DANCING ON PLUTO – Single Review: “Feels Good”

Dancing on Pluto

It’s always a pleasure to discover a new band or artist whose music I instantly love. Dancing on Pluto is such a band. Formed just a year ago and based in Grand Rapids, Michigan, they’re an alternative rock band consisting of four long time friends Chas (lead vocals), Josh (drums), Gilbert (guitar) and Ishmael (bass). Their fun, energetic music is a blend of their favorite genres, including rock, hip hop, R&B, synth-pop, shoegaze and grunge – to name just a few of the influences I detect in their eclectic sound. They released their debut EP Abandon Ship in 2017, featuring five awesome tracks that I highly recommend my readers check out. They’ve now followed up with a terrific new single “Feels Good”  that immediately blew me away.

In an interview with the web magazine From the Depths Entertainment (which you can read here), the band explained the origin of their name, and what they want listeners to take away from their music:

“The concept, in short, is that Pluto is a planet of unexplored potential. It took until recent to even say it was a planet again. But Pluto is like our music. When you listen to our music, it is much like taking a trip to another planet. You are exploring the planet. But at the same time, you hear the song and they are jams. It makes you wanna dance, jam, tap your feet, or whatever. Thus, the name Dancing on Pluto. Our music is always changing and complicated because people, including us, are always changing and complicated.”

Dancing on Pluto3

Well, complicated is a good thing when music sounds as good as it does on “Feels Good,” which Chas announces with a shout out at the beginning of the track. After a few seconds of tapping drumsticks, a barrage of shredded guitars ensues, along with Chas’ wonderful vocals that sound as smooth as John Legend one minute, then raw and loud the next.  The tempo goes from a mellow, bass-driven groove while he croons “When you’re on your own, take time and deep breaths. And when you’re on your own…”, to a bombastic onslaught of more gritty shredded guitars with the refrain “…you’ll find out it feels good! It’s so good, right on! Get up! Go ahead, get down! Go ahead, right on!

The track seems to end at around 2:50 with the line “I’m having a revelation. Maybe we’re better off alone in the night.” But after a couple seconds, the calm is shattered when Chas lets out a yell, and a barrage of wailing guitars rains down upon us before settling back down at the end. We’re left drained but totally satisfied by this fantastic song that’s candy for the ears.

I love Dancing on Pluto and cannot wait to hear more songs from this incredibly talented young band.

Connect with Dancing on Pluto:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase:  iTunes

A BLUE FLAME – Album Review: “When Your Whole World Turns to Dust”

When You're Whole World Turns to Dust

British singer/songwriter Richard Stone – who goes by the artistic name A Blue Flame –tells compelling stories about life, love, faith, loss and heartbreak through poetic, heartfelt lyrics and sublime melodies. And though he’s not as concerned about the music or sound of his songs as he is the lyrics, I think they sound just right. His songs reflect an eclectic range of styles from doo-wop and old-school pop to easy listening ballads, folk and rock. Plus, his smooth, clear vocals are pleasing to the ear and perfectly suit his thoughtful lyrics.

Following up on his phenomenal 2016 album What We’ve Become is All That Now Remains, which I reviewed, A Blue Flame dropped When Your Whole World Turns to Dust at the end of September 2017. (he does seem to like long album titles!) He takes a somewhat darker tone on this album; many of the song lyrics are sad or bittersweet, speaking to failed relationships, regret, or disillusionment with the state of things. And yet they’re lovely to listen to and never depressing, offering glimmers of optimism and hope.

He writes all his songs and plays guitar on all the tracks. He arranges them with assistance from Adam Ellis, who co-produces and also plays guitar.  Other session musicians add their skills to the mix as needed, including Damon Claridge on drums, Andy Robertson on bass and keyboards, and Tony Robinson on keyboards and horns.

A Blue Flame 2

Back to the Stars” kicks things off with a languid tempo that feels rather like a sad slow dance, as a somber trumpet takes center stage. Soft tinkling of piano keys, a lightly strummed acoustic guitar and gentle snare drums complete the music. With an air of melancholy in his voice, A Blue Flame croons a message of hope and redemption: “When your whole world turns to dust. And all that you’ve known lies shattered and torn in undiluted sorrow. Look at the sky up above and know that you’re loved. Look up and know that you’re loved. And we’ll go back to the stars.”

