THE WINACHI TRIBE – Single Review: “Transition”

The Winachi Tribe – is that an awesome band name or what! – is a six-man outfit based in and around Leeds, UK. Drawing from a ton of legendary influences such as Parliament-Funkadelic, Sly & The Family Stone, Primal Scream, Grandmaster Flash & The Furious Five, Massive Attack, The Stone Roses, Talking Heads, D’angelo, Prince and Daft Punk, their infectious blend of electropop/funk/soul serves up more grooves than a box of vinyl LPs. With tongues firmly planted in their collective cheeks, they refer to their music as “Soul Food Winachi Chicken” – an apt descriptor, as it’s incredibly tasty!

WinachiTribe pic

Formed in 2015, The Winachi Tribe is comprised of Liam Croker (vocals), Antony Egerton (keyboards, programming), Inder Goldfinger (percussion), Mike Bee (lead guitar),  Richard Ritchie (bass) and Sam Tushingham (drums). They’ve collaborated with musicians and producers in both the UK and Southern California, and released several critically acclaimed singles (one of my favorites is “A Room With a Zoo,” for which they also created an imaginative short film directed by Trevor Miller and featuring actor Tommy Flanagan). In April they dropped a fantastic new dance single “Transition,” which I instantly loved at first listen.

I was a huge fan of disco back in the day (I’m old) and quite the dancing fool (I’m still a fool, but I digress…), so it’s natural that I’d love this song. Not that it should be classified as ‘disco,’ but it certainly has a hypnotic EDM beat that grabs you by the hips and doesn’t let go. I defy anyone to sit still to this song for very long. The band employs an abundance of throbbing synths, keyboards, guitars, bass, and percussion to create a lush soundscape overflowing with intoxicating dance grooves. Liam’s beguiling vocals register in the higher range but far below falsetto, and are delightful. Everything about “Transition” is perfectly marvelous, and I love this band!

The lyrics are about not allowing yourself to get stuck in a rut by fearing the unknown, and instead embracing change as learning and growth experiences: “Change don’t bring danger. Change for you is good. It’s a transitional, transitional period. If we seem like strangers, it’s ’cause we’re going through the changes.”

They’ve also recorded a great remix of “Transition” by Daisy O’Dell and featuring The Singularity.

Catch The Winachi Tribe at one of these shows on their Transition UK Tour 2018

MAY 18  –  Stramash, Edinburgh  9 PM
MAY 19  –  Drummonds, Aberdeen  9 PM
MAY 26  –  Bearded Theory’s Spring Gathering, Walton-On-Trent 9 PM
MAY 29  –  Social Bar Doncaster, Doncaster  9 PM
JUN 2  –  Mosborough Music Festival, Don Valley Bowl, Sheffield  8 PM
JUN 9  –  O.L.O.V.O.F. Festival 2018, Cambridge   9 PM
JUN 10  –  Fiddlers Elbow, London
JUL 21  –  Chalfest, Chalford   7 PM
JUL 22  –  Blackthorn Festival, Marple  9 AM
AUG 4  –  Sessions Beer & Gin Festival, Aberdeen  7 PM

Connect with The Winachi Tribe:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Soundcloud
Purchase:  iTunes

LOVEPROOF – Album Review: “Neon Blood, Volume One”

Neon Blood album art

Loveproof is a studio project by singer Ciaran Megahey and instrumentalist & producer Brendan McGarvey. Based in Toronto, Ontario, Canada, the duo have a long, albeit interrupted, history together. The two met in high school while living in the Toronto suburb of Scarborough, formed a band that quickly fizzled, and eventually went off on separate music career paths. Ciaran is also a member of Canadian indie band The Autumn Stones, which I featured on this blog in 2016, while Brendan is or has been involved with Jerkbank, Stereohoax and Sugarkill. As luck would have it, one day in 2013 the two ran into each other on the street as Ciaran was headed to an open mic. That reconnection got them reminiscing about old times, and ultimately deciding to once again collaborate musically. 

