THE TRIMS – Single Review: “Bending Time”

The Trims

San Jose, California-based indie post-punk band The Trims have been making great music for ten years now, and were one of the first bands to follow me on Twitter back in 2015 when I was an unknown blogger with only a handful of followers. Accordingly, they were one of the first bands I featured on this blog, and I’ve written about them a few more times since then, most recently in February 2018 when I reviewed their outstanding album Julian Street. This past December (2019), they released their latest single “Bending Time“, which I’m finally getting around to reviewing.

The Trims were founded by singer-songwriter and guitarist Gabe Maciel, who sought to “trim” out all the bad music he was hearing on the local music scene by writing good songs with catchy, groove-laden melodies, exciting instrumentation and relatable lyrics. Their sound draws influences from the likes of Joy Division, The Cure, The Doors, The Strokes and The Killers, but is uniquely their own. Like many bands, The Trims has seen several changes in lineup over the years, and now includes Maciel on vocals & guitar, Billy Brady on drums, Jerry Lozano on guitar, and Frank Hernandez on bass. Through their on-stage charisma and high-energy performances, they’ve built a loyal fanbase in the San Francisco Bay Area and beyond.

The influence of Joy Division and The Cure are immediately evident on this track, with a brooding bass-driven melody, thumping drumbeats and mesmerizing guitar runs. The Trims sound better than ever, with an impressive command of their respective instruments. Hernandez’ nimble bass line and Brady’s assertive drumming establish a solid rhythmic foundation, over which Maciel and Lozano layer a tasty mix of guitar textures, including a terrific surf guitar that adds tremendous color and depth to the song. I love Maciel’s clear, resonant vocals as he croons the lyrics that speak of a relationship that’s falling apart. He sings of being unable to reason with or break through to his partner as he tries to salvage their relationship, describing it as impossible to accomplish as ‘bending time’ itself:

You tell me it’s over, well that’s your point of view
Foolish and lonely, I wait around for you
I lie and lie and lie awake praying for your call
Foolish and lonely with nowhere left to fall
It’s like bending time

“Bending Time” is a great song, and yet another in an unbroken string of solid tunes from The Trims, who continue to deliver on their mission of crafting high-quality music. Those fortunate to be in the San Francisco Bay Area can catch them at one of these upcoming shows:

2/15/20 – The Branham Lounge, San Jose
3/13/20 –  Jam Cellars, Napa

Connect with The Trims: Facebook / Twitter / Instagram
Stream their music: Spotify / Soundcloud / Apple Music
“Bending Time” may be downloaded for free on their website

THE TRIMS – Album Review: “Julian Street”

Trims album

San Jose, California-based indie post-punk band The Trims have been making great music for nearly a decade. Formed in 2009 by singer/songwriter/guitarist Gabe Maciel, The Trims also includes Billy Brady on drums and Mark Sharp on bass. Their on-stage charisma and skill at creating catchy, high-energy grooves have built them a huge following in the San Francisco Bay Area and beyond.

They were one of the first bands I featured on this blog back in October 2015, and in August 2017, I reviewed their fantastic single “The One I Want.”  They’ve now released their second full-length album Julian Street (named after a major thoroughfare running through San Jose), which dropped in January, delivering ten superb tracks that showcase their exuberant guitar-driven sound.

The Trims photo

Julian Street starts off big with the exhilarating “Turn Out the Lights.” Our ears are instantly hit with an onslaught of Mark’s gritty bass and Billy’s hammering drumbeats, setting the stage for Gabe’s frantic riffs of chiming guitars. It’s clear their aim is to have us on our feet and dancing within seconds. With his fervent vocals, Gabe sings “Turn out the lights. Bring back the summer before our youth is gone.” On “Nobody Else” Gabe sings of his never ending devotion and not wanting to love anyone else.

Now is a good time to mention how much I love Gabe’s marvelous vocals and his signature guitar style, which seems to meld surf, punk, rock’n’roll and doo wop elements into a highly satisfying, upbeat sound uniquely recognizable as their own. Another thing is how well the guys play together, totally in sync with each other to create a tight sound.

Dying (Just to See Your Face)” and the lead single “The One I Want” are perfect examples of what I’m talking about, with intricate, fast-paced riffs of jangly guitars and a frenetic, heavy drumbeat. “Bedroom Mirror” has layers of multi-textured guitars over a funky bass line and drums that Billy seems to hit at 100 beats per second. The man is one hell of a power drummer!

The guys slow it down on the lovely acoustic ballad “Gone Away.” Gabe strums a melancholy riff on his guitar as he sings: “All we have is this moment to release what’s inside. All we have is tomorrow. I’ll be home in time. Tomorrow has gone away.” I really like this mellower sound which they do quite well, and wish they’d make more songs like this.

I Wish I Could Say” has Gabe wanting to apologize but unable to: “I would like to tell that I’m sorry for the stupid things I wish I’d never done./ I wish that I could say that the worst was over. I wish I could tell you nothing’s wrong.  But now I see I was mistaken. A fool who never seemed to care.”

Mark’s bass is prominently on display on the melodic hard-driving tracks “Hands of Time” and “You Tell Me.”  Of course, Gabe’s awesome guitar work and Billy’s skillful drumming are on-point as always. Album closer “Balam in Love” features generous synths that nicely complement the gorgeous guitars and throbbing bass, creating a bit of a new wave/punk-infused vibe. Gabe tells a lover that their relationship is over and he wants out: “There’s nothing more to say. This is the game you play. Just let me go.” It’s a brilliant track, and one of my favorites from this excellent and thoroughly enjoyable album.

Connect with The Trims:  Website / Facebook / Twitter / Instagram
Stream their music on Spotify or Apple Music
Purchase on Bandcamp or iTunes

THE TRIMS – Single Review: “The One I Want”

The Trims

San Jose, California-based indie post-punk band The Trims have been making great music since 2009, and were one of the first bands I featured on this blog, way back in October 2015 (you can check out that post here). They’ve released a fantastic new single “The One I Want,” which dropped August 30, and it’s one of their best songs yet. Featuring their signature high-energy, guitar-driven sound, the track is an exuberant expression of love.

“The One I Want” launches with a pummeling bass line, then layer upon layer of guitars are added as drummer Billy Brady pounds out a steady beat that literally forces the body to move. To say that the song is catchy is an understatement; its melody is outstanding and unforgettable, staying in my head long afterward. Gabe Maciel’s beautiful soaring vocals are packed with emotion as he sings about his steadfast devotion, even when it seems he no longer cares:

You say I never call or write you letters like I used to do before
Just know that even though my words have fallen short my love has only grown
You are the one I want to be the one who calls
You are the one I want to be the one who calls when everything goes wrong

“The One I Want” is a gorgeous song, and further proof that The Trims are as charismatic and strong as they’ve ever been.

Connect with The Trims:  The Trims / Facebook / Twitter / Instagram

Stream their music:  Spotify / Soundcloud

Purchase:  iTunes / Amazon