The sad theme continues with “We Feel Like We Feel,” a beautiful but wistful song with layers of twangy strummed guitars, organ and a soft snare drum. The poignant lyrics speak to a relationship in which the feelings that once drew them together have drained away, leaving them feeling emotionally empty:  “Fleeting bittersweet memory. We found things that you can’t see. Every day we wake up wondering how the day starts. All we can feel is the cold of the steel in our hearts.” “Don’t Wait” is an uptempo pop tune with jangly guitar, piano and smooth trumpet.  A Blue Flame urges us to not waste any more time clinging to fear, self-doubt and regret, and to just “Strip off, dive in and swim.”

One of my favorites is “21st Century Blues,” a catchy song with a hook that would make Burt Bacharach proud. Tony Robinson’s bold trumpet has a starring role, with keyboards, piano and guitar adding to the great instrumental mix. The lively rock guitar riff in the bridge gives the track an extra jolt of energy.

The Future’s a Mystery” is a lovely little song about not worrying about what the future may bring, and just enjoying what we have now: “The future’s a mystery, let’s get on with living today.” A slow doo-wop beat and a beguiling trumpet are defining elements of the hopeful “A Better Way.” A Blue Flame advocates a solution for getting out of our funk: “All we need are easy days to chase the blues away. Let’s find a better way.”

One of the prettiest but also saddest tracks is “The Words Wouldn’t Form” a bittersweet song about feeling heartbroken over someone who’s left you for another. A Blue Flame’s doleful vocals convey a deep sadness as he sings: “I don’t know why I could not say goodbye. Darling I don’t know why the words wouldn’t form.” Musically the song features a gentle strummed guitar, lovely flute and xylophone, and the backing chorus is beautiful. A celtic-sounding flute and acoustic guitar are a sweet backdrop on “All We Need to Know.” The lyrics speak to the honest realization that a relationship was not going to survive. With a hint of cynicism, he admonishes us not to take life so seriously on the peppy “Everything’ s a Lie.” “There’s no need to cry when everything’s a lie. Nothing makes sense anymore. Show me the door.”

A Blue Flame rocks out on the next two tracks. “Empty Head” is a great, hard-hitting song in which he concludes that ignorance is bliss: “Nothing springs to mind. Empty head is here again.” The edgy “See What Tomorrow Brings” is terrific, incorporating touches of psychedelia and punk, and is a song David Bowie could have done. It features heavy guitars, bass and drums, and the distorted guitar riff at the end is awesome. It’s another of my favorites on the album.

The album closes on an optimistic note with “Love Will Set Us Free,” a beguiling song with a similar smooth, slow tempo as the opening track. The piano work is especially sublime, as are A Blue Flame’s vocals and the backing chorus. It’s a fitting end to a unique and wonderful album. His lyrics, music and vocals meld together perfectly, and the album’s production values and music arrangements are outstanding on every level. It all makes for a really beautiful and highly satisfying listen.

Connect with A Blue Flame:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud / Apple Music
Purchase:  cdbaby / iTunes

MAX KOFFLER – Album Review: “GAMES”

games album cover

Max Koffler is an indie musician from Berlin, Germany who’s been actively making music since his teens, when he formed a band called Kerosin. In 2004 he decided to go solo, and after touring in Korea for a while, he released a respectable debut album Taboo in 2008. He subsequently spent a long while writing and recording songs for what would become his second album GAMES, which he released in March of 2017.

Incorporating an eclectic mix of music genres and styles, including alternative rock, pop, EDM, and jazz, GAMES really showcases Max’s journey and growth as a musician. The maturity of his songwriting is exemplified by more complex melodies, song structures, lyrics and instrumentation, as well as stronger vocals. With 14 tracks, the album’s a real tour de force, with contributions by Seoulmates (a German group that was formed to support Max on his Korean tour), Max’s brother Hanno (who’s an accomplished actor), and a group of musicians who, along with Max, were involved in the workshop Mix With The Masters, conducted by the famed music producer Jimmy Douglass (Led Zeppelin, Aretha Franklin, Foreigner, Justin Timberlake, Pharrell, Jay-Z).

The opening track “Choose Your Fate” was just released as a single on New Years Day. It’s an upbeat synth-pop song that celebrates Max’s love for Berlin, and the inspiration it gives him to be the best person he can be. Swirling synths and a mellow bass line are set to a slow, catchy dance beat, making for a pleasing listen. The video, which was posted on YouTube in March 2017, shows Max walking around various sites in Berlin (a magnificent city rich in history and culture that I visited many years ago, and can attest to it’s beauty and charm).

