Erki Pärnoja – Album Review:”Leva”

Erki Parnoja LEVA album art

Though the vast majority of artists and bands I’ve featured on this blog have been from the US, UK, or Canada, I always enjoy writing about ones from other nations. In the past week or so, I’ve featured a band from Malta and a music producer from Luxembourg, and am now thrilled to introduce my very first artist from the Baltic nation of Estonia: the astonishingly talented songwriter, composer, producer and multi-instrumentalist Erki Pärnoja. Based in the capital of Tallinn, Pärnoja plays guitar, bass, keyboards and synthesizers, and creates some of the most exquisite instrumental music I’ve heard in a very long while. Using an impressive array of instruments and textures, he weaves lush, dreamy soundscapes that envelop us in layers of shimmery atmospheric gossamer. Seriously, his music is fucking gorgeous!

He’s been recording and releasing music for the past five years, beginning with his late 2015 debut EP Himmelbjerget. He followed that EP with two stunning albums, the guitar-dominant Efterglow in 2017 and more synth-oriented Saja Lugu in 2018, both of which I’ve immersed myself with over the past several days. The track “Ranna I” from Saja Lugu has been streamed more than 2.3 million times on Spotify. All three works are exceptional, and I highly recommend that my readers check them out on one of the music streaming platforms listed at the end of this review.

Now Pärnoja is back with a glorious new album Leva, which dropped on February 12. His previous works have all been instrumental-only, however with Leva, Pärnoja for the first time introduces lyrics and vocals on some of the tracks. Also, while still delivering his signature enchanting melodies and dreamy soundscapes, he now injects a more orchestral perspective, along with more exotic elements that give the album a fresher, more eclectic feel.

The album was recorded in Gothenburg, Sweden in early 2019, and features a number of guest musicians. In addition to Swedish producer/keyboardist Filip Leyman and Danish drummer Ulrik Ording (Pärnoja’s loyal collaborators since his debut album) are Estonian singer-songwriter Anna Kaneelina, Swedish marimba player Love Meyersson, and the string quartet Prezioso. The striking artwork for the album cover was painted by Estonian artist/photographer Riina Varol, and incorporated into a beautiful cover design by Estonian artist Helmi Arrak. Pärnoja has written wonderful little explanations for each of the seven tracks on Leva that provide insight into his creative process, and enable us to more fully understand and enjoy each song. I will quote or paraphrase from them in my own discussions of each track.

The title of the opening track “Maa” is the Estonian word for “land” or “country”, and serves as an introduction to the album, both musically and conceptually. Pärnoja explains: “The whole album is about living and the different lives people lead, and that we can’t really get a look into other people’s worlds. The song gradually reveals a view into one world. It starts off as a harmless dreamy waltz, and moves with baby steps into this vast open field with all the space and possibilities in the world.” His words perfectly describe how the instrumentals and dreamy synths gradually expand into a lush soundscape like a field bursting into color with the first warmth of Spring. Although primarily an instrumental track, he uses his voice almost like an instrument with his lovely ambient background vocals.

The gorgeous Middle-Eastern infused “Fatigue” was inspired by the music of Algerian band Tineariwen, which Pärnoja first heard around ten years ago. It happened to be playing on the sound system in a second hand store in Toronto he walked into, and he immediately loved it. The use of what sounds like a zither or oud, along with Moroccan castanets. give the song it’s enchanting Middle-Eastern flavor. Parnoja states that the song is a kind of tribute to Tineariwen that came to him in one big rush. “The dreamy state symbolizes a need for something more or something better, and the continuous loops are the circles that always try to catch us and take us back to their cycles.”

The title track “Leva” is positively stunning, with layers of strummed guitars, backed by enthralling strings that give the song a haunting, otherworldly feel. The lyrics are in Estonian, a language closely related to Finnish, and beautifully sung by Pärnoja and his wife Anna Kaneelina. Nearly seven minutes in length, “Leva” almost sounds like two different songs, and in fact, the first time I listened to it on my smart phone though earbuds, I thought it was two separate tracks. The first part, which is more gentle and melodic, seems to end at 4:07, then two seconds later the music starts back up with a heavier, electric guitar-driven sound, deeper bass, stronger percussion and more passionate vocals.

About the song, Pärnoja explains: “This is most certainly the song that started it all. It holds the essence of the whole album. It became clear to me that even if you are content with your life, and if everything seems to be in order, you can still be going in circles and not be moving on in life. It might just be that you’re in the same place as you were years ago, and it’s only minor details of your life that have changed. I realised that I want to live more and better and make good use of my time.”

Here’s a lovely acoustic performance of “Leva”. For this version, Pärnoja and Jonas Kaarnamets played guitar, Pärnoja and Anna Kaneelina sang vocals, Peedu Kass played acoustic bass, Kristjan Kallas played drums, and Prezioso played strings.

Island” is a fairly simple, breezy track constructed with recurring cycles of loops, augmented with charming twangy guitars and lots of abstract sounds that convey a sunny, windswept sense of freedom. It’s a wonderful song that just makes me feel hopeful and happy. Next up is “Eha“, a beautiful, sweeping track that reminds me of some of the more atmospheric-sounding songs by Coldplay. The song title translates to “dusk” in English, and Pärnoja states it’s “a dreamy cinematic journey dedicated to a present-day soul. It is a story about the search for inner peace and belonging. It is also a wake-up call to one’s self to take a breath and look around.” He adds that “the occasionally atonal strings symbolise the dissonances we have within just before making a decision for a new direction.” His soft vocal croons are sublime, in perfect harmony with the gently soaring synths and strings as if they’re another component in his colorful instrumental palette.

