the notion of some dopamine
There’s no lesson in depression, it’s just a question of getting by

Holly’s been touring Canada since mid-April, and has another six weeks left of her tour, so those of you in Eastern Canada still have an opportunity to catch one of her shows:

Holly Rees tour dates

The sweet cover art for the single was created by Dale Glenister, who has her own music blog Peanut Mixtape (which is currently on hiatus).

Connect with Holly:  Facebook / Twitter / Instagram
Stream her music: Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play

ANDY K LELAND – Single Review: “A Chair is a Chair”

Andy K Leland Chair Art

Like most singer-songwriters, Italian indie folk artist Andy K Leland is a poet of sorts, penning lyrics loaded with meaning and expressed mostly through his pleasing acoustic guitar and quirky, off-beat vocal style. Andy – who was born Andrea Marcellini – refers to himself as Andrea’s “shadow-self, and the two selves fear each other.” That dichotomy is clearly evident in his songs, where his sometimes dark, depressing lyrics sharply contrast with his simple, catchy melodies and mellow lo-fi vibe. Despite his cynical, often bleak lyrics about life and relationships, his songs seem to tell us to not take life too seriously, or at the very least resign ourselves to life’s inevitable travails without losing our minds in the process.

Like a lot of artists I’ve reviewed lately, I’ve previously featured Andy several times on this blog, and you can read some of my reviews of his music by clicking on the links under ‘Related’ at the end of this post. He’s now released a wonderful new single “A Chair is a Chair“, and it’s one of his best songs yet. It still has the charming signature lo-fi acoustic vibe of all his music, but features added instrumentals in the form of mellotron and ambient drone guitar, played by guest musician Simone Laurino, giving the track a lovely, poignant and fuller sound. Andy recorded the song on his old Tascam 4-track cassette recorder, but the sound quality is quite good.

Regarding the song’s meaning, Andy told me “I wrote the first two lines of the verse right after an old weird memory about a chair came back. Don’t really know why that memory showed up… but that’s how it started. I can say that the song is totally about a dream I haven’t had yet. That’s pretty much it!”

Concentrate
Get your head
Hold it tight
Hold it tight
Release your head
Grab a chair
Use your brain man
Use your brain

Wave goodbye now your time is coming ‘round
Swaying forth and backwards
As you’re bouncing up and down
Guess you don’t want to get lazy oh it’s hard
Your crystal ball’s unfair you’d better hurry up
Time is crazy how come we are so let down?
Down

Up to you
Up to me
What could we do friend?
What would we do?
If you prefer now
Go out tonight
Stay put and beg your God to
Drift us apart, us apart

Wave goodbye now your time is coming ‘round
Swaying forth and backwards
As you’re bouncing up and down
Guess you don’t want to get lazy oh it’s hard
Your crystal ball’s unfair you’d better hurry up
Time is crazy how come we are so let down?
Down

Welcome all that’s my garden
Very nice place to be
The air is cool
So
Come lie down…

The trippy video, which was also directed and produced by guest musician Simone Laurino, shows a variety of psychedelic, sci-fi and kaleidoscopic images that represent the kinds of surreal things the mind would imagine in a dream.

Follow Andy:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud
Purchase on:  Bandcamp / iTunes