EP Review : FUTURE THEORY – “Fool’s Dream”

To prepare for writing a music review, I start by immersing myself in the artist or band’s music in order to fully understand and evaluate the various elements of the lyrics, instrumentals, vocals and production values. In most cases, I come to more greatly appreciate the music the more I listen. And every now and then, I find myself falling deeper in love with the music each time I hear it. Such is the case with the incredibly talented UK band Future Theory. Last October, 2016, the foursome dropped their debut EP Fool’s Dream, and it’s nothing short of spectacular.

Future Theory is made up of Max Sander on rhythm guitar and vocals, Chris Moore on lead guitar, Rex Helley on bass (although Jake Scarbro was bassist at the time the EP was recorded), and Rohan Parrett on drums. Taking inspiration from such bands as Radiohead, Pink Floyd, Audioslave, Queens of the Stone Age and The Verve, the Lincolnshire collective have developed a lavish sound built on elements of alternative rock, shoegaze, psychedelia and funk. Furthermore, their skillful musicianship and intelligent songwriting are all the more striking given their youth (I believe they’re all under the age of 21).

Future Theory

Fool’s Dream starts off with “Eye of the Storm,” a dynamic and beautiful track overflowing with intricate, jangly guitars, sharp percussion and soaring melodies. Sander’s mesmerizing vocals have a sultry vulnerability as he sings the lyrics “Here I stand upon the sands. Stranded here in no mans land. Said I’m through with lies, but now I see.”  The track closes with a scorching guitar solo and a brief flourish of distorted guitar at the very end that conjures up images of a storm that has finally spent itself.

Now is a good time to state flat out that Sander’s sensuous and startlingly mature-sounding vocals are a thing of wonder and, to my mind, a defining element of Future Theory’s sound. It’s astonishing that a man of his young age could vocalize with such nuanced emotional intensity. When combined with the band’s dazzling instrumentals, his captivating vocals result in songs of exceptional caliber.

The title track “Fool’s Dream” is an achingly gorgeous song about realizing that your love interest isn’t quite what you’d hoped, thus shattering your dreams. Sander moans “Why is the glass always half empty when you’re around? Sense of frustration now, stretching my mind. Oh I feel all down.” The swirling guitars and crystalline synths are, well…dreamy.

The guys lay down some terrific psychedelic grooves on “Horses.” Shredded and distorted guitars duel with thumping bass, crashing cymbals and glittery synths, creating tension as Sander seductively croons “See the horses, they’re the only ones who know motive. / Another scene, another slaughter, when enemies hold their line. / Woah oh oh oh horses, why won’t you take me away.” They funk things up on “Listen Closely,” with lots of jangly guitars layered over funky bass and a driving beat. The guitars on this track are so good!

The final track “Horses (Koncide Remix)” is a spellbinding EDM/techno re-imagining of “Horses.” Gone are the layered guitars, and in their place are complex, multi-textured synths that create a dramatic, yet dreamy, soundscape. It’s the perfect ending for a fool’s dream.

Connect with Future Theory:  Facebook /  Twitter /  Instagram

Stream their music:  Soundcloud /  Spotify /  Google Play /  YouTube

Purchase on:  iTunes /  Bandcamp

EP Review: FICTION PEAKS – “Before the End/Jinx”

Fiction Peaks is a talented five-piece indie band from Dublin, Ireland. Their impressive sound is hard to pin down, but it incorporates elements of alternative rock, shoegaze, pop and electronica. I featured them on this blog in June 2016, which you can read here. The band members – all of whom are highly accomplished musicians – include Joey Doyle (Lead vocals, Guitar, Sampler), Cillian Kenny (Bass, Trumpet), Barry Lyons (Backing Vocals,Synth),  Joáo Francisco (Drums) and Brian Giles (Guitar, Loops). They just dropped a new two-track EP on March 13, in advance of a planned release of their first full-length album Citizen, set for April 21st.