Ciaran Megahey
Ciaran Megahey

They began writing songs and soon had an interesting collection of dark and cryptic doom pop on their hands. Originally setting out to create a sound that would combine some of their early favorite bands Joy Division, Guided by Voices and My Bloody Valentine, they later decided to throw in some dub for good measure. They named their project Loveproof, in honor of the My Bloody Valentine classic “Loveless.” Referring to their sound as “Dreamy, Dubby Doom Pop,” the songs they wrote and recorded culminated in the production of their debut album Neon Blood, Volume One, which dropped on December 5, 2017. Ciaran sang all the vocals, while Brendan, who’s primarily a bassist, played and programmed all instruments and produced the album. The album was recorded at Brendan’s home studio in Toronto and mastered by Harris Newman (Handsome Furs, Craft Spells).

Many albums require a couple of listens for the music to grow on me, but this gorgeous album dazed my eardrums the moment I heard it. It kicks off with “The Power,” a dreamy soundscape of crystalline synths set to a hypnotic beat. Ciaran’s smoldering, breathy vocals are captivating as he asks “Couldn’t we do this over? Shouldn’t we do this over? / From your tower, feeling sour by the hour. Have you got the power?” The beautiful track really sets the tone for the album’s moody vibe. The songs deal mostly with relationships that are uncertain or fraught with danger, and the music is darkly mysterious or even sometimes menacing, but always stunning and never depressing or maudlin.

Ciaran dials up the thermostat a couple notches on the sultry “Sister Moonlight,” where he seductively sings of the spell a woman has cast over him: “Sex at dawn. Her every movement turns me on. In her arms I’ve found shadows and light.” Though a bit haunting, the instrumentals and Ciaran’s vocals are breathtaking. The fitting video features scenes from the 1961 B-movie The Devil’s Hand, a horror film about a man who falls in love with a woman who turns out to be involved in a satanic cult.

The mesmerizing “Post” delivers more shimmering synths and a bass-driven beat, and in his soothing, breathy vocals Ciaran reassures an insecure loved one of his eternal support and commitment: “And I am your signpost? With our worlds entwined. Post. Am I just in time? Post. When I make you shine. Post.” Their video for “Post” contains footage from the 1957 film Here Comes Tobor.

The Vortex” features Brendan’s enchanting Spanish-sounding guitar floating above layers of mysterious synths and a determined drum beat. Ciaran sings of a doomed relationship that seems to be based on lustful passion but filled with bitterness and anger: “Hold you close just like a keepsake. Slow to learn. Quicker to slash and burn when we dance into the vortex. Blinds on. Pile on. The lights came on. That’s when I came around. The sounds we made of hate gone twice insane. Dying on the vine.

Now is a good time to point out that Ciaran’s sublime vocals are strikingly similar to Bryan Ferry’s on several tracks. And some of those tracks even seem to channel Ferry’s sound and music style, especially the spellbinding “The Lowdown,” “Tabula Rasa” (which reminds me of “Don’t Stop the Dance,” a song I adore), “Modern Ecstacy” and album closer “Death’s Flower.”

The mysteriously moody “Clever As” has more of an electronica feel, with pulsating synths and a languid kick-drum beat. The biting lyrics speak to the damage caused by people who cleverly lie and intimidate to get what they want:  “Anyone can break your heart in two, mind you. Anyone as clever as you. Where ‘benign’ lecherous tribes prattle on ‘heaven won’t take long.’ When the crude credulous boob follows through all over the news.” That last line seems to perfectly describe the sociopath currently occupying the U.S. Presidency.

The title track “Neon Blood” is perhaps the most haunting song on the album, both musically and lyrically. The brooding, razor-sharp synths and crisp percussion create an icy aura that’s beautiful yet menacing. The lyrics are somewhat ambiguous, but my take on their meaning is that people in search of fame – represented by ‘Neon Blood’ – will cheat, lie and prostitute themselves to get it: “Faceless plagiarists, aimless and dangerous playboys, movies stars grovel at your feet. You’re serpentine inverted mind. My Neon Blood.” In reality, those searching for fame are actually the victims: “Howling at your wounds. But you’re the sheep and I’m the wolf.” Some pretty heavy stuff there, and a great example of Loveproof’s exceptional songwriting.

