Album Review: A BLUE FLAME – “What We’ve Become is All That Now Remains”

British singer/songwriter Richard Stone – who goes by the artistic name A Blue Flame – doesn’t consider himself a musician, but rather a compulsive writer of songs who also happens to play the guitar. For him, the song lyric is supreme, not the music or sound. On his album, What We’ve Become is All That Now Remains, he tells compelling stories using straightforward lyrics about life, love, faith, loss and heartbreak. And though he’s not as concerned about the music or sound of his songs, I think they’re superb, representing an amazingly eclectic range of styles from doo-wop and old-school pop to easy listening ballads and hard-driving rock.  Plus, his smooth, clear vocals perfectly suit his thoughtful lyrics.

When I asked Stone about his artistic name, he explained that ‘A Blue Flame’ just came to him, but he also liked “the balance in the name between the heat of a flame and the sadness of feeling blue. Blue flames are the hottest of all flames and they are also linked with strange, other worldly experiences like will o’ the wisps. It’s a name of contradictions between the scientific and paranormal, just like my music is a mass of contradictory influences.”  He said his songwriting has been influenced by some of the great songwriters such as Bob Dylan and the Beatles, but essentially any great song from one of any number of artists.

Stone writes all his songs and plays guitar. He arranges them with help from Adam Ellis, who co-produces and also plays guitar.  Other session musicians add their skills to the mix as needed, including Damon Claridge on drums, Andy Robertson on bass and keyboards, and Tony Robinson (who’s also played with the Manic Street Preachers and The Beautiful South, among other bands) on keyboards and horns.

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The passage of time and the challenge of keeping the faith – both in God and yourself – are recurring subjects in A Blue Flame’s songs. The album opens with the sublime track “When Time Slowed Down.”  The song features beautiful piano, gentle guitar and snare drum, along with a captivating trumpet solo. With a hint of sadness in his voice, Stone wistfully sings of the fleeting nature of time, and the need to stop and savor the precious moments: “When all is said and done, and we’re just words upon a page inside a book that never opens / How will we be found?  We lucked out, the year we found the days when time slowed down.

Time’s passage is again alluded to on the tracks “Our Memories Fade” and the anthemic “Everyday Yesterday,” where an upbeat melody belies a deeper meaning: “Everyday, yesterday gets further away. I was born for the ninth time, a fool amongst the fools. Running in the nighttime and breaking all the rules. Till I saw I was the dullest stone in a box of golden jewels. It was clear that I knew nothing and my promises were cruel.

Stone plaintively urges self-belief and acceptance in the bittersweet ballad “Be Kind to Yourself” – “You know that your hate is a weakness, you know that you need to be brave. You’re scared of that something inside you that cries in the night to be safe” – and in the edgy, hard-rocking “I Don’t Know,” where Stone’s raw vocals seem to channel an exasperated Billy Joel. In “Feeling the Same,” he expresses empathy for someone feeling lost and alone with their pain and self-doubt.

Faith in God is questioned in the rousing “From God on Down.” Stone defiantly proclaims “I have been here a billion years, and I am so tired. I may, I may not exist. You might believe, you may well laugh. We’re all in the dark, from God on down.”  So too with the catchy pop-rock track “Out There Somewhere.”  Love and loss are the theme of the wonderful but rather mournful doo-wop tune “The Sun Refused to Shine.” The guitar solo in the last third of the song is great.

One of my favorite tracks is “Marlborough Park Avenue,” a poignant tune that calls to mind the incredible storied lyrics and singing style of Harry Chapin. To a gorgeous arrangement with gentle percussion, violin and multi-textured guitars that swirl, twang and chime, Stone fervently sings of a lost loved one “Though you’re not here, you still hold me together. The blossom is swimming around me / I think I’m in heaven.  I wish you were walking beside me, but you’ve gone on ahead.

Another standout is the hard-hitting kiss-off “The Girl Inside of You.” As with some of the other songs on the album, the upbeat, high-energy music – complete with “sha la la la, ooh sha la la las” – contrasts sharply with the fiery lyrics. Stone practically spits the lines “Rain falls down from a cloudless sky / I look up and I wonder why / It seems strange to me / It’s a motherfucking mystery / Farewell from the boy in me, who so fell for the girl inside of you.

What We’ve Become is All That Now Remains is an album that keeps getting better with each listen, as the poetic beauty of the lyrics continues to sink in. Learn more about A Blue Flame by checking out his website. Follow him on Twitter and Facebook and stream his music on Spotify and Soundcloud. His music is available for purchase on CD Baby.

