Jennifer Doll is a young singer-songwriter from New Jersey who, in her own words, strives “to make music that makes me feel how my favorite songs make me feel.” She released her debut EP The Crystal Hours last November (2017), and was recently featured on a remix of electronic music composer Manipulant’s “What Good are the Stars” (which I reviewed). Now she returns with a brand new EP With Everything, which dropped on September 21 via WEATNU Records. On her Instagram page she posted her feelings about its release: “I am so excited – and slightly melancholy – to finally be releasing this EP. These songs were written between graduation and starting life, but most of those days are now behind me. They are now yours. Take care of them.”
And what powerful and emotionally compelling songs they are. Jennifer has a fascinating sound and vocal styling that, to my ears at least, sounds like the product of a collaboration between Phantogram, Lana Del Rey and Lorde. She uses intriguing chord progressions and melodies and complex synths to create songs that are fresh and uniquely original. She wrote, produced, mixed and mastered most of the tracks, with the exception of the two remixes, and “Siren Song,” which was mixed by electronic music composer and engineer Almark, who’s vocals are also featured on the track “Cosmo.”
First up is the mesmerizing “Siren Song,” a hauntingly beautiful track about a woman desperately trying to escape her demons. The track opens with sounds of waves washing onto the shore and church bells ringing in the distance, then pulsating synths and a thumping drum beat ensue as Jennifer sings “She had to find a way to get away from the horrors of herself. She had to find a way to keep away darkness as it fell.” Her ethereal vocals start off gentle and breathy, but gradually become more impassioned along with the arresting synths and horns as the track progresses, soaring to spine-tingling heights in the chorus.
Jennifer injects a bit of dubstep into the mix on “Secrets for the Dance Floor, ” employing industrial-sounding synths, deep bass and echoed vocals to create a trippy, otherworldly vibe. She sings about the emotional emptiness of being stuck on the endless merry-go-round of partying: “One more drink for some clarity, then throw it back at me, but do we really even care? One more party, do it all again. Forget as much as we can. All we crave is the end. Can anybody hear it? All the broken dreams and hollow lies?”
The gorgeous “Cosmo” features dazzling synths and guitar work that are a lush, glittery soundscape for Jennifer’s beautiful, fervent vocals. Additional vocals are provided by electronic music composer and producer Almark. And “Heavy” is a brooding, yet beautiful track, with deep bass and dark, sweeping synths, punctuated by an enchanting piano trill, xylophone, and an occasionally recurring beat that sounds like a gentle foot march. Her vocals are dreamy as she croons “Let me go, trust I’m better on my own.”
The EP features three bonus tracks, the first of which is “glitter tits,” which speaks to the aftermath of the excessive partying that Jennifer sang about on “Secrets for the Dance Floor.” Accompanied by sparkling synths set to a slow dance beat, and backed by her own vocal harmonies, she laments: “Now there’s glitter on the floor, our remembrance of the night before. Tonight all we have is glitter tits.” Next up is “glitter tits (OneManStanding R3M1X),” a remix by electronic music composer/producer OneManStanding. He takes the same song, but significantly slows down the tempo, drawing it out to more than twice its original length. His synths are more spacey, and Jennifer’s vocals make the lyrics seem all the more compelling at this speed.
The third bonus track is “Cosmo The Little Girl Found (Jigsaw Sequence Remix),” a loose and greatly extended remix of “Cosmo” by Scottish synthpop musician and composer Jigsaw Sequence. At nearly six minutes, this track is the longest and most complex on the EP. Jigsaw Sequence seems to channel the 80’s with his glorious sparkling and pulsating synths, and hypnotic dance beats. Jennifer’s amazing vocal gymnastics are on full display here, breathy and gentle one moment, then piercing and powerful the next, raising goosebumps. It’s a marvelous tour de force.
With Everything is a beautiful, expertly-crafted EP, delivering music that’s innovative yet accessible, with lyrics we can all relate to. Jennifer and everyone involved in its production should be very proud.