Fiction Peaks

The first track “Before The End” is positively sublime. A lovely piano movement and warm synths create an ethereal soundscape, then strings and percussion are added along with acoustic and electric guitars, increasing the song’s power but not diminishing it’s dreamlike quality. The poignant lyrics are beautifully sung by Doyle, with his mesmerizing heartfelt vocals that contain a hint of Irish brogue. To me, the lyrics seem to speak of not giving up, and fighting for what is valuable or meaningful in life, whether it be a relationship or an important cause. “You could have walked, ran for the exits. A testament to strength is why we’re here. You have the words, you are the reason, the reason we stand tall in our finest hour. With nothing ventured, there is nothing gained.

Coinciding with the EP, Fiction Peaks also released a provocative and visually powerful video for “Before The End” that was directed by local artist Colm Giles (brother of band member Brian).  According to a write up featured on the website Nialler, which you can read here, Giles explained “My take on ‘Before The End’ was to make an artistic observation of the times we are living in. I did this by looking at elements of the Spanish Civil War – showing ordinary people fighting against fascism. With the current subtle rise of the far right, and populist politics, mistakes of the past can be repeated if we don’t all pay attention.” Have a look:

The second track “Jinx” couldn’t be more different, with a rapid, driving beat and heavier electric guitar, bass and drums that give it a harder rock sound. The guitar work on this track is outstanding.

These two tracks are further proof that Fiction Peaks is an amazing band that never fails to deliver, and I eagerly await the release of their full album.  Connect with them:

Twitter / Facebook / YouTube / Soundcloud

Their music may be purchased on Bandcamp.

 

Artist Spotlight – audiodeluxe

I head north to Scotland to shine my spotlight on audiodeluxe, an indie music duo making some really wonderful alternative electronic dream pop, with elements of rock, shoegaze and EDM. They are Sammy McHugh on vocals and Dez Bone on all music. Their bio on Soundcloud is so colorful that, rather than try to paraphrase, I’ll just quote it here in its entirety:

“Audiodeluxe are a couple of part time musical geniuses from a small but ever expanding village near Glasgow. They started writing songs together some time in the 90s and no one has forced them to stop yet. They have many influences ranging from the mighty Depeche Mode and Radiohead to Rage Against the Machine and the timeless Monty Python. They have also been brainwashed along the way by their crazy hippy parents and rather bizarre friends. They both exist happily writing tunes and turning out for the occasional gig. It’s a fine life really!”

The couple had early success with their music offerings, including local and international radio airplay, as well as licensing by the Fox sports channel for use in its broadcasts. After a period of hiatus while starting a family, they’ve recently resurrected their creative efforts, with an emphasis on growing their audience by independently releasing their music on Soundcloud and Bandcamp.

Dez Bones employs complex synthesizers to create a rich, ethereal sound, punctuated by gauzy atmospherics, psychedelic vibes or danceable grooves. The superb “Hold Me Back” has a fantastic electro-synth arrangement, while “The Day I Died” channels Depeche Mode, with its gorgeous sweeping synths. In “Treasure,” a simple, rather mournful guitar riff, accompanied by a hypnotic drumbeat, is overlain with sound effects like a train running on a track and what could be a flock of seagulls, resulting in a highly mysterious, otherworldly track.  So too, with the psychedelic-tinged instrumental gem “Stringthing.”

McHugh’s vocal styling extends across a wide emotional range. Her beguiling, slightly off-kilter robotic vocals in “Hold Me Back” call to mind those of St. Vincent, whereas her breathy vocals in “Treasure” accentuate the song’s aura of mystery. In the beautiful black and white video, McHugh sings the song while standing on a beach, storm clouds gathering around her. “I’m going down deep inside, for treasure / Going to a place, you’ll never find it’s pleasure. Can’t wait to go, you’ll never know / Too late now / Go to sleep / Close your eyes.”  Her vocals smolder with just the slightest bit of detachment in “Sunburned and Soaked” and “Too Late.”

One of my favorites is “How Long,” another great song with a strong Depeche Mode vibe. (Being a huge fan of Depeche Mode, it’s no surprise that I like audiodeluxe’s music so well.) The track’s seductive, synth-heavy groove set to a thumping beat, makes for an edgy, incredibly satisfying tune.

If you like audiodeluxe’s music, show them support and follow on Twitter and subscribe to their YouTube channel. Stream their music on Soundcloud and purchase it on Bandcamp.