Top 30 Songs for November 8-14, 2020

  1. DOWNS – Roadkeeper (2)
  2. CAN I CALL YOU TONIGHT? – Dayglow (1)
  3. IS IT TRUE – Tame Impala (3)
  4. BLOODY VALENTINE – Machine Gun Kelly (4)
  5. ARE YOU BORED YET? – Wallows featuring Clairo (7)
  6. MARIPOSA – Peach Tree Rascals (8)
  7. MY OWN SOUL’S WARNING – The Killers (5)
  8. FEEL YOU – My Morning Jacket (6)
  9. GIANTS – Dermot Kennedy (10)
  10. COME & GO – Juice WRLD featuring Marshmello (11)
  11. MOOD – 24kGoldn featuring Iann Dior (12)
  12. IT’S YOU – The Frontier (9)
  13. IDENTICAL – Phoenix (17)
  14. TANGERINE – Glass Animals (18)
  15. THE LET GO – Elle King (19)
  16. HOODIE UP – MISSIO (13)
  17. MONSTERS – All Time Low featuring blackbear (14) 21st week on list
  18. AMOEBAS IN GLASS HOUSES – Moonlight Broadcast (20)
  19. VISITOR – Of Monsters and Men (21)
  20. BURN THE VISION – Amongst Liars (22)
  21. VIRUS – Vanity Fear (23)
  22. FAULT LINES – Callum Pitt (15)
  23. FRIDAY NIGHT – Heist At Five featuring Francesca Confortini (16)
  24. FIRE FOR YOU – Cannons (27)
  25. CAN I BELIEVE YOU – Fleet Foxes (28)
  26. BEAUTIFUL ANYWAY – Judah & the Lion (26)
  27. THINK I’M CRAZY – Two Feet (30)
  28. HALLUCINOGENICS – Matt Maeson (24) 23rd week on list
  29. SKIN AND BONES – Cage the Elephant (N)
  30. NERVOUS – Au Gres (N)

100 Best Songs of the 2010s – #54: “Highway Tune” by Greta Van Fleet

The song at #54 on my list of 100 Best Songs of the 2010s is “Highway Tune” by Greta Van Fleet. The young Michigan foursome literally blasted onto the music scene in 2017 like a little bundle of TNT. I’ve possibly ranked this song too high, but ‘wow, just wow!’ was my and nearly everyone else’s reaction upon first hearing this explosive head-banger (though the group’s had their share of detractors who’ve dismissed them as a cheap Led Zeppelin cover band – to whom I say go fuck yourselves!)

Greta Van Fleet consists of the three Kiszka brothers Josh, Jake and Sam (Josh and Jake are twins) and drummer Danny Wagner, all of whom were in their late teens or early twenties when they recorded the song. Despite their youth, these guys are all skilled musicians, and lead vocalist Josh – a diminutive guy with a gargantuan bluesy voice – sounds disarmingly like a young Robert Plant. The song was featured on their debut EP Black Smoke Rising, and reached #1 on the Billboard Mainstream Rock and Active Rock charts.

New Song of the Week – CALLUM PITT: “Sea of Noise”

This past summer I had the pleasure of learning about the immensely talented young British singer-songwriter Callum Pitt when he reached out to me about his single “Fault Lines” (you can read my review here). A beautiful song with biting lyrics decrying governmental and media efforts to divide and polarize society, “Fault Lines” has enjoyed a 10-week run on my Weekly Top 30. The prolific artist has been releasing singles every two months in 2020, beginning in May with “Out of the Trees”, followed by “Fault Lines”, “Ghost” and now his latest, “Sea of Noise“, which I’ve chosen as my New Song of the Week.

Based in Newcastle Upon Tyne in northeast England, Callum writes folk-inspired alternative and dream rock songs influenced by such great acts as The War on Drugs, Bon Iver and Fleet Foxes. With his soft, pleasing vocals, rich harmonies, captivating melodies and meaningful lyrics, he’s captured industry attention and built a growing fan base since the release in 2017 of his gorgeous first single “You’d Better Sell It While You Can.” His equally beautiful second single “Least He’s Happy” has been streamed nearly two million times on Spotify, an astonishing feat for an indie artist. 

About his latest single, released on October 6th by label Humble Angel Records, Callum explains “‘Sea of Noise’ alludes to feelings of helplessness and hopelessness while feeling surrounded by quite a lot of negative things. Despite this, it mainly discusses the importance of having a person (or activity) which takes your mind away from that mindset, keeps it away and gives a feeling of having a form of control in life.”

