Sam Fender & Olivia Dean taken from the “Rein Me In” video
After several weeks of waiting in the wings, the gorgeous “Rein Me In” by English singer-songwriter Sam Fender and English singer-songwriter Olivia Dean (who won the Best New Artist Grammy earlier this year) ascends to the top of my chart. The song is a re-recorded duet version of the original from Fender’s third studio album People Watching. The original version of “Rein Me In” was released in June 2025 as the sixth single from the album and eventually became Fender’s first song to reach #1 on the UK Singles Chart in February 2026, as well as winning the Brit Award for Song of the Year. In addition to Fender and Dean’s great vocals, I love the beautiful piano, jangly guitar and blaring sax.
Fender debuted the new version during a show at London Stadium in June, bringing Dean on stage to perform it with him. Videos of that performance went viral, and the two performed it again nine days later at Fender’s St. James’ Park concert. Fender announced the official release of the new version on June 20th, stating that Dean “added a female perspective to ‘Rein Me In,’ and I think it’s all the better for it“. The original and duet versions ended up spending a combined 23 non-consecutive weeks at number one, making it the longest-running number-one single in UK music history. The song also topped the charts in Australia and Ireland and reached #2 in New Zealand. It became Fender’s first entry on the Billboard Hot 100, peaking at number 45. “Rein Me In” is his second song to reach #1 on my chart, the first being his 2021 single “Seventeen Going Under”.
In other chart developments of note, The Neighbourhood move into second place with “Private”, while Cage the Elephant‘s “Beaches In Tennessee” and Phoebe Bridgers‘ “Lost Boys” enter the top 10. The sole debut this week, entering at #28, is the enthralling “Marianne”, the new single from the always wonderful Irish rock band Fontaines D.C. The song is the lead single from their forthcoming fifth album Dopamine Chamber, set for release October 16th.
REIN ME IN – Sam Fender & Olivia Dean (3)
PRIVATE – The Neighbourhood (4)
RAGING HALLS – Lyia Meta (1)
DOORS – Noah Kahan (2)
ONLINE – Western Jaguar (6)
THE ENDLESS BORDER – Velvet Jesus (7)
HEART STOP – The Revivalists (8)
NO MORE REGRETS – almost monday (10)
BEACHES IN TENNESSEE – Cage the Elephant (11)
LOST BOYS – Phoebe Bridgers (12)
REPEAT OFFENDER – Gloom is Okay (5)
SELF AWARE – Temper City (9)
FREAKING OUT – Michigander (14)
HOLD ME IN THE DARK – Myles Smith (15)
WE MIGHT AS WELL BE STRANGERS – Weezer feat. Wednesday (17)
I CAN TAKE THE SUN OUT OF THE SKY – Brigitte Calls Me Baby (19)
STONE OVER WATER – Death Cab for Cutie (20)
PICKING DRAGON’S POCKETS – Modest Mouse (13)
WE SHOULD TALK – Bleachers (18)
I FEEL HOPE COMING – Alabama Shakes (23)
LOVE ME NOT – Grace Potter (16)
EVERGREEN – Young the Giant 24)
EDGE OF THE EARTH – The Beaches (25)
BEHIND THE LINES OF REASON – Hardwicke Circus (26)
Well, I thought 2024 was a trying year, but 2025 turned out to be an even bigger shitshow! Between the death of my cat and the unending nightmare of the odious and spectacularly corrupt Trump regime, it’s a wonder I (and millions of others) survived this year intact. Thankfully, there was lots of great music to help keep us relatively sane.
As I do at the end of each year, I’ve compiled a list of my 100 favorite songs for the past year. I’ve previously posted my list of the 100 Best Indie Songs of 2025 (which you can read here), and now this new list represents a compilation of my favorite songs of 2025 (23 of which also appear on my 100 Best Indie Songs list.) I avoid ranking albums, as there are simply far too many I’ve either not heard or had the time to fully listen to, therefore any list I might compile would be woefully inadequate.
As a music blogger, I’m exposed to a tremendous amount of new music over the course of a year, both from the thousands of artists and bands I follow, as well as all the music I learn about from fellow bloggers. Despite this, I’ve heard only a tiny fraction of all the music released in 2025, which was clearly evident to me when I perused the year-end best song lists of music sites and publications like Consequence, The Fader, Rolling Stone, NPR, etc. Therefore, my list includes only songs I know, and I’m certain there are likely hundreds of great ones that should be included, except that I’ve never heard them. Among the thousands of songs I did hear in 2025, there were many outstanding ones, and it frustrates me to have to cull my list down to only 100, omitting quite a few that I really like. It’s also a challenge ranking them, because a song at #40 isn’t necessarily any better than a song at #70. Perhaps it’s a pointless exercise to even rank them at all, except for the fact that I love making lists!
