1. DISAPPEAR – Western Jaguar (3)
2. CHLORINE – twenty one pilots (1)
3. BURY A FRIEND – Billie Eilish (4)
4. LONGSHOT – Catfish and the Bottlemen (2)
5. FEAR THE FUTURE – IAMWARFACE (6)
6. DARK PLACES – The Frontier (7)
7. TIME – Morosity (8)
8. ESCAPE – Ships Have Sailed (9)
9. HURT – Oliver Tree (10)
10. LOVE CRAZY – Karolina Rose (11)
11. SIGUE CON EL AMOR – John Defeo (5) 20th week on chart
12. STILL FEEL. – half alive (14)
13. MISSED CONNECTION – The Head and the Heart (16)
14. TRAMPOLINE – SHAED (12)
15. BELOVED – Mumford & Sons (17)
16. READY TO LET GO – Cage the Elephant (13)
17. SEVENTEEN – Sharon Van Etten (18)
18. PATIENCE – Tame Impala (19)
19. LO/HI – The Black Keys (15)
20. I’LL BE AROUND – Morning Fuzz (22)
21. NOT WORTH IT – The Only Route (23)
22. OLD MAN’S WAR – Roadkeeper (24)
23. CHOKE – I Don’t Know How But They Found Me (25)
24. GENERATION Y – Guide Dog (20)
25. BAD LIAR – Imagine Dragons (21)
26. APOLOGIZE – grandson (27)
27. SAW LIGHTNING – Beck (28)
28. MAYBE, I’M AFRAID – lovelytheband (30)
29. BAD GUY – Billie Eilish (N)
30. ALLIGATOR – Of Monsters and Men (N)
I have a special admiration for artists who are willing to speak out about social and cultural issues, working to break down barriers. With that in mind, I’m pleased to feature Los Angeles-based artist Bridesmen, the music project of the astonishingly talented and thoughtful singer/songwriter Kenton Chen. Known for his work on NBC’s a cappella singing competition program Sing-Off, as well as his performances with Postmodern Jukebox and Scary Pockets, Chen’s latest project Bridesmen is a departure from his jazz/soul/a cappella roots. Through Bridesmen, Chen strives to explore the darker side of human nature, and the struggle over how to be a good person in a world that marginalizes you, i.e. a ‘bridesmen’ at a wedding.
As a gay Asian second generation immigrant, Chen grew up feeling isolated, constantly hiding behind masks to protect himself. With Bridesmen, he aspires to uncover these masks in an effort to live a boundless and truthful life. Through his songs, he tries to articulate feelings of loneliness and the effect it can have on people. Chen explains “We hurt when we don’t understand each other and we hurt when we are unwilling to change. The best thing we can do is be ourselves within the context of what we were given.I want people to know that as I have grown and matured as an artist and a human being, I’ve come to realize that my specific experiences of being gay and Asian are not particular to me. My life story reverberates far beyond my specificities, and anyone from any race or sexuality can empathize with the need to belong and be understood.”
Following the success of his soulful single “Someone Who Loves Me”, Bridesmen has released a gorgeous new single “Overwhelm“, along with a captivating video. The song speaks to our internal battles we have over our emotions. As Bridesmen explained to online magazine PRIDE: “Many of us walk through life with dual personalities: the strong, defensive façade, and the soft, sensitive core that we struggle to protect. We view our softness as weakness, as something we need to suppress or hide—whether with television, alcohol, or other distractions. But the more we push it down, the more it begins to fester, until it all boils over in a dark cloud that feels overwhelming. Thus, ‘The Overwhelm.’” He adds, “We Americans don’t talk about mental health, and the shame we attach to it is prohibiting us from addressing it head-on. It’s a vicious cycle. We feel isolated, so we produce negative thoughts, but because we don’t discuss our struggles, we feel more isolated, driving us deeper and deeper into the abyss.”
Musically, the song starts off with atmospheric keyboard synths as Bridesmen softly sings “Oh I’m not fighting this anymore. It never did me no good.” The music gradually swells into a sweeping soundscape, providing a lush backdrop for his breathtaking vocals as he plaintively croons of suppressing his overwhelming pain: “Swallow it down, swallow it down, before it consumes me. Seeing it now, wondering how, how not to lose me. I’m afraid to fade away, so I take in all the pain.” He really has a remarkable voice – so clear, resonant and beautiful.