One of my favorite tracks is “Europaroma,” a charming ode to the multi-culturalism of Europe. Shimmery synths set to a languid dubstep beat, and lyrics sung in Italian, French and English by Max’s smooth and sometimes auto-tuned vocals, make for a delightful feel-good song. “Limits” has a mesmerizing synth-driven dance beat with Max’s echoed vocals that are occasionally electronically altered, and the mysterious “The Fire is Yours” features a captivating guitar riff and fuzzy synths set to a hypnotic EDM beat that intensifies as the song progresses. Max repeats the lyric “Harmful you are to me.”

Max turns up the energy on the frenetic “Love Songs,” an infectiously catchy rock song that aims straight for the hips. I love the lyric “I don’t like love songs, but I love you.” “Shake Hands” is another fast-paced rock song loaded with synths, and featuring a great guitar riff and Max’s sung and whispered vocals. The anthemic “The Boldest Cats” has a joyous folk-rock vibe, with lovely acoustic guitar, organ and just the right amount of drums. Max’s earnest vocals are backed by an incredibly pleasing chorus sung by a group of musicians from Mix With The Masters. “Big Chart” and “Purple” are excellent pop-rock tracks with jangly guitars and deep bass lines, and featuring sublime backing vocals by Seoulmates.

Max sings a love song to the Korean capital he fondly remembers on the uplifting rock ballad “Saranghae Seoul.” The last line of the song is poignant and hopeful: “I know there’s a second half you miss, but one day you will kiss what’s lying north of you.” On the brief but moving track “May I Ask,” Max implores a loved one to let him know if she still has feelings for him: “You decide if I shall live or starve from lovelessness. And so I say, may I ask if you still want me the way you once promised?

Max incorporates jazz influences on the last three tracks, starting with the captivating “Watergum.” The delicate guitars and keyboards on this track are really nice. “Long Lost Land” has a mellow, early 60’s jazzy feel with a bluesy bass riff, subtle piano and gently crashing cymbals. Max’s vocals are particularly good, as he scats in a falsetto later in the song. And the backing vocals by Seoulmates are lovely, as always. The arresting album closer “Wenn” features beautiful piano keys and synths, and an enthralling guitar riff  floating above a skittering bass line. Max’s brother Hanno vocals are captivating as he sings the German lyrics.

GAMES is a wonderful album, filled with songs that require a deeper listen to fully appreciate all the subtle elements Max incorporates into his music. I find that the songs get better with each listen, and am totally smitten by the whole affair!

Connect with Max:  Website / Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music / Deezer
Purchase:  iTunes 

VERITY WHITE – Album Review: “Breaking Out”

Verity White Album

Verity White is a singer/songwriter from Cheltenham, UK, and can this woman rock! She plays a bluesy style of alternative rock which, combined with the ferocity of her sultry vocal styling that at times reminds me of Pat Benatar and Joan Jett, makes for a hell of an exciting listen. Verity has been a backing vocalist with the UK band Pendragon, and performed with them on their European tour in 2017. Last November, she released her debut full-length album Breaking Out, which serves as a bold metaphor for this evolutionary next step in her career. With assistance from her husband Alex on guitars and production, Breaking Out delivers 10 stellar tracks.

Verity White

The album kicks off with the audaciously sexy title track “Breaking Out.” Gritty, blues-infused guitars engage in a seductive dance with the steamy bass line and drum beat. The tinkling piano keys in the bridge accentuate Verity’s sultry vocals as she defiantly declares her independence: “I’m worth more than you know. I’m stronger than you know, and I’m better on my own.” Indeed she is, and who are we to argue!

Verity’s amazing vocal range is showcased on “Zeroes and Ones,” where she really seems to channel Pat Benatar. It’s one of the album’s standout tracks, with fantastic instrumentals that complement her powerful vocals that go from soothing to raw.  The dark “Demons in Your Head” offers up fuzzy synths and a heavy buzzing bass line set to a thumping beat. The song’s lyrics speak to personal struggles with emotional issues: “Pop another pill into your mouth. Crumbling because you can’t let it out. Every day’s a constant struggle with the demons in your head. Trying to control you, so you just go back to bed instead.”