Another standout track for me is the captivating “Soledad“, which is Spanish for “solitude”. The languid song has a slight Latin sensibility, though in no way does it sound like a Latin or Spanish song. The layered strummed guitars and sparkling keyboards are really marvelous, and this time, the lyrics are mostly in English, and sung by Pärnoja and Kaneelina’s enthralling vocal harmonies. Pärnoja explains the meaning behind the song: “The meaning of solitude has changed a lot for me. Once it used to have a negative meaning, but back then I must have mistaken it for loneliness or abandonment. Now in a time when society is seemingly social to the extreme, I came to re-evaluate the meaning of the word. There is a big contradiction to this, since hidden behind this big socially-connected world, there are a lot of people that are lonely, and not at peace with themselves. Loneliness makes them reach out to another world. ‘Soledad’ is a hymn to solitude – the only place where I personally can grow and make peace with myself.

The artful and compelling video for “Soledad” was produced and directed by  Kärt Hammer, and stars Edgar Vunš as the dancer who interprets the song through his passionate yet graceful movements.

The final track “Saudade” actually has a more pronounced Spanish guitar, which Pärnoja beautifully strums throughout the song. At first, all we hear is his guitar, then he begins to sing in a mournful yet beautiful chant, backed by what sound like his own vocal harmonies. The music gradually grows more animated and the vocals more impassioned as swirling synths are added to create a sparkling, cinematic soundscape. Parnoja states that this track sums up the album, and that the title is basically untranslatable, but represents “the presence of absence. It is a longing for someone or something that you remember fondly, but know you can never experience again.” I’ve experienced such human encounters and moments myself throughout my life, and their memories can elicit intense feelings of joy or sadness.

I feel I’ve used up all the superlatives I can think of to describe Leva, but folks, this is a magnificent work of musical art. With only seven tracks totaling 36 minutes of run time, it’s a bit on the short side for an album, however, each track is so exquisite and powerful that it feels almost monumental in scope. With an EP and three albums to his credit, Erki Pärnoja is without question one of the finest composers and producers of ambient instrumental music around today. I love his music and I love this album.

Catch Pärnoja at one of these upcoming shows:

Friday, April 3 – LEVA release show, Korjaamo, Helsinki, Finland
Saturday, April 11 – Südaöine, EELK Tallinna Jaani kogudus ja kirik, Tallinn, Estonia
Saturday, May 2 – Jazz.ee ja Saare KEK LIVE, SAARE KEK, Kuressaare, Estonia
Thursday, May 7 – Jazz.ee ja Rüki Galerii LIVE, Rüki galerii, Viljandi, Estonia
Friday, May 15 – Jazz.ee ja Haapsalu Jazziklubi LIVE, Haapsalu kultuurikeskus, Haapsalu, Estonia
July 3-4 – VÕNGE 2020. Rändav kultuurifestival, Mulgi elamuskeskus, Sooglemäe, Tõrva vald, Valgamaa, Latvia

Connect with Erki: Facebook / Instagram
Stream his music: Spotify / Soundcloud / Apple Music
Purchase: Google Play / Bandcamp

New Song of the Week – NATH JACKSON: “Oncoming Storm”

Nath Jackson

Nath Jackson is a talented singer-songwriter from Leeds, England, who I learned about this past July when I reviewed an EP he collaborated on with electronic music project The Ocean Beneath. He wrote and sang the lyrics on two of the tracks on that EP, and I was really impressed with his captivating vocals. Nath is now writing and recording songs for his own debut EP Dreamers and Deceivers, due out in Spring 2020. He’s just released “Oncoming Storm“, which I’ve chosen as my new song of the week. It’s the first single from his forthcoming EP, along with an accompanying live recording of a second track “Best Laid Plans”.  The Ocean Beneath produced the tracks, with backing vocals sung by Nath’s brother Aaron and drums performed by Karl Rigby.

Nath Jackson2

“Oncoming Storm” is a beautiful and haunting track, starting off with sounds of approaching winds and Nath’s strummed acoustic guitar, accompanied by gentle cymbals that evoke waves crashing on the shore in advance of an oncoming storm. As the song progresses, his guitar strums become more urgent, while lovely but melancholy piano keys and measured percussion enter the mix to create a stirring backdrop for his warm, resonant vocals.

The lyrics seem to me to be about someone afraid of committing themselves to love or even to life, for that matter, fearing they’ll get hurt.

I know you wait
You waited for so long
You’ve been trying to run from the oncoming storm
So come along, won’t you come with me
I’ll get behind those eyes
I’ve got something that you better see

But it’s all too little too late
If life’s a game then you better play
From the upside to the down
The lost and the found
You better move soon before you hit the ground
And they’ve all got something to say
Waiting for those better days
From the love that you choose
The spreading out the news
Where do you go when you got nothing to lose?
Nothing to lose

On “Best Laid Plans”, it’s just Nath’s heavily-strummed acoustic guitar and strong, clear vocals, which are all that’s needed to make a highly satisfying and impactful folk-rock tune. The song speaks to not letting one’s life become trapped by too many rigid plans that can result in disappointment:  “And I find it hard to believe that the best laid plans fall apart at the seams. With just a roll of the dice, you can be free. Can’t wait til the moment’s gone. Dreamer keep dreamin’ on.

