STRANGELY ALRIGHT – Single Review: “Maybe If”

Strangely Alright is a wonderful and wildly-entertaining psychedelic-punk rock band based in Seattle-Tacoma, Washington. Referring to themselves as an “Eclectic Traveling Minstrel Magic Music Medicine Show”, they’ve built a loyal following not only through their great music, but also for the positive messages of humanity, love, kindness and acceptance in their songs. Their quirky and unique style of punk-infused rock is inspired by such iconic British artists as David Bowie, T.Rex, Pink Floyd, the Jam, Suede, the Buzzcocks and Supergrass. The band is fronted by Regan Lane, who does much of the songwriting and sings lead vocals, Sean Van Dommelen (lead guitar, backing vocals), Ken Schaff (bass), Raymond Hayden (keyboards, backing vocals) and Jason Bair (drums).

They’ve released a number of recordings over the past several years, including their debut album The Time Machine is Broken in 2013, as well as a compilation album All of Us Are Strange (The Singles) and an EP Stuff, both of which were released in 2018. Since then, they’ve dropped a number of terrific singles, one of them the brilliant and trippy “Psych Film”, which has been streamed nearly 75,000 times on Spotify. The song has also spent the past four months on my Weekly Top 30 list, peaking at #4. (You can read my reviews of Stuff and “Psych Film” by clicking on the links under “Related” at the end of this post.)

Now Strangely Alright returns with their marvelous new single “Maybe If“, a beautiful song of hope, love and gratitude. About the song’s message, the band states “In a world of pointing fingers, we have decided to look inside for the answers. And let’s be kind! It matters in ways we often never see.” Running nearly eight minutes long, the song has an epic, otherworldly feel reminiscent of some of Pink Floyd’s music. The intricate guitar work is fantastic, alternating between jangly, chiming and grungy textures, and accompanied by sparkling piano keys, measured percussion, and a colorful mix of spacey and sweeping orchestral synths. It all comes together beautifully to create a dreamy cinematic backdrop for Regan’s wonderful Bowie-esque vocals.

Feeling like an alien
Who fell and landed here
Maybe if I face my pride
The answers will be clear
Maybe if I ride a cloud
Into the sun my darkness disappears

Everything I never had
I’d give it all away
If I have to steal a smile
I’ll wear it for the day
If I have to tell where I have been
I have to sell there’s nothing left to win

Maybe If I look inside
I’ll see the things I’ve always tried to hide

Maybe everything I have
Is everything I need
And I can’t control the world outside
And I hate who I can be
If I lose control will I disappear
And will I fade away to the nothing
In the mirror

Galaxies of brokenness that fabricate what I have missed
Peculiar thoughts I died when I was young
Can’t escape what might have been
The atmosphere is getting thin
I’m out of gas
Maybe If

Maybe If my gratitude is greater than my faith
If I see myself in everyone will I share a little grace
And I want to trust all the things I see
And I want to feel just a little peace
There’s a million no’s deep inside of me
If I let em go
I just might end up free

Strangely Alright hit the ball out of the park yet again with “Maybe If”, further cementing their reputation for putting out stellar tunes with the power to both dazzle our senses and stir our souls.

To learn more about Strangely Alright, check out their website
Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Soundcloud
Purchase on Bandcamp / iTunes / Google Play

New Song of the Week – US3R: “Oasis”

Us3r pic

US3R (pronounced ‘user’, and the artistic moniker of a very nice guy named Kristian Alexander) has been making a name for himself over the past year through his prolific output of great synthwave-inspired electronic pop music and dazzling live performances. Last year the Seattle-based singer-songwriter and composer dropped two albums, beginning in May 2019 with his debut 1985 (named for the year of his birth), then followed in December with INFLUENCE, a brilliant work addressing modern influencer culture and the loss of intimacy in the digital age. Both are outstanding, and I urge my readers to check them out on one of the music streaming platforms listed at the end of this review. So far this year, he’s released several new singles, some of them collaborations with other artists. In March, I featured his beautiful song “Forever Blue”, a collaboration with Minneapolis composer Jasper Mitchell (you can read that review here). Now US3R returns with a sunny new single “Oasis“, which I’ve chosen as my New Song of the Week.

A highly creative and talented guy, Kristian came up with the name US3R for his music project through his work in the IT industry. “In computer terminology/operating systems, there are references to “user” in a million different forms. It felt like an archetypal term that represented computer culture… and also in hacker culture, we have a tendency to talk in “leet speak” (where you swap numbers for letters), so, ‘US3R’ is a reference to the hacky nature of my music.“ There are a lot of artists and producers out there making various kinds of electronic music, and US3R seeks to fill a gap by creating his own style of what he calls “electronic grunge that borders on R&B”.

