DRUIDS – EP Review: “Pink Aliens”

Pink Aliens

Druids are an indie psychedelic punk rock band from New Orleans, and I’m completely smitten with their music! I can’t remember the last time I’ve had as much fun listening to a band as I do with their terrific debut EP Pink Aliens. Released back in February, it’s an adrenaline rush from start to finish, and I was hooked the moment I heard it.

All longtime friends with roots in the Crescent City, Druids consists of Brandon on guitar and lead vocals, Eric on bass, and Jeff on drums. Their hyper-kinetic lo-fi sound is built on elements of punk, psychedelic, surf, garage and doom rock, and influenced by some of their favorite bands like King Gizzard and the Lizard Wizard, Thee Oh Sees, Wand, Black Sabbath, Ty Segall, The Doors and Black Flag. These guys are beyond high-energy, and with their charisma and sense of humor – just look at those silver pants! – I’m sure they’re a blast on stage.

Druids

Cult of the Pink Aliens” kicks things off with buzzing guitars, crashing cymbals and hazy echoed vocals. At the two-minute mark it abruptly erupts into a driving punk beat with surf-rock guitar riffs that occasionally venture into distortion, aided and abetted by pounding drums and an onslaught of crashing cymbals. But hold on ’cause things really ramp up a notch on “Black Magic,” a frantic head-bopping punk-soaked romp that’ll have you thrashing about the room with abandon. Brandon’s skillful guitar and Jeff’s pulse-pounding drums keep the energy flowing at full throttle, making this my favorite track on the EP.

Not skipping a beat, “Endless Maze” offers up over five minutes of punk rock goodness, with an infectious stop-start beat and killer guitar work. Brandon’s extended guitar riff will leave you breathless. A throwback to late 60’s psychedelia, but with a late 70’s punk vibe, “Lightning Bolt” will have you yearning for pink sunglasses and striped bell bottoms. Once again, the guys amaze with their awesome guitar work.

Ty Dye Rain” is a psychedelic beach party on steroids, with exhilarating stop-start guitar riffs and lively percussion. Two-thirds of the way through, the tempo slows a bit and we’re treated to more extended riffs of shredded and distorted guitars. Opening with a cacophony of distorted guitars and sharp cymbals, “The Hex” continues the slower bass-heavy tempo, but the guys seem to like surprising their listeners by changing things up to a frenetic punk beat halfway through, and it sure makes for an exciting listen.

The song’s about an evil temptress who casts her evil spell on men:

So I see you’ve learned some tricks
Dabbled dark arts, became the witch
I can see you’re planning something causing trouble whats comes next
I can see you contemplating planning evil, pass the hex

There are numerous bands out there playing psychedelic and retro punk rock, but Druids take it to another level, and deserve greater recognition. I hope they’ll keep making more music, because I can’t wait to hear it. Those in the Kansas City, Missouri area can catch them in concert on October 13 at the Riot Room, where they’ll be performing with The Crystal Method and other bands.

Connect with the Druids on Facebook and stream or purchase Pink Aliens on Bandcamp

Rusty Shipp “Mortal Ghost”

I discovered the band Rusty Shipp through fellow blogger Zezrie of Jealous Sounds and I love their music! Check out her review and Rusty Shipp’s awesome, hard-driving music.

Jealous Sounds

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On Oct. 24, I wrote up a piece about them crowd funding their latest album “Mortal Ghost”. Rusty Shipp did it! They succeeded, and now, “Mortal Ghost” is here for us to enjoy. It was worth the wait.

The first time Rusty Shipp graced Jealous Sounds was July of last year, when I reviewed their last EP “Hold Fast To Hope” . For the sake of brevity, I’m quoting myself here:
“First the facts: The guys came from all parts of the country to Nashville, found each other (Russ found Andrew on Craig’s list), and formed Rusty Shipp in 2014. The band consists of Russ T. Shipp (honestly his real name!) on lead guitar/ vocals, Andrew Royer on drums, and Dustin Herres on bass. The band has an eclectic range of influences, from 60’s-90’s rock, Hardcore Metal to surf rock. Their first EP, Hold Fast To Hope, was released in 2014…

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Single Review: LITTLE TRIGGERS – “Silly Cigarettes”

Liverpool-based indie rock band Little Triggers is on an upward trajectory of late. Following up on their exuberant punk romp “When the Lights Are Going Out,” they’ve recently dropped a terrific new single “Silly Cigarettes.”  The delightful but emotionally wrenching song further cements the quartet’s status as one of Liverpool’s most exciting bands.

Little Triggers is Thomas Hamilton-Hughes (lead guitar & vocals), Chris Carragher (bass), Sam Gallacher (drums) and James Crawford (keyboards, backing vocals).  Their music is a happy mix of garage rock, punk and new wave influences, giving it a retro, yet freshly current sound that’s candy for the eardrums.