Music tastes are very subjective, and while I don’t understand how others cannot share my love for a particular song or artist, I fully realize that not one person will agree with all my song choices or rankings. I’m an unapologetic lover of pop, but also love dream rock, folk rock and alternative rock, so a lot of songs on my list reflect those genres. My favorite music artist this year was sombr (the hyper-talented 20-year-old American singer-songwriter and producer born Shane Michael Boose), who’s gorgeous, anthemic torch song “back to friends” is #1, while his equally great “undressed” is #11 and “12 to 12” comes in at #29. Also ranking highly are songs from favorite acts of mine who ranked highly on previous years lists, including Royel Otis, Lord Huron, Twenty One Pilots, Fontaines D.C., The Black Keys, Talk in Waves and Frank Joshua.
Most of the songs on this list were released in 2025, however, several were released in 2024 but didn’t ‘peak’ until 2025. Likewise, several songs released after November 1st are still moving up my weekly charts and won’t peak until early 2026, thus will appear on next year’s list. The few songs in this Top 100 that also appeared on my 100 Best Songs of 2024 list are indicated with an asterisk *. I’ve created both YouTube and Spotify playlists for this Top 100, which are included at the end of the post. Hopefully you’ll find some of your own personal favorites on it. Let me know what songs resonated with you in 2025.
BACK TO FRIENDS – sombr
THE FAITHFUL HEART – Wons Phreely + The Horses (my #1 indie song)
SO COLD – Balu Brigada
MOODY – Royel Otis
NOTHING I NEED – Lord Huron
NO RAIN, NO FLOWERS – The Black Keys
THE LINE (from Arcane League of Legends) – Twenty One Pilots
IT’S AMAZING TO BE YOUNG – Fontaines D.C.
IMPOSTER SYNDROME – Fake Empire
FIVE MORE SECONDS – Seafret & KT Tunstall
UNDRESSED – sombr
SAD IN CAROLINA – Dexter and The Moonrocks *
TIME WAITED – My Morning Jacket
ENSENADA – Sublime
WALLS – Frank Joshua
ANOTHER LIFE – Alabama Shakes
THE CONTRACT – Twenty One Pilots
FEELS RIGHT – Talk in Waves
ARROW – The Head And The Heart
TAKE THIS HEART – Brian Lambert
THE WEATHER – All Time Low
BAD DREAMS – Teddy Swims
CITY WALLS – Twenty One Pilots
METAVERSE – Cage the Elephant
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL
NEVER ENOUGH – TURNSTILE
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child
JUPITER – almost monday feat. Jordana
12 TO 12 – sombr
PEOPLE WATCHING – Sam Fender
DRACULA – Tame Impala
THE NIGHT BEFORE – The Black Keys
BOBBY SOX – Green Day *
SUSHI AND COLA COLA – St. Paul & The Broken Bones
RUSHMERE – Mumford & Sons
CONTROLLER – Moody Moody
NEVERENDER – Justice feat. Tame Impala *
A TEAR IN SPACE (AIRLOCK) – Glass Animals *
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges
BAD LARRY – Cloakroom
LOVE IS A FIRE – Art Block
YOU’RE MY DRUG – Talk in Waves
THE TURNAROUND – DelCobras
BASIC BEING BASIC – Djo
BACKSEAT – Balu Brigada
ARCHBISHOP HAROLD HOLMES – Jack White
SAILOR SONG – Gigi Perez
AUTUMN LEAVES – Secret Postal Society
IN THE LIVING ROOM – Maggie Rogers
MISTAKES – Caamp
DOWNSTAIRS – Matt Maeson
LONDON TOWN – HEALER
MORTAL WOUND – The Veils
DETROIT – Badflower
POLYESTER (YES SIR) – Sorry Ghost
LAREDO – Leon Bridges
CATCH THESE FISTS – Wet Leg
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails
LUTHER – Kendrick Lamar & SZA
BETTER DAYS – Yellowcard
SAME OLD SONG – The Lumineers
SHE WANTS TO GO DANCING – Mt. Joy
STRAIGHT TO THE GROUND – Unquiet Nights
RIPPLE – Good Neighbours
BETTER OFF EVENTUALLY – Bealby Point
SNAKESKIN – NAVE
THE FATE OF OPHELIA – Taylor Swift
BARBARIAN – AWOLNATION
BONNET OF PINS – Matt Berninger
ORDINARY CREATURE – Of Monsters and Men
POOR SAD INDIE EVERYTHING – Icarus Phoenix
WITHOUT A DOUBT – Charm School
ASSHOLE – The Lumineers
GILD THE LILY – Billy Strings
SPECTER – Bad Omens
LIGHT YEARS APART – Unobliterated
LET THINGS GO – Caamp
RITALIN – Dexter and The Moonrocks
SO FAR SO FAKE – Pierce the Veil
THE FEAR – Future Theory
THE SUBWAY – Chappell Roan
SPIKE ISLAND – Pulp
WRECK – Neko Case
MOTHER – Lyia Meta & Mark Allen Lanoue
BLOOM BABY BLOOM – Wolf Alice
DAY & NIGHT – Oli Barton
LUCY – Mt. Joy
WHO’S A FRAUD? – Still Traffico
HORNETS – Western Jaguar
ANKLES – Lucy Dacus
HESITATE – Meltt
GIVING UP – Michigander
