Lord Huron‘s achingly beautiful “Nothing I Need” remains at #1 for a second week, while sombr‘s cinematic “back to friends” closes in at #2. Jack White advances four spots to #4 with his boisterous satirical takedown of televangelist hucksters “Archbishop Harold Holmes”, and Irish indie rock band Somebody’s Child jump five spots to #5 with “Porcelain (Losing All My Patience)”. Ohio indie folk band Caamp enter the top 10 with their gentle song of positivity “Let Things Go”. The biggest upward mover this week is “Moody” by Australian duo Royel Otis, leaping 10 spots to #15.
We have three wonderful new debuts this week, starting with “Relationships” by Los Angeles-based pop-rock trio HAIM, comprised of sisters Este (bass guitar and vocals), Danielle (lead vocals, guitar, and drums), and Alana Haim (guitars, keyboards, and vocals). The lead single from their fourth album I Quit, which dropped this past Friday, June 20th, the song has a languid yet edgy hip hop vibe with the ladies’ marvelous signature harmonies, and I love it. It’s the sisters’ first song to appear on my chart.
Entering at #29 is the darkly beautiful and musically complex “Emergence” by English rock band Sleep Token, whose music is an electrifying blend of alternative, metal, progressive, R&B, hip hop and djent. Though they formed in 2016 and have released four albums, they’re new to me. In addition to their dynamic music, they’re also know for remaining physically anonymous by wearing masks. “Emergence” is the lead single from their fourth album Even in Arcadia, which was released in May, and their first to appear on the Billboard Hot 100, where it peaked at #57. The song is currently #2 on the Mainstream Rock chart and #17 on the Alternative Airplay chart.
Last but certainly not least is the haunting “Love Is A Fire” by the remarkably talented and prolific London-based artist Art Block, which I reviewed upon its release four weeks ago. A favorite artist of mine who I’ve featured many times on this blog, it’s his second song to appear on my chart, the previous being “White Horses”, which went all the way to #1 in December 2022.
NOTHING I NEED – Lord Huron (1)
BACK TO FRIENDS – sombr (3)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (2)
ARCHBISHOP HAROLD HOLMES – Jack White (8)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (10)
Another favorite music act of mine is American folk rock band Lord Huron. Originally formed as a solo act by singer-songwriter and guitarist Ben Schneider in 2010 after he relocated from Michigan to Los Angeles (his name was inspired by the Great Lake he grew up near), Lord Huron eventually became a four-piece that now includes Miguel Briseño on bass, keyboards & theremin, Tom Renaud on guitar, and Mark Barry on drums & percussion. Their uniquely beautiful music is a glorious mash-up of folk, western, rock and roll, pop, surf rock and new age, and has been described by music writers as evoking the ‘high-lonesome’ sound of such legendary acts as The Band and Neil Young, as well as newer acts like Fleet Foxes and My Morning Jacket (whose song “Time Waited” has spent the past three months on my chart, peaking at #1). The most striking features of their sound are the lush twangy and shimmery guitars, backed by stirring orchestral strings, and lead singer Ben Schneider’s beautiful warm vocals, which often convey an arresting and heartfelt vulnerability.
They’ve released four outstanding albums – Lonesome Dreams in 2012, Strange Trails in 2015, Vide Noir in 2018 and the gorgeous Long Lost in 2021, which is one of my favorite albums of the last 10 years. Their beautiful ballad “The Night We Met”, from Strange Trails, was their breakout hit and, shockingly, their only song to ever chart on the Billboard Hot 100, where it peaked at only #84. Nevertheless, it’s been streamed more than three billion times on Spotify. In January they released “Who Laughs Last?”, a hard-charging rock song featuring spoken word verses from actress Kristen Stewart, which they followed in late March with “Nothing I Need”. Those tracks, along with their latest single “Looking Back”, will be included on their forthcoming fifth album The Cosmic Selector Vol. 1, scheduled for release on July 18th.
“Nothing I Need” is gorgeous, featuring the band’s signature rich and colorful guitar work and Schneider’s marvelous vocals. It takes over the #1 spot on my latest Top 30 chart, marking Lord Huron’s third song to reach #1, after “Not Dead Yet” and “Mine Forever”, both from Long Lost, and both of which ended up placing in the top 10 of my 100 Best Songs of 2021 list, with “Mine Forever” ranking #2.