Neon Blood, Volume One is a marvelous and flawlessly produced album that provides a stunning listening experience that draws you in, enveloping your senses in a dreamy, otherworldly soundscape.

Follow Loveproof on Facebook
Stream their album on Spotify and purchase on Bandcamp or iTunes

MELOTIKA – Single Review: “Unaware Part II [Blindside]”

Melotika single

Melotika is a Toronto, Ontario, Canada-based electronic indie/pop project consisting of singer/songwriter Mel Yelle and DJ/producer Jackman Jones, also known as Mista T Dot. Last year they released two singles “Downtown Summer ft. Krosst Out” and “Unaware,” and on January 30 they dropped a sultry new track “Unaware Part II [Blindside].”

According to Mel Yelle, it’s a continuation of the theme expressed in “Unaware,” and open to interpretation. My take is that “Unaware” is about struggling to maintain one’s identity in the face of a relationship that’s unraveling. In “Unaware Part II [Blindside],” she’s confronting the person who blindsided her, telling them she no longer cares, is moving on, and so should they:

Quit callin’ when my make-up fallin’ and I wonder why you’re not alone? 
Big ballin’ and I see you stallin’ while your trippin’ at the mall 
Go getter, why you even bother? When it’s just so clear you see 
No better, doesn’t even matter, no it doesn’t really matter to me 

If you want it! Can you start it! You’re a getaway! 
If you thought it! And you need it! Do it anyway! 
Jumpstart, we won’t be apart; to the unknown 
If you want it, and you need it I won’t ever want you alone 

Blindside of the future, blindside it’s my nature 
Don’t want any part of it, so much more to see 

Mel Yelle

Born and raised in Montreal, Mel Yelle’s rich, smoky vocals remind me at times of fellow Quebecois Celine Dion, with whom she also bears a striking resemblance. Combined with Jones’ sultry hip-hop beats and mysterious echoed synths, together they’ve produced a track brimming with sensuous grooves that raise body temperatures and aim straight for the hips. It’s a marvelous song.

Melotika will be releasing their first EP in March. To learn more, connect with them on  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on iTunes or Bandcamp

MAX KOFFLER – Album Review: “GAMES”

games album cover

Max Koffler is an indie musician from Berlin, Germany who’s been actively making music since his teens, when he formed a band called Kerosin. In 2004 he decided to go solo, and after touring in Korea for a while, he released a respectable debut album Taboo in 2008. He subsequently spent a long while writing and recording songs for what would become his second album GAMES, which he released in March of 2017.

Incorporating an eclectic mix of music genres and styles, including alternative rock, pop, EDM, and jazz, GAMES really showcases Max’s journey and growth as a musician. The maturity of his songwriting is exemplified by more complex melodies, song structures, lyrics and instrumentation, as well as stronger vocals. With 14 tracks, the album’s a real tour de force, with contributions by Seoulmates (a German group that was formed to support Max on his Korean tour), Max’s brother Hanno (who’s an accomplished actor), and a group of musicians who, along with Max, were involved in the workshop Mix With The Masters, conducted by the famed music producer Jimmy Douglass (Led Zeppelin, Aretha Franklin, Foreigner, Justin Timberlake, Pharrell, Jay-Z).

The opening track “Choose Your Fate” was just released as a single on New Years Day. It’s an upbeat synth-pop song that celebrates Max’s love for Berlin, and the inspiration it gives him to be the best person he can be. Swirling synths and a mellow bass line are set to a slow, catchy dance beat, making for a pleasing listen. The video, which was posted on YouTube in March 2017, shows Max walking around various sites in Berlin (a magnificent city rich in history and culture that I visited many years ago, and can attest to it’s beauty and charm).

One of my favorite tracks is “Europaroma,” a charming ode to the multi-culturalism of Europe. Shimmery synths set to a languid dubstep beat, and lyrics sung in Italian, French and English by Max’s smooth and sometimes auto-tuned vocals, make for a delightful feel-good song. “Limits” has a mesmerizing synth-driven dance beat with Max’s echoed vocals that are occasionally electronically altered, and the mysterious “The Fire is Yours” features a captivating guitar riff and fuzzy synths set to a hypnotic EDM beat that intensifies as the song progresses. Max repeats the lyric “Harmful you are to me.”