Top 20 Songs for October 9-15, 2016

1. BANG BANG – Green Day (1)
2. LIFE ITSELF – Glass Animals (3)
3. ALL WE EVER KNEW – The Head and the Heart (2)
4. HEATHENS – twenty øne piløts (4)
5. GOOD GRIEF – Bastille (5)
6. HYMN FOR THE WEEKEND – Coldplay featuring Beyoncé (6)
7. YOU DON’T GET ME HIGH ANYMORE – Phantogram (9)
8. SAY MY NAME – (IAM)WARFACE (10)
9. RIVER – Bishop Briggs (11)
10. TROUBLE – Cage the Elephant (7)
11. CHEAP THRILLS – Sia & Sean Paul (8)
12. HARDWIRED – Metallica (12)
13. FEEL INVINCIBLE – Skillet (13)
14. WELCOME TO YOUR LIFE – Grouplove (14)
15. CHANGES – MUTEMATH (15)
16. TONIGHT – Matto Rules (16)
17. WASTE A MOMENT – Kings of Leon (18)
18. STARS – Wons Phreely + the Horses (20)
19. WAKE UP CALL – Nothing But Thieves (17)
20. WISH I KNEW YOU – The Revivalists (N)

Song Review: Shelita Burke – “Belong”

Singer/songwriter Shelita Burke is one of those artists who come along every so often and, upon first hearing her music, you immediately wonder “wow, who is this woman with such a unique and beautiful voice?” Originally from Seattle, Burke spent a few years traveling in Europe, soaking up influences from a myriad of cultures and developing her singular music style in the process, until settling in Los Angeles.  Out of that journey was born her brilliant, highly-acclaimed debut EP Transfixed.  Released in late 2015, The EP features five gorgeous tracks, plus a remix of the title track. The jazz-infused songs offer up mesmerizing strumming guitar and Burke’s captivating, ethereal vocals that transport the listener to a dreamy otherworldliness.

Now Burke has completely changed things up with her hot new single “Belong.” Departing from the jazzy, ethereal sounds of Transfixed, Burke dives headfirst into EDM territory, creating a steamy dance track that proves beyond a doubt that, not only is she a vocalist with considerable range, she’s also one with a lot to tell us. In “Belong,” Burke submits herself willingly over to passion while seducing her lover to own her: “Let’s get it on, and on and on and on. Belong. What’s wrong with belong?  I can’t resist all you needed to say. You get me, you get me, you got me. You find me sweet and pretty. If you would own me, I’m easy to please. If you would use me, I would never leave. Crawling, for that something more.”  Whew!

Propelled by a hypnotic, driving beat, swirling synths and bold hand-claps set the tone for Burke’s smoldering, seductive vocals. This is one sexy number that will lure even the biggest wallflower onto the dance floor!  With nearly 700,000 plays on Spotify in less than three months, Burke has a certifiable hit on her hands.

Show Shelita some love by following her on Twitter and Facebook, and subscribing to her YouTube channel.  Stream her music on Spotify or Soundcloud, and purchase it on iTunes and other online music sites.

Top 20 Songs for October 2-8, 2016

1. BANG BANG – Green Day (2)
2. ALL WE EVER KNEW – The Head and the Heart (1)
3. LIFE ITSELF – Glass Animals (4)
4. HEATHENS – twenty øne piløts (3)
5. GOOD GRIEF – Bastille (6)
6. HYMN FOR THE WEEKEND – Coldplay featuring Beyoncé (8)
7. TROUBLE – Cage the Elephant (5)
8. CHEAP THRILLS – Sia & Sean Paul (7)
9. YOU DON’T GET ME HIGH ANYMORE – Phantogram (9)
10. SAY MY NAME – (IAM)WARFACE (11)
11. RIVER – Bishop Briggs (12)
12. HARDWIRED – Metallica (13)
13. FEEL INVINCIBLE – Skillet (14)
14. WELCOME TO YOUR LIFE – Grouplove (17)
15. CHANGES – MUTEMATH (19)
16. TONIGHT – Matto Rules (18)
17. WAKE UP CALL – Nothing But Thieves (10)
18. WASTE A MOMENT – Kings of Leon (N)
19. SEND MY LOVE (To Your New Lover) – Adele (15)
20. STARS – Wons Phreely (N)

Featured Song: Neil and Adam – “Walk Away”

In August, I reviewed the song “Everything is Alright” from the talented St. Louis-based singer/songwriter duo Neil McCloskey and Adam Hilligardt (see that review here). The guys have just released a lovely new single “Walk Away.”  The rather melancholy song is more introspective and piano-driven, with gentle guitar and percussion adding depth to the track. It was recorded in St. Louis, and the mastering was done by Miles Showell at the legendary Abbey Road Studios in London

The song seems to address a wasted or lost opportunity for love, as he watches her walk away and out of his life.  The piano movements are simple but hauntingly beautiful, and Neil’s heartfelt vocals are sublime. Take a listen:

Follow Neil and Adam on Twitter and Facebook, and stream their music on Spotify or Soundcloud. “Walk Away” may be purchased on iTunes and other music purchase sites.