The bittersweet lyrics tell of a man lamenting his lost youth and the love he squandered away through his endless traveling, possibly for his career that now brings him no pleasure: “I fell asleep and when I woke up, I was old. I said goodbye to my youth and my blood ran cold. I got a feeling I just had to get away. I left it all behind on an endless road, but I see her face everywhere I go. I got everything I want and I got nothing that I need.” Schneider, who wrote and sang the lyrics, stated “Nothing I Need” “wonders if it’s possible — within the short time you’ve got — to ever truly know what you want, if it’s worthwhile wanting anything at all, and if there’s any point in pondering what’s down the roads you didn’t take.“
In other chart highlights, sombr‘s “back to friends” continues its strong upward movement, climbing three spots to #3. Three songs enter the top 10 after hovering in the low teens the past few weeks – “Archbishop Harold Holmes” by Jack White, “Barbarian” by L.A.-based alt-rock band AWOLNATION and “Porcelain (Losing All My Patience)” by Irish indie pop-rock band Somebody’s Child – all advancing three spots to #s 8, 9 and 10, respectively.
There are two new debuts again this week, the first of which is the exuberant “Ripple” by English indie rock duo Good Neighbours. Based in London and comprised of Oli Fox and Scott Verrill, they released their debut single “Home” in January 2024, The song was successful, reaching #26 in the UK and #2 on the Billboard AAA chart. I was never wild about that song, but I do like “Ripple”, which I find more infectious and appealing. The second debut is the wonderful “Better Off Eventually” by British Columbia, Canada-based alt-rock band Bealby Point, which I featured in the same Fresh New Tracks post as last week’s debut entry “Moody” by Royel Otis.
NOTHING I NEED – Lord Huron (3)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (1)
BACK TO FRIENDS – sombr (6)
THE TURNAROUND – DelCobras (4)
WALLS – Frank Joshua (2)
LAREDO – Leon Bridges (5)
SNAKESKIN – NAVE (9)
ARCHBISHOP HAROLD HOLMES – Jack White (11)
BARBARIAN – AWOLNATION (12)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (13)
I seem to have gotten into a pattern of publishing at least one Fresh New Tracks post each week, and hopefully I’ll keep at this until I burn out or fall back into another of my periodic funks again. For my 47th edition, I’m featuring songs by, in alphabetical order, Canadian indie rock band Bealby Point, Maryland alternative pop-rock band Between Daze, Chicago pop-rock-punk band Guardrail, and Australian indie pop-rock duo Royel Otis.
Bealby Point – “Better Off Eventually”
Vancouver, British Columbia is a wellspring of musical talent, as there are several terrific acts from that fair part of Canada I’m especially fond of. I recently wrote about two of them – dwi and Western Jaguar – in a previous Fresh New Tracks post, and another favorite is alt-rock band Bealby Point. Named after a local beachside vacation spot, the four-piece consists of childhood friends Jack Armstrong (lead vocals), Clayton Dewar (lead guitar), Jordan Studer (bass), and Zack Yeager (drums). I love their buoyant, high-energy alternative/garage rock they cheekily call “music to fold laundry to“, and their sound, particularly due to Jack’s vocal style, at times reminds me of The Strokes. Their description of themselves as “fourapproachable guys making cool music” is genuine, based on the mutual respect, camaraderie, and joy of spending time together that’s so evident in all their photos and little acoustic performance sessions they frequently post on TikTok and Instagram. I’ve been following them for more than four years and have featured them four times on this blog, most recently two years ago when I reviewed their single “America”. Their 2021 single “Talk to Me” ended up on my 100 Best Songs of 2021 list.
On May 13th, they dropped their latest single “Better Off Eventually“, a rousing indie pop song speaking to feelings of frustration amid superficiality in the world and yearning for a life filled with meaning. The band elaborates: “This song was conceived in Clay’s basement as part of a batch of songs we wrote and tracked almost 3 years ago with our long-time friend and confidant Matt Di Pomponio (who mixed and produced the track). It’s been sittin’ in the Bealby Vault ever since and we have been patiently awaiting it’s time to be unleashed unto the world. Now is that time. It’s about struggling through life’s battles, learning along the way, owning who you are and being unapologetically true to yourself, no matter what! This song means a lot to us and we hope you find something in it for you.” I love the song’s breezy, upbeat melody, highlighted by Jack and Clay’s colorful intricate guitar work and driven by Jordan’s thumping bassline and Zack’s spirited drumbeats. All of Bealby Point’s songs are so good, and “Better Off Eventually” is no exception.