Verity let’s her rock goddess alter ego loose on the rousing “I Don’t Care.” With raw energy in her vocals, she sings about not giving a damn and casting aside all self-control on a night of partying: “Gonna drink ’til I can’t remember my name. Gonna drink ’til I can’t be the one to blame.”

See Through” features Alex’s beautiful intricate guitars, mesmerizing synths and Verity’s beguiling vocals, all set to a melodic dance beat. It’s a great song, and one of my favorite tracks on the album. The synth-heavy “Face It” is another gem, and Alex really shines as he lays down lots of gritty riffs. The duo pull out all the stops on the raw, melodically complex “Exhale.” Damn if this isn’t another standout track! Mysterious sweeping synths, snarling guitars, loads of crashing cymbals and a pulse-pounding bass line work in tandem to create a speaker-blowing soundscape. Add generous amounts of Verity’s passionate soaring vocals and you’ve got all the ingredients to raise goosebumps.

Your Darkest Secret” is a hard-driving rocker, with more of Alex’s shredded guitars and Verity’s saucy vocals, while the bluesy “Slow Fall” brings a hypnotic piano riff backed by fuzzy guitars and thumping drums. Album closer “Overcome” is a terrific rock song with awesome multi-layered guitar work. With her raw and sultry vocals on full display, Verity sings “Let the feeling overcome you. Til they’re right into the core. Changing all our dark perceptions. As you ask again for more. Why can’t I feel this way without you?

Breaking Out is a superb debut for Verity White, showcasing not only her mind-blowing vocal abilities, but also her skill for writing songs with compelling lyrics and outstanding melodies. She’s set the bar quite high with this album, but I’m confident she has what it takes to come back with more great music in the future. For now, she’s been touring the UK to promote Breaking Out, and you can catch her next at Mr Wolfs in Bristol, England on January 18th.

Connect with Verity:  Website / Facebook / Twitter / Instagram
Stream her music:  Spotify / Apple Music / Soundcloud
Purchase:  Bandcamp / iTunes

Top 20 Songs for January 14-20, 2018

1. ONE FOOT – WALK THE MOON (3)
2. KINKY – Oli Barton & the Movement (1)
3. LIVE IN THE MOMENT – Portugal.The Man (4)
4. WITHOUT YOU – Disciples of Babylon (2)
5. RX(MEDICATE) – Theory of a Deadman (6)
6. ANGELA – The Lumineers (7)
7. SOBER UP – AJR ft. Rivers Cuomo (9)
8. PAIN – The War on Drugs (14)
9. I ONLY LIE WHEN I LOVE YOU – Royal Blood (10)
10. SIT NEXT TO ME – Foster the People (5)
11. SAFARI SONG – Greta Van Fleet (12)
12. PASSION – AWOLNATION (13)
13. SCARY LOVE – The Neighbourhood (15)
14. NO ROOTS – Alice Merton (8)
15. LOS AGELESS – St. Vincent (20)
16. I LOVE YOU BUT I’M LOST – Tears For Fears (11)
17. TWO HIGH – Moon Taxi (N)
18. ALL ON MY MIND – Anderson East (N)
19. HAPPY HOUR – Weezer (N)
20. WORLD GONE MAD – Bastille (N)

YOU’RE AMONG FRIENDS – EP Review: “One Day You’ll Look Back”

YAF EP Art

You’re Among Friends is a Cleveland, Ohio-based band who play a laid back style of funky, blues-infused folk rock that just makes you feel good. Following up on their wonderful album As We Watch the Years Go… (which they released in July 2016 and I reviewed last year), they dropped a new EP One Day You’ll Look Back at the end of November 2017. It’s a short EP, containing four tracks totaling only ten minutes in length, but it delivers the kind of honest, relatable songs about life and relationships the band does so very well. Making the music are Anthony Doran (lead vocals and guitars), Kevin Trask (bass, keyboards and backing vocals) and drummer Frank Mirabelli, a recent addition to, and sixth drummer for, the band.

The first track “I’m Happier Now” is a pleasant, upbeat tune about the happiness and joy a loved one brings to his life: “I can barely remember what life was like before you arrived. So I know I’m happier now. All I know is that I’m happier now. It’s true.” Anthony’s jangly guitar nicely complements Kevin’s humming bass line, while Frank bangs out the mellow beat on the drums.