US3R was inspired to write “Oasis” while visiting his mom in Palm Springs earlier this summer. He grew up in the Coachella Valley, where I now live. He explains “I grew up in Palm Springs. Swimming pools, sand everywhere, burning hot sun, a thriving diverse community, and teenage romance. I’ve wanted to write a song that felt this way. During quarantine I flew home and wrote this. This song was FUN to record. I layered my voice like old 90s house tracks. I played my us3r-style vocoders, I threw down some brass synths. Its all of the stuff I love about writing synth music.

And what a great job he does on “Oasis”. Starting with an infectious dance beat that aims straight for the hips, he layers sparkling keyboards, thumping synth bass and those smooth brass synths that give the track a sultry, summery vibe. US3R has a silky-smooth vocal style that’s both pleasing and seductive, and he turns up the heat when he croons “You got me walking through the desert. You got my heart and soul. And I can’t go. Move through the desert, got me craving your oasis.” It’s the perfect song for summer romance and hot pool parties. Makes me wish I was 29 again!

Connect with Us3r:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music /  Soundcloud  / YouTube
Purchase:  Google Play / Bandcamp

New Song of the Week – STRANGELY ALRIGHT: “Psych Film”

Strangely Alright Psyche Film

Strangely Alright is a five-piece band from Seattle, Washington who refer to themselves as an “Eclectic Traveling Minstrel Magic Music Medicine Show”. They’ve built a huge following not only because of their entertaining and quirky style of punk-infused psychedelic rock, but also for the strong messages of humanity, love, kindness and acceptance in their songs. The band is fronted by Regan Lane, who does much of the songwriting and sings lead vocals, Sean Van Dommelen (lead guitar, vocals), Ken Schaff (bass), Raymond Hayden (keyboards, vocals) and Jason Bair (drums). They’ve released a number of recordings over the past several years, including their terrific album The Time Machine is Broken in 2013, as well as a compilation album All of Us Are Strange (The Singles) and an EP Stuff, both of which were released in 2018. You can read my review of Stuff here.

On the heels of their epic and mesmerizing Pink Floyd-esque single “Inside a Place”, Strangely Alright are back with a fantastic new single “Psych Film“, which I’ve chosen as my New Song of the Week. The song is about connection, trust, and valuing someone for who they are, warts and all. About their creative process, the band explains: “Part of being in a band, or relationship for that matter, is trust. Regan and Sean’s songwriting chemistry and trust are based on mutual respect and similar journeys from that darkness into the light that work for them. ‘Psych Film’ is a perfect example of one of the ways they create. [It’s] like having two painters painting on the same canvas at different times in order to create one cohesive piece of art.”

The track is melodic and trippy, with a bit of a 70s era David Bowie vibe thanks to lush psychedelic guitars and wonderfully spooky synths. The drums and percussion are flawless, and I love the deep, throbbing bass and heavy, buzzing reverb that continues throughout the song. Regan’s pleasing vocals are comforting as he croons the optimistic lyrics:

In the best of us you’re gonna find a good thing
In the worst of us you’re gonna find a bad thing
A different job
A different life
A different God
A different wife
In the best of us you’re gonna find a good thing

I don’t have to be alone no more
Connection
I don’t have to change
Who I am today
I am here and that’s enough to make it all ok
Connection
In a movie where the hero isn’t handsome
He got a job but he cannot afford the ransom
A different skin
A beating heart
A different dream
A tiny spark
In a movie where the hero isn’t handsome
I don’t have to be afraid of me
Connection
There’s a tiny thread
That I cannot see
But I feel it when I touch it with an open mind
Connection

Ooooo
A sinner today a saint tomorrow
A sinner today

To learn more about Strangely Alright, check out their website
Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Reverbnation / Soundcloud
Purchase on Bandcamp / iTunesGoogle Play

DARKSOFT – Single Review: “Cybersecurity”

Darksoft Cybersecurity

Darksoft is the music project of Bill Darksoft, an imaginative and talented singer-songwriter, producer and multi-instrumentalist from Seattle, Washington who I’ve featured twice on this blog in 2019. Inspired the by the high-tech industry of his hometown, he writes songs that address timely and relevant social and cultural issues related to technology. He also operates his own label and website Look Up Records (for which he also writes some pretty awesome reviews), and in addition to his music project, has played with many Seattle acts over the years.

