Artist Spotlight: NEIL BILLINNESS

Neil Billinness is a musician who likes to do things his way. He writes, records and produces his own unique style of electronic music and, preferring a more ‘organic’ sound that’s not too polished, his songs are not mastered. Neil, who lives in Rosyth, Scotland, started writing songs as a teenager, when he was inspired by 80’s artists Howard Jones, OMD, The Human League, Tears For Fears, David Bowie, Prince, Madonna, and even ABBA (all artists I also happen to love). His grandparents bought him his first keyboard, which was the impetus he needed to channel that creative inspiration.

Neil spent some time as a member of the bands Turbo and Ebon Night beginning in high school. He states that while he enjoyed those stints, the songs and styles he wanted to write were not always well-received by other band members, which frustrated his creative energies. For many years while building a career, he put his music on the back burner, but starting around 2011, he took up songwriting again in earnest, seemingly making up for lost time. He set up a home studio and embraced sequencing, sampling and programming, rather than playing everything manually, which has helped him produce music more easily. Still, Neil says he’s “a perfectionist when it comes to recording and writes and records at a pace that would make Kate Bush look prolific.” (Neil also has a wicked sense of humor.)

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Neil established an independent label NeRo Music with his late partner Robert, who he says was a continual inspiration to his songwriting, and an honest critic. Neil’s debut single “Passing Thoughts” was released in January 2016 and, tragically, Robert passed away suddenly the day after the song was released. The song calls to mind the sounds of OMD and New Order, with sharp, chiming synths and a strong pulsating beat. Neil’s vocals have a hazy, otherworldly quality as he sings “So many memories, so many fears. A bunch of photographs from through the years. I’d like to see you once again. So I could show you just how much I’ve changed.

His wonderful follow up single “Discotheque” was a newly recorded version of the song that reached number one on the Unsigned Top Chart in late Dec 2015-early Jan 2016. This incredibly catchy EDM track, about escaping the cares and worries of everyday life and letting loose at the disco, features lush synths set to a hypnotic dance beat that aims straight for the hips. The colorful and stylish psychedelic-looking video was produced by mixing video clips of Neil’s family and friends dancing to the song with live footage of him singing it.

Neil has a strong love for Science Fiction films, which has also greatly influenced his music. Many of his songs fuse mysterious, otherworldly Sci-fi synths with EDM grooves to create really compelling instrumental music. He released some of his new and earlier recorded tracks on a few EP’s, including A New Direction, Just Me, the song Do It All Again, which includes three remixes, and the three-part song Phase Three. A New Direction and Phase Three are the most futuristic-sounding collections of his songs. Their tracks are very Sci-fi, with computerized voices talking over highly synthesized instrumentals. “The Vision” from A New Direction has a great dance beat vibe that reminds me a bit of Madonna’s “Vogue.”

Just Me features four ambient instrumental tracks, one for each season. My favorite is “Autumn” with it’s complex, multi-textured synth arrangement that contrasts between the upbeat sounds of summer’s last gasp and the brooding approach of winter.

Despite the setbacks of Robert’s death and some health issues this year, Neil is working on producing a full album which will contain his two singles along with a number of re-recorded older songs. He hopes to release the album, which will be dedicated to Robert, early in 2017.  Follow Neil on Twitter , Facebook and Instagram, and subscribe to his YouTube channel. Stream his music on Soundcloud and Spotify, and purchase on iTunes or  Amazon.

Featured Song and Video: CALLING ALL ASTRONAUTS – “Life As We Know It”

UK band Calling All Astronauts are a London-based three-piece who play complex and dark politically-charged Electronic Goth Post-Punk music.  They’ve established a reputation in the alternative underground not only because of their often provocative lyrics, but also their ability to mix electro, rock, goth, post-punk and dubstep into their amazing music style. Band members include vocalist/songwriter/programmer and producer David B, guitarist JJ Browning, and bassist Paul “Buzz Saw” McCrudden

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In a divergence from their usual darker sound comes their latest single “Life As We Know It.” Taken from their superb highly topical album Anti-Social Network, it’s a really outstanding EDM track featuring gorgeous synths and chiming guitars set to an addictive driving beat. David’s rough monotone vocals contrast with the smooth clear instrumentals, creating a bit of tension that adds to the overall quality of the track. I liked it so much upon my first listen that I had to feature it on this blog.