The guys get philosophical on the funky “Back to Work Tomorrow,” speaking to the soul-crushing routine of a dead-end job, and advising against letting it define your life. I love the rather cynical lyrics to this song, as I think a lot of us can relate to them:

Work your fingers down to the bone
But in the end what do you have to show for it?
Except a few dollars that you’ve already spent
Because the money rolls out faster than it comes in
Well it’s an uphill battle towards a long decline
If you let your work define your life
If you worry about it you will lose your mind
It’s not like you get paid to think
Time flies, even when you’re not having fun
One day you’ll look back and half your life will be gone
Well that’s all time that you’ll never get back
I hope it was worth it working so hard for the man

You Lost Interest First” has a country vibe with an infectious bouncy guitar riff and toe-tapping beat. The song’s about a couple who’ve both lost the feelings for each other that initially drew them together. A catchy, uptempo beat belies the somewhat negative sentiments of “Not My Thing.” With a hint of resignation in his voice, Anthony sings:

It’s hard to make me smile
You can try your best but it probably won’t work
It’s not that I’m depressed
I don’t try to be dark, I’m not a jerk
It’s just that smiling is not my thing
Don’t like the sunshine I like the rain

All in all, One Day You’ll Look Back is a nice little EP featuring songs with simple melodies and compelling lyrics that make for a highly pleasurable listen.

Connect with You’re Among Friends:  Blog / Facebook / Twitter
Stream their music:  Spotify / Napster / Google Play / YouTube
Purchase:  Bandcamp / iTunes / Amazon

Top 20 Songs for January 7-13, 2018

1. KINKY – Oli Barton & the Movement (2)
2. WITHOUT YOU – Disciples of Babylon (1)
3. ONE FOOT – WALK THE MOON (3)
4. LIVE IN THE MOMENT – Portugal.The Man (6)
5. SIT NEXT TO ME – Foster the People (4)
6. RX(MEDICATE) – Theory of a Deadman (7)
7. ANGELA – The Lumineers (8)
8. NO ROOTS – Alice Merton (9)
9. SOBER UP – AJR ft. Rivers Cuomo (10)
10. I ONLY LIE WHEN I LOVE YOU – Royal Blood (15)
11. I LOVE YOU BUT I’M LOST – Tears For Fears (5)
12. SAFARI SONG – Greta Van Fleet (17)
13. PASSION – AWOLNATION (16)
14. PAIN – The War on Drugs (N)
15. SCARY LOVE – The Neighbourhood (20)
16. LOVING YOU IS SO EASY – Wide Eyed Boy (11) 20th week on list
17. LAY ME DOWN – Candid (12)
18. DEVIL IN THE DETAILS – VERIS (13)
19. THE SKY IS A NEIGHBORHOOD – Foo Fighters (14)
20. LOS AGELESS – St. Vincent (N)

SWILLY – Album Review: “Play It Loud”

Album_Play_It_Loud

I’ve stated in previous reviews that one of the things I like about Twitter is how it enables me to learn about so many great artists and bands from far and wide. And though a lot of them are based in large urban centers like Los Angeles, Miami, Toronto and London, many are located in smaller, out-of-the-way locales. One such artist is Swilly, a Canadian singer/songwriter (born Steven Williams) from the northwestern British Columbia town of Kitimat.

Heavily influenced by some of his favorite bands, especially ZZ Top, The Cult, Nickelback and Theory of a Deadman, Swilly is a rocker with a huge sense of humor. He writes the kind of down and dirty, kick-ass songs you wanna hear on a Saturday night, throwing down a few beers with friends at the local Roadhouse – something he in fact sings about on the track “Canadian Beer.” Just good old rock’n’roll, baby!

Swilly

He’s been a busy guy, writing and releasing lots of songs over the past few years, and in December 2017 he dropped his first full-length album Play It Loud. It’s a long album, featuring 13 great tracks and clocking in at just over an hour. Swilly played rhythm guitar, bass, keys and drum tracks, and sang vocals for all the tracks. He had assistance from Kevin Campbell, who played lead guitar on all but one track (“Breaking some Glass”) where he only played some rhythm guitar, and guitarist Klaus Passegger played lead guitar.

The album gets off to a strong start with “Let the Fire In,” a superb rock track propelled by snarling riffs and a hard-driving beat, the kind that breaks your will to keep still. The influence of ZZ Top – a band I also happen to love – is strongly evident, and this song would do them proud. And not only do the beats and guitars have a ZZ Top vibe, but Swilly’s vocals at times sound a lot like Billy Gibbons. He also channels ZZ Top on the appropriately-named title track “Play it Loud” and the high-energy “Start Talking.”