Little Triggers

Photo by John Latham Photography

Silly Cigarettes” opens with a strummed guitar solo and Hamilton-Hughes’ melancholy vocals expressing the heartache of knowing his girlfriend is cheating on him: “Everybody knows, you’re wearing last night’s clothes, and that you’re probably acting up again. And I know where you’ve been, no you thought I hadn’t seen you’d been ’round again.” The intensity of the music rises as the song progresses, with lots of cymbal-heavy percussion, thumping keyboards and jangly guitars. Hamilton-Hughes’ vocals become more emotionally wrought as he sings the chorus: “Cause I’ve heard everyone is taking off your party dress, while I’m sad on the outside smoking silly cigarettes. Oh don’t you know?”   The guitar solo in the bridge is wonderful, and the powerful backing vocals in the chorus call to mind those of a classic ELO song.

Have a listen to this great tune:

Here’s a video of a great acoustic version of the song that’s less intense, but still emotionally poignant.

Connect with Little Triggers: Facebook /  Twitter /  Instagram
Stream their music:  Soundcloud /  Spotify /  YouTube
Purchase:  iTunes

Artist Spotlight – COLD REVIVE

Cold Revive is on a roll. Over the past few months, the Fresno, California-based rock band released two songs and have been interviewed on two radio programs (one local and another in Chicago) to promote their music. Now they’re back in the studio working on new songs, which they’ll be releasing soon. I had the good fortune of discovering them when they followed me on Twitter, and quickly became a big fan – not only because of their great music, but also because I was impressed by the band members themselves. Despite their badass rocker image, they’re actually genuine, down-to-earth guys. If the kindness they’ve shown me is any indication, it’s clear they appreciate and support their fans, which is a significant part of being a successful band at the end of the day. One of their main goals is to connect even more with their fans – to touch their lives in a positive way with their music.

Cold Revive

Cold Revive consists of Brent Stevens (vocals), Jason Fischer (rhythm guitar, backing vocals), Gentky Vang (lead guitar, backing vocals) and Chase Hagerman (drums, keyboards, backing vocals).  All are seasoned musicians who’ve been previously involved with other bands and music projects. Jason and Brent actually met on Craigslist when each was interested in connecting with other musicians who might be interested in forming a band. Inspired by bands they both loved such as Nirvana, Foo Fighters, Hinder, Three Days Grace, Buckcherry and Korn, they joined forces in early 2016 and formed Cold Revive. Subsequently, Gentky and Chase came on board to complete the band lineup.

Like many hard rock bands these days, Cold Revive’s hard rock sound draws from alt-rock, punk, metal and grunge influences. Brent is especially fond of Halloween, horror films and such, so his dark lyrics reflect that.

The band’s first single “Sik’ Hellish Us,” is a dark and brooding hard rock song about being trapped in a toxic relationship you’re unable to break free of. Sinister guitars and heavy bass set an ominous tone, then a slow, thunderous drumbeat adds tremendous power to the track, which rises in intensity as the song progresses. Brent’s gritty vocals are delivered with a menacing vulnerability as he snarls “I’ve made my bed in hell, now I need to lie in it, ’cause it serves me well. As you held me there, my heart’s not escaping.

Diary” is an even darker song about finding a significant other’s diary after their suicide, and discovering how much your actions hurt them. The lyrics are gut-wrenching: “What I read on that page, tore me down I saw my own mistakes. All the pain I caused you is insane…   Suicide drove our love to an end. Those words killed us, was I always to blame? I’m so sorry!” The song has a Buckcherry vibe in both music and tone. Brent’s raw, heartfelt vocals match the emotional intensity of the gnashing guitars and aggressive percussion, making for an emotionally-charged song.

Here’s a live acoustic performance of “Diary” that isn’t quite as intense or sorrowful.

Cold Revive will be releasing their two new singles “Twisted Fright” and “Cold Dark Coma” in the next month or so. In the meantime, connect with them on Facebook and  Twitter, and stream their music on Reverbnation.  Subscribe to their YouTube channel for their videos and band updates.

Their music is not yet available for purchase, but I will update this post when it is.

Album Review: TRAVERSE THE ABYSS – “The Gamble of Life”

If you like music that melts your face off, then Traverse the Abyss is the band for you! These guys from Scranton, Pennsylvania play metal so heavy, it’ll knock you on your ass. The first time I listened to their debut album The Gamble of Life I was blown away by the sustained, unrelenting fury of their instrumentals and vocals from beginning to end. The thing is, despite the crushing intensity of their music, it’s still accessible and highly melodic. As an added bonus, their lyrics are heavily peppered with “fuck” – my favorite word in the English language.

The band formed only a year ago, in early 2016, and spent much of the year writing and recording songs for their debut album, which was released in November. For the recording of the album, the band line-up included Eric Ross on lead vocals, “Iron” Mike White on lead guitar, Mike “Bnoc” Bieniecki on bass/backing vocals, and Phil Luongo on drums. Luongo left the band in January 2017 and they welcomed new drummer Nelson Negron and second guitarist Seth Cardona.