With “Sea of Noise” Callum delivers yet another outstanding track for our listening enjoyment. The song is beautiful, with a sweeping back and forth melody driven by a powerful stomping percussive beat, and accompanied by a lush mix of shimmery synths and moody strings. But the highlights for me are his gorgeous intricately-strummed chiming and jangly guitars and enchanting falsetto vocals. His voice nicely transitions with ease from a gentle tenderness to soaring passion as he sings of finding solace from the surrounding din through another’s support: “The colours were running from all this distortion in my head / The speakers were humming, circling feedback in our ears / Swept by the currents further until the choruses blurred and your shout was a murmur / Felt your tug away from the crowds ‘cause, everything always seems so loud / While we’re drifting in this sea of noise flooding in our ears and our eyes.”

Follow Callum:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music / Soundcloud
Purchase:  Amazon iTunes

100 Best Songs of the 2010s – #55: “Believe” by Mumford & Sons

The song at #55 on my list of 100 Best Songs of the 2010s is “Believe” by British folk rock band Mumford & Sons. Formed in 2007, the London-based band has been putting out consistently great music, beginning with their debut album Sigh No More in 2009. I love many of their songs, but my absolute favorite is the magnificent “Believe”, from their third album Wilder Mind. It’s a gorgeous, deeply moving and impactful song.

Released in March 2015, the song was written by band members Ben Lovett, Winston Marshall and Ted Dwane, minus front man Marcus Mumford, and is a departure from their usual acoustic folk-rock sound. For it and the rest of Wilder Mind, they abandoned their signature acoustic instruments (such as banjo and upright bass) for electric ones, and added a session drummer to fill out their rhythm section. The result is a dramatic, sweeping song that builds to a near-epic crescendo with screaming guitars and galloping drumbeats, leaving me covered with goosebumps and with a lump in my throat and tears in my eyes. I realize that I’ve mentioned how many of the songs on this list give me goosebumps, but isn’t that one of the best signs that a song moves us in powerful ways? And quite frankly, if this song doesn’t move you – as fellow British rock band Muse put it in one of their songs – you’re dead inside.

The lyrics speak to feelings of uncertainty and possible betrayal in a relationship. Mumford passionately cries “I don’t even know if I believe, everything you’re trying to say to me / So open up my eyes / Tell me I’m alive / This is never gonna go our way if I’m gonna have to guess what’s on your mind / Oh say something, say something, something like you love me.

100 Best Songs of the 2010s – #56: “High” by Sir Sly

The song at #56 on my list of 100 Best Songs of the 2010s is “High“, by Los Angeles-based alt-rock band Sir Sly. Released in March 2017, the marvelous song was the lead single from their second album Don’t You Worry Honey. Led by a dominant buzzing bass line, the deliriously upbeat track lives up to its title, bopping along with a snappy dance beat and roughly-strummed jangly guitars. I love lead singer Landon Jacobs endearing vocals, and the guys’ exuberant vocal harmonies in the choruses just make me feel happy!

In a general sense, the song title would seem to represent a double-meaning – feeling high from drugs and/or feeling high on a life free from drugs. The opening lyrics “I’ve been smoking on the peace pipe. I’ve been wondering just what would peace be like” speaks to using drugs as an escape, and wondering what the world would be like if discord was replaced with peace and tranquility. “I remember back in Oakland. I was lying there in rapture on the bathroom floor” refers to an incident when Sir Sly was touring with The 1975, and Jacobs got much too high from the drugs he’d been using, and ended up having a panic attack on the bathroom floor of their motel room. He stated the lyric was originally to be “I remember back in Oakland, when I thought that I was dying on the bathroom floor”, but changed it after realizing the panic attack was actually a positive, transcendental experience. But then he sings of going through withdrawal and struggling to stay clean and resist the temptation of drugs: “It feels good to be running from the devil / Another breath, and I’m up another level / It feels good to be up above the clouds / It feels good for the first time in a long time now.”

I love this song, and the delightfully trippy video is my absolute favorite of 2017. How can anyone not like this band and song after watching them dancing about like marionettes channeling Cirque du Soleil!

100 Best Songs of the 2010s – #57: “Fever” by The Black Keys

The song at #57 on my list of 100 Best Songs of the 2010s is “Fever” by The Black Keys. Originally hailing from Akron, Ohio, but based in the music city of Nashville since 2010, The Black Keys consists of childhood friends Dan Auerbach and Patrick Carney. The duo have been putting out fantastic music for nearly 20 years, and I love many of their songs – two of which are included on this list. The first of them is “Fever”, released in March 2014 as the lead single from their eighth studio album Turn Blue.