The stunning video shows two dancers, played by Stephanie Kim and Raymond Ejiofor, interpreting the song through their movement, and interacting with Bridesmen. He explains, “By letting them actually express themselves, I am setting my emotions free. I can learn to love the naive child and also the jaded guardian, recognize how important they are, as they guide me through The Overwhelm”. The video was beautifully directed by Seth Iliff.
Miami dance-funk band Xotic Yeyo are three zany guys with the coolest name, and they’re bound and determined to get our asses on the dance floor. Serving up the funky psychedelic grooves are Stu Sauce on guitar and lead vocals, Rod Reiter on bass and backing vocals, and Cody Orange on drums. Their fun, upbeat sound is influenced by funk greats like Parliament, Curtis Mayfield, Average White Band, Prince, Gil Scott Heron, Phish, Primus and Jamiroquai, among others.
The guys dropped their debut EP Down 2 Funk in late 2016, and followed up in Spring 2018 with a full-length album Chocolate Decadence, featuring 10 tracks guaranteed to funk you up! (I reviewed both releases, and you can check them out in the links under “Related” at the bottom of this post.) The risqué artwork for their EP and album are a good indication of their playful attitude and approach to their music: don’t take yourself too seriously, let loose, and have a good time. With that philosophy in mind, they now return with funky new single “Slide to the Left“, along with a fun and campy video.
The song is essentially about getting down on the dance floor and having fun. The track opens with electronically altered vocals that lend a spacey psychedelic vibe, then Stu lays down a funky riff that gets us on our feet, turning wobbly in the bridge. He challenges us to get into the groove: “Are you ready to get funky tonight!” Rod and Cody keep a tight rhythm with their funked-up bass and cooler than cool drums. It’s an infectious feel-good track guaranteed to bring a smile to our faces and put our hips in motion!
The song was recorded at City of Progress Studios in North Miami by DJ Spam of the Spam Allstars, and mastered by Eli S. Oyola at Trackset Studios in Winter Haven. Guest musicians include Mpa Melanie on backing vocals and Oski Gonzalez on congas.
The delightful video depicts Stu as a sort of funky pied piper, using his sexy moves to attract people on the street to join him in the latest ‘slide to the left’ galactic dance craze. It was filmed by Dave E. Drones of Dream Kinetics, and stars Stu as Disco Funk Jesus, along with band members Rod Reiter and Cody Orange. Also appearing in the video are band friends Aimee Beah Moore, Kyra Kennaugh, Sarah Worgess, Sharon Dubash, Danielle Livingston, Evan Hoffman, Jose Deveaux, Jessica Bass and Brook Hamilton.
As I’ve stated previously, one of the many things I enjoy about having a music blog is learning about new indie musicians and bands who are making some really fine music. Another recent find is Los Angeles-based indie rock artist Forever X2, the music project of singer/songwriter and multi-instrumentalist Peter Verdell, who drops his debut EP Forever X2 today, May 22nd. He recently wrapped up an April residency at The Satellite in Los Angeles, which was presented by the legendary L.A. alt-rock radio station KROQ Locals Only program, featuring numerous standout acts from the L.A. music scene.
In his bio, Verdell establishes that he “wants to play power chords. And sing with some fuzz on his vocals. And make music that both his modern brain and his teenage brain would be psyched to hear on the radio.” Well, after listening to the six tracks on Forever X2, I would say that he accomplishes his goals quite nicely. He wrote all the songs in his apartment in downtown Los Angeles, and recorded them in a hot, non-air conditioned garage in Silverlake (where I lived for a brief time back in the 1980s). Verdell sang all vocals and played all the music, including guitars, drums, and keyboards.
In describing his creative process, he explained “I wanted the songs to capture how I felt when I first started playing music. Informal and fresh, sweaty and loud. The EP is special to me for a lot of reasons. It was about as DIY as it could get, and I needed it to be that way. I needed this new band to be fun and fresh and for there to be as few barriers between my brain and the recordings as possible. I worked with two talented dudes on the producing and mixing (Ari Berl and Yianni EP from a band called Pink Skies), and they did a great job. I wanted the songs to feel new but also to feel like they could’ve been on rock radio in 1997. I don’t know how close I got to that, but I’m in love with how the songs turned out. I think they feel fresh and new but also kind of familiar.”