Though both quite different in sound and style, they’re both great tracks that showcase Nath’s skilled guitar work and beautiful vocals. I look forward to hearing all of Dreamers and Deceivers when it’s completed.

Connect with Nath:  FacebookTwitterInstagram
Stream on  SpotifySoundcloudApple Music
Purchase on  BandcampGoogle Play

HERO WARSHIP – Double-Single Review: “Therewithal / Halcyon Then Gone”

Hero Warship is the solo music project of Joey Doyle, who’s also front man for the Irish band Fiction Peaks, a terrific alternative folk-rock group I’ve featured on this blog a number of times in 2016 and 2017. He released two singles “Chrysanthemum” and “Lesser of Evils” in May (2019), and now returns with another wonderful double single “Therewithal” and “Halcyon Then Gone“, which drop today, October 24. The talented Dubliner is a great songwriter and guitarist, with a beautiful singing voice too. (He’s also a pretty good visual artist.)

Doyle takes a stripped down approach on these two songs, using only guitars and piano to create a captivating soundscape for his gentle vocals. The first track “Therewithal” features layers of cheerfully strummed acoustic and rhythm guitars, accompanied by more somber piano keys that give the song a contemplative air. He earnestly sings the poignant lyrics that seem to me to speak of the ephemeral nature of happiness and contentment. “By the way, I think I thought I had a handle on life suspended on a sunbeam infinitely calls, to an individual sense of therewithal.”

“Halcyon Then Gone” is a simple but lovely song with a haunting piano-driven melody providing the only music for Doyle’s heartfelt, falsetto vocals. He told me the song is a kind of tongue and cheek look at making millions by cheating the casino (casino as a metaphor for a kind of consumer driven, shallow life style). but then giving all the money away and doing it all over again: “When I make my millions I’ll call you, to meet me at the end before we start. This time I’m sure, I’m on to my surefire winning streak, loading the dice, cleaning the house out of countless funds, then give it all away again.

Connect with Hero Warship: Twitter / Instagram
Stream:  Spotify / YouTube
Purchase:  Bandcamp / Google Play / cdbaby

CRAIG-RUSSELL HORNE – Single Review: “Sleepwalking”

Craig-Russell Horne is an independent electronic music artist and producer from Glasgow, Scotland. Formerly a member of Scottish alternative rock band The 21st State, he’s been called one of the most promising newcomers to the Scottish electronic scene and, after listening to his music I can fully understand why. He blends a wide array of dynamic synthesized sounds with samples of old films and classic songs to create fascinating soundscapes for his compelling lyrics and distinctive vocals. Following up on his brilliant 2018 debut album WITH THE ABSENCE OF LIGHT, he’s just released a captivating new single “Sleepwalking“.

Craig-Russell Horne2

“Sleepwalking” is about someone with insomnia. Horne explains: “It tells a romantic story of someone who is kept up at night by their past, which constantly runs over in their mind. They can only find solace and, ultimately rest, when with the person they love.  The first half of the track addresses the initial thoughts of regret and fear leading to the insomnia. The vocals are spaced and thin to represent internal thought while also panning from left to right to represent the thoughts spiraling around the head. In the second half, the conversation takes place between the two partners. It is open and honest while also dealing with the embarrassment of opening up. It symbolises love in the form of trust, humility and devotion.

The film samples [heard in the song] are from the 1955 film noir, ‘The Big Combo’, in which a police lieutenant who comes under pressure from a violent gang is helped by the gang leader’s wife to stop their reign over the city. As in ‘The Big Combo’, the two people represented in “Sleepwalking” are unexpected, perfect partners who have experienced very different lives but are brought together by a common bond.”

The track opens with a snippet of conversation between the aforementioned police lieutenant and the gangster’s wife, accompanied by an enchanting little keyboard riff. Once Horne’s vocals enter, the music swells with more of those glittery keyboards, along with somewhat grainy background percussive synths that creates an intriguing contrast in sound textures. Horne has a rather deep, emotive vocal style, but his delivery is understated on this track compared to many of the songs on WITH THE ABSENCE OF LIGHT. His vocals have a vulnerable yet seductive quality as he croons of his fervor:  “Sleepwalking is the only vibe. And you’re the only thing that keeps me up at night. I’ve tried every drug to get me back to sleep. And then I realize that you cut too deep.”

Connect with Craig-Russell:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music
Purchase:  Google Play / Amazon

JADED JANE – Single Review: “Trapped”

Jaded Jane3

This past April, I had the distinct pleasure of interviewing and writing about the remarkably talented and undeniably charismatic Olsson brothers Axel and Adam who call themselves Jaded Jane. (You can read my article and interview with Axel Jane here.) Originally from Gothenburg, Sweden, but now split between Gothenburg and Glasgow, Jaded Jane seeks to celebrate humanity and diversity through their music, writing compelling songs with positive, life-affirming lyrics. Drawing upon a wide range of influences such as pop, rock, soul, R&B and hip-hop, they create beautiful, piano-driven melodies and lush soundscapes. Since 2015 they’ve produced four outstanding albums, and are now recording their fifth, to be titled “117″ and due out in October.