Between Daze – “Call Out”
Hailing from Baltimore, Maryland is Between Daze, an original songwriting/recording project comprised primarily of Johnny Burkhead (vocals), Scott Rodenberg (guitar) and Kenn (guitar), along with Mike Coyne (bass) and Kevin Walsh (drums). Preferring to remain rather anonymous, they have no photos of themselves on social media or music platforms. They’ve been making alternative pop/rock and roll music together for over 20 years but really began hitting their stride in 2021 with the release of their single “Burn For You”. In the years since, they’ve released a total of eleven singles at the rate of two or three a year. Their latest is “Call Out“, which dropped May 1st. Johnny reached out to me about the song, and as I do with acts who are new to me, I checked out their back catalog to get a better feel for their music. I ended up listening to all eleven of their singles, and can honestly say I like them all.
The band says “Call Out” “tells a story about finding the best in yourself and being able to take on whatever comes your way. It’s about not letting things beat you down for too long, that things will turn for you and eventually be better. Keep believing in yourself, and build the confidence to take on the world!” To drive home their optimistic message, the guys serve up a barrage of roiling gnarly riffs, driving bass and thunderous drums, creating an exhilarating backdrop for Johnny’s fervent vocals. The beautiful cover art for the single was hand painted by artist Jane Link Mangano.
Guardrail “First”
Photo of Xack, Ty, Kevin & Ken by Kennedy Cottrell
Chicago-based Guardrail play a hard-hitting, high-energy style of rock drawn from a blend of punk, pop and metal, which on some songs reminds me of acts like Green Day, Blink-182, Sum 41, and even the Beastie Boys. Formed in 2014, the band has undergone several changes in lineup, and now consists of Kevin Andrew (lead vocals), Ken Ugel (guitar, vocals), Ty Olmstead (bass, vocals) and Xack (drums). (Ken is also guitarist for Chicago bands The Million Reasons and Wild Gravity, while Ty also plays in the band Ghoul For A Goblin.) They released their debut EP wordswords in 2015, and have since followed with two more EPs, numerous singles, (one of which, “Social Meteor”, I reviewed in 2021 and has garnered over 220,000 streams on Spotify), and a full-length album Content in 2023.
Yesterday, May 14th, Guardrail dropped their first new single in two years, appropriately a terrific cover of the Cold War Kids’ 2015 masterpiece “First“. I’m a longtime fan of Cold War Kids and “First” is my favorite song of theirs (it ranks #27 on my Top 100 Songs of the 2010s list). It can be risky for an artist or band to cover a song we love, but the moment I heard Guardrail’s version, I was thrilled. While Guardrail maintains some of the vibe of the original thanks to their chiming guitars, they speed it up with frantic drumbeats, jagged guitar riffs and Kevin’s fervent rapid-fire vocals, giving their version greater urgency and more of a punk feel. Cold War Kids’ original runs 3:20 minutes, whereas Guardrails is shortened to only 3:07 minutes. The band states they “recorded a bunch of covers during the pandemic times, so while we work on new music we’re gonna finally put ’em out.” I say, bring ’em on!
Royel Otis – “moody”
Australian guitar-pop duo Royel Otis was formed in 2019 by Royel Maddell and Otis Pavlovic over a shared love of the same music and bands. Based in Sydney, their sound draws from elements of indie pop, indie rock, new wave, pop rock, post-punk and psychedelic rock. The duo released two EPs in 2021 and 2022 to little notice until the song “Oysters in My Pocket”, from the second EP Bar n Grill, gained traction in late 2022. Their third EP Sofa Kings, released in 2023, proved more successful, with the breakthrough title track marking their first appearance on American charts, eventually peaking at #12 on the Billboard Alternative Airplay chart. In late January 2024, they released their electrifying cover of “Murder on the Dancefloor”, the 2001 disco pop hit by British singer-songwriter Sophie Ellis-Bextor (which she co-wrote with Gregg Alexander, former frontman of the band The New Radicals, who had a hit in the late 90s with “You Get What You Give”), which they performed on the Australian radio station Triple J for their Like a Version program. The song went viral and reached #1 on the Billboard Alternative chart, as well as my own Top 30 chart. I couldn’t get enough of it, and it ended up ranking #4 on my 100 Best Songs of 2024 list. The guys quickly followed with their debut album Pratts & Pain in February 2024, which debuted at #1 on the ARIA Australian Albums Chart, and went on to win four awards at the 2024 ARIA (Australian Recording Industry Association) Music Awards.