Album Review: Above The Skyline – “Go For Broke”

South Florida has a vibrant music scene, thanks to a diverse, multi-cultural population with a tremendous mix of influences. Several months ago I wrote a feature on the Miami-based indie rock band SunGhosts, and now I shine a spotlight on the young, incredibly talented five member collective Above The Skyline. They play an edgy style of alternative pop/rock with touches of R&B, funk and punk. Following up on their acclaimed 2015 EP A Different Breed, the young band (all are in their early 20’s) have released an ambitious new album Go For Broke.

Their bio states “the band prides itself on being different but yet producing a sound that everyone can love and listen to with ease.” That’s certainly the case, as Go For Broke is chock-full of melodic tunes that feature catchy hooks, complex, multi-layered guitar riffs, dynamic percussion and really fine vocals.  Making this great music are Chloe Santiago on drums, Eric Green on guitar, Zach Wood on keyboards and vocals, Alec Enriquez on bass, and Peach Martine on vocals.  Chloe and Eric, who’ve known each other since they were kids and have been playing together for more than 12 years, formed Above The Skyline in 2013. Within a year, Zach, Alec and Peach joined the band, completing the current lineup. 

Despite their youth, all have extensive musical backgrounds. Eric began studying music history and theory at the age of five, along with taking piano lessons, and at nine he began studying guitar. He met Chloe while taking lessons at Music Depot, and eventually was part of a couple of hardcore metal bands. Chloe started playing drums at seven, and played in marching bands in middle and high school. Zach is grateful his mother forced him to take piano lessons, which eventually led him to learn saxophone and percussion as well. He also played in middle and high school marching bands. Alec began studying guitar in high school, and eventually fell in love with the bass. Peach, who not only sings, but is also a songwriter and actress, has been writing and recording since penning her first song on the piano at age six. She plays piano, guitar, some violin and harmonica.

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The album opens strong with “Another Side of Me,” a power-ballad that introduces us to the band’s killer guitars and highly melodic music style. Buzzing guitars work in tandem with a driving drumbeat and Alec’s heavy bass, resulting in a crazy-good track. Zach fervently sings “All I want you to do is stop being you. You’ve got another side of me that I don’t want none of.”  The catchy, energetic “Counting Heartbeats” comes at us with a thumping drumbeat and shredded guitars, then we’re hit with Peach’s commanding vocals and, halfway through the song, assertive piano is introduced, adding complexity to the track.

“Do I Really Look Like I’m a Guy With a Plan Margot” is a standout track, and one of my favorites on the album. Its incredible arrangement – featuring thunderous guitar riffs, pummeling drums, intricate piano and soaring violin – give it a rock opera vibe. Zach’s powerful vocals match the intensity of the music. Plus, it’s a great song title!  The band channels the Red Hot Chili Peppers a bit on “Entitled,” with guitar chords similar to the awesome ones used in their classic “Dani California.” Peach’s vocals soar, aided by Zach’s backing harmonies, and the organ solo is terrific.

Peach’s considerable singing talents are on full display on the beautiful anthem “Feel the Light.” Her vocals soar (there’s that word again, but it so applies here) with the lush orchestration. It’s Zach’s turn to shine on the hard-driving “Fireball,” on which our ears are treated to more killer guitar work and Chloe’s powerful drums. The title track “Go For Broke” features harmonizing vocals by Zach and Peach, accompanied by a driving beat and gnashing guitars. Synth chords are introduced two-thirds of the way into the track, giving it a bit of a psychedelic feel. This is a great song.

“See Where We Go” is the first single, just released in advance of the album, and it’s definitely a radio-friendly track with a catchy hook, energetic upbeat melody and sizzling harmonic vocals by Zach and Peach. Watch the lyric video here:

The gorgeous ballad “Strength” is another standout track, and my absolute favorite. Musically, the song is very different from the others on the album, with only beautiful piano and violin, and Zach’s heartfelt vocals are captivating.  It’s the type of song that will have many people – me included – tearing up halfway through. The lyrics are so powerfully moving: “And I know it’s so hard when these walls are caving in. But I stare and wonder at this war you’re gonna win. Cause you give me the strength just to make it through the night when we’re with you. I’m in awe of all your wonderful acts of courage that you do. But this time we have is not all that’s left.