In advance of the EP, Forever X2 released each of the six tracks as singles, beginning in the Fall of 2018 with “Keep the Devil Waiting”, which was recently licensed for an episode of CBS’ TV series Seal Team. The song has a rousing post-grunge vibe with grimy guitars and tumultuous drums. I like how Verdell inserts bits of distortion and reverb into the mix, ramping up the tension and excitement. His fuzz-soaked vocals have a seductive quality, a perfect match for the gnarly music and suggestive lyrics “So give me your love in a hurry. And leave your bible in the nightstand.”
“Think About It” is a fun, sexy song, and one of my favorites on the EP. I love the strong bouncy beat, chugging riffs of fuzzy guitars, and playful, almost psychedelic synths. Forever X2 tries to convince his love interest to quit wasting her time with Hollywood poseurs and get with him: “You need a man like me, someone you ain’t had. Try first with a name and a handshake over jack and a cola. Think about it. Tell me what you’re missin’. A man with a vision, and babe I see you so good.” Lyrics just don’t get any better than that!
The third single “Walk the Ocean” is another great grunge-pop tune, and received substantial airplay on KROQ for several weeks. The infectious song, as well as the following track “Mad For Me”, are both catchy as hell, with irresistible head-bopping beats that aim straight for the hips. Forever X2’s intricate guitar work is really quite marvelous on both songs. “God Don’t Want” has a moodier vibe, with harsh industrial synths and percussion, deep, pulsating bass and heavier, more distorted guitars that reach ear-piercing levels later in the song.
The final track and most recently released single “Forever Times Two” is a darkly beautiful love song, and my favorite on the EP. According to the website Get Some Magazine, which featured the single, the lyrics were inspired by author Stephen King’s book 11.22.63, about a time traveler named Jake who attempts to prevent the assassination of President John F. Kennedy. For the song, Forever X2 specifically addresses the doomed love affair between Jake and a woman named Sadie, who in the book is accidentally shot and killed by Lee Harvey Oswald, and dies in Jake’s arms.
The song is musically complex, slowly building in intensity as different instruments and sounds are gradually added in layers, creating a breathtaking and powerful soundscape for the deeply moving lyrics. Starting off with a sci-fi synth, a mix of percussive sounds – including drumbeat, hand clap and bell – ensue, accompanied by ominous synths and sounds of French police sirens as Forever X2 begins to sing in a breathy voice. As the music swells with warm keyboard synths, he sings “Softly calling. I’ve been waiting. I’ve been tracing lines to get back here Sadie. All my days, I’d trade ’em all over again. And I want to be with you ’til I’m gone.” Lush, swirling synths and chiming guitar are added as the music builds to a crescendo, at which point he repeats the lines singing as both Jake and Sadie. The music continues on, accompanied by his gorgeous soaring chorus, for a dramatic finish that leaves me completely covered in goosebumps.
Forever X2 is an outstanding EP, with six stellar tracks that beautifully showcase Verdell’s brilliant songwriting and musicianship. I love his sound and really enjoy listening to these songs again and again. I’m definitely adding this EP to my collection.
Titus Calderbank is a remarkably talented young singer/songwriter from Vancouver, British Columbia, Canada, and he’s just released a beautiful and moving new single “Mistakes“. The song has a bit of a gospel quality, with a haunting piano-driven melody fortified by a soaring organ riff, celebratory drumbeats and Titus’ gorgeous vocals, backed by anthemic choruses. His deeply resonant vocal style is quite marvelous, with a power to stir our hearts and souls.
About the single, Titus explains “‘Mistakes’ is a song about failure and regret. A song about missing the mark. It’s also a song of redemption and asking for forgiveness. Humans often fall short. At the end of the day, we have to accept that we’re all trying our best. What I hope to communicate through this song is that mercy and forgiveness are always an option. We can either be slaves to our past mistakes or make peace with them and move on. We can grace our enemies with forgiveness or we can die with bitter hearts.”