They’ve just released the first single from the album, a gorgeous, contemplative song called “Trapped“. The deeply moving song was written by Axel Jane Olsson and recorded by Åke Linton. Axel played the beautiful piano melody, and the haunting cello was played by David Bukovinszky, with lovely string arrangements by Mattias Bylund and Nils Petter Ankarlund.

Axel explains that the song “is about feeling trapped in life, trapped in your circumstances, trapped in a loop of monotony.” Though he laments about feeling lost to the point of no longer recognizing who he really is, he retains a glimmer of hope that his life will get better through faith and love. His smooth, beautiful vocals are heartfelt as he sings:

Trapped in a loop I can’t get out
Stuck in a dream I had a long time ago
What do I really want to do
Now is the only time worth living for

Ah, I am trapped in a loop.
Ah. Am I stuck in a dream, that I had a long time ago

Wrapped up in my identity
Who am I, I no longer know, who I am
Lost my sense of reality
Talking to the man in the mirror now
Cause I don’t know, who I am anymore
Lift me up high where I belong
Fill me up with faith, hope & love again.

The stunning video for “Trapped” was filmed on the streets of Glasgow, and shows the strikingly handsome Axel, who has a dancer’s physique, gracefully moving to the music in different settings.

Connect with Jaded Jane:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / YouTube
Purchase on iTunes / Google Play

KILLER TAPE – EP Review: “Ghosts”

Killer Tape2

Killer Tape is the music project of young artists Ella Heaton and Luke Hudson. Originally from Leeds, England, Ella is currently studying in Rotterdam, The Netherlands, and Luke in Berlin, Germany. In June (2019) they released their debut EP Ghosts, featuring three stunning lo-fi tracks. Melding elements of shoegaze, ambient, electronic and psychedelia, the duo create mesmerizing soundscapes that transport us to dreamy, faraway places.

First off is the title track “Ghosts”, a haunting, ethereal song that opens with clicks that sound like a cassette tape being placed into a player, accompanied by a droning acoustic guitar and mysterious, sinewy synths that gradually build as the track progresses. With breathy echoed vocals that sound appropriately ghost-like, Ella gently croons “There’s a man on the ceiling, and he’s full of misdemeanour.

The dreamy “Scrimmage” features marvelous glittery synths and a fuzzy, reverb-heavy guitar that borders on surf. Ella’s echoed chanting can be heard in the distance, accompanied by a spooky organ riff at the end of the song. I love it!

The final track “May Day” is brief, lasting only 1:40 minutes, but is a wonderful composition, with more of that spooky organ and throbbing spacey synths that impart a fascinating otherworldly vibe. This time it’s Luke’s distant echoed chants that can be heard. The track ends with the same clicking sounds we heard at the beginning of “Ghosts”, signifying that the tape has been removed from the player.

Ghosts is a great little EP from this talented young duo, and my only criticism is that it’s too short, leaving me wanting to hear more.

Connect with Killer Tape: Facebook / Instagram
Stream or purchase on Apple Music / Google Play / YouTube

ELLIE FORD – Album Review: “Light. Repeated.”

Ellie Ford album art

British singer/songwriter Ellie Ford is quite possibly the only harpist in the music world to head up a band. In addition to being an accomplished harpist, the multi-talented Brighton, England- based artist also plays guitar and sings like an angel, using her voice almost like another instrument. Assisting Ellie in the creation of her uniquely innovative Alternative Folk music are Fred Hills (drums & percussion), Andrew Stuart-Buttle (violin, mandolin, bass and backing vocals), Harry Haynes (guitar and backing vocals) and Freya Bowes (clarinet and backing vocals).

Ellie Ford band

Ellie first graced the airwaves in 2013 with her debut EP Show Night In, then followed up with a full album The Other Sun in 2016. Now she’s back with a lovely new album Light. Repeated., which dropped on 17 May. Featuring eight exquisite songs, the album sees Ellie further exploring themes of life, love and relationships through her poetic lyrics, unconventional melodies, richly layered instrumentals and the marvelous interplay between her glorious harp and enchanting vocals. Listening to the album is an immersive experience, and it’s easy to become enveloped by the enthralling soundscapes she and her band so skillfully weave.

The album opens with “Gold“, a captivating song in which Ellie’s shimmery harp strings take center stage, but with ample help by Freya’s clarinet, Harry’s strummed guitar, Fred’s gentle percussion, and Andrew’s violin, which gives the track a bit of a Celtic vibe. Ellie croons in her lilting vocals, “Kicking and calling and bracing for falling as I leave. But for a little gold, I could tide it over.”

Next up is “Light. Repeated.“, a bewitching tune that’s probably my favorite track on the album. The highlights for me are Fred’s hypnotic, seductive drumbeats and Freya’s jazzy clarinet, but Andrew’s bass, Harry’s guitar and that infectious rattle are all pretty terrific too. And it goes without saying that Ellie’s harp adds a magical component. Freya’s soulful clarinet takes a starring role on “Tired Eyes” with Ellie’s harp strings providing a strong counterpoint. The interplay between her fluttering vocals and Freya’s gorgeous clarinet notes is breathtaking, and the guitars, deep bass and drums are perfection.