Last February, I reviewed his brilliant debut album Brain, a concept work named for the very first computer virus to attack the internet back in 1986, with each track titled after infamous viruses that followed. Then in July, I reviewed his single “WannaCry”, which addressed the deep cultural and political divide in America, fed by our tendency to stay stuck in our own echo chambers. The enthralling song spent more than three months on my Weekly Top 30. Today. I’m happy to premiere his haunting new single “Cybersecurity“, where he touches on another thorny technological issue.

Like his previous tracks, “Cybersecurity” was written, performed and produced by Darksoft, and mixed and mastered by Mathieu Riede of L453RL4Dy Studios. Using a rich palette of cinematic synths as a foundation, Darksoft layers gauzy riffs of chiming and jangly guitars, along with a perfect balance of snappy percussion, to create a dramatic and sweeping backdrop for his captivating vocals. As I’ve stated in previous reviews, I really like his velvety, almost breathy vocal style, which adds a dreamy, ethereal quality to his sound. He also excels at writing beautiful, compelling melodies, and though I would not label this one as being “catchy”, it nevertheless stayed with me long after hearing it. It’s another winning song.

The lyrics cast doubt on the assumption – or is it really a myth? – that all our data floating around out there in cyberspace is somehow being kept safe. What’s more, it can even be used to control and manipulate us in harmful ways that we hadn’t imagined.

The past is dying
In saturation
Confusion breeds control
Two points for the man
One humanity
We’re digits in a dream
Cybersecurity

Who can hide the past controls The Now
Information Age playing mind games

There’s something wrong
This picture’s off
What’s under your profile?
Did I do wrong?
Who can tell
When truth is gone
There is no cybersecurity

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

New Song of the Week: DARKSOFT – “WannaCry”

Darksoft single art

This past February, I featured the creative and talented young Seattle music artist Darksoft when I reviewed his brilliant debut album Brain. Released in November 2018, Brain is a concept album named for the very first computer virus to attack the internet back in 1986, with each track named after infamous viruses that followed. In keeping with his penchant for writing and recording songs that address timely and relevant social and cultural issues related to technology, he’s just dropped a great new single “WannaCry“. The song was written and produced by Darksoft, and mixed and mastered by Mathieu Riede of L453RL4Dy Studios

The song features Darksoft’s signature fuzz-coated jangly guitars, accompanied by swirling synths and crisp percussion that create a dreamy, almost psychedelic soundscape. But my favorite aspect of the overall sound is his silky, almost breathy vocals that are incredibly pleasing, even when he sings of a rather disquieting subject.

The lyrics speak to the deep cultural and political divide in America, fed by our tendency to stay stuck in our own echo chambers. Reading and hearing only what we choose to read and hear makes it harder to learn the real truth, and reinforces our beliefs and opinions. Furthermore, the social networks we thought were friendly spaces now seem to be corrupted by those who use them to spread misinformation.

Maybe they just wanna give us all a say 
But I can’t help but feel like a pawn in some conspiracy 
What am I used to fight? 
Am I lined with the right history? 
Who are you working for? 
Are you buried in your day to day? 
I know, it shows 

So we live alone in our twin code 
Seeing polar sides to every lie 

wanna wanna cry 
you wanna wanna cry 
But you don’t know how… or why

Since I published this review, Darksoft released a fantastic video for the song:

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

DARKSOFT – Album Review: “Brain”

Darksoft Brain

Darksoft is the music project of Bill Darksoft, a smart and creative young artist from Seattle, Washington who’s produced one of the most interesting and brilliant concept albums I’ve heard in some time. Brain, which dropped in November 2018, is named after the very first computer virus to attack the internet back in 1986, with each track named after infamous viruses that followed.

He operates his own label and website Look Up Records (for which he also writes some pretty awesome reviews), and in addition to his music project, has played with many Seattle acts over the years. About his inspiration behind the creation of Brain, he explains: “Distanced through haunted screens, we rely on spooky contact that we don’t fully understand. At times, dark forces lurk on the other end, with a motive to con. Always a silhouetted hooded presence, the hacker has become our modern portrayal of Death; captor to the mind and its web of memories. As we stare deeper and deeper into the glowing comfort of this synthetic deception, trust has become the challenge of our modern paradigm, and the cyberscape the new Great Unknown. At its core, Brain is a story not only of the brain, but of the heart, as both confront trust and deception, the real and the synthetic, the mind and the motherboard, and the dark web connecting it all where the matter of our endless identities can be created as quickly as it can be erased, infected, encrypted…or simply revealed for what it truly is, beneath the hood.”