Max turns up the energy on the frenetic “Love Songs,” an infectiously catchy rock song that aims straight for the hips. I love the lyric “I don’t like love songs, but I love you.” “Shake Hands” is another fast-paced rock song loaded with synths, and featuring a great guitar riff and Max’s sung and whispered vocals. The anthemic “The Boldest Cats” has a joyous folk-rock vibe, with lovely acoustic guitar, organ and just the right amount of drums. Max’s earnest vocals are backed by an incredibly pleasing chorus sung by a group of musicians from Mix With The Masters. “Big Chart” and “Purple” are excellent pop-rock tracks with jangly guitars and deep bass lines, and featuring sublime backing vocals by Seoulmates.

Max sings a love song to the Korean capital he fondly remembers on the uplifting rock ballad “Saranghae Seoul.” The last line of the song is poignant and hopeful: “I know there’s a second half you miss, but one day you will kiss what’s lying north of you.” On the brief but moving track “May I Ask,” Max implores a loved one to let him know if she still has feelings for him: “You decide if I shall live or starve from lovelessness. And so I say, may I ask if you still want me the way you once promised?

Max incorporates jazz influences on the last three tracks, starting with the captivating “Watergum.” The delicate guitars and keyboards on this track are really nice. “Long Lost Land” has a mellow, early 60’s jazzy feel with a bluesy bass riff, subtle piano and gently crashing cymbals. Max’s vocals are particularly good, as he scats in a falsetto later in the song. And the backing vocals by Seoulmates are lovely, as always. The arresting album closer “Wenn” features beautiful piano keys and synths, and an enthralling guitar riff  floating above a skittering bass line. Max’s brother Hanno vocals are captivating as he sings the German lyrics.

GAMES is a wonderful album, filled with songs that require a deeper listen to fully appreciate all the subtle elements Max incorporates into his music. I find that the songs get better with each listen, and am totally smitten by the whole affair!

Connect with Max:  Website / Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music / Deezer
Purchase:  iTunes 

FIE! FIE! FIE! – Double Single Review: “Edge of Space/Everything I Told You”

Edge of Space Art work

Fie! Fie! Fie! is an indie alternative rock band from West Yorkshire, England, and they have a glorious name you’ll never forget. Formed in April 2013 by seasoned musicians Daniel Varley and Pete Long – both of whom play some pretty amazing guitar – the band also includes bassist Avon Blyth and multi-instrumentalist Matt Burnside. Varley sings lead vocals, and the other band members provide backing vocals.

Fie Fie Fie

The band released their first collection of tracks, Live Solo Sessions, in late 2013 when it consisted only of Varley and Long. In 2014, Blyth was added to the lineup, giving the band a much stronger and fuller sound. They released the single “The Alternative” in 2015, followed by the album Can You Hear This?  In 2016, Burnside joined Fie! Fie! Fie!, and they subsequently released a live album Live at St. Mary’s later that year, as well as a fantastic single “Hit the Spanish Main.” The band has now released a new double A side single “Edge of Space/Everything I Told You,” which dropped in early August, and I think it’s one of their best works yet.

I was blown away by “Edge of Space” at first listen, as it has one of the most arresting guitar-driven melodies I’ve heard in a while. The song immediately hooks us in with what sounds like lush synths but in reality is an effect that Pete put down on one of his guitar tracks, along with an achingly beautiful guitar riff that burns itself into your mind. It stayed with me long afterward, leaving me humming the melody and wanting to hear the song again and again. Besides the stunning guitars and synths, the percussion and bass are perfection. Using metaphors of space exploration, Varley passionately sings about finding enough forgiveness to salvage a damaged relationship, or possibly a damaged world:

Could you find a way, a way to see past this
Past the mess that we both left, could you see through it
Gliding through the stratosphere, could fall off, float away
There’s bigger fears alone up here as we try to find our way
If you could see through my eyes 75 miles high

The tracks ends with snippets of what sound like old recordings of astronauts speaking from their spaceships, and a final dramatic flourish of distorted guitar.