Swilly slows it down on “Baby I’m Back,” a smoldering rock tune with some terrific bluesy riffs that’ll have you swaying your hips with your honey. Those dirty, bluesy guitars come roaring back even stronger on the deliciously satisfying in-your-face track “You’re a Dick.” Swilly snarls the lyrics informing an A-hole of just what he thinks of him – something I’m certain we’ve all wanted to tell someone:

It’s plain as day to the rest of the world, oh yeah
You’re a dick and everyone knows it, oh such a dick
You’re a dick. The kind of guy who knows it all
You’re a dick. The kind of guy who beats on little girls

Wasted” delivers some awesome screaming guitars, while the rousing “Who Says” is a little slice of rock’n’roll heaven. Accompanied by tasty riffs of shredded guitars, Swilly defiantly proclaims: “Who says we have to behave? Who says that you gotta be in by 10? I ain’t livin’ someone else’s life, I have to live my own.” Employing generous helpings of funky bass, he dials the thermostat to a slow burn on the sexy tracks “Feels Like” and “Sun Girls.”

Guest guitarist Klaus Passegger lays down some great guitar noodling on the melodic “Breaking Some Glass.” The song’s about letting loose and having a good time: “It ain’t a party if we don’t see you shaking your ass.” Indeed! “Batman” is a real head-banger, with superb gritty and distorted guitar work. Swilly informs his girl of who’s she’s dealing with: “I’m your batman. I’m not always you’re good guy.

One of my favorite tracks on the album is the lovely ballad “Friends.” It’s a departure from Swilly’s typical hard-rocking style, and the guitar work and vocals are positively sublime. The touching lyrics are about friends who’ve grown from children to adults with children of their own, affirming that their friendship will endure:

We’re all older now, and have kids of our own
And we watch with wonder as they find the unknown
And the sweet sound of laughter echoes through our yards
Recall all the things we thought so hard
We’ll all be friends to the end of our days. Our days
Cause you and I will always be friends
And I will be there when you need me

Play It Loud is a terrific album, chock-full of great tunes that will satisfy your thirst for rock’n’roll the way it was meant to be played. Swilly’s a prolific songwriter, and I’m confident we’ll be hearing lots of new music from him in 2018.

Connect with Swilly:  Website Facebook / Twitter
Stream his music:  Spotify / Soundcloud / ReverbnationApple Music
Purchase:  iTunes / Bandcamp / cdbaby

BRAIN APE – Album Review: “Auslander”

Auslander Cover Artwork

As I’ve stated in previous posts, being the EclecticMusicLover, I like when artists and bands incorporate lots of different influences to create genre-bending music. One such band is Brain Ape, a London-based outfit who skillfully fuse punk, stoner rock, grunge, noise rock and shoegaze to create their unique sound they call “scratch rock.” In August 2017, they dropped their second album Auslander, which was released through Schlimbum Records. It’s an ambitious work, containing 12 brilliant tracks with some of the best titles I’ve heard, and running nearly 55 minutes in length.

Brain Ape consists of Minky Très-vain, who plays guitar and sings lead vocals, and Sol Albret who plays bass and sings backing vocals. Jacob Powell played drums and sang backing vocals on Auslander, but is no longer with the band due to other commitments. In an interview with Rebecca Singer for her blog Read Between the Lines (which you can read here), Minky explained the strong influence of Nirvana on Brain Ape’s sound:

“It’s incredibly cliché, but the album that changed my life musically was “Nevermind.” After hearing that album, I knew exactly what type of music I wanted to make. I think one of the most interesting things about [Nirvana] is the legacy that they’ve left behind having only made a handful of albums.”

And regarding their unusual name, Minky explained:

“I really like the name because everyone seems to have their own ideas where it comes from and what it means. For me, there are about three contradicting ideas bouncing against each other, all within two words. I like how abrasive it sounds, yet to me sounds rather beautiful too. But the core idea for me, when we were coming up with a name for the band, was that what we do is very instinctual: neither Sol nor I are classically trained musicians. We’re not even particularly good at what we do. It just so happens that when you put the two of us in a room together with instruments we seem to think along the same wave lengths. Genetically we’re all apes, and when you remove any conscious thought you end up just creating from instinct. That’s why our logo is a chromosome. I guess we feel like the music we make comes from our very own genetic makeup.”