Brain opens with “Mydoom” a pleasant track with gauzy riffs of jangly guitars, subtle bass and gentle percussion. The lyrics speak to the seemingly harmless but insidious virus that keeps a watchful eye on one’s internet dealings: “I’ll just pop up in your window to see how it’s going. From time to time I will drain your battery life… Track you close, I’ll watch your move. Mydoom A has put a bug on you to stayIt’s ok to be vulnerable if you’ve got nothing to lose.” Darksoft has a velvety smooth vocal style that’s incredibly pleasing, giving the track a rather dreamy vibe. On “Elk Cloner“, he first warns about a virus that works to take over our thoughts: “They will enter your world. They can infiltrate microchips. They will stick like glue. They will modify you.” But then it’s as if the virus itself tells us not to worry and just remain calm: “No cause. No cause for alarm. No harm. We just occupy thought. No cause for alarm. No cause, just be calm.” The track has a lovely, mesmerizing melody and his vocals are really soothing, belying the rather menacing message.

Darksoft quickens the pace on the bouncy “Conficker“, though it still has a somewhat moody undertone with a mix of fuzzy and jangly guitars, shimmery synths and a determined drumbeat. The lyrics allude to the algorithms that control what we’re fed on social media, shaping our world view in the process: “We choose what you feel. No view into reality. Your life is ours… permanently.

With gnarly guitars and spooky synths propelled by a strutting bass line, “Lamex” speaks to how easy it is to escape into an artificial online world: “If you want a lame existence. They will send you a virus or two. Lamerism is the name of the tool I use”, yet yearning to break free and think clearly and independently: “I need to get out…To free my mind…To quit this code and leave the app I knew behind. If you look away you’ll open your eyes.”

One of my favorite tracks is “Heartbleed“, with its enthralling melody, irresistible drumbeat and gentle psychedelic groove, thanks to deliciously eerie synths. The jangly guitars are marvelous, the bass line’s sublime, and I absolutely love Darksoft’s warm, captivating vocals. I honestly think I would be perfectly happy listening to him sing the yellow pages!  My take on the song’s meaning is it seems to compare the feelings of someone who’s emotionally dead inside to that of a computer – a machine who only does what it’s programmed and directed to do: “Matter is a thing. You focus it’ll bring you life and pleasure. Just wait and see. Let your lead heart bleed.  Silicon and hardware respond.  Nothing really matters when you’re a machine… You live to be used by others.”

Another favorite is “Cryptolocker“, a darkly gorgeous song with dreamy and sometimes eerie synths that create a lush atmospheric soundscape. The gently-strummed chiming guitars are exquisite, as are Darksoft’s ethereal vocals that are seductive, yet menacing, as he coldly warns another not to fuck with him: “You don’t know who you’re dealing with. You don’t understand who you’re messing with. Lock me away and I will pull the plug from under you.”

I distinctly remember the virus for which “ILOVEYOU” is named. Darksoft uses it as an allegory for the emptiness and futility that can result from using online dating websites: “Every fuckin day is the same. Can’t look up from the screen. Crushes breakin over the phone. Guess that I’ll be alone. Til I see your message titled ‘love confession’. Feeling’ tempted by a lie; it’s a misdirection. You were nothing more than spam. My little love connection. Engineered to phish my soul. Been spoofed again by a false confession.” The song has an infectious drumbeat and some fine, intricate guitar work.

Code Red” is a beautiful, languid song featuring Darksoft’s resonant, pulsating guitars and sublime vocals, backed by his own harmonic choruses.  The lyrics seem to speak of clearing one’s mind of self-destructive thoughts and behaviors: “Everyone has a code. Some write them, others they follow a worm. Everyday, take a chance. Decrypt all the bullshit and break from the trance.” The final track “NightShade” is a mellow, anthemic rock song with jangly guitars and humming bass, accompanied by snappy drumbeats. NightShade seems to be a metaphor for drugs taken to numb the pains of life: “Where you’re from, how you came as I take it all away with NightShade. / If I can survive maybe then so can you. Aren’t we all playing role games? Infect the database with NightShade.”

Brain is a great album, and I love pretty much everything about it – Darksoft’s clever lyrics inspired by each of the computer viruses, his beautiful melodies, outstanding guitar work, first-rate production values, and stunning vocals. He’s an amazing talent, and I eagerly look forward to hearing what he comes up with for his next music project.