The song, along with many of the tracks on Turn Blue, was co-written and co-produced with noted producer Danger Mouse. The recording sessions for the album coincided with Auerbach’s divorce from his wife, which inspired many of the album’s lyrics. The songs on Turn Blue are generally more melancholy and introspective than those on their previous album El Camino, and represented a continuation of the duo’s departure from their earlier blues/garage rock roots, much to the chagrin of some of their fans.

“Fever” has a slicker, psychedelic rock vibe, with an infectious dance beat and greater use of lush, throbbing synths in addition to driving guitar riffs and snappy drums. And that deep bass line is fantastic! The song was nominated for two Grammy Awards, for Best Rock Song and Best Rock Performance. “Fever” was one of my favorite songs of 2014, and was a big hit on the Billboard Alternative, Adult Alternative and Rock Airplay charts, spending 11 weeks at #1 on the Alternative chart. Unbelievably, it peaked only at #77 on the Hot 100.

The unusual video features Auerbach portraying a sweaty televangelist preaching to an audience as drummer Patrick Carney sits nearby.

THE IVINS – Single Review: “Bloom”

Predictions that rock is a dying genre have been made for years, and despite the fact that not much of it seems to appear on the Billboard Hot 100 chart anymore, there’s still a lot of really great rock music being produced by musicians in America and around the world. One act doing their part to keep rock alive and well is Nashville, Tennessee band The Ivins. Consisting of brothers Jim and Jack Ivins (with Jim on guitars & vocals and Jack on drums), Hatton Taylor on lead guitar, and Regan Akers on bass & vocals, they make a hard-hitting, guitar-heavy style of rock they refer to as “Loud Alternative”. I’ve featured them twice on this blog, first in June 2017 when I reviewed their phenomenal debut album The Code Duello, then again in April 2019 with the review of their single “Certain”. (You can read those reviews by clicking on the links under “Related” at the end of this post.)

Earlier this year, they released a beautiful cover of Halsey’s song “Graveyard”, then followed in July with “Composure”, a song addressing personal serenity and overcoming anxiety that was written and recorded remotely during the COVID-19 quarantine. Now they’re back with “Bloom“, the second in a series of singles they plan to release every two months for the foreseeable future, and which will be featured on their forthcoming second album Conditions. 2020 also saw The Ivins earn a nomination for Best Alt Rock band at this year’s Nashville Industry Music Awards, and Jim Ivins spearheaded a Nashville-centric collaborative album called Quarantunes, which featured more than 50 Nashville musicians, including members of Florida Georgia Line, 3 Doors Down, Daughtry, Tonic, Relient K, CKY, Accept and The Dear Hunter. 

“Bloom” is another rousing banger, with an onslaught of jangly and reverb-soaked gnarly riffs delivered by Jim and Hatton’s dual intertwining guitars. Regan drives the powerful rhythm forward with his pummeling bass line while Jack smashes his drum kit with his signature brute force. The blistering guitar solo in the bridge is terrific, as are Jim’s fervent vocals as he sings of his love and devotion to someone who makes him a better person: “That you are with me is just all I need to know. You are the water that makes all my dead leaves grow and cleansed them from poison to thrive in bloom.” He told me that the song was inspired “from personal experience in being a very lost person kind of floating through life, and how it really only takes one person and one connection to turn everything around.

Connect with The Ivins:  Website /  Facebook /  Twitter /  Instagram
Stream their music:  YouTube /  Spotify /  Apple Music
Purchase it:  iTunes /  Amazon

100 Best Songs of the 2010s – #58: “Closer” by IAMWARFACE

The song at #58 on my list of 100 Best Songs of the 2010s is “Closer” by British electro-rock band IAMWARFACE. The London & Brighton-based act are among my favorite indie bands making music today, and I’ve featured them on this blog many times over the past four-plus years. Their aggressive name is a fitting metaphor for their bombastic, groove-based sound, and I love every single one of their songs, beginning with their explosive debut single “Say My Name” in 2016. But my favorite is their monumental song “Closer” which literally stunned me the first time I heard it in 2018.

The fiercely beautiful track opens with ominous throbbing synths that slowly build into a dramatic otherworldly soundscape, enveloping us as band vocalist Matt Warneford wearily implores to someone with whom he seems to have an obsessive and destructive relationship: “Who, who am I? I’m just living to die. This old night, when it comes, I’ll be free of these old bones.” With that, the music erupts into a maelstrom of grinding synths, fuzzy guitars, buzz-saw bass, and thunderous percussion, punctuated by almost violently crashing cymbals that emphasize the intense feelings of abject desolation expressed in the bitter lyrics. Warneford’s intense vocals are filled with despair and resignation over a love affair that now lies in tatters. “Feel I’m walking on shattered glass. This romance just has to end, to reset, erase, begin again.” The song is incredible, and leaves me covered with chills every time I hear it.