Choices I made Long ago they Bubble up And they surface to my soul
But darling then Was I myself Was I who I wanted me to want to be
Won’t you take a part of me Won’t you take a part of me Place it deep, deep, deep, deep, deep, See if I still make mistakes
Here’s a video of him performing the song live, with his lovely piano as the only instrument to accompany his beautiful vocals that remind me a bit here of Rufus Wainwright.
Also released in conjunction with “Mistakes” is a second track “Could Have Done Better“. It’s a bit lighter in tone, with a catchy guitar-driven melody, but still features that lovely organ, strong percussion, and Titus’ arresting vocals. Like “Mistakes”, it also deals with atoning for one’s past wrongs and asking for forgiveness. It’s a wonderful song too.
I hate to admit it, but I really didn’t know much about supergroup Hollywood Vampires until a few days ago, when a friend asked me if I wanted to go with her to see them perform at one of the local casinos. I knew that Alice Cooper and Johnny Depp were in the band, but not much else. I’m so glad I went, because they put on a fantastic show!
For those as unaware as I was, Hollywood Vampires was formed in 2015 by rock legends Alice Cooper and Joe Perry (lead guitarist of Aerosmith), and actor Johnny Depp to honor the music of the rock stars who died from excessive lifestyles in the 1970s. The band name comes from the drinking club called The Hollywood Vampires that was created by Cooper in the early 1970s. The club, which besides Cooper included such rock legends as Elton John, John Lennon, Ringo Starr, Keith Moon, Harry Nilsson and Mickey Dolenz of the Monkees, used to meet at the famed Rainbow Bar & Grill on the Sunset Strip in West Hollywood. Their main objective was to drink until no one could stand up. Thankfully, Cooper and the other surviving members eventually cleaned up their act and are alive and well today.
Hollywood Vampires just completed a brief Spring Tour, which began in Las Vegas on May 10, and ended last night (Saturday, May 18) at the Fantasy Springs Resort & Casino in Indio, California (30 miles SE of Palm Springs). They were the only act on the bill, so we didn’t have to sit through any opening acts. They appeared on stage around 8:15 pm and played their asses off for nearly two hours, proving that age is only a number (Cooper is 71, Perry 68 and Depp will turn 56 in June). It was nice seeing a band where most of the members are older than me for a change LOL!
Along with Cooper, Perry and Depp, the other touring band members included Chris Wyse on bass, Tommy Henriksen on rhythm guitar, Buck Johnson on keyboards and Glen Sobel on drums. They’re all seasoned musicians who played as a tight unit, and clearly enjoyed themselves on stage. Their infectious energy easily transferred to the audience.
They played a mix of classic songs and covers, original songs from their 2015 debut album Hollywood Vampires, and five new songs from their forthcoming second album Rise (set for release on June 21st), opening with “I Want My Now” from the new album. They followed with the head-banging “Raise the Dead” from their 2015 album, and now had the audience nicely worked up. Even though I wasn’t familiar with those first two songs, I was really digging them big time!
Alice Cooper in action
Joe Perry working his magic
Is there anything Johnny Depp cannot do?
Cooper was very engaging, and talked with the audience a bit between songs, doing a bit of reminiscing as he introduced some of the old songs. Some of the highlights for me were their covers of the Doors’ “Break on Through (to the other side)”, Aerosmiths’ “Sweet Emotion”, The Who’s “Baba O’Riley” (during which drummer Glen Sobel blew us away with a phenomenal drum solo), and David Bowie’s “Heroes”, in which Johnny Depp did great justice to Bowie’s memory by doing a fantastic job singing lead vocals. He’s really a fine vocalist; I loved his singing in the film musical “Sweeney Todd”, and I think he’s also pretty good at singing rock too.
Here’s a terrific video of the band performing “Heroes” that was shot by Joe Schaeffer, a photographer/videographer who also happened to be at the concert, and has graciously allowed me to include it in this review.
And here’s some footage of the band performing “Baba O’Riley”, showcasing Sobel’s amazing drum solo. I apologize for the poor quality of the sound on my video.