With an abrupt jolt, the album closes with the hard rock gem “Tonight.” Blazing machine gun riffs intertwined with Eric’s shimmery guitars, heavy bass and crashing cymbals make this one exhilarating badass tune, proving beyond any doubt that Above The Skyline is a band with formidable talents. With an exceptional EP and full album now under their belts, they have a promising future, and I’m certain we’ll be hearing much more to come from them.

To learn more about Above the Skyline, visit their website. Support them by liking them on Facebook and following on Twitter. Subscribe to their YouTube channel and stream their music on Soundcloud. Go For Broke is available for purchase on iTunes and other platforms offering music for purchase.

EP Review: SHIKOBI – “Pull The Trigger”

I continue to be blown away by the huge number of incredibly talented bands and artists making music these days.  And whoever claimed rock was dead just isn’t listening!  And so I turn my spotlight to Shikobi, who play a powerful mix of edgy – and often topical – alternative hard rock, hip-hop, grunge and funk.

The band started out as a duo at the beginning of 2014, with Australian brothers Aaron and Luke Hession writing songs and playing local clubs, and within a year they were selling out larger venues as the headliner act. The brothers relocated to Los Angeles in early 2015, and by that April, enlisted drummer Dylan Hayden and bassist Marco Barrientos to complete the band’s lineup. Both Aaron and Luke sing and play guitar. Since then, Shikobi has steadily built a following in the U.S.

They’ve now released their debut EP Pull The Trigger, containing four red-hot tracks that showcase the band’s dynamic rap-infused hard rock sound, backed by heavy, explosive guitars and speaker-blowing percussion. Listening to their songs, it’s immediately clear they were influenced by Rage Against the Machine, Linkin Park, and the Red Hot Chili Peppers.

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Shikobi quickly establishes that they mean business with the lead single “Here We Go Again.” The track bursts open with pounding drums and blistering guitars. Anyone who follows my blog knows I’m a sucker for awesome, hard-driving guitar riffs, and this song has them in spades. These guys wield their guitars like weapons, shredding, pummeling and distorting the sound waves. Aaron’s raw vocals match the intensity of the music – he rapid-fire raps one moment, then practically snarls his lyrics the next. Take a listen to this firecracker:

The title track “Pull The Trigger” is a hard-hitting anthem addressing an issue the band feels strongly about – gun control and the lack of gun laws in the U.S. A complex, discordant arrangement with furious, gnashing guitars and thunderous drums perfectly evoke the troubling seriousness of the subject. Luke’s impassioned vocals are chilling in their ferocity. “We’re never gonna stop this happening, until the gun laws get changed again.  There’s too many people with twisted minds. Too many people to commit these crimes… What’s it going to take, until we make a change.”  The guitars on this track are positively monumental.

Slower in pace than the first two tracks, “Alive” and “Fight To Be Free” still feature the band’s signature killer guitars and heavy percussion. Throw in Aaron and Luke’s fervent, soaring vocals, and you’ve got two highly-compelling in-your-face songs. “Alive” has a distinct Red Hot Chili Peppers vibe, while Rage Against the Machine is evident in the politically-charged protest song “Fight to be Free.”

Pull the Trigger is an excellent debut from a very promising band of talented musicians who know how to play awesome hard rock. Show Shikobi support by following them on TwitterFacebook and Soundcloud. Their EP will soon be available for purchase on iTunes and other online music sites.

Featured Video: Romeo Crow – “For the Weekend”

A few months ago, I featured the multi-talented – and wonderfully charming – British singer/songwriter/filmmaker Romeo Crow on this blog (see the article here). Now, Romeo’s back with a great new song and video “For the Weekend.” The song’s about being frustrated and bored with a dull, mindless job that’s always making you look forward to the weekends – in other words, living for the weekend.  Romeo sings: “The only voice that matters here is the one that you can hear inside your head. If you wait for the weekend to get back all your living, you’ll find that it’s gone in a flash. Don’t wait for a lifetime to get back what you’re missing, you’ve got to pull your lifeline back.

The delightful video, which Romeo wrote, produced, filmed and stars in, begins with him sitting at his desk at work when he receives a phone call from someone requesting a file. He goes to a dingy basement storeroom to get it, whereupon he discovers various musical instruments.  Hesitating at first, he decides to take the plunge and act out his fantasies – his various rock star alter-egos play drums, guitar and sing –  until reality returns and he turns off the light and closes the storeroom door.