Now they’re back with a new single “moody“, which dropped on May 9th. It’s a love song of sorts, detailing a problematic relationship with a woman who drives the singer crazy in both good ways and bad. She’s jealous, bitchy and cranky, yet he’s hopelessly in love with her: “She’s always givin’ it to me. Late nights, she always accusin’. Last time, she said she would kill me. My girl’s a bitch when she’s moody. But she’s my everything. She’s all that I need.” I love the song’s languid laid back groove, highlighted by Royel’s terrific guitar noodling and Otis’ sweet vocals. I think it’s gonna be a hit.
One of my favorite indie bands I’ve gotten to know over the past few years is Vancouver, British Columbia-based four-piece Bealby Point. Named after a local beachside vacation spot, they’re comprised of four childhood friends, Jack Armstrong (lead vocals), Clayton Dewar (lead guitar), Jordan Studer (bass), and Zack Yeager (drums). I love their buoyant, high-energy alternative/garage rock they cheekily call “music to fold laundry to“, which has earned them favorable comparisons to such bands as The Strokes. Their description of themselves as “approachable guys making cool music” is genuine, based on the mutual respect, camaraderie, and joy of spending time together that’s so evident in all their photos and little acoustic performance sessions they frequently post on TikTok and Instagram.
Beginning with the release of their debut single “I’m So Bummed Out Right Now” in February 2021 (which I featured in an installment of Fresh New Tracks, and has been streamed over half a million times on Spotify) the engaging four-piece continued dropping a series of excellent singles, including the brilliant “Talk To Me”, which I also reviewed and earned a spot on my Top 100 Songs of 2021 list. They released an EP Fridays in July 2022, and on May 10th, dropped their latest single “America“, a song they say is about falling in love, then falling out of love in tragedy. When I asked the band why they used “America” as the title and the subject of a romantic relationship, drummer Zack told me “The idea to personify America as a girl is tied to the idea of the American dream, [with] living a happy successful life basically culminated into a relationship. All of your hopes and dreams, ambitions and expectations, crushed by falling out of love.”
Like all their music, “America” was recorded and produced by Matt Di Pomponio, however, the song is a bit of a departure from their previous work, with a more serious, introspective vibe. I love how it opens with a gentle fuzz-coated riff, then launches right into the anthemic chorus. As always, the guys’ instrumentation and musicianship are outstanding, with Jack and Clay’s vibrant guitars accompanied by Jordan’s sturdy bassline and Zack’s spirited drums. I really like Jack’s warm, plaintive vocals as he sings of the joys of a new love in the opening chorus: “America, she loves me. I thought it couldn’t be I get down on my knees and scream America. Her shoulder rests on mine, I’ll be here for a lifetime“, then turn emotionally-wrought in the final chorus as he laments about how their love now lies in ruins: “America, I’m a human being. The faults that lie in fate that I don’t want to make. Fuck sakes America. Her shoulder rests on mine. Now let me drift away and wallow desperately again.”
“America” is yet another superb track by this talented and wonderful group of guys, and I remain a loyal fan!
It’s time for another installment of Fresh New Tracks, and this week I’m showcasing three terrific new singles, one by Bealby Point, a Canadian alt-rock band I wrote about twice last year, and two by Irish acts I’ve not previously featured – Big Sleep and pMad.
BEALBY POINT – “Say It Anyway”
Named after their favorite beachside vacation spot, Vancouver, Canada-based Bealby Point consists of four childhood friends, Jack Armstrong (lead vocals), Clayton Dewar (lead guitar), Jordan Studer (bass), and Zack Yeager (drums). I love their buoyant, high-energy style of alternative/garage rock they cheekily describe as “music to fold laundry to“, which has earned them favorable comparisons to such bands as The Strokes. Since the release of their debut single “I’m So Bummed Out Right Now” in February of last year (which I featured in an earlier installment of Fresh New Tracks), the engaging four-piece have continued dropping a series of excellent singles every few months, including the brilliant “Talk To Me”, which I reviewed, and also earned a spot on my Top 100 Songs of 2021 list.