The terrific video produced for the track features a beautiful young woman dancing to the song in various indoor and outdoor settings, as well as a few other women shown dancing in brief scenes. I promise you’ll end up hitting replay.

To learn more about Calling All Astronauts, check out their website, follow them on  Twitter and Facebook, and subscribe to their YouTube channel. Stream their music on Spotify and purchase on iTunesAmazon, Bandcamp or EBay.

Featured Song & Video: SHMOO – “pLaStIc SuRgErY”

Shmoo is a UK duo consisting of two brothers – David and Neil Newport – who’ve been making an exciting style of Electronic Dance/House music for some time. They just dropped their marvelous new single “Plastic Surgery,” along with one of the most delightfully entertaining videos I’ve seen in a long while.

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The guys artfully employ sweeping synth arpeggiators and smooth Moog bass lines to create an otherworldly vibe. Broken beat drops are then added, moving the song forward with a hypnotic driving rhythm guaranteed to set your hips in motion. Their mesmerizing vocals are spliced with the spoken vocoder for the chorus ‘plastic surgery,’ giving the track a bit of an eerie sci-fi feel. This is an awesome song that had me hitting replay.

The fun and clever video tells a story in which Shmoo are recreated as plastic figures who go on an adventure through a fantasy world, where they encounter characters from Star Wars, Transformers, Thunder Cats, He-Man and Zoids. The guys end up at the Star Wars Cantina, where they’re led to a stage and begin performing the song with other characters.

Learn more about Shmoo by following them on  Facebook,  Twitter and  Instagram. Subscribe to their YouTube channel and stream their music on  Soundcloud and  Spotify.  Purchase “Plastic Surgery” and their other music on Bandcamp,  iTunes or other music platforms.

Song Review: MUTEMATH – “Changes”

On the heels of touring for their superb 2015 album Vitals, and as second opening act for twenty one pilots’ epic Emotional Roadshow World Tour (see my  concert review), New Orleans band MUTEMATH has dropped a positively stunning new single “Changes.” It’s the opening track on their new album of the same name – set for release on September 23.

Upon first hearing the opening vibrating synth chords, it’s clear that “Changes” is a thing of sonic greatness. Our ears are dazed by a gorgeous waterfall of alternating lush and distorted synths, tinkling keyboard and multi-layered percussion.  Lead singer Paul Meany’s heartfelt vocals are sublime, perfectly conveying the slightly melancholy vibe of the track. The ending piano movement is breathtaking in it’s simplicity.

“Changes” is both a metaphor for the album itself, which is a re-imagining of Vitals, featuring reworks and remixes by band members and other producers, and an ode to feeling misunderstood amid life’s ever-changing landscape.  The lyrics are poetic: “I’m just suffering from changes, locked outside for good. Paper cut by turning pages, sitting under dust ’cause I’m not understood.

It’s interesting that MUTEMATH alludes to cemetery imagery in the song, given New Orleans’ iconic burial grounds: “Monuments blush, while rising in the ashes and dust horizon. I can hear pallid choirs sing, from their headstone hymnals now.”

Take a listen to this masterpiece:

MUTEMATH formed in 2002 and, as with many bands, has undergone personnel changes since then. The band now consists of band frontman Paul Meany (lead vocals, keyboards), Darren King (drums), Roy Mitchell-Cardenes (bass) and Todd Gummerman (lead guitar).

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If you aren’t already, follow MUTEMATH on Twitter and Facebook, and subscribe to their YouTube channel. “Changes” – both the single and new album – are available for purchase on itunes and all other online music purchase sites.