The dark video, which was filmed in stark black and white in a decrepit, abandoned warehouse, has a gothic quality that’s at once disturbing and breathtaking. Warneford is shown singing the song while a ghostly Simona Martini, dressed in a torn and dirty gossamer gown, does a stylized, almost tortured modern ballet dance. It’s absolutely brilliant.

EMLs Favorite Albums – “The Temptations: All the Million-Sellers”

I’ve been participating in an album draft conducted by fellow blogger Hans for his excellent blog slicethelife, in which I, along with he and eight other bloggers, have been choosing some of our favorite albums. The latest category was ‘greatest hits or compilations’.  I have a lot of greatest hits albums in my collection, as there are a number of artists and bands who had several songs I love, but I didn’t want to necessarily buy any particular album of theirs. (I’ve purchased far too many albums because I loved a particular song or two, but then had to suffer listening to a lot of filler tracks, or else skip them altogether.) For those artists, a greatest hits compilation was the perfect choice for me, as I would then have all or most of their songs that I liked on one record. 

My pick is “The Temptations: All the Million-Sellers”, which was released in 1981 by Motown as one of their series of ‘Motown Compact Classics’. While not necessarily my favorite ‘greatest hits’ album, I chose this particular compilation over others in my collection because it contains only 10 songs, every one of which I love and consider to be the very best by the Temptations. Frankly, many of the greatest hits albums I own still contain at least a few of what I feel are throwaway songs. With this compilation, there’s no need for me to skip over any tracks. I also like that the tracks are arranged in chronological order, which I think is essential for all ‘greatest hits’ compilations, as it gives us a better feel for how the artist or group’s music evolved over time.

Track listing:

  1. My Girl
  2. Ain’t Too Proud to Beg
  3. I Wish it Would Rain
  4. Cloud Nine
  5. Runaway Child, Running Wild
  6. I Can’t Get Next to You
  7. Psychedelic Shack
  8. Ball of Confusion
  9. Just My Imagination (Running Away With Me)
  10. Papa Was a Rollin’ Stone

The Temptations are one of the longest-running music acts, active in one form or another since their origins in 1960! They were known for their precise choreography, stylish suits, distinctive harmonies, and the fact that they were a true ensemble, in which all five members’ vocals were prominently featured on many of their songs. Like the Beatles were for rock music, the Temptations were a major influence for many male R&B and soul acts to follow in their footsteps.

The group’s lineup has changed numerous times over the years, but their lineup during their early ‘classic’ period of 1964-68 consisted of David Ruffin, Paul Williams, Otis Williams (no relation to Paul), Eddie Kendricks and Melvin Franklin. Gruff-voiced vocalist Ruffin sang the first three hits listed above, but was kicked out of the band in 1968 due to his increasing cocaine abuse and numerous disagreements with fellow band members. He was replaced by Dennis Edwards, another gruff-voiced vocalist who sang lead on “Cloud Nine”, “I Can’t Get Next to You”, “Psychedelic Shack”, “Ball of Confusion” and “Papa Was a Rollin’ Stone”. Eddie Kendricks and Paul Williams left in 1971, Kendricks to pursue a solo career and Williams for health reasons. Otis Williams is the last surviving founding member of the Temptations, and at 79 he continues to perform. He also owns the rights to the Temptations name.

I love their first big hit “My Girl”, but “Ain’t Too Proud to Beg” is just so damn catchy. And you gotta love those smooth dance moves!

One of my favorites of their songs is “I Can’t Get Next to You”, which was their second single to reach #1, in 1969. I especially love the opening where we first hear clapping and yelling, then Dennis Edwards says “Hey everybody, hold it hold it, listen”, followed by a jazzy little piano riff before the song kicks in. I also like that all five members’ vocals are prominently featured.

Perhaps their most beautiful song is the 1971 hit “Just My Imagination (Running Away With Me)”, which was their third #1 single. By the early 70s, many of the Temptations longtime fans were frustrated by all the psychedelic songs with social and political themes they’d been releasing, most notably “Cloud Nine”, which touched on the struggles of living in poverty, with oblique references to using drugs as an escape, and “Ball of Confusion”, which touched on a litany of social, political and environmental problems of the day, many of which are still applicable 50 years later. These fans longed for songs more in the smoother R&B style of the group’s early days. In a 1991 interview, Eddie Kendricks recalled that many Temptations’ fans were “screaming bloody murder” after the group delved into psychedelia, demanding a return to their original soul sound.