Now they’re back with their fifth single “Say It Anyway“, which will be included on their forthcoming EP, due out this summer. Like all their songs, it was produced by Matt Di Pomponio, and features the guys’ signature intricate guitar noodling and lively rhythms we’ve come to love and expect. The bouncy, upbeat vibe contrasts with the rather biting lyrics about struggling to get over a former romantic partner whose hurtful words still sting: “Cause I don’t really care about this. Like anyone, I’m trying my best. But I don’t want to hear your bullshit. Reminds me of that thing that you said ‘Do unto others as they do to you’. You don’t have anything nice to say? Say it anyway.” As always, Jack’s colorful emotive vocals perfectly convey the frustrations expressed in the lyrics, and make for a compelling listen.
I recently learned about the charismatic Dublin-based duo Big Sleep when they followed me on Twitter, and I’m glad they did because I love their brand of alternative indie pop, infused with elements of synth wave, funk and folk. Comprised of Irishman Rónán Connolly and Florence, Italy-born Matteo Poli, they met in at school when Poli came to Dublin on an exchange program to learn English. Together, they honed their musical chops spending countless hours playing open mics, charity gigs, battles of the bands and busking on the streets. In time, they’ve earned a reputation for their energetic live shows, performing weekly as a four-piece with some of Dublin’s most talented musicians.
They released their debut single “Paint on Cars” in January, 2020, and like Bealby Point, have just dropped their fifth single “Tutti Frutti“. The delightful song is the lead single from their forthcoming EP Feel SomethingSomeday, and features Jacopo Stofler on lead guitar and Aidan Gray on bass. Connolly also played guitar and Poli played drums. Featuring a deliriously infectious groove, “Tutti Frutti” is their most upbeat song yet. A colorful blend of swirling jangly guitars are layered over Gray’s propulsive bassline, accompanied by Poli’s assertive thumping drumbeats, creating an exuberant sonic backdrop for Connolly’s charming Irish brogue. The lighthearted lyrics speak of being attracted to someone and wanting to get to know them better: “Tutti Frutti, now won’t you take it easy, cuz I’ve been dying just to see your other side / And you seem hard to keep ahold of, and I don’t mind going where your breeze blows.”
Big Sleep will be performing a show at the Sound House in Dublin on May 21st. Tickets can be purchasedhere.
pMad is the solo music project of Irish singer-songwriter Paul Dillon. Based in County Galway, Paul is a lifelong lover of music, and has been involved in songwriting and performing for years, previously as a member of the bands Starve the Barber and The Suicidal Dufflecoats, and currently a member of The Greeting as well as his recently-begun solo project pMad. His eclectic sound, which is a glorious blend of darkwave, post-punk, alternative and goth rock, is heavily influenced by some of his favorite acts like The Cure, The Sisters of Mercy, Sonic Youth, Suicidal Tendencies, The The and Tom Waits. With his music, he aims to “follow a path of introspection with a unique view of the world & what we are doing to ourselves and the planet.”
When the pandemic lockdowns impacted his and every other musician and band’s ability to make and perform music, Paul created a “The Best of Irish Indie” page on Facebook, in which he ran a series of ‘Best of Irish’ polls. Energized by the response, he unearthed his own music collection, which inspired him to rework and record some of his previously-written songs, along with some newly-written ones. Taking advantage of modern recording technologies, he created a number of singles and a full album he plans to release later this year. Without ever being in the same room together, he created the songs remotely in collaboration with Zedakube Recording (Ireland), Protonaut Studio (Germany) and Elith Mastering Labs (Mexico). He released his debut single “Who Am I” last December, then quickly followed in early February with “Medicine”, both of which have received critical acclaim and airplay on radio stations around the world. Now he returns with his third single “Broken“, a dark and powerful song that speaks to today’s troubled times.