THREE SIX FIVE – Shinedown
RELATIONSHIPS – HAIM
AFTERLIFE – Alex G
GET THE MESSAGE – The Paradox
DANG – Rainbow Kitten Surprise
SUGAR ON MY TONGUE – Tyler, The Creator
WHAT WAS THAT – Lorde
AFTERLIFE – Sharon Van Etten
Honorable Mention (these songs would rank #s 101-115):
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez
I’m still loving “moody” by Royel Otis a lot, thus it remains at #1 for a second week, while sombr‘s “back to friends” holds at #2 for a second week after spending three weeks at #1. Twenty One Pilots and Djo move up one spot each to #s 3 and 4 with “The Contract” and “Basic Being Basic”. Entering the top 10 are “No Rain, No Flowers” by The Black Keys, jumping seven spots to #7, and “Scars” by my favorite Welsh artist Secret Postal Society, moving up a notch to #10.
Two songs make their debut on my chart this week, the first of which is “Today’s Song” by rock legends the Foo Fighters, entering at #29. In a note accompanying the single’s release, band frontman Dave Grohl stated it’s a tribute to former band members including recently fired drummer Josh Freese, founding drummer William Goldsmith, guitarist Franz Stahl and late drummer Taylor Hawkins, who died in 2022. The second debut is the quite lovely “Incomprehensible” by Brooklyn, New York-based indie folk band Big Thief. Formed in 2015, the band now consists of vocalist-guitarist Adrianne Lenker, guitarist Buck Meek and drummer James Krivchenia. (Founding bassist Max Oleartchik left the band in 2024.) The song is the lead single from their forthcoming sixth studio album Double Infinity, set for release on September 5th.
MOODY – Royel Otis (1)
BACK TO FRIENDS – sombr (2)
THE CONTRACT – Twenty One Pilots (4)
BASIC BEING BASIC – Djo (5)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
NOTHING I NEED – Lord Huron (6)
NO RAIN, NO FLOWERS – The Black Keys (14)
BONNET OF PINS – Matt Berninger (9)
FEELS RIGHT – Talk in Waves (10)
SCARS – Secret Postal Society (11)
WHAT WAS THAT – Lorde (12)
CATCH THESE FISTS – Wet Leg (7)
RIPPLE – Good Neighbours (15)
RITALIN – Dexter and The Moonrocks (8)
BETTER OFF EVENTUALLY – Bealby Point (16)
EMERGENCE – Sleep Token (18)
LOVE IS A FIRE – Art Block (19)
LONDON TOWN – HEALER (20)
BLOOM BABY BLOOM – Wolf Alice (21)
RELATIONSHIPS – HAIM (17)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (26)
JUPITER – almost monday ft. Jordana (27)
UNDRESSED – sombr (28)
ARCHBISHOP HAROLD HOLMES – Jack White (13)
ASSHOLE – The Lumineers (25)
BACKSEAT – Balu Brigada (29)
POLYESTER (YES SIR) – Sorry Ghost (30)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (22) 19th week on chart
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez for Flood Magazine
We have a new #1 song this week, as well as four new debuts. Over the past year, I’ve become a fan of Australian act Royel Otis on the strength of their infectious guitar-pop sound and charming, laid-back persona. Formed in 2019 by Royel Maddell (who rarely shows his face) and Otis Pavlovic, the Sydney-based duo draw from elements of indie pop, indie rock, new wave, pop rock, post-punk and psychedelic rock in the creation of their music. They released two EPs in 2021 and 2022 to little notice until the song “Oysters in My Pocket”, from the second EP Bar n Grill, gained traction in late 2022. Their third EP Sofa Kings, released in 2023, proved more successful, with the breakthrough title track marking their first appearance on American charts and eventually peaking at #12 on the Billboard Alternative Airplay chart. In late January 2024, they released their electrifying cover of “Murder on the Dancefloor”, the 2001 disco pop hit by British singer-songwriter Sophie Ellis-Bextor which they performed on the Australian radio station Triple J for their Like a Version program. The song went viral and reached #1 on the Billboard Alternative chart, as well as my own Top 30 chart. I couldn’t get enough of it, and it ended up ranking #4 on my 100 Best Songs of 2024 list. The guys quickly followed with their debut album Pratts & Pain in February 2024, which debuted at #1 on the Australian Albums Chart, and went on to win four awards at the 2024 ARIA (Australian Recording Industry Association) Music Awards. They also released a wonderful cover of The Cranberries’ classic “Linger”.
