I love many of the names musicians choose for their artistic projects, and a particularly good one is Strange Souvenirs, the Berlin, Germany-based electronic/alt-pop duo comprised of brothers Thomas and Matthias Juhnke. In their own colorful words, they “blend influences from 80s new wave, 90s trip hop, post-millennial electronica & indie with science fiction soundtracks, video games and nuggets of nerd culture into a schizoid selection of danceable, delicate and disorienting songs.” Like some other artists I’ve written about, the two seem to prefer to remain anonymous, as I cannot find any photos of them anywhere. I’m guessing they want their great music to speak for itself, which it certainly does!
Strange Souvenirs released their debut single “Scrape” in December 2019, a fantastic otherworldly EDM track they call “a pummeling techno-infused micro-symphony of self-loathing.” They followed up with three more excellent singles in 2020, and are now back with their fifth offering “Pixels”, a captivating song that conveys a similar haunting moodiness of their previous single “The Way I Fell In”. All five singles will be included on their forthcoming album Spontaneous Mutation, due for release in July.
Like many of their songs, “Pixels” was co-written by Strange Souvenirs along with the help of their frequent collaborator Cameron James Laing, a talented producer, composer and multi-instrumentalist who also recorded, produced and mixed the track at The Famous Gold Watch Studios in Berlin. Thomas and Matthias played guitars, bass and sang lead vocals, Cameron played piano, mellotron and did the exquisite orchestral arrangement, as well as sang backing vocals, and Gidon Carmel played drums. The track was mastered by Davide Ruffini.
About the song’s meaning, they explain that “Pixels” “builds around the idea that we’re all pixels in an ever-changing cosmic mosaic, waiting to randomly attract or repel the other particles on our path as we spiral and drift through an equally beautiful and brutal universe. It’s about the shadows of regret lurking in the corners of our lives, inching forward, drifting back, inching forward, drifting back. On endless repeat.”
The song starts off slowly with a gentle drum beat and haunting piano riff, accompanied by airy synths and acoustic guitar notes, all of which set a rather somber tone. The guys’ vocals are equally gentle and understated, at first coming off as melancholy, but with glimmers of optimism that make them quite pleasing as they softly croon “Ghost in the room reaching out for you / A voice from the past you listen to / A shadow in the corner that knows / There’s a shadow in the corner that grows / Times stretches and slows / Doors open and close / Drifting alone…” The music gradually expands into a stirring atmospheric soundscape, highlighted by beautiful mellotron, lush orchestral strings and a fluttering trumpet that gives the song a wonderful jazzy feel at the end.
“Pixels” is a gorgeous, contemplative feast for the ears that transports us to a dreamy, faraway place. I’ve had it on repeat, and find myself enthralled with every listen.