As to the meaning behind the song, Paul explains: “None of us are built without cracks or faults, we all hurt, we are all human.pMad is ‘broken’ in some form or another, just like everybody else. Knowing and understanding that we are all broken, and being comfortable with that, is the way to save ourselves.” To convey these strong emotions, pMad starts with a deep pulsating bassline and pounding drum beats, over which he layers grungy guitar notes and haunting industrial synths. The result is a lush, darkly beautiful soundscape that’s the perfect accompaniment to his commanding vocals that sound ominous, yet reveal glimmers of optimism. The video he’s created for the track is every bit as impactful as the song. Featuring a cast of androgynous youths, people of color and others dealing with emotional trauma, interspersed with footage of street protests, it’s a powerful representation of the song’s message of human vulnerability and perseverance.
Two Feet maintains a firm grip on the #1 spot for a third week with his darkly beautiful and brooding “Don’t Bring Me Down”, while Adele’s poignant “Easy on Me” holds at #2 for a second week. Glass Animals climb two spots to third place with their buoyant “I Don’t Wanna Talk (I Just Wanna Dance)”, and My Morning Jacket’s “Love Love Love” enters the top 10 at #8.
As we enter the final month of 2021, a whopping six new songs (well, five new and one refashioned) debut this week. Taylor Swift’s epic 10 minute and 13 seconds long “All Too Well” – which debuted at #1 on the Billboard Hot 100 – enters my chart at #19 (I’m old school about music charts, and have a problem with songs debuting at #1). The five other new entries are “I See the Sun” by British psychedelic pop/rock band Solar Eyes, “Two Car Family” by British electro-rock band Apollo Junction, “Left Behind” by Chicago post-punk band a million rich daughters, “Kaleidoscope” by Tacoma psychedelic power pop artist Soda Cracker Jesus, and the enchanting “Journeyman’s Ballet” by Brooklyn singer-songwriter Sam Rappaport.
DON’T BRING ME DOWN – Two Feet (1)
EASY ON ME – Adele (2)
I DON’T WANNA TALK (I JUST WANNA DANCE) – Glass Animals (5)
BEGGIN’ – Måneskin (6)
TAKE THE L – Roadkeeper (3)
NEVER LOOKED BACK – The Zangwills (4)
I DON’T LIVE HERE ANYMORE – The War on Drugs ft. Lucius (10)
LOVE LOVE LOVE – My Morning Jacket (11)
CAN YOU HANDLE MY LOVE?? – WALK THE MOON (8)
MINE FOREVER – Lord Huron (7)
SURVIVOR – Nathaniel Rateliff & the Night Sweats (9)
JUSTIFIED – Kacey Musgraves (14)
LOVE IN OCTOBER – Ships Have Sailed (15)
GOOD FRIEND – dwi (16)
COLORADO – Milky Chance (13)
WRECKED – Imagine Dragons (12)
STARTS WITH YOU – Shimmer Johnson (19)
TIME IN DISGUISE – Kings of Leon (24)
ALL TOO WELL (10 Minute Version) – Taylor Swift (N)
Not a lot of changes from last week’s list. Two Feet remains on top for a second week with his smoldering gem “Don’t Bring Me Down”, while Adele’s heartstrings-tugging “Easy on Me” climbs two spots to #2. The War on Drugs enter the top 10 with “I Don’t Live Here Anymore” and Band of Horses are the lone debut this week with “Crutch”, their first new music in five years.
DON’T BRING ME DOWN – Two Feet (1)
EASY ON ME – Adele (4)
TAKE THE L – Roadkeeper (3)
NEVER LOOKED BACK – The Zangwills (2)
I DON’T WANNA TALK (I JUST WANNA DANCE) – Glass Animals (6)
BEGGIN’ – Måneskin (10)
MINE FOREVER – Lord Huron (5)
CAN YOU HANDLE MY LOVE?? – WALK THE MOON (8)
SURVIVOR – Nathaniel Rateliff & the Night Sweats (9)
I DON’T LIVE HERE ANYMORE – The War on Drugs ft. Lucius (11)
It was inevitable that Two Feet’s darkly beautiful and mesmerizing “Don’t Bring Me Down” would ascend to the top of my Weekly Top 30. It’s his 4th song to reach #1 on my chart this year, and his 8th in total, beginning with his monster hit “I Feel Like I’m Drowning” in the summer of 2018. He’s one of the finest guitarists around today, with a soulful and sultry music style unlike anyone else, and highlighted by bluesy guitar work and deep floor-rattling bass grooves. I love every single recording he’s released, and have seen him perform live twice, in November 2018 and again this past May. He engages regularly with his followers on social media, which has earned him an incredibly loyal and passionate base of fans, me included. I deeply love and respect this man as both a musician and human, and he’s my favorite artist in the world right now.