My Bird Won’t Sing” is a re-imagining of a song that was originally included on The Other Sun. The previous acoustic version featured only Ellie’s vocals and her strummed guitar, but for this new version she lengthens the track by one and a half minutes, and gives it the full instrumental treatment by her band, yet keeping the vibe decidedly understated. The result is an intriguing song that holds our interest with unexpected melodic shifts that almost border on progressive jazz. Ellie’s ethereal vocals are sublime as she sings the lyrics that seem to speak of the thin line between reality and escape:  “My bird won’t sing. Have no idea what it means. And that’s OK, I don’t mind./ My diamond ring shines like the real thing. And that’s OK, I don’t mind. Comin’ off a little blind. What are we doing? Don’t you know that’s the ruin of our kind? I’m beginning to think that I might have lost my mind.

Ellie Ford by Chloe Imbach

The beautiful songs keep on coming. Another favorite is the bittersweet “All That is Left“, which features some of the most enthralling instrumentals of any song on the album. The mix of harp, piano, guitar, violin, clarinet, drums, and what sounds possibly like dulcimer, are absolutely stunning, and so are the vocal harmonies between Ellie and the guys. The lyrics speak to a relationship that’s over: “There will come a day when you’ll return. Dirt in your hair and your clothes all torn. And I’ll be gone. And all that is left, will be left to the dogs.” As its title suggests, “A Strange Brood” is a languid, brooding song lasting nearly six and a half minutes. Its  mysterious, spacey synths, tinkling piano keys, bluesy guitars, plucky harp, deep bassline and lots of crashing cymbals make for an enthralling listen.

Woods” starts off with an Eastern European Folk vibe, thanks to the Gypsy tones of Andrew’s violin and Freya’s clarinet, accompanied by Ellie’s plucked harp strings. But with the addition of heavy electric guitars and pounding drums in the bridge, the song transitions to a more intense rock feel. Album closer “The North Wind” really showcases the incredible synergy between Ellie’s harp playing and unique vocal style, and how she so beautifully complements one with the other. Other instrumentation on the track includes guitar and Fred’s kick drum and percussion, as well as the introduction of Andrew’s violin at the end.

I’ll admit that Light. Repeated. took a couple of plays to really grow on me. Though the songs sounded lovely and interesting when first hearing them, their complexity and unusual melodic structures required more than just a casual listen for me to fully appreciate. There’s an incredible amount of nuance and depth to the music and lyrics that are revealed with each successive listen, and even after hearing some of the songs five or six times, I discovered new sounds and textures. The production and song arrangements are flawless, and I’m impressed with the skilled instrumentation by the supporting musicians who help Ellie bring her magical songs to life.

Connect with Ellie: Facebook / Instagram
Stream her music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes

JADED JANE – Artist Spotlight & Interview

I’ve commented previously on this blog about my continual amazement at the sheer magnitude of enormously talented musicians around today who are creating incredible music. In such a seemingly overcrowded industry, it’s inevitable that so many of these musicians and bands struggle to get their music heard, despite the ready availability of a staggering amount of it that’s free for the taking (which as we all know is another entire set of issues). That’s where music bloggers like myself come in, writing about indie artists we like and helping to spread the word about their music and hopefully gain them a few more followers and fans. With that in mind, today I have the pleasure of introducing to my readers the remarkably talented and undeniably charismatic Olsson brothers Axel and Adam who call themselves Jaded Jane.

Jaded Jane 2

Originally from Gothenburg, Sweden, but now split between Gothenburg and Glasgow, Jaded Jane seeks to celebrate humanity and diversity through their music, writing compelling songs with positive, life-affirming lyrics. Drawing upon a wide range of influences such as pop, rock, soul, R&B and hip-hop, they create beautiful, piano-driven melodies and lush soundscapes. Since 2015 they’ve produced four excellent albums, and are now recording their fifth, due for release later this year. I reached out to Jaded Jane to talk about themselves and their music, and was happy Axel agreed to share some of their story.

EML:  Hello Axel. Thank you for agreeing to talk with me. First off, by way of introductions, tell me a little about Jaded Jane – when did you guys form the band, and how did you and your brother Adam decide on the name “Jaded Jane”?

Axel:  Thanks Jeff. I am super glad to be part of your music blog. Jaded Jane and the musical adventure of brothers Axel and Adam Jane Olsson began in our early youth, being the sons of musician Christer Olsson (Plums, Noll 31, Scandinavian 5) and a mother with a passion for music. Growing up to the sounds of Motown, The Beatles and Michael Jackson, to name a few, it was only natural for us to develop a keen sense of melody, harmony and originality. We grew up in the Gothenburg, Sweden suburb of Hammerhill, and our path eventually lead us to New York & Los Angeles, where we spent ten years back and forth immersing ourselves with some of the most inspiring musicians on Earth. The name Jaded Jane came to me in a dream in 2013, when I was living in New York. The name deals with the jaded aspect of the modern human being. Jaded Jane is also a song from our debut album Diversity, and is about life, death and meaning. The name ‘Jane’ has an androgynous quality that is inclusive and gender neutral.

EML:  What prompted you to make those moves from Sweden to Los Angeles and New York, and why did you choose to leave New York for Glasgow, rather than return to Sweden? Does Glasgow have a more thriving music scene?

Axel:  It’s been a long road moving back and forth to New York, Los Angeles and now Glasgow. We came home to Sweden for a few years after New York, and then we ended up collaborating with a few Scottish artists which led us to Glasgow. It is a vibrant music city, with areas that remind me of Brooklyn, NY.  When you are moving to a new city you are putting yourself in a whole new world, which sculpts you into another story and adventure, I have always been excited about learning and growing on all fields as a human being. So I am now in Glasgow, while Adam is still based in Gothenburg.