Their charming single “moody“, released on May 9th, is a love song of sorts, detailing a problematic relationship with a woman who drives the singer crazy in both good ways and bad. She’s jealous, bitchy and cranky, yet he’s hopelessly in love with her: “She’s always givin’ it to me. Late nights, she always accusin’. Last time, she said she would kill me. My girl’s a bitch when she’s moody. But she’s my everything. She’s all that I need.” I love the song’s languid laid back groove, highlighted by Royel’s terrific guitar noodling and Otis’ sweet vocals, and it ascends to #1 on my latest chart.
The joyoustly upbeat “Feels Right” by northern Virginia artist Talk in Waves, who’s no stranger to my charts, enters the top 10 at #10. And as I noted above, four songs make their debut this week, three of which are spelled in all lower case letters. Entering at #27 is “jupiter” by San Diego-based indie pop band almost monday, comprised of Dawson Daugherty (vocals), Cole Clisby (guitar), and Luke Fabry (bass), and featuring L.A.-based indie pop singer-songwriter Jordana. The song was originally included on their 2014 album DIVE as a recording by only the band, but a new version with Jordana singing backing vocals was released in January on a deluxe version of DIVE. It’s the third song by almost monday to appear on my chart, following 2020’s “broken people” and last year’s smash hit “can’t slow down”.
The second debut, coming in at #28, is the relentessly catchy “undressed” by sombr, whose single “back to friends” just spent three weeks at #1 and now sits at #2. The song continues the theme exploring the challenges of moving on from a failed relationship that was first introduced in “back to friends”. Next up is “Backseat” by New Zealand-born and now New York City-based duo Balu Brigada, comprised of multi-instrumentalist brothers Henry and Pierre Beasley, whose single “So Cold” spent three weeks at #1 on my chart in March. Though a long one, running nearly six and a half minutes, “Backseat” is a compelling, melodically complex song that’s sure to be another hit for the talented brothers.
Last but certainly not least is the delightful “polyester (yes sir)” by L.A. indie pop-rock band Sorry Ghost, which I featured in a recent Fresh New Tracks post. As I noted in that post, the charismatic band – comprised of Dan Anton (vocals), Matt Polito (guitar and vocals), Tate Silver (drums) and Sean Duong (guitar and vocals) – have a cheeky sense of humor and frequently delight their fans and followers with hilarious and endearing video reels of themselves on Instagram and TikTok. I love the song’s mellow vibe that sits in a sweet spot between sunny and melancholy, as well as the colorful blend of jangly and chiming guitars accompanied by pleasing harmonies.