Among the other new songs they performed from Rise was “The Boogieman Surprise” a great, hard-driving track. Here’s the official video of the band performing the song at another show:
The guys kept playing song after song with scarcely a break, finally ending with their cover of Tiny Bradshaw’s “The Train Kept A-Rollin'”, then walked off stage. The crowd applauded wildly and repeatedly yelled “oncore!” To our collective delight, the band returned to finish off with another new song “We Gotta Rise”, and a rousing medley of the crowd-pleasing Cooper classic “School’s Out” and Pink Floyd’s “Another Brick in the Wall”. It was an awesome show, and we all left happy.
Set List
1. I Want My Now
2. Raise the Dead
3. As Bad As I Am
4. Five to One / Break On Through (to the Other Side) (The Doors cover)
5. The Jack (AC/DC cover)
6. Who’s Laughing Now
7. The Boogieman Surprise
8. You Can’t Put Your Arms Around a Memory (Johnny Thunders cover)
9. My Dead Drunk Friends
10. Baba O’Riley (The Who cover)
11. Sweet Emotion (Aerosmith cover)
12. Heroes (David Bowie cover)
13. Git From Round Me
14. I’m Eighteen (Alice Cooper cover)
15. People Who Died (The Jim Carroll Band cover)
16. The Train Kept A-Rollin’ (Tiny Bradshaw cover)
Encore:
17. We Gotta Rise
18. School’s Out / Another Brick in the Wall
1. CHLORINE – twenty one pilots (1)
2. LONGSHOT – Catfish and the Bottlemen (3)
3. DISAPPEAR – Western Jaguar (4)
4. BURY A FRIEND – Billie Eilish (5)
5. SIGUE CON EL AMOR – John Defeo (2)
6. FEAR THE FUTURE – IAMWARFACE (6)
7. DARK PLACES – The Frontier (9)
8. TIME – Morosity (10)
9. ESCAPE – Ships Have Sailed (11)
10. HURT – Oliver Tree (12)
11. LOVE CRAZY – Karolina Rose (14)
12. TRAMPOLINE – SHAED (7)
13. READY TO LET GO – Cage the Elephant (8)
14. STILL FEEL. – half alive (15)
15. LO/HI – The Black Keys (16)
16. MISSED CONNECTION – The Head and the Heart (21)
17. BELOVED – Mumford & Sons (18)
18. SEVENTEEN – Sharon Van Etten (19)
19. PATIENCE – Tame Impala (20)
20. GENERATION Y – Guide Dog (17)
21. BAD LIAR – Imagine Dragons (23)
22. I’LL BE AROUND – Morning Fuzz (24)
23. NOT WORTH IT – The Only Route (25)
24. OLD MAN’S WAR – Roadkeeper (26)
25. CHOKE – I Don’t Know How But They Found Me (27)
26. HARMONY HALL – Vampire Weekend (13)
27. APOLOGIZE – grandson (28)
28. SAW LIGHTNING – Beck (30)
29. VOLCANO – Feather Weight (22)
30. MAYBE, I’M AFRAID – lovelytheband (N)
While most musicians generally tend to express themselves through their music to one degree or another, Two Meters really bares his heart and soul on his songs. Based in Fort Lauderdale, Florida, Two Meters is the music project of singer/songwriter and multi-instrumentalist Tyler Costolo. Starting off with deeply personal and often brutally honest lyrics – which he expresses through vulnerable, slightly off-kilter vocals that go from barely a whisper to impassioned screams – he adds layers of heavily-textured guitars, harsh industrial synths, and other lo-fi ambient sounds to create impactful songs that elicit strong feelings from the listener. I’ve been replaying his songs for the past few hours and hear new details with every listen.
I asked Tyler how he came to call his project Two Meters. He explained “I have been playing water polo for about 15 years now. I did in college, and I was coaching too when I first started recording. Two Meters is a reference to the sport; it’s kinda similar to an offsides in soccer. I thought it sounded cool and was relevant to my life.”
Two Meters released his debut self-titled EP in June 2018, and now returns with The Blue Jay EP, which drops today. Released via the label Very Jazzed, The Blue Jay EP features five tracks that continue to explore the dark themes of loss and death that Tyler first introduced on Two Meters. He wrote and sang all lyrics and played all instruments on the EP (other than drums, for which he used sample loops or drum sounds from his production software). Mixing was done by Yuuki Matthews and mastering by Warren Hildebrand.