EML:  Your music is beautiful and uplifting, and your songs offer positive, life-affirming messages. What is the inspiration behind your music and sound?

Axel:  That means a lot to hear that the songs & music spread those messages. We feel that the music we create is greater than us and has the power to heal by touching people on a deeper level. By being brutally honest with ourselves, we allow others to feel that side of us. The things that are the most personal are ultimately the most universal. My inspiration comes from experiencing all of life’s challenges, both the highs and lows.  From a young age, me and Adam starting asking questions about our society, and felt an urge to share our musical stories with other people in hope that it will touch and lift someone who is low.

EML:  Do you both write the songs and lyrics together? And do you both play all the instruments and synths yourselves, or do you work with other session musicians to help create your music?

Axel:  I have written all the songs on the albums released thus far, and we do play all of the instruments. However, on the new album “117” we’re currently working on, Adam is featuring two of his new songs. Adam plays fretless bass, guitar and sings, and I play the piano, synthesizers and also recording and producing the tracks. We previously collaborated with guitarist Mike Stern on our first album Diversity, and L.A.-based soul singer Frank McComb on The Puzzle, an album we made prior to becoming Jaded Jane. But our journey really took off in a new direction while meeting our third member Åke Linton, a sound artist from Sweden who is now part of creating the soundscapes and sounds of Jaded Jane.

EML:  The track “Crystal Stair” on your latest album Salvation is an intriguing song. How did you discover that speech from Rev. Martin Luther King, Jr., and why did you choose to build a song around it?

Axel:  The whole Salvation album was recorded live in a studio in Gothenburg, on Queen’s old console and the song “Crystal Stair” was just a small improvised part that came from one of the sessions. Both me and Adam have always been inspired by Martin Luther King, and we thought it’d be cool to have his voice on top of the melodies and sounds of the improvised piece.

EML:  I was touched by your recent Instagram post about your struggles and frustrations with trying to make it in this very tough music business. Your music is so wonderful, and you guys need to be heard by a larger audience, which is why I’m happy to feature you on my little music blog. That said, one of the issues I think is that today, most people seem to prefer hip-hop, Country or rock music, rather than beautiful, piano-based easy listening compositions like yours. Yes, there is still a niche for your genre of music, and there are successful artists making music similar to yours such as James Blake and Sufjan Stevens, but they often collaborate with hip hop or other artists to appeal to a wider audience. You’ve stated that you would like to collaborate with other artists, and in fact have a couple of times, like you did with rapper Scope (Jake Lewis) on the track “Life” from your album “One Way”, but that it’s been a struggle getting more artists to collaborate. Any thoughts?

Axel:  You are very right, It is a big challenge to get people to listen to a full song nowadays, even though you spent your whole life building and working on your craft, The masses seem to react to the loudest playing songs. I am looking forward to writing and recording more with similar minded artists, The struggle in paying rent and earning money for food has and I am guessing will always be there when it comes to true artistry, I am a full time busker / street performer in Glasgow at the moment, and that has definitely made me humble in how hard it can be to earn money; it gives you a whole new respect for how to use them.

The music business is a tough field to be in, I have always felt and I know Adam felt it too. We are outside of the business, however, we the songwriters and artists are what makes it possible to make a business out of it, so I am determined to find out what’s going on.

EML:  Your press release states that you’re managed by Scirca Music Group. Some artists & bands choose to hire a management company or PR firm to help them, while others wish to do everything themselves. Have you found it helpful to work with a manager?

A year ago I reached out through social media in search for a music publisher and manager, which got me in contact with the newly started Scirca Music Group. It has been a learning experience for both me and Adam and for the management company, as they are just starting out. I would like to encourage other artists to learn about how it all works, and how it is built up, that is the key to understanding and hopefully knowing where you want to go from there.

EML:  What are you guys working on now? Any plans for another album?

Axel:  As I mentioned earlier, we’ve been recording a new album “117” to be released later this year. It’s being recorded and mixed by our Sound Artist Åke Linton. I’m singing & playing on an old upright piano, and Adam is playing a Spanish nylon guitar & also singing some vocals. The last pieces of the songs on ”117” are being recorded with string arranger & producer Mattias Bylund adding a cello to the songs by cellist David Bukovinszky. Last but not least, I am laying down the bass lines on a 1976 Moog Synthesizer and warm analog pads on a 1980s Korg Polysix. We just shot the first music video for our upcoming single ”Trapped”. It was exciting and it turned out great.

EML: Is there anything else you’d like people to know about Jaded Jane that I’ve neglected to ask?

Axel:  Yes, we want to share our message of “Ignorance Separates, Music Unites”. We want to take a stand even more, making it clearer that we are for all human beings,  especially the ones without a voice. Equality, Humanism, and Reverence for the Beauty and Majesty of Nature are all subjects we care about.

We are from the “hood” of our hometown and we wish to display a different side [to that part of the Gothenburg area] than what is mainly portrayed in media with their car fires, etc. The growth of racist/nationalistic political parties such as SD* is something that we want to be an antidote for. We’ve always stayed clear of politics in our music but when it comes to these ethical & moral values we want to be very clear that we stand for diversity, equality and lifting positive stories about the “hood” which almost always have been a place of brotherhood and acceptance for us. Yes there are problems, but there need to be a more nuanced and balanced portrayal in media. We want to do our part as a counterweight to the negative.

