Yellow Shoots is the music project of singer/songwriter, producer and multi-instrumentalist Greg Matthews. The Brooklyn, New York-based artist was one of the very first I wrote about, way back in March 2016 when my blog was still in its infancy. His artistic name comes from his experiences with synesthesia, a neurological phenomenon in which stimulation of one sensory or cognitive pathway, such as sound, leads to an automatic, involuntary response in a second sensory or cognitive pathway, such as sight. He sometimes sees vivid yellow colors when hearing music (a common form of synesthesia is known as chromesthesia, for sound to color), hence his name “Yellow Shoots.” With his distinctive vocal style and skillful fusing of R&B, soul, funk, jazz, electronic, hip-hop, alternative and psychedelic, he creates his own unique neo-soul sound that envelops listeners in raw sensuality and emotion.
Beginning with his debut single “Pieces” in 2014, the prolific artist has released an extensive amount of music in the years since, including his marvelous Prince-influenced album everything in 2018. One of the singles “make it to the summer” has garnered nearly half a million streams on Spotify. Last May, I reviewed his single “Wonderful Day”, which was featured on his EP Naked, released in July 2020. He’s also collaborated with numerous other artists, most recently last September with fellow Brooklyn singer-songwriter, producer and engineer Johnny Burgos on their single “Fun Tonight”. Now he returns with “SIRENS (Mermaid Version)“, the first single from his forthcoming sophomore LP The Green Album, due for release in July. He programmed synths, played all instruments, sang vocals and produced the track. His brother Jason Matthews did the mixing and Dan Millice did the mastering.
Release via his label La Reserve Records, the song is a totally reimagined version of his 2018 single “Sirens”, a silky and mesmerizing R&B/hip hop song about a long-distance love affair. Yellow Shoots uses the beguiling but dangerous Sirens of Greek mythology as a metaphor for the intense, all-consuming longing that comes from being far away from the one you love. He elaborates “They’re singing you to shipwreck. You put yourself in harm’s way because you’re so in love.” On “SIRENS (Mermaid Version)” he shaves about 30 seconds off the song and dials up the tempo from the previous version’s chill, musically-spare vibe to a faster-paced, more sonically complex track. About the new version, he said “This song is me drawing from my many influences, and not trying to fit into one style.”
Yellow Shoots’ shimmery, psychedelic-tinged guitar notes take center stage here, as he layers them over a kaleidoscope of lush analog synths and skittering R&B grooves. I love all the colorful synth textures and quirky sounds he adds to the mix, and when accompanied by his electronically-altered falsetto, it all makes for an enchanting and fascinating listen. The more dynamic arrangement lends a greater sense of urgency to the lines he sings in the chorus “blind my eyes, tie my hands, I’ve got nothing left to lose“, symbolizing a complete surrender to lustful desires. It’s a great track.