The EP opens with “The Morning Train“, a brief lo-fi instrumental track consisting of dark, gnarly synths, pulsating bass and an ominous drumbeat that set a somber tone. This is followed by “Pools“, a powerful track that speaks to thoughts of drowning by suicide. Tyler explained: “I really was spending a lot of time by pools while I wrote that song and I was constantly having ‘call to the void’ type visions. I tend to gravitate toward darker themes in the music I listen to, so it makes sense that’s what I end up writing too.” The track starts off with a captivating twangy guitar riff, then moody, throbbing synths are added as Tyler sings in a morose tone “I spend a lot of time by pools. Looking deep in the water. Thinking how easy it’d be to slip under./ Just as dark sets in, it’s too late to swim back up.” Suddenly, we’re bombarded with an explosion of tortured, grinding synths and reverb-heavy distorted guitar that would make Marilyn Manson proud, as Tyler repeatedly screams “It’s too late!”
Next up is “Ground“, a song about feelings of worthlessness. Tyler explained its meaning: “At the time of writing the EP, I was feeling incredibly worthless. The idea being that in the grand scheme of everything, my life was the same as the poor bird I saw that died overnight.” The track opens with layers of heavily-strummed guitars and Tyler’s somber humming, followed by him singing in a monotone, as if to convey his emotional ennui. Then, with the introduction of distorted guitar notes, the tempo abruptly shifts as Tyler refrains the line “I am the bird, alone on the ground” in dual voices – one a dispassionate monotone, the other a desperate wail. Man, it just rips at your soul!
The appropriately-titled “Intro to an Attack” is another brilliant instrumental track. Like many Two Meter songs, it starts off with gentle synths and a bucolic strummed guitar, but 30 seconds in, the calm is shattered by that promised attack of glorious bone-crushing industrial mayhem and distortion. The final track “In the Wake” is a decidedly more hopeful song, despite its rather bleak vibe. Tyler said it speaks to his problems with panic attacks and anxiety, and how having his girlfriend Margo Dellaquila (who real life sings the reassuring vocals to him on the track) around really helps to keep him grounded.
The Blue Jay EP is a brief but astonishing work of incredible nuance, contrast and emotional honesty. Two Meters is skilled at lulling us with soothing melodies and vocals one moment, then punching us in the gut with brutal ferocity at others. The more I listened to this EP, the more I loved it.
‘Dream Rock that sounds like Death Cab For Cutie had a War On Drugs with The Beatles.’ That’s how Australian band Crystal Cities describe their enchanting sound, and it’s spot-on. Their wonderful songs feature thoughtful lyrics and stunning melodies delivered by superb instrumentation and vocals. In March 2017, the Sydney-based three-piece released their outstanding and critically acclaimed debut EP Who’s Gonna Save Us Now. The gorgeous title track and lead single “Who’s Gonna Save Us Now”, which I featured on this blog that April, reached #1 on the Unearthed Overall Charts within a few days of its release, and ended up on my 100 Best Songs of 2017 list. Now they’re back with a stunning new track “Under the Cold Light of the Moon“, the lead single from their forthcoming album of the same name, set for release on 31 May.
Crystal Cities is comprised of the very talented Geoff Rana (Vocals, Guitars), Jared King (JK) (Bass, Backing Vocals) and Daniel Conte (Drums). Since the release of their EP, the guys have had a productive two years and have come a long way, from a garage in Sydney to Abbey Road Studios in London. First, they signed a record and publishing deal with global music company Audio Network (one of a group of companies owned by Toronto, Canada-based multinational mass media and entertainment company eOne). Second, through that partnership, the band had the opportunity to record their debut album Under the Cold Light of the Moon at the prestigious Abbey Road Studios.
According to Rana, the new single “was inspired by the plight of young North Korean girl Yeonmi Park who escaped North Korea in search of freedom.” After seeing her moving speech at the One Young World Summit2014 in Dublin, Ireland, where she told the audience “When I was crossing the Gobi desert, scared of dying, I thought nobody in this world cared. It seemed that only the stars were with me. But you have listened to my story. You have cared. Thank you very much”, Rana felt compelled to interpret her story through a song.