“Everything I Told You” is a mellower track, with a pleasing folk rhythm delivered by silky layered acoustic guitars hovering over a smooth bass line and gentle percussion. The guitar work on this track is sublime, and Varley’s earnest vocals are backed by a lovely, almost dreamlike harmonizing chorus. All the ingredients you need for a truly great song.

If you’re in the UK, you can catch Fie! Fie! Fie! at one of these upcoming shows:

4 Oct 2017    The White Bear, Barnsley
7 Oct 2017     The Spread Eagle, York
14 Oct 2017    Oxjam, Huddersfield
18 Oct 2017    SoFar Sounds, Bradford
20 Oct 2017    The Highfield Bradford, Idle
28 Oct 2017    Oxjam, The Town Hall, Hebden Bridge
24 Nov 2017    Hot Banana Music, Holmfirth
26 Nov 2017    The Beck, Brighouse
02 Dec 2017    The Tan Hill Inn, Richmond

Connect with Fie! Fie! Fie!:  Website / Facebook / Twitter / Instagram

Stream their music:  Spotify / Soundcloud / Reverbnation

Purchase:  Bandcamp / iTunes / Amazon

CARY BALSANO – Single Review: “Horizon”

 

Cary Balsano

Cary Balsano is a talented young singer/songwriter originally from Italy who’s now based in Liverpool, England. He’s written and recorded scores of songs both as a solo artist and in collaboration with others, and recently released a beautiful new single “Horizon,” accompanied by a stunning video.

The song and video convey a sense of powerful connection with the world and, to my mind, the title “Horizon” symbolizes the brief but meaningful time we spend on this earth. Cary’s deeply personal and moving lyrics speak of life, love and loss, most notably of his father:

Living by the day, dealing with your grace
All I want is a kid to name
Hoping for some fun, looked in a grave where I saw my father’s face
We got a love and I made my mistakes
And I’ve got nothing to prove to you
We’ve got a lot to learn ’round this fire place
It’s called life and I have lost

Musically, the track has a quiet intensity, with soothing acoustic guitar and gentle percussion that keeps the track grounded but never overpowers. Cary’s beguiling vocals are filled with emotion, yet comforting at the same time. Take a listen:

Connect with Cary:  Facebook / Twitter / Instagram

Stream his music on  Spotify

VOX EAGLE – EP Review: “Flamingo Paradiso Pt. 1”

Australian-American indie electro-psych pop duo Vox Eagle exploded onto the music scene in 2017 with some of the most enjoyable tunes of the year. Since joining forces in 2015, Andy Crosby and Luke Hamel, who make up Vox Eagle, spent time traveling throughout the U.S., writing and recording songs for their debut EP Flamingo Paradiso Pt. 1., which drops on July 24. They’ve released three of the tracks as singles thus far, the first of which, “No Sleep” I reviewed in May.

Vox Eagle2

They humorously refer to their style of music as ‘jungle disco,’ but other descriptors could well include tropical pop, dance pop or dream pop – or a melding of all of them. But whatever you call it, their catchy sound is deliriously upbeat, and just makes you feel good. It washes over you in a gorgeous soundscape, like being under a waterfall on a tropical island.

The lead single “No Sleep” offers up bouncy grooves, with swirling synths floating over an irresistible bass-heavy dance beat. Jangly guitar and drums round out the instrumentals, while Andy’s smooth vocals occasionally rise to a stirring falsetto as he croons: “Is it any wonder? The current pulls us under. No sleep no sleep for the wicked no./ I keep on counting sheep. Days into nights, nights into weeks. Out of sight, out of mind, never mind.

The guys seem to channel Tame Impala on the atmospheric dream pop gem “Come Over.” Otherworldly synths and a powerful thumping bass kick things off, then a seductive dance beat takes over, compelling you to get those hips swaying. Echoed, reverb-heavy synths and Andy’s wonderful vocals add an exotic vibe to the track that really does sound like ‘jungle disco.’