Musically, “For the Weekend” is an exuberant song featuring Romeo’s infectious, off-kilter vocals and phenomenal guitar-playing skills.  I’d love to hear him play “All Along the Watchtower” some time – hint, hint, Romeo!

Support Romeo by helping to promote this video by clicking here.  Follow him on Twitter and Facebook, as well as his website.

EP Review: Puppet Theory – “Buttons”

British Indie pop/rock foursome Puppet Theory is the latest band to emerge from the vibrant Manchester music scene.  They bring a fresh approach to their music, fusing old-school Brit-pop/rock with punk and alternative influences.  On September 21, they dropped their debut EP Buttons – a collection of four infectious, high-energy songs guaranteed to put you in a good mood and make you dance around like –  well, a puppet on a string!

I first learned of Puppet Theory when they followed me on Twitter a few days ago and, given their fun, upbeat music and sense of humor, I’m already a big fan.  On their website, they state “Puppet Theory have the perfect blend of UK influences, consisting of 2 Mancunians, a Scouser and a Southerner whose energy, edginess and musical expertise work together to create an unforgettable set.” For those of us non-Brits, a ‘Mancunian’ is a person from Manchester and a ‘Scouser’ is from Liverpool.  In their Facebook bio, they identify themselves as follows:  Johnny – Little strings and sings;  Chris – Little strings and sings;  Niall – Big strings;  Paul – Hits things.  How endearing is that?

Puppet Theory began life when Johnny and Paul started jamming together, feeling an instant connection. Knowing they needed a strong vocalist/lyricist who could serve as band front man, they held auditions and enlisted Chris after he impressed them with his songwriting ideas. Finally, after auditioning four other bassists, they were blown away by Niall’s playing and signed him on the spot, completing the band line-up.  They’re thrilled to now have their first EP out so music junkies like me can enjoy their music.

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The first track, “Young & Youthful,” immediately hooks you with an irresistibly catchy melody, though the poignant lyrics speak to anxiety over transitioning from youth to adulthood. The song bursts open with shredded guitars and pounding drums, led by a buzzing bassline. Another guitar riff is introduced, intertwining with the shredded guitars, and Chris plaintively sings: “When did we get old? Someone should have told me that I  don’t know what it is all about. Give me some time to figure it out. I’ll get there.”

Pulsating guitars, strong bass and Paul’s assertive drums – accentuated by lots of crashing cymbals – highlight the catchy title track “Buttons.” The strong third track “Room to Breathe” has a distinct Foo Fighters vibe, most noticeable in the excellent main guitar riff. The final track “Do You Know” treats us to more awesome blistering guitars and dynamic percussion that appear to be a hallmark of Puppet Theory’s sound.  The song seems to end at 4:30, then starts up again with a dramatic guitar solo that’s a sped up version of the main song riff for another 30 seconds. Interestingly, the band is the third that I’ve reviewed over the past month or so to utilize this stop and start up again technique in a song.

All in all, Buttons is a strong debut for Puppet Theory, who I think have a promising future, given not only their talent, but their strong chemistry and charisma.  Show them support by checking out their Website, following them on Facebook and Twitter, and subscribe to their YouTube channel. Stream Buttons on Spotify or purchase on iTunes.

Top 20 Songs for Sept. 25-October 1, 2016

1. ALL WE EVER KNEW – The Head and the Heart (1)
2. BANG BANG – Green Day (3)
3. HEATHENS – twenty øne piløts (2)
4. LIFE ITSELF – Glass Animals (5)
5. TROUBLE – Cage the Elephant (4)
6. GOOD GRIEF – Bastille (7)
7. CHEAP THRILLS – Sia & Sean Paul (6)
8. HYMN FOR A WEEKEND – Coldplay featuring Beyoncé (9)
9. YOU DON’T GET ME HIGH ANYMORE – Phantogram (8)
10. WAKE UP CALL – Nothing But Thieves (10)
11. SAY MY NAME – (IAM)WARFACE – (11)
12. RIVER – Bishop Briggs (12)
13. HARDWIRED – Metallica (14)
14. FEEL INVINCIBLE – Skillet (17)
15. SEND MY LOVE (To Your New Lover) – Adele (15)
16. BURN THE WITCH – Radiohead (13)
17. WELCOME TO YOUR LIFE – Grouplove (19)
18. TONIGHT – Matto Rules (20)
19. CHANGES – MUTEMATH (N)
20. SOMETHING TO BELIEVE IN – Young the Giant (16)