Brain Ape [6]_preview
Photo by Gregory Hesse-Wagner

Brain Ape gets right down to business with the outstanding album opener “Give Me My P45,” a rousing punk-infused number with grungy guitars, a dominant buzzing bass line and loads of crashing cymbals. Minky’s echoed and distorted vocals add to the song’s gritty texture.

Next up is “Watercolour,” a grungy track that shifts back and forth from hard-hitting verses with gritty guitars and hammering drums to softer interludes with delicate chiming guitar, a characteristic of many of Brain Ape’s songs. Minky’s plaintive vocals rise and fall with the intensity of the music, wailing “I don’t know why I still breathe” during the heavier verses. Nirvana’s influence can clearly be heard on the six minute and 22 seconds long “Graphomania.” Quiet, melodic verses with gently strummed guitar alternate with intense, shredded guitar riffs, heavy bass and powerful drums. Minky emphatically sings “He doesn’t know what he should be.”

Respect Your Icons” is a fast-paced punk rock gem with frantic riffs of shredded guitars and pounding drums. Halfway through the tempo slows to a thumping drumbeat and psychedelic reverb-heavy guitars. The guys deliver more psychedelic goodness with “The Quick Brown Dog Jumps Over the Lazy Fox.” And what an awesome song title is that!  The track has a mesmerizing melody with awesome guitar work and a buzzing bass line so heavy you feel it in your core.

The sublime “I Could Use Some Food” opens with gentle strummed guitar and Minky’s quiet, almost whispered vocals, then explodes into a crescendo during the last minute of the track before quieting back down at the outro. It’s one of my favorites on the album. “Stop Sulking” is another track having a definite Nirvana vibe, with sharp, clipped verses, gnarly guitars and heavy bass. Minky repeatedly wails “I don’t want to play.

Punk makes a return appearance on “Das Krokodil Will Barfuß Sein,” with shredded guitars and fuzzy bass over a frenetic drumbeat, and “Extra-Tourette’strial,” a psychedelic head banger punctuated by Minky’s screaming vocals and distorted, reverb-heavy guitars. Brain Ape offers up some heavy metal on “Blood Blister,” with crushing bass and shredded guitars over an aggressive, hypnotic drumbeat. With his echoed, distorted vocals, Minky shouts “It wasn’t me, you got it all wrong.”

Oh, David” is an ominous sounding track with throbbing, speaker-blowing bass and fantastic guitars that go from jangly to gritty and back again. Album closer “Hunger”  is a complex, retro-sounding track that seems at times to channel 60’s bands The Yardbirds or The Doors. The track features psychedelic-sounding echoed vocals and more of Brain Ape’s signature guitars that alternate between jangly and shredded, with an extended reverb-heavy outro. It’s a dramatic finish to an exceptional album.

Connect with Brain Ape:  Facebook / Twitter / Instagram

Stream Auslander on Soundcloud or purchase on Bandcamp

Top 20 Songs for Dec 31, 2017-January 6, 2018

1. WITHOUT YOU – Disciples of Babylon (1)
2. KINKY – Oli Barton & the Movement (3)
3. ONE FOOT – WALK THE MOON (5)
4. SIT NEXT TO ME – Foster the People (2)
5. I LOVE YOU BUT I’M LOST – Tears For Fears (4)
6. LIVE IN THE MOMENT – Portugal.The Man (11)
7. RX(MEDICATE) – Theory of a Deadman (10)
8. ANGELA – The Lumineers (12)
9. NO ROOTS – Alice Merton (13)
10. SOBER UP – AJR ft. Rivers Cuomo (14)
11. LOVING YOU IS SO EASY – Wide Eyed Boy (6) 19th week on list
12. LAY ME DOWN – Candid (8)
13. DEVIL IN THE DETAILS – VERIS (9)
14. THE SKY IS A NEIGHBORHOOD – Foo Fighters (7)
15. I ONLY LIE WHEN I LOVE YOU – Royal Blood (17)
16. PASSION – AWOLNATION (18)
17. SAFARI SONG – Greta Van Fleet (20)
18. HIGHWAY TUNE – Greta Van Fleet (15)
19. SO TIED UP – Cold War Kids, Bishop Briggs (16) 19th week on list
20. SCARY LOVE – The Neighbourhood (N)