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The music style of Traverse the Abyss draws from classic heavy metal, thrash metal, death metal, groove metal, metalcore, hard rock, rock’n’roll and punk. In a conversation with band front man Eric via Twitter messaging, he stated “we are all fans of metal and all the different sub genres within it. We like to blend all our influences together to get a more unique sound compared to the monotony of most modern music. Instead of going towards an album with intentions of writing to appeal to only one crowd like some deathcore & death metal bands do, we write more based on the vibe presented.

Regarding the gambling/card theme of the album and song titles, Eric explained “The gambling theme came into play when we first started writing songs. The first two songs we wrote were ‘Royal Flush’ and ‘One of a Kind,’ and our guitarist said ‘what are we going with, a gambling theme?’ Gambling themed titles with a life reference in the song: ‘One of a Kind’ – be yourself; ‘Snake Eyes’ – death/bullets/hatred;  ‘Joker’ – being used/revenge.

The album storms out of the gate with the first track “One of a Kind.” No song lead-in here, but rather an instantaneous onslaught of pummeling bass, machine-gun riffs, hammering drums and Eric’s furious vocals. He screams “Am I the only one who follows his own path? Am I the only one that doesn’t live by a fad?” Halfway through, the song tempo changes a bit, guitars and heavy bass ablaze as Eric shrieks  “I would like to know, who the fuck you think you are? You act like you’re some sort of god.

Not skipping a beat, the second track “All In” explodes with a full-on assault of blistering guitars, powerful bass and fierce vocals. The song is a thrash metal/rock’n’roll gem, even containing a ‘sex, drugs, rock’n’roll‘ lyric. There’s no let up as the album segues to the brutally hard-hitting “Royal Flush.” Unbelievably, the ferocity of Eric’s hardcore, growling vocals reach new heights, and remain there in the intensely dark “21 or Bust.” He screams “Who do I ask these questions? Who’s got a fucking answer? I just want to know what’s the meaning of life.” Shredded guitars and more savage vocals are the highlights of the menacing “Snake Eyes.” By this point, I’m wondering if Eric has any vocal cords left!

I like every song on the album, but a favorite is the frenetic, punk-infused “Aces High.” Awesome, rapid-fire guitar riffs, buzzing bass and staccato drums keep the energy at full speed. Eric’s vocals alternate between clear and hardcore, and I love when he sings “woo” at 2:44, providing a bit of levity in an otherwise intense song. Speaking of which, the intensity dial is turned all the way to ‘High’ on “Diamonds.” The machine-gun-fire bass and hardcore vocals are positively brutal, yet we’re treated to some melodic guitar solos too. Eric growls “Fuck your Disrespect. Its funny now I see the people who support me. Just look over my shoulder and you’ll see the people who matter to me.”

Joker” is the perfect kiss-off – or should I say ‘fuck-off’ song – with furious instrumentals and vocals to match the searing lyrics: “Reap what you sow, don’t go crying to me./ To be honest, I think you should go fuck yourself!” The fury continues unabated in “Bullets“, with staccato riffs and hammering drums that literally sound like machine gun fire. The album closes with the superb title track “Gamble of Life.” The nearly six and a half minute song begins with a haunting distorted guitar solo accompanied by mysterious vocals, then abruptly changes to a rapid heavy metal beat. Bnoc’s staccato bass is at full throttle, with pummeling drums and shredded guitars keeping pace. Eric’s screaming hardcore vocals intensify in the last two minutes, and by song’s end I’m completely spent.

The Gamble of Life is an impressive debut album from this highly talented group of musicians. I’m confident we’ll be hearing more great music from them in the future. Support Traverse the Abyss by following them on Twitter, Facebook and Instagram. Subscribe to their YouTube channel and stream their music on Spotify. Gamble of Life may be purchased on iTunes and other music sites offering music for download.

Featured Song and Video: CALLING ALL ASTRONAUTS – “Life As We Know It”

UK band Calling All Astronauts are a London-based three-piece who play complex and dark politically-charged Electronic Goth Post-Punk music.  They’ve established a reputation in the alternative underground not only because of their often provocative lyrics, but also their ability to mix electro, rock, goth, post-punk and dubstep into their amazing music style. Band members include vocalist/songwriter/programmer and producer David B, guitarist JJ Browning, and bassist Paul “Buzz Saw” McCrudden

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In a divergence from their usual darker sound comes their latest single “Life As We Know It.” Taken from their superb highly topical album Anti-Social Network, it’s a really outstanding EDM track featuring gorgeous synths and chiming guitars set to an addictive driving beat. David’s rough monotone vocals contrast with the smooth clear instrumentals, creating a bit of tension that adds to the overall quality of the track. I liked it so much upon my first listen that I had to feature it on this blog.

The terrific video produced for the track features a beautiful young woman dancing to the song in various indoor and outdoor settings, as well as a few other women shown dancing in brief scenes. I promise you’ll end up hitting replay.

To learn more about Calling All Astronauts, check out their website, follow them on  Twitter and Facebook, and subscribe to their YouTube channel. Stream their music on Spotify and purchase on iTunesAmazon, Bandcamp or EBay.