Summer Now” is a breezy, upbeat track about longing for a return of those sun-kissed days on the beach, and that romantic summer fling you had. Andy sings “Take us back down to the summertime by the seaside. Where the city girls got the wildflowers in their hair. Never told you it was gonna last forever anyhow. So we keep waiting, we keep waiting for these clocks to start winding down.” The warm synths and guitars, along with soaring harmonic choruses that remind me of early Beach Boys, are perfectly appropriate for the song’s theme.

The guys get a little funky on “Sweet Temptations” while maintaining their signature infectious beats, heavy bass and sweeping choruses. There’s a terrific bass-heavy break down in the bridge, and the guitar riffs are incredibly satisfying. Fun, eerie synths abound on the quirky joyful romp “Jungle Song,” It’s the most experimental track on the EP, with dynamic African beats, electronically altered echoed vocals and lots of interesting synthesized animal sounds.

The EP closes with “Plastic People,” a somewhat mellower track with a languid beat and dreamy synths. There’s a hint of a Calypso vibe that immediately conjures up images of a tropical island. The mix of instrumentals are perfect, and the guys’ harmonic choruses are sublime as always. In fact, their gorgeous vocals are one of the primary components of their incredible sound. The song lyrics speak to getting in touch with nature and avoiding fake people.

Though I don’t usually grade albums or EPs, I have to give Flamingo Paradiso Pt. 1 a solid 10. There isn’t a standout track, as every one of them is outstanding and meticulously crafted. Vox Eagle’s attention to detail is strongly evident on every level, yet the tracks never feel overproduced. I love their music, and can’t wait to hear what they have in store for Part 2!

Follow Vox Eagle:  Facebook / Twitter / Instagram

Stream their music:  SpotifySoundcloud

Purchase it:  iTunesAmazon

Song Review: VINITSKY – “Hola”

Vinitsky is a Ukrainian electro pop/rock singer, songwriter, producer, DJ and social activist. Now based in Rotterdam, The Netherlands, her dynamic music is a raw mix of electronic sound, heavy guitars and powerful vocals. Her style fuses pop, rock and electronic influences, and draws inspiration from Ukrainian vocal melodies and 80’s sounds of bands like Depeche Mode and Kraftwerk. And she’s a busy woman. Besides recording and producing her own music, for the past several years she’s been performing as an artist or DJ throughout Central and Eastern Europe. She also sings and writes songs for several nu-metal bands in Ukraine – including OnesteP, whose EP I recently reviewed.

Vinitsky released her first electronic album Stereo Radio under the name ‘Kate Orange.’ The similarly-named single from the album garnered more than 52 000 views on YouTube, and was supported by David Guetta on the Spanish TV show El Hermigueiro. In 2016, wanting a fresh approach to her music, she released an excellent self-titled album under the new name ‘Vinitsky.’ The Spanish single “Hola” is taken from that album. A fun feature of Vinitsky is that every track is illustrated, with each picture telling a story about the song and it’s mood. Vinitsky states that the pictures are also meant to relieve stress: “You can color them by yourselves, so sharpen your pencils and create your own work of art!

Vinitsky

The song “Hola” has a somewhat raw sound, infectious Latin dance beat and simple, understandable Spanish lyrics, even for those who don’t speak the language. Vinitsky explains that her inspiration for the song comes from the Dutch obsession with Spanish traditions, holidays and recreation.

The track starts off with her singing a capella, with a crackling noise in the background, as if the song was being played on an old Victrola. It then bursts open with an irresistible Latin dance beat, as buzzing electronic synths, exuberant horns and heavy bass all conspire to get your hips moving. Even sitting at the computer, my head was bobbing and hips were swaying like I was giving my chair a lap dance! She handles the Spanish lyrics quite nicely, her commanding vocals soaring with the intensity of the music, making for quite an exciting track. Take a listen:

To learn more about Vinitsky, check out her website.
Connect with her:  Facebook /  Instagram
Stream her music:  Soundcloud /  Spotify /  YouTube
Purchase:  Bandcamp

Featured Song & Video: VOX EAGLE – “No Sleep”

 

Australian indie electro-psych pop duo Vox Eagle have been busy guys since forming in 2015. Andy Crosby and Luke Hamel, who make up Vox Eagle, spent time traveling throughout the U.S., writing and recording songs for their upcoming EP, scheduled to drop this summer (which I’ll be reviewing just prior to its release). They’ve released two amazing songs thus far, “No Sleep” and “Come Over,” along with a video for “No Sleep” that I’m featuring now.