MOODY – Royel Otis (2)
BACK TO FRIENDS – sombr (1)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
THE CONTRACT – Twenty One Pilots (8)
BASIC BEING BASIC – Djo (5)
NOTHING I NEED – Lord Huron (3)
CATCH THESE FISTS – Wet Leg (6)
RITALIN – Dexter and The Moonrocks (9)
BONNET OF PINS – Matt Berninger (10)
FEELS RIGHT – Talk in Waves (11)
SCARS – Secret Postal Society (12)
WHAT WAS THAT – Lorde (13)
ARCHBISHOP HAROLD HOLMES – Jack White (7)
NO RAIN, NO FLOWERS – The Black Keys (18)
RIPPLE – Good Neighbours (17)
BETTER OFF EVENTUALLY – Bealby Point (19)
RELATIONSHIPS – HAIM (20)
EMERGENCE – Sleep Token (21)
LOVE IS A FIRE – Art Block (22)
LONDON TOWN – HEALER (23)
BLOOM BABY BLOOM – Wolf Alice (24)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (14)
BARBARIAN – AWOLNATION (15)
LET THINGS GO – Caamp (16)
ASSHOLE – The Lumineers (26)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (30)
JUPITER – almost monday ft. Jordana (N)
UNDRESSED – sombr (N)
BACKSEAT – Balu Brigada (N)
POLYESTER (YES SIR) – Sorry Ghost (N)
I feel guilty including a Spotify playlist anymore, but here it is in case anyone cares to check out any of the songs:
20-year-old artist sombr has a firm grip on the top spot as his song “back to friends” spends a third week at #1, while Australian duo Royel Otis move up two spots to #2 with “moody” (I find it fascinating that a lot of acts today use all lowercase letters for their names and song titles). Twenty One Pilots (who for many years also spelled their name in all lowercase) advance five spots to enter the top 10 at #8 with “The Contract”, followed by Dexter and The Moonrocks‘ “Ritalin” and Matt Berninger‘s “Bonnet of Pins”, coming in at #s 9 and 10, respectively. The Black Keys are this week’s biggest upward mover with “No Rain, No Flowers”, jumping eight spots to #18.
The lone new debut this week is “Sally, When The Wine Runs Out” by ROLE MODEL, the music project of American singer-songwriter Tucker Harrington Pillsbury. Born in Maine and now based in Los Angeles, he began his music career in 2016, rapping under his first name Tucker, but soon changed his stage name to Dillis, under which he released an album Moth. In early 2017, he again changed his name, this time to ROLE MODEL, and switched from rapping to singing. He released his debut EP Arizona in the Summer that December, which earned him a following online and captured the attention of the late rapper Mac Miller, who invited him to Los Angeles to work with him on a music project. ROLE MODEL was subsequently signed to Interscope in 2018, and continued releasing singles and two more EPs, culminating in the release of his debut album Rx, though none of them charted.
In July 2024 he released his sophomore album Kansas Anymore, featuring a more country folk sound. He followed this past February with a deluxe edition of the album, Kansas Anymore (The Longest Goodbye), accompanied by the sweet single “Sally, When The Wine Runs Out”. Like many songs these days, it became popular on TikTok, undoubtedly helped by Tucker’s good looks and charming persona, and is his first song to chart in the U.S. and several countries, including Canada, the UK, Ireland, New Zealand and Israel.
BACK TO FRIENDS – sombr (1)
MOODY – Royel Otis (4)
NOTHING I NEED – Lord Huron (2)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
BASIC BEING BASIC – Djo (6)
CATCH THESE FISTS – Wet Leg (7)
ARCHBISHOP HAROLD HOLMES – Jack White (5)
THE CONTRACT – Twenty One Pilots (13)
RITALIN – Dexter and The Moonrocks (11)
BONNET OF PINS – Matt Berninger (12)
FEELS RIGHT – Talk in Waves (15)
SCARS – Secret Postal Society (14)
WHAT WAS THAT – Lorde (16)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (8)
BARBARIAN – AWOLNATION (9)
LET THINGS GO – Caamp (10)
RIPPLE – Good Neighbours (19)
NO RAIN, NO FLOWERS – The Black Keys (26)
BETTER OFF EVENTUALLY – Bealby Point (22)
RELATIONSHIPS – HAIM (23)
EMERGENCE – Sleep Token (24)
LOVE IS A FIRE – Art Block (25)
LONDON TOWN – HEALER (28)
BLOOM BABY BLOOM – Wolf Alice (29)
THE TURNAROUND – DelCobras (17) 19th week on chart
The cinematic anthem “back to friends” by sombr holds onto the top spot for a second week, while Lord Huron‘s “Nothing I Need” remains at #2 again after spending two weeks at #1. Irish pop rock band Somebody’s Child moves up a spot to #3 with their beautiful “Porcelain (Losing All My Patience)” and Australian duo Royel Otis slide into fourth place with “moody”.