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

STRANGELY ALRIGHT – EP Review: “Stuff”

Strangely Alright Stuff

As all of us who use it know, social media can sometimes be a major source of aggravation, but it also has its rewards, one of which – for me at least – has been to connect with scores of musicians and bands from around the world. With some of them, that connection has run deeper and become more personal for a myriad of reasons, but most often due to the warmth and magnanimity of the artists themselves. One such band is a five-piece from Seattle, Washington with a delightfully quirky name – Strangely Alright. Not only do they play great rock music, they also project a strong message of love and acceptance in their songs, while clearly having a lot of fun in the process.

The band is headed by Regan Lane, who does most of the songwriting and sings lead vocals, Sean Van Dommelen (lead guitar, vocals), Ken Schaff (bass), Raymond Hayden (keyboards, vocals) and Jason Bair (drums). Their wildly-entertaining style of punk-infused rock is inspired by various generations of British iconoclasts such as David Bowie, T.Rex, the Jam, Suede, the Buzzcocks and Supergrass.

They’ve released a number of recordings over the past several years, including their terrific album The Time Machine is Broken in 2013, and a compilation album of singles All of Us Are Strange (The Singles) earlier this year.  On September 20, they dropped a fantastic new EP simply titled Stuff. The band describes the EP as “six songs about love, working together, setting boundaries, the digital age and the change that’s coming.” The tracks were written in the wake of the 2016 presidential election, and speak to “walking the tightrope of acceptance and resistance, of not giving in to the overwhelming forces of hatred and turmoil.” I could sure use some pointers on that subject.

The opening title track “Stuff” speaks out against our materialistic ways, namely, our thinking that acquiring more things will bring us happiness when, at the end of the day, it’s the love and support we extend to others that will bring our lives meaning and a real sense of contentment: “And I have learned through the trials and the times. That I need to look inside if I want to stay alive. All of the things that I gather are things I will leave when I am gone. It’s all just Stuff. It ain’t enough. Without the love in my heart it’s all just Stuff.

I love the silly opening with ukelele and a bit of jibberish, and how it then erupts into an explosion of gnarly and screaming guitars, set to Jason’s infectious hard-driving rock beat that grabs us by the hips and gets our asses moving! The guitar work is so good and, combined with the gritty synths, throbbing bass and Regan’s feisty vocals, “Stuff” is one hell of an awesome rock song!

Building Bridges” is an admonishment for us to work together to build things up rather than fighting to tear things apart. The track starts off with a portion of the famous and moving speech given by Bobby Kennedy at the time of Martin Luther King Jr’s assassination: “What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country.” It then launches into a thunderous volley of gritty riffs, assertive keyboards and pounding drums that form a lively soundscape for Regan’s fervent, at times distorted, vocals.

The kiss-off song “Wave Goodbye” starts off with Regan saying in an almost smarmy voice-over “Dinner is served,” then organ synths and fuzzy guitars take over as he sneers: “I thought you were my friend but I can see you’ve been pretending from the snide remarks that drip from you tongue.  Walking with a shovel, you’re surprised that you’re in trouble while you’re piling dirt on people you love./  Even when you say you can change. hey, we don’t trust you. Maybe you should just float away./ Wave goodbye.

Strangely Alright takes on misinformation and fake news on “Information Game.” The track has a wonderful T.Rex glam rock vibe, with psychedelic synths and layers of distorted and wailing guitars. Regan’s vocals actually sound a bit Bolan-esque as he snarls: “Liars thieves and pretty faces. TV stars that run the nation. Maybe there’s a quiz at the end. Same old show a different station. Fairy tales and race relations. Cherry pick the good and the bad. The more I see the less I know. The less I know the more I see. It’s clogging up my brain.

Whatcha Gonna Do?” is straight-up rock’n’roll with an irresistible head-boppin’ beat, and one of my favorite tracks on the EP. Keeping with their penchant for quirky intros, the track opens with what sounds like a merry-go-round , symbolizing the circus-like atmosphere we now seem to be living in. Sean’s guitar work is fantastic, as are Raymond’s jazzy keyboards, Ken’s bass and Jason’s drums. And Regan seems to channel early David Bowie on this track as he croons: “Well I vote in the elections and I feel no real connections with the humans that we trust with our lives. Baby baby It just feels like lies lies lies lies. Who hoo hoo hoo. Whatcha gonna do? when it all just breaks in two.