* SD stands for Sweden Democrats, ironically, a socially conservative and far right-wing populist political party.

So lets dig a bit into Jaded Jane’s wonderful catalog and get a feel for their music. They released their debut album Diversity in 2015, a genre-bending work featuring eight tracks drawing upon pop, rock, soul, R&B and hip hop elements. As the title suggests, the songs address uplifting themes of embracing diversity and working together to make the world a better place. Every track on the album is superb, but my favorites are the lovely ballad “Jaded Jane”, the anthemic “After”, “Meaningful Destiny”, with its beautiful piano and shimmering guitar, the funky “The Cure”, with guest vocals from rapper KJ Denhert, and the soulful and fun “Walk the Walk”. Their musicianship and knack for writing infectious melodies that hook us in right from the start are impressive, and I love Axel’s casual vocal style that frequently breaks into a crooning falsetto.

In February 2017, they released their fantastic second album One Waywhich saw them branch out and further experiment with their sound by incorporating more complex and multi-textured synthesizers, deep bass lines and trap beats into their soulful mix. The highlights here are “Tell Me What”, with spacey synths and a funky bass line that’ll rock your world, “Breathing”, with colorful psychedelic synths and guitar chords that are fucking magical, and “Life”, a brilliant track featuring killer rap verses by British rapper Scope (Jake Lewis) that beautifully complement Axel’s falsetto vocals. The uplifting lyrics speak of not letting your past troubles define you or keep you from realizing your dreams: “Living life just watch me risk it, made mistakes but don’t regret ’em / I put on a happy face to hide where I come from / Put your knife down, listen to my rhyme / Everything’s gonna be alright.

Only eight months later, Jaded Jane dropped yet another album Always & Forever, once again going off in another direction with their sound. This time, Axel’s beautiful piano playing takes center stage, with the songs all featuring sublime piano-driven melodies that take their music toward an ambient, easy-listening vibe. In describing his inspiration for the album, Axel wrote as if speaking to his father: “When I sat down by the piano I could feel your presence. I let the songs happen the way they were meant to. Through music we can communicate with another world, here it is, and it is for you, in the here and now and in the hereafter.” The beautiful title track “Always & Forever” is a moving tribute to their father. “Hard to believe that you are gone this time. Oh give me strength to carry on. Easy to smile when you are by my side. You’ll live forever in my heart.” The video was filmed on a snowy night in Gothenburg.

The opening song “Serendipity” is a serene, 13-minute long piece of atmospheric heaven, with extended runs of delicate piano, guitar and whispery synths that are mesmerizing. The song begins as an instrumental-only track that seems to end at around 3:45 minutes, then starts back up at 4:00, this time with Axel’s tender vocals singing the praises of their father: “It was your light. It was your love, that shone through all of us.” This portion of the song ends with a gradual fade-out of reverb at around 8:45, only to start back up at 9:30 with sparse piano keys, accompanied by strummed guitar and whispery synths that throb until the end of the song.

Jaded Jane Salvation

Their fourth and most-recent album is the gorgeous Salvation. Released in November 2018, the album continues with what Jaded Jane refers to as their “exploration of soulful soundscapes of consciousness” that we loved on Always & Forever.  The entire album flows like an atmospheric river of mesmerizing piano-driven sound, enveloping and transporting us to a comforting place of love, peace and serenity. The beautiful title track “Salvation” has simple, spiritual lyrics that speak to finding peace of mind and salvation in the hereafter: “I’ll stay right here, through my last tears. Ain’t got nothing left to fear. Salvation. It’s the longest street, I will follow thee to another space and time. I will walk this road, never looking down, to the place that we’ll call home.”

Another standout track is “Ethereal”, which lives up to its name with breathtaking atmospheric music. Axel’s piano work is absolutely stunning, backed by sweeping glittery synths, gently thumping drumbeats and Adam’s subtle guitar notes.

“Orion” is a beautiful instrumental track, consisting of only delicate piano, gentle drumbeats and whispy ambient background synths. Though over five minutes long, it seems much shorter. The track segues uninterrupted into album closer “Crystal Stair”, with a continuation of the gentle drumbeats and whispy synths. At one minute, words from a famous 1960 speech by Rev. Martin Luther King, Jr. at Spelman College enter: “Your life’s blueprint must be a commitment to the eternal principles of beauty, love and justice. Don’t allow anybody to pull you so low as to make you hate them. Don’t allow anybody to cause you to lose your self-respect to the point that you do not struggle for justice. However young you are, you have a responsibility to seek to make your nation a better nation in which to live.

The track encapsulates the message of love, tolerance and social justice that Jaded Jane seeks to spread by Salvation, and with all their songs. I greatly admire these guys, both in terms of the wonderful music they make, and the positive vibes they spread through their kindness, love and joy. I cannot wait to hear their new album.

Connect with Jaded Jane:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on iTunes

ARTIST SPOTLIGHT – EVERY LOVELY THING

I’m always intrigued by the names musicians and bands come up with for themselves, especially when they’re interesting, clever or unusual. I recently ran across an act with a particularly nice moniker – Every Lovely Thing, an aptly-named music duo from Dayton, Ohio consisting of singer-songwriters Marianne Kesler and Kate Stanton. Long-time friends, the two share a passion for music, and one day in 2015 while having coffee together they decided to collaborate on writing a song. Marianne was already an established singer-songwriter, having written and recorded her own songs, but it was the first time she collaborated with another to write songs, and it was a totally new experience for Kate.