There are three new debuts this week, starting with “The Contract” by my favorite music act Twenty One Pilots, comprised of the dynamic duo Tyler Joseph and Josh Dun, entering my chart at lucky #13. The lead single from their forthcoming eighth studio album Breach, to be released September 5th, “The Contract” starts the final act of the narrative begun on their 2015 album Blurryface and continued through Trench, Scaled And Icy, and last year’s Clancy.
Entering at #29 is “Bloom Baby Bloom” by English alt-rock band Wolf Alice, consisting of Ellie Rowsell on lead vocals, Joff Oddie on guitar, Theo Ellis on bass and Joel Amey on drums. The song is the lead single from their fourth studio album The Clearing, to be released August 29th. And coming in at #30 is “Asshole” by Denver, Colorado-based alternative folk rock band The Lumineers, now a duo consisting of Wesley Schultz (lead vocals, guitar) and Jeremiah Fraites (drums, percussion, piano). Also dubbed “First We Ever Met” to mollify radio censors and self-righteous Puritans, “Asshole” is from their fifth and latest studio album Automatic, which dropped February 14th.
BACK TO FRIENDS – sombr (1)
NOTHING I NEED – Lord Huron (2)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
‘With its sweeping cinematic ‘wall of sound’ arrangement and lush orchestration, the beautiful anthem “back to friends” by alternative pop-rock artist sombr is exactly the kind of song I love, so it was only a matter of time before it reached the pinnacle of my top 30 chart. The music project of talented and charismatic young singer-songwriter Shane Michael Boose – who will turn 20 on July 5th – sombr was born and raised in New York City but now based in Los Angeles. The gorgeous song was released in late December but as so often happens these days, it went viral on TikTok this past Spring along with his other single “Undressed”, and began appearing on multiple charts around the world, including the Billboard Hot 100 and other American charts. Currently enjoying a long stay at #1 on the Alternative Airplay chart, “back to friends” surpassed 100 million streams on Spotify in April and has now garnered more than 381 million streams.’
The straightforward, relatable lyrics describe feelings of heartbreak resulting from learning someone you thought you had a strong romantic and emotional connection with turns out to not share the same feelings, something I’m confident nearly all of us experienced at one time or another during our late adolescence or early adulthood. “How can we go back to being friends when we just shared a bed? How can you look at me and pretend I’m someone you’ve never met? The devil in your eyes won’t deny the lies you’ve sold, I’m holding on too tight. While you let go, this is casual.”
In other chart news of note, “Moody” by Australian duo Royel Otis is the biggest upward mover again this week, jumping nine spots to enter the top 10 at #6. Also entering the top 10 are “Basic Being Basic” by Djo, the music project of American actor and musician Joseph David Keery, who starred in the Netflix hit series Stranger Things, the comedy film Free Guy and season five of Fargo, and “Catch These Fists” by English indie rock band Wet Leg.
Two songs make their debut this week, the first of which is “No Rain, No Flowers” by Nashville-based blues rock duo The Black Keys, who are certainly no strangers to my chart. The marvelous ear worm is the title track and third single (after “The Night Before”, which recently peaked at #2, and “Babygirl”) from their forthcoming 13th studio album No Rain, No Flowers, scheduled for release on August 8th. Entering at #30 is “London Town” by English alternative indie rock band HEALER, a great song I recently reviewed. It’s their third song to appear on my chart, after “Bones” in 2023 and “War” in 2024.
BACK TO FRIENDS – sombr (2)
NOTHING I NEED – Lord Huron (1)
ARCHBISHOP HAROLD HOLMES – Jack White (4)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
Lord Huron‘s achingly beautiful “Nothing I Need” remains at #1 for a second week, while sombr‘s cinematic “back to friends” closes in at #2. Jack White advances four spots to #4 with his boisterous satirical takedown of televangelist hucksters “Archbishop Harold Holmes”, and Irish indie rock band Somebody’s Child jump five spots to #5 with “Porcelain (Losing All My Patience)”. Ohio indie folk band Caamp enter the top 10 with their gentle song of positivity “Let Things Go”. The biggest upward mover this week is “Moody” by Australian duo Royel Otis, leaping 10 spots to #15.
We have three wonderful new debuts this week, starting with “Relationships” by Los Angeles-based pop-rock trio HAIM, comprised of sisters Este (bass guitar and vocals), Danielle (lead vocals, guitar, and drums), and Alana Haim (guitars, keyboards, and vocals). The lead single from their fourth album I Quit, which dropped this past Friday, June 20th, the song has a languid yet edgy hip hop vibe with the ladies’ marvelous signature harmonies, and I love it. It’s the sisters’ first song to appear on my chart.