In other chart highlights this week, Roadkeeper’s politically relevant “Take the L” moves up to #3, followed by Adele’s heartfelt “Easy on Me”. Glass Animals’ delightful “I Don’t Wanna Talk (I Just Wanna Dance)” moves up a notch to #6, and Måneskin’s saucy “Beggin'” enters the top 10. Leaping 10 spots each are The War on Drugs’ “I Don’t Live Here Anymore” and My Morning Jacket’s ebullient “Love Love Love”, which climb to #11 and #12, respectively. Debuting this week are “Time in Disguise” by Kings of Leon, “Smile” by Wolf Alice and “The Tipping Point” by the legendary Tears For Fears.
Fun fact: In addition to Two Feet, I’ve also seen three other acts on this list in concert: twenty øne piløts, Coldplay and Tears For Fears.
DON’T BRING ME DOWN – Two Feet (2)
NEVER LOOKED BACK – The Zangwills (1)
TAKE THE L – Roadkeeper (4)
EASY ON ME – Adele (6)
MINE FOREVER – Lord Huron (3)
I DON’T WANNA TALK (I JUST WANNA DANCE) – Glass Animals (7)
WRECKED – Imagine Dragons (5)
CAN YOU HANDLE MY LOVE?? – WALK THE MOON (8)
SURVIVOR – Nathaniel Rateliff & the Night Sweats (10)
BEGGIN’ – Måneskin (12)
I DON’T LIVE HERE ANYMORE – The War on Drugs ft. Lucius (21)
After a three-week run on top with “Mine Forever”, Lord Huron have been supplanted by British indie pop-rock band The Zangwills, whose gorgeous and cinematic “Never Looked Back” takes over the #1 spot. I featured them and their song a few months ago, and immediately recognized it as a future number-one hit. They’re definitely a band with a bright future if they continue putting out such quality music.
Closing in fast is my favorite artist Two Feet, with his smoldering “Don’t Bring Me Down” rising three spots to #2. Texas alt-rock band Roadkeeper holds at #4 with their politically-charged “Take the L”, and Adele’s poignant “Easy on Me” is #6 for a second week. The lone entry into the top 10 this week is “Survivor” by Nathaniel Rateliff & the Night Sweats. Canadian rockers Bealby Point continue their climb up my chart with “Talk to Me”. The Strokes-esque gem with a killer bassline lands at #14 this week. The War on Drugs’ beautiful “I Don’t Live Here Anymore” debuts at #21, while silky-voiced Australian singer-songwriter G. Samedi enters at #30 with his sensual track “Rearview”.
NEVER LOOKED BACK – The Zangwills (3)
DON’T BRING ME DOWN – Two Feet (5)
MINE FOREVER – Lord Huron (1)
TAKE THE L – Roadkeeper (4)
WRECKED – Imagine Dragons (2)
EASY ON ME – Adele (6)
I DON’T WANNA TALK (I JUST WANNA DANCE) – Glass Animals (8)
CAN YOU HANDLE MY LOVE?? – WALK THE MOON (10)
DISTORTED LIGHT BEAM – Bastille (9)
SURVIVOR – Nathaniel Rateliff & the Night Sweats (16)
I just love Lord Huron’s music, and their beautiful “Mine Forever” remains at the pinnacle of my Weekly Top 30 for a 3rd week. Imagine Dragons’ “Wrecked” and The Zangwills’ “Never Looked Back” hold at #2 and #3, and Roadkeeper’s “Take the L” climbs a notch to #4. Four songs enter the top 10 this week: Two Feet’s “Don’t Bring Me Down” and Adele’s “Easy on Me”, both of which leap nine spots to #5 and #6, respectively, Glass Animals “I Don’t Wanna Talk (I Just Wanna Dance)” and WALK THE MOON’s “Can You Handle My Love??” The jolting and raw “Survivor” by Nathaniel Rateliff & the Night Sweats took a while to grow on me but now I love it, and it jumps eight spots to #16. Debuting this week are three great new songs: “Love Love Love” by My Morning Jacket, “Good Friend” by dwi, and “Starts With You” by Shimmer Johnson.