And what a beautiful, uplifting song it is! Starting off with a faint whisper of synths and delicate tapping of cymbals, a chugging riff of jangly guitar, set to a thumping drumbeat, soon enter the mix along with Rana’s raspy, yet lovely vocals. The music gradually builds as layers of guitar and percussion are added, backed by lush orchestral strings that create a stirring, cinematic soundscape for the hopeful lyrics:
Made my way out through the desert Made my way across the sand Under cover of the night I’m face to face I’ve been thinking of a place I’ve been making my escape Under the cold light of the moon
Rana’s intricate guitar work is gorgeous, while King and Conte keep a tight rhythm with their defty-played bass line and drums. The song, along with the rest of the album, was flawlessly mastered by Paul Stefanidis at Viking Lounge Mastering, engineered by Adam Alexander and John Romeo (assisted by Tayla Gibbs), and mixed by L.A.-based engineer Paul Lani (David Bowie, Prince, Megadeath). Regarding the provocative photo for the single and album which shows the guys blindfolded, Rana explained: “This album will have plenty of lyrical references to themes of escape, resistance, and limited/restricted views. Having us positioned in a sort of prisoner-like scenario with blindfolds on seemed a great way to represent these themes.” The photos are courtesy of Amy Benjamin Photography.
The beautiful animated video for the song tells the adventure of Yeonmi Park’s harrowing nighttime escape. It was created by Jordyn-Rae Morrison (The-F0X).
Back in February, I featured the wonderful young British band The Common View on this blog. Formed in 2018, the Leeds four-piece consists of Dom Robertson (guitar, vocals), Jose Ignacio Barrera (guitar), Jacob Lindsay (drums, vocals) and Joe Sykes (bass). Their indelible and dynamic style of alternative rock is influenced by indie pop-rock, post-punk revival, ska and rockabilly. They released their self-titled debut EP The Common View, Vol. 1 in December 2018, featuring three outstanding tracks, then quickly followed with a provocative single “Fuck Them”, a scathing critique of the failure of British society and the government to adequately address the chronic issues of health care, poverty and homelessness.
Now they return with “A Perfect Bridge“, a sweet song of romantic love. The track opens strong with exuberant riffs of swirling guitars, sparkling synths and bouncy drumbeats, accompanied by lots of crashing cymbals. Dom and Jose skillfully capture the ardor of young love with their achingly beautiful and intricate guitar work, while Joe lays down a sultry bass line that adds a slow burn to the mix. Jacob’s fervent vocals are marvelous, and nicely complemented by the guys’ fine backing harmonies. It’s another terrific release from these talented young gentlemen.
I’m gonna stop the world for you and me, by writing songs for us and backing up the beat. Let’s go and fly away to hold the mystery, We don’t need any words to see what it could be
Help me out to build the perfect bridge, across the love, because I wanna feel your lips. We have places that we know that we can be, one is where your magic’s good to me
I wanna make you feel alive tonight By looking for your thoughts, I wanna cross that line. it’s such a perfect day to see the blue sky, out in the open sun we’ll lose track of time
Help me out to build the perfect bridge, across the love, because I wanna feel your lips. We have places that we know that we can be, one is where your magic’s good to me
So, would you like to cross this bridge with me? I’ll ignite my bones if that is what you need We have places that we know that we can be, Just don’t forget that always we can Use hope, oh honey use trust, oh honey use love as our bridge
Catch The Common View at one of these upcoming shows:
Wednesday, 22 May @ 7 PM – w/ Suns Up & Hakara, Late Nights at West Street Live
Thursday, 23 May @ 6 PM – w/Ourkid, The Stocks, We The North @ Bar21uk, Manchester, UK
Friday, 31 May @ 8 PM – w/The Marble Arches, Solarays, Ben Bickley @ 360 Club, Leeds, UK
Sunday, 2 June @ 12 PM – Below The Bridge // End Of Term special! @ Zombie Shack, Manchester, UK
Saturday, 29 June @ 6 PM – SoundWaves Music Competition – The Final @ O2 Academy, Leeds, UK
Saturday 13 July @ 7:30 PM – w/The Masons & Paradas @ Gullivers NQ, Manchester, UK
ECLECTIC MUSIC LOVER 