Entering at #29 is the darkly beautiful and musically complex “Emergence” by English rock band Sleep Token, whose music is an electrifying blend of alternative, metal, progressive, R&B, hip hop and djent. Though they formed in 2016 and have released four albums, they’re new to me. In addition to their dynamic music, they’re also know for remaining physically anonymous by wearing masks. “Emergence” is the lead single from their fourth album Even in Arcadia, which was released in May, and their first to appear on the Billboard Hot 100, where it peaked at #57. The song is currently #2 on the Mainstream Rock chart and #17 on the Alternative Airplay chart.
Last but certainly not least is the haunting “Love Is A Fire” by the remarkably talented and prolific London-based artist Art Block, which I reviewed upon its release four weeks ago. A favorite artist of mine who I’ve featured many times on this blog, it’s his second song to appear on my chart, the previous being “White Horses”, which went all the way to #1 in December 2022.
NOTHING I NEED – Lord Huron (1)
BACK TO FRIENDS – sombr (3)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (2)
ARCHBISHOP HAROLD HOLMES – Jack White (8)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (10)
Another favorite music act of mine is American folk rock band Lord Huron. Originally formed as a solo act by singer-songwriter and guitarist Ben Schneider in 2010 after he relocated from Michigan to Los Angeles (his name was inspired by the Great Lake he grew up near), Lord Huron eventually became a four-piece that now includes Miguel Briseño on bass, keyboards & theremin, Tom Renaud on guitar, and Mark Barry on drums & percussion. Their uniquely beautiful music is a glorious mash-up of folk, western, rock and roll, pop, surf rock and new age, and has been described by music writers as evoking the ‘high-lonesome’ sound of such legendary acts as The Band and Neil Young, as well as newer acts like Fleet Foxes and My Morning Jacket (whose song “Time Waited” has spent the past three months on my chart, peaking at #1). The most striking features of their sound are the lush twangy and shimmery guitars, backed by stirring orchestral strings, and lead singer Ben Schneider’s beautiful warm vocals, which often convey an arresting and heartfelt vulnerability.
They’ve released four outstanding albums – Lonesome Dreams in 2012, Strange Trails in 2015, Vide Noir in 2018 and the gorgeous Long Lost in 2021, which is one of my favorite albums of the last 10 years. Their beautiful ballad “The Night We Met”, from Strange Trails, was their breakout hit and, shockingly, their only song to ever chart on the Billboard Hot 100, where it peaked at only #84. Nevertheless, it’s been streamed more than three billion times on Spotify. In January they released “Who Laughs Last?”, a hard-charging rock song featuring spoken word verses from actress Kristen Stewart, which they followed in late March with “Nothing I Need”. Those tracks, along with their latest single “Looking Back”, will be included on their forthcoming fifth album The Cosmic Selector Vol. 1, scheduled for release on July 18th.
“Nothing I Need” is gorgeous, featuring the band’s signature rich and colorful guitar work and Schneider’s marvelous vocals. It takes over the #1 spot on my latest Top 30 chart, marking Lord Huron’s third song to reach #1, after “Not Dead Yet” and “Mine Forever”, both from Long Lost, and both of which ended up placing in the top 10 of my 100 Best Songs of 2021 list, with “Mine Forever” ranking #2.
The bittersweet lyrics tell of a man lamenting his lost youth and the love he squandered away through his endless traveling, possibly for his career that now brings him no pleasure: “I fell asleep and when I woke up, I was old. I said goodbye to my youth and my blood ran cold. I got a feeling I just had to get away. I left it all behind on an endless road, but I see her face everywhere I go. I got everything I want and I got nothing that I need.” Schneider, who wrote and sang the lyrics, stated “Nothing I Need” “wonders if it’s possible — within the short time you’ve got — to ever truly know what you want, if it’s worthwhile wanting anything at all, and if there’s any point in pondering what’s down the roads you didn’t take.“
In other chart highlights, sombr‘s “back to friends” continues its strong upward movement, climbing three spots to #3. Three songs enter the top 10 after hovering in the low teens the past few weeks – “Archbishop Harold Holmes” by Jack White, “Barbarian” by L.A.-based alt-rock band AWOLNATION and “Porcelain (Losing All My Patience)” by Irish indie pop-rock band Somebody’s Child – all advancing three spots to #s 8, 9 and 10, respectively.