The infectiously catchy song is steeped in lush atmospheric dream-pop grooves, with swirling synths floating over an irresistible bass-heavy dance beat. Andy’s smooth vocals occasionally rise to a stirring falsetto as he croons: “Is it any wonder? The current pulls us under. No sleep no sleep for the wicked no./ I keep on counting sheep. Days into nights, nights into weeks. Out of sight, out of mind, never mind.

The beautifully-filmed and entertaining video shows the guys performing the song in the Mojave Desert (just an hour or so from my home in the Coachella Valley), driving to Las Vegas and cavorting about the Strip at night, not getting any sleep!

Connect with Vox Eagle:  Facebook /  Twitter
Stream their music:  Soundcloud / Spotify
Purchase it:  iTunes

EP Review: PUZZLE – “Babylon”

Brazilian born and London-based indie singer/songwriter PUZZLE is on a roll. Handsome and charismatic, he’s also an exceptionally talented artist. Following up on his three excellent singles “Godlike,” “Trial By Fire” and “Comedown,” PUZZLE recently dropped a new four-track EP Babylon, and it’s stunning. With his sublime melodies, infectious electronic beats, and sultry, captivating vocals, he creates luxurious soundscapes that pull you into mysterious and darkly beautiful spaces.

Drawing inspiration for his unique music style from an eclectic mix of artists such as the Pet Shop Boys (who I love), Lauryn Hill and Years & Years, PUZZLE also incorporates high-concept art and fantasy into his music videos and live performances. In an interview with Fault Magazine, he explained “I play a lot of video games … like Final Fantasy and Metal Gear Solid and I feel like that’s where I tapped into a different world. The same can be said for the fantasy books I read too. It’s all about escapism and opening worlds to people. The world is in constant flux … and I want people to take on those ideas when I make music. Nothing is set in stone and it’s all open to interpretation. It’s not reality, I’m trying to take people to a world of imagination.

PUZZLE

The opening track “Kamikazi” immediately sets a sultry tone for the EP. Beginning with a lovely piano solo, a mesmerizing drumbeat takes over, accompanied by seductive EDM-infused synths. With his sensuous vocals, PUZZLE sings of surrendering to someone who holds control over him, and for whom he feels burning passion: “Oh I refuse to run away, oh run away. Oh I want to feel the flames, let me feel the flames. Kamikazi, in a heartbeat you can take me down.” This is a sexy tune, as is the next track “Eyes Wide Shut.” Slower in tempo and darker in feel, but with even more sensuality, PUZZLE again sings of his passions: “Sweat pours, my heart rate soars as we kiss once more.

Since I wrote this review, PUZZLE released a video for “Kamikazi” that’s as mesmerizing as the song:

Little Black Book” is a catchy, emotionally-charged song about having strong feelings for someone, but fearing you may be nothing more than another number to them. Throbbing bass and swirling, otherworldly synths make this an incredibly compelling track. PUZZLE fervently sings: “I’m so caught up in this race. I’ll never be the first name. ‘Cause your list is too long, oh in your little black book.” The track has also been released as a single.

The creative and highly artistic video for the song is a positively breathtaking feast for the senses. In addition to the fantastic song, everything about it is gorgeous: the videography, computer-generated imagery, editing and – not least of all – PUZZLE himself. Take a look:

The final track “Realign” is so beautiful it raises goosebumps. Lush, sweeping synth chords, anchored by heavy bass, create a powerful instrumental over which PUZZLE’s enchanting vocals smolder and soar with great emotional intensity. This is my favorite track on the EP though, quite frankly, all of them are outstanding. I strongly recommend Babylon to fans of electronic music or, for that matter anyone who simply likes great music!

To learn more about PUZZLE, check out his website, and connect with him on  TwitterFacebook and Instagram. Subscribe to his YouTube channel, and stream his music on Soundcloud and Spotify. Babylon and his other music can be purchased on  iTunes and other sites offering music for download.