One song eventually turned into twenty and, now that they had a repertoire of songs, they decided they needed a name for their project. In an interview with Ohio-based webzine The Crazy Mind, the ladies explained the inspiration behind their name: “Our tagline is ‘songwriting duo creating beauty out of brokenness one note at a time’ and the name Every Lovely Thing is echoing that concept. It came to mind while reading lines from the Bible, “ … Whatsoever things are lovely … think on these things”.” Their pleasing sound can be best be described as ambient dream pop, characterized by beguiling melodies, delicate instrumentation and sublime, harmonizing vocals. Kate plays piano, keyboard, and synths, while Marianne plays acoustic guitar on most songs. Kate sings lead vocals on many of their songs, with Marianne providing the counter-parts and harmonies.

In August 2016, they headed to St. Louis to record their first single “Running” with producer Ben Kesler at Red Pill Studios. The song was released later than month, with the accompanying video released on October 1st. It’s an arresting song with a quiet intensity. The simple but hauntingly beautiful piano-driven melody, accompanied by gentle percussion and spare synths, create a somewhat somber, yet hopeful mood for the poignant lyrics. “Thinking of who I used to be. My brokenness is all I see. I keep pretending to be free. The past has made a fool of me. / How far? How long? I keep running.” They explain that the song is about toxic relationships, but rather than the term “running” meaning to flee from problems, it’s intended to represent “a healthy acceptance of ourselves, and of moving (or running) toward the freedom of positive life-affirming boundaries.”

Their follow-up single, “Not the Only One” was released in April 2018. About this track, the ladies state: “We feel the song is very accessible … probably everyone can relate to feeling like they are the only one in some situation during their life. One favorite line is ‘weighed down with sorrow so much deeper than our own’.” The enchanting song has a similar haunting quality as “Running,” with Kate’s delicate piano notes, but this time includes Marianne’s soothing acoustic guitar and pleasing drums played by Luke DeJaynes.  Kate’s vocals are soft and lovely, and when combined with Marianne’s backing harmonies, the result is an incredibly moving and beautiful song.

The ladies have recorded a number of songs, five of which are available for streaming or purchase on Bandcamp, and have been performing them and additional songs at gigs in and around Dayton. Here’s a video montage of a performance in Springfield, Ohio in October 2017:

They just released a new video of their latest single “Can You Show Me,” and strike gold once again with their compelling lyrics, sweet melodies and gorgeous vocal harmonies. Marianne’s acoustic guitar takes center stage on this song, accompanied by Kate’s delicate keyboard and other synth sounds. The song speaks of searching for  spiritual guidance to help overcome fear and self-doubt, and guide one’s path forward in life:

Black hole blinding vision obscured 
Panic rising terror incurred 

Fallen trembling shaken and stirred 
Waking wanting awaiting your word 

Watching wondering 
Longing listening 
Breathing, beholding everything that’s You … 

Where will I go? 
How will I know? 
Which way leads home? 
Can you show me? 

The lovely video for the track, which they produced, shows scenes of Marianne wandering around her town as if in search of something, discovering clues painted on rocks hidden in various spots.

Every Lovely Thing are two very talented singer-songwriter-musicians who together create beautiful, uplifting music that’s pleasing to the ear and soothing to the soul. I look forward to following Kate and Marianne on their musical journey, and hearing their new song creations.

Follow Every Lovely Thing on Twitter / Instagram
Stream their music on Spotify / Apple Music  
Purchase on Bandcamp / cdbabyiTunes / Amazon

LOUIE JAMES – Single Review: “Real Friends”

Louie James3

Louie James is an outstanding young singer/songwriter from Wakefield, England who’s quickly becoming one of my favorite artists. I featured him on this blog only a month ago, when I reviewed his lovely acoustic single “Yellow Doors” (which you can read here). Now this prolific artist is back with a moving new single “Real Friends,” along with a brilliant companion video. On “Real Friends,” Louie departs from his usual mellow acoustic style, employing layers of glittery synths to create a beautiful and haunting track.

In the verses, Louie sings in his gentle vocal style, accompanied by delicate electronic synths that convey a sense of sadness amid the lovely sounds. His vocals become more impassioned in the choruses as the synths swell into a lush soundscape brimming with emotional intensity.

The mournful lyrics speak to a bitter realization that the friends you thought you had don’t really care about or support you:

Who needs enemies with friends like these?
Talk all the shit you want
They’re out for blood and…
A lonely life when you trust no one.

Walk around with a chip up on your shoulder
21 but I don’t feel any older
Run me off, take another stab shot
Tear it all down, this is everything that I’ve got

Real friends are with me til the end but…
Woke again to another fatal head shot
Don’t forget me, this thing you’re making
Real friends but I know you’re only snaking

The video opens with Louie staring into a mirror, crossing out the eyes of his forlorn reflection with lipstick. As the video continues, he’s shown singing while soaking in a bathtub or standing in front of the mirror, where he writes “Real Friends” on the glass with lipstick, eventually crossing out the words. I love the song and video!

Connect with Louie:  Facebook / TwitterInstagram
Stream his music:  Spotify / Apple Music
Purchase on  iTunes