There are two new debuts again this week, the first of which is the exuberant “Ripple” by English indie rock duo Good Neighbours. Based in London and comprised of Oli Fox and Scott Verrill, they released their debut single “Home” in January 2024, The song was successful, reaching #26 in the UK and #2 on the Billboard AAA chart. I was never wild about that song, but I do like “Ripple”, which I find more infectious and appealing. The second debut is the wonderful “Better Off Eventually” by British Columbia, Canada-based alt-rock band Bealby Point, which I featured in the same Fresh New Tracks post as last week’s debut entry “Moody” by Royel Otis.
NOTHING I NEED – Lord Huron (3)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (1)
BACK TO FRIENDS – sombr (6)
THE TURNAROUND – DelCobras (4)
WALLS – Frank Joshua (2)
LAREDO – Leon Bridges (5)
SNAKESKIN – NAVE (9)
ARCHBISHOP HAROLD HOLMES – Jack White (11)
BARBARIAN – AWOLNATION (12)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (13)
I just love Fontaines D.C., who’ve become one of my favorite bands over the past couple of years. Formed in 2016 in Dublin, Ireland (the D.C. in their name stands for Dublin City, to differentiate them from another band named the Fontaines) but now based in London, England, they consist of the dangerously charismatic Grian Chatten (vocals), Conor Curley (guitar), Conor Deegan III (bass), Tom Coll (drums) and Carlos O’Connell (guitar). Their latest single “It’s Amazing To Be Young” rises to #1 this week, making it their third song in a year to top my chart. Their song “Starburster” is my #1 song of 2024, with “Favourite” not far behind at #8.
Written and performed by all members of the band, and arranged, produced and mixed by James Ford, “It’s Amazing To Be Young” was inspired by the birth of band guitarist Carlos O’Connell’s first child. Bassist Conor Deegan III elaborated about the song for Genius: “It sounded more like a lullaby or a music box, but with the same lyric ‘it’s amazing to be young’. The feeling of hope a child can give is profound and moving, especially for young men like us. That sense of wanting to create a world for them to grow up in happily. It’s a feeling that fights against the cynicism that can often overtake us in the modern world. So we wanted to declare which side we were on – it really is amazing to be young. We are still free, and want to make that feeling spread. We want to protect it for the others around us, and maybe in doing that, can also help protect it for ourselves.
The video for this song was directed by one of our favourite collaborators Luna Carmoon. Luna has a very visual ear and found a way to bring out the world of our songs, somehow making the feelings more clear and more dreamlike at the same time. This video in particular has many special moments, but I think the way it unifies the different characters together is brilliant, because it embodies the message of not just the song but the album- youth is magical, and stories can become interwoven unexpectedly and feel like worlds colliding. That is youth, that is young love, and I think oftentimes that is romance.”
The video’s fairly long with a few breaks in the song, so here’s an audio video if you’d like to just hear the song itself:
Two songs blast their way into the top 10 this week: the bittersweet folk rock beauty “Nothing I Need” by Lord Huron (which is currently #1 on the Billboard AAA chart, with “It’s Amazing To Be Young at #2) jumps eight spots to #3, while sombr’s cinematic “back to friends” (which sits at #2 on the Alternative Airplay chart) leaps 10 spots to #6.
There are two new debuts again this week, the first of which is “What Was That” by New Zealand singer-songwriter Lorde, who became famous in 2013 at the age of 16 for her monster worldwide hit “Royals”. It’s her first new music since her 2021 album Solar Power (though she did release a single of her cover of “Take Me to the River” that she contributed to the 2024 album Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense). The song is the lead single from her fourth album Virgin, set to be released on June 27, and it’s nice to have her back! The second debut, entering at #30, is the endearing “Moody” by Australian guitar-pop duo Royel Otis, which I featured in a recent Fresh New Tracks post. Their marvelous cover of Sophie Ellis-Bextor’s “Murder on the Dance Floor” is my #4 song of 2024.
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (2)
WALLS – Frank Joshua (1)
NOTHING I NEED – Lord Huron (11)
THE TURNAROUND – DelCobras (5)
LAREDO – Leon Bridges (6)
BACK TO FRIENDS – sombr (16)
MORTAL WOUND – The Veils (4)
BAD LARRY – Cloakroom (3)
SNAKESKIN – NAVE (9)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (10)
ARCHBISHOP HAROLD HOLMES – Jack White (12)
BARBARIAN – AWOLNATION (13)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (14)
ECLECTIC MUSIC LOVER 