Songwriting duo Norman Whitfield and Barrett Strong had written the lyrics to “Just My Imagination” in 1969, and finally decided to have the group record it in late 1970, with Kendricks singing lead vocals. According to Wikipedia, the song was recorded in the midst of a bitter feud between Kendricks and the Temptations’ de facto leader, Otis Williams. Dissatisfied and frustrated with Williams’ leadership, Kendricks began to withdraw from the group, and picked several fights with either Williams or fellow band member Melvin Franklin. This would be the last song Kendricks (and Paul Williams) would sing with the Temptations.

The group’s fourth and final #1 hit – and in my opinion their best song ever – is the darkly gorgeous masterpiece “Papa Was a Rollin’ Stone”. Somewhat of a return to the group’s psychedelic soul sound orchestrated by Whitfield and Strong, the song was both a musical and stylistic departure for the Temptations. Beginning with an extended instrumental introduction lasting nearly four minutes (a style pioneered by artists like Isaac Hayes, and used in later songs like Donna Summer’s “Love to Love You Baby”), each of the song’s three verses is separated by extended musical passages, in which Whitfield inserted various instrumental textures in and out of the mix. It’s like a psychedelic R&B symphony, which is probably why I love it so much. That said, the Temptations were reportedly unhappy that Whitfield’s instrumentation was given greater emphasis than their vocals on the track.

Lyrically, the song is about a now-deceased father who left his wife and family to lead a life of debauchery and crime. It was originally written by Whitfield and Strong for soul group The Undisputed Truth, whose recording of the song failed to attract attention. They then had the Temptations record it, and it became one of their biggest hits. Four of the group’s members were prominently featured on vocals, each taking the role of siblings questioning their mother about their father. Her repeated response, sung by Dennis Edwards, was chilling: “Papa was a rollin’ stone. Wherever he laid his hat was his home. And when he died, all he left us was alone.” For years, I’d assumed the falsetto vocals were by Eddie Kendricks, but I now know he’d left the band prior to the song’s recording, and those vocals were sung by Damon Harris.

Here is the long version of the song, with it’s extended instrumentals:

“My Girl”, “Just My Imagination (Running Away with Me)”, and “Papa Was a Rollin’ Stone”, are included among The Rock and Roll Hall of Fame’s “500 Songs that Shaped Rock and Roll”. Rolling Stone magazine ranked the Temptations at number 68 on their list of the 100 Greatest Artists of all time.

FOUR THOUSAND MILES – Single Review: “Demon on the Run”

Four Thousand Miles is a unique rock band with an international pedigree, in that each of its four members are from a different country, hence their name ‘Four Thousand Miles’. They started out as a collaboration over the internet, and grew to become a music project after finding that each of their own unique styles blended well together. The four band members are Alex Fearn from Liverpool, England on vocals and rhythm guitar, Lionel Pacreau from Bordeaux, France on lead guitar, Alex May from Atlanta, Georgia, USA on drums, and Liam Sibbald from Prestatyn, Wales on bass.

They’ve gathered together on a number of occasions in Liverpool to record music and film videos, and released their excellent debut single “Lonely” this past Valentine’s Day. The followed up in April with “Reflections”, which I reviewed, and are back with their third single “Demon on the Run” which dropped on Halloween. Like their previous singles, the song was mixed and mastered by Simon Jackman at Outhouse Studios in Reading, Berkshire, and delivers more of their outstanding hard-hitting melodic rock. 

The guys are all terrific musicians, and really up their game with “Demon on the Run”. It’s a beautiful rock song, with stellar dual guitar work by Pacreau and Fearn, highlighted by gorgeous chiming guitars in the verses alternating with bone-crushing riffs in the choruses. Sibbald drives the powerful rhythm forward with a deep, pulsating bass line while May smashes his drum kit with impressive force.

The heartfelt lyrics are a plea for help from someone experiencing an emotional breakdown, feeling isolated and alone in their struggle to try and overcome their demons. Fearn’s powerful vocals rise to the occasion as he passionately wails “Do you know, do you know at all, what it feels like to lose control? Do you know, do you know at all, what it was like when I needed a miracle, to help myself. There was nobody, nobody else. I was lost and scared, but never running away. A miracle. Nobody else was saving me from myself.

Follow Four Thousand Miles: Facebook / Twitter / Instagram
Stream/purchase their music:  Spotify / Apple Music / Amazon