leaving richmond – Album Review: “Visions”

leaving richmond is the instrumental electronic music project of Los Angeles-based composer and producer Jordan Pier. He recently reached out to me about his latest album Visions, which dropped November 13th. As I always do when preparing to review an artist or band’s music for the first time, I checked out his back catalog to better acquaint myself with his style and sound, and was surprised at his considerable music output over the past 10 years. From what I can tell, his first release, in 2010, was the EP The Secret Traditions of Washington Ave., a very respectable work featuring five tracks. Since then, he’s released another two EPs, several singles and five albums, the latest of which is Visions.

His works have received widespread acclaim from both music critics and fans alike, with several of his songs garnering airplay on NPR and other radio stations around the world. Despite the pandemic, he says 2020 has been an amazing year for him from a musical standpoint. In addition to composing and producing a new album, he also saw a number of his tracks land placements on popular TV shows as well as advertisements.

About his new album, Pier explains: “Following the release of [his previous album] ‘Great Distances’, I took a deep dive which bore fruit in multiple ways, particularly in honing my composition, production and engineering capabilities in aspects that were exciting and inspiring. I strove to take all the new skills I had learned and combined it with the organic songwriting I so loved. The melodic, layered guitar as the main and guiding instrument represents a return to roots as I simultaneously embraced new electronic techniques. As a result of this new outlook on songwriting and experience in the studio, the ‘Visions’ LP was born. Every track on this album is tied to and inspired by a visualization of some sort. What this album has allowed me to do is combine my love for music and imagery into one offering. It is my hope to provide a soundtrack for the thoughts of the listener and offer some respite.”

All tracks were composed, arranged, produced and engineered by leaving richmond, and mastered by Brian Hazard. The album kicks off with “You Must Break Yourself“, an enchanting track featuring a kaleidoscope of shimmery and spacey synths punctuated by dubstep-like percussive beats. The result is a dreamy and optimistic soundscape that, to my ears, evokes a sense of breaking free from whatever it was holding you back and entering an aura of enlightenment.

Memories of Another You” is a stunning feast for the ears that really showcases leaving richmond’s impressive compositional and production talents. He intertwines layers of gorgeous chiming guitar notes with glittery string synths and delicate skittering piano keys to create a scintillating soundscape that’s truly magical. It’s an instant favorite of mine. The lovely “There Is So Much to See” has a somewhat more subdued and introspective vibe, with warm, sumptuous synths.

Inspired by the 1879 painting Joan of Arc by Jules Bastien-Lepage, which hangs in the Metropolitan Museum of Art, “Adherence” is a rather dark and somber track, with a deep bass synth-driven melody overlain with swirling synths and reserved jangly guitars that nicely convey Joan of Arc’s sense of purpose and valor. “Daydreams at the Cannery” was inspired by a character in the 2017 video game What Remains of Edith Finch?, developed by video game company Giant Sparrow. The shimmery guitars and glistening synths are intended to honor the beautiful storytelling and cinematic art of the game.

On a more spiritual level, “Washing Over Us” attempts to convey through music the concept that, in his words, “pure emotion can surround, envelop and cleanse us like the beautiful waters in the oceans and lakes around the world.” He skillfully employs watery synths, chiming guitar notes and ethereal choir-like vocals to create images of water nymphs singing in a crystalline lake. “The Frequency of You” is a beguiling guitar-driven track with wonderful spacey synths and a hypnotic toe-tapping beat. Once again, his guitar work is quite marvelous.

leaving richmond’s love of neon light signs was the inspiration behind the sublime “Red Orange Light“. The track opens with muffled sounds of neon gas pulsating through glass tubes, followed by a building cinematic soundscape of spacy synths and delicately-strummed jangly guitars, accompanied by a gentle dubstep beat. It’s an enchanting and beautiful song. Keeping with the more techno-oriented sound, the enchanting “The Soul is Greater” serves up more of those spacey, otherworldly vibes, highlighted by leaving richmond’s signature gorgeous shimmery guitars.

I’ve run out of descriptors and superlatives by now, so let me just say that closing track “And Then We Begin Again” is yet another exquisite song, and a fine finish to a stunning album. I’ve listened to a lot of electronic instrumental albums over the years, and Visions stands among the very best. leaving richmond’s skill for writing beautiful and compelling melodies is impressive, and his guitar work and keyboards are truly breathtaking.

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