The EP ends on a upbeat note with the psychedelic-rock “Don’t U Know.” The lyrics speak to the optimism of youth, and that change for the better is coming, even though those of us who are older may feel cynical and pessimistic about it: “Well my children tell me that a change is gonna come. Hiding in the sunlight is the truth that we are one. Open doors of freedom. Doors of dialogue. Freight train and I feel it’s coming coming coming.

I have to say that the more I’ve listened to their music, the more I’ve come to love Strangely Alright – not only for their uniquely quirky sound and impressive songwriting and musicianship, but also for their humanity and kindness. Stuff perfectly exemplifies all those admirable qualities that make them a very special band indeed.

To learn more about Strangely Alright, check out their website
Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Apple MusicReverbnationSoundcloud
Purchase on Bandcamp / iTunes

BLUE HELIX – Single & Video Review: “Anti-Social Butterfly”

Blue Helix is an outstanding alternative hard rock band I’ve been following on Twitter for a while, and I’m pleased to finally feature them on this blog. With roots in both Washington state and São Paulo, Brazil, they’re an international band based in the small city of Puyallup, which lies in the shadow of Mt. Rainier approximately 35 miles south of Seattle. Founded by front man, guitarist and lead vocalist Sami Chohfi in 2008, Blue Helix also includes Arman Birang on guitar, Brandon “Wolf” Gebhardt on bass, and Marco Bicca on drums.

Blue Helix

About their multi-cultural origins, Marco is from Brazil, and Sami – who is half Brazilian and lived there earlier in his life and continues to live there part of the year – drove from his home in Florida to Seattle in 2001 at the age of 18 with the purpose of forming a band. In an interview with the webzine Voodoo Queen Digital Magazine, Sami stated that his inspiration to become a musician came from “seeing a video on MTV from a band called Nirvana. It changed my life entirely. Music was all I had to heal me and shield me from my difficult childhood.” He’s also a big fan of the Foo Fighters, Soundgarden, and the late Chris Cornell, so relocating to Seattle made perfect sense. After moving to Washington, he eventually met Arman and Wolf, who already lived there. Interestingly, Blue Helix recently completed their first-ever tour of Brazil during the second half of March.

They released their debut EP Light the Wick in 2008, followed by a second EP Coda in 2011 and a full album Tale of Two Halves in 2014. In late 2017 they dropped their outstanding EP Anti-Social Butterfly, which addressed topical issues like overcoming self-doubt, feelings of powerlessness and fear resulting from bullying and abuse. Sami was bullied at school and at home, and wanted to write a song and create a video that would help give hope and empowerment to people who’ve suffered from any form of bullying. The powerful title track “Anti-Social Butterfly” is the result.

Anti social butterfly

Musically, the track at once bursts wide open to sounds of Marco’s pounding drums and wildly crashing cymbals. Arman’s razor-sharp riffs swirl and rip through the airwaves, anchored by Wolf’s heavy buzzing bass. Sami’s vocals are raw and impassioned as he snarls the biting lyrics denouncing those who put him down, stripping him of his dignity and self-worth, and rising up to throw off the emotional chains and become the person he was meant to be. His vocals lower to a seductive, almost sinister tone in the bridge, only to explode into visceral screams as guitars rage and Marco nearly beats his drums to the breaking point. It’s a hard-hitting track that leaves you spent by the end.

I carry weight as heavy as scars
I wear my pain like it’s art
If it’s time to let it all go
Maybe I can take a piece to hold

You don’t like the man I am
Like I ruined all your plans
He said “Son, it’s just a tiny phase or maybe time to revelate”

Anti-social Butterfly
Spread your wings and learn to lie
You take me for a broken man
But baby I’m your biggest fan

And I would sell my soul
There’s nothing left to save at all
They’ve taken everything
And If I could I’d wish it all away
I’d disassociate, drive them all insane
This has become my own type of hell

I just wanna feel something
I just wanna be someone else
I just wanna feel something now
You don’t like the man I am
Like I ruined all your plans
I’m an Anti-social Butterfly
And I am here to take what’s mine

The powerful video is a perfect embodiment of the song’s lyrics. Scenes of the band performing the song at a boxing ring – with Sami standing inside of it – are interwoven with an unfolding story of a young man being bullied in high school. He then decides to bulk up and train to be a boxer, ultimately defeating his worst tormentor in the ring at the end. It’s fantastic, and for someone like me who was also bullied as a child both at home and at school, incredibly satisfying.

Connect with Blue Helix:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify /  Apple Music / Soundcloud
Purchase:  iTunes / Bandcamp / cdbaby