New Song of the Week: REVOLVERS – “Rubbing Shoulders With the Devil”

Revolvers2

There are many terrific indie artists and bands in the UK these days making some really outstanding music, and among the best of them is London four-piece Revolvers. Originally formed in 2016 and comprised of James Thurling (guitar/lead vocals) Will Oliver (guitar/backing vocals), Steven Morrison (bass/backing vocals) and Rhys Kibble (drums), they play sensational high-energy guitar-driven melodic rock. I first featured them in February when I reviewed their single “True Love”, a fantastic, hard-driving track filled with lush, reverb-drenched jangly riffs. They followed up in early April with another great banger of a tune “Come Again”, and now return with their third in a series of singles “Rubbing Shoulders With the Devil“, and I think it’s their best work yet. All three singles were produced by George Apsion (White Lies, Catfish and the Bottlemen, Ellie Goulding).

It’s a darkly beautiful track, opening with an ominous gritty guitar riff and a deep, buzzing bassline that immediately hook us in. As James starts to sing, the music expands with more guitars and Rhys’ thumping drumbeats and crashing cymbals into an exciting and rather menacing soundscape. In his review of the song for Obscure Sound, Mike Mineo observed that Revolvers exude a vibe reminiscent of early Arctic Monkeys, and I totally agree. Once the chorus arrives in a stream of sweeping synths and wailing distorted riffs, I’m completely besotted with this song. James’ vocals have a cold, yet slightly seductive quality, backed by the guys’ stunning but ominous vocal harmonies that have a kind of gothic horror film air, similar to what you’d hear in a film like The Omen or The Exorcist as they croon:

Rubbing shoulders with the devil
  (Anywhere you go I’ll go there)
Rubbing shoulders with the devil
 (Anywhere you stay I’ll be there)
Rubbing shoulders with the devil
 (Cause you drag me down)

James continues to sing the brilliant lyrics that speak to someone who leaves him feeling unsettled almost to the point of revulsion:

But every night I wake up to the smell of you
While I’m clutching to a dirty pillow
Your shadow stops the reflection of bedroom lights
And raises alarms in my head
Complain the swimming pool’s not as deep as your love darling
Guess your love is just so ardent
But every time I see someone drinking your cocktail
Take refuge inside the devil’s lair

I’m really impressed by the high quality of a lot of music videos being made by indie bands today (having also been blown away by the video UNDER AEGIS made for their song “Separate” that I just reviewed). Like the music, the gorgeously-filmed video has a dark feel similar to The Omen, and I think it’s brilliant that parts of it were filmed in a cathedral. It was expertly directed by Bradley Davies of Yosemite Bear Productions, and stars band frontman James, who now plays the role of the devilish character. He’s a nice-looking fellow, but that cold stare of his is downright malevolent! He’s shown carrying a briefcase as he lurks and skulks around in a disquieting manner, and at one point coldly watches a woman drowning in a pool, and even strangles a man in another scene. It’s pretty disturbing, but the scenes of the band performing the song in the cathedral balance things out quite nicely – both symbolically and literally.

I love this band and I love this song! It’s instantly one of my favorites of the year, and will most definitely end up on my list of Top 100 Songs of 2019.

Those of you fortunate to live in and around London can catch Revolvers at one of these upcoming shows:

Friday 7 June @ 7:30 pm – The Finborough Arms, London
Saturday 15 June @ 7 pm – Roadtrip & the Workshop, London

Connect with Revolvers on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on iTunes / Bandcamp

BLAIR DOLLERY – Single Review: “Strange Kind”

Blair Dollery3

Blair ‘Misty Red’ Dollery is a British singer/songwriter and guitarist from the western London suburb of Twickenham. A phenomenal guitarist, Blair has been playing and performing for nearly 20 years in a number of different bands, as a session musician, and also as a solo artist. He currently serves as lead guitarist and vocalist for the outstanding alt-rock band The Underground Vault, but has also recently begun releasing singles again under his own solo project. In March (2019) Blair dropped a gorgeous single “Dream On”, and now follows up with another single, the hauntingly beautiful “Strange Kind“.

The only sounds we hear are Blair’s stunning layered acoustic and electric guitar work and resonant, heartfelt vocals, yet the track has an incredible lushness and depth. It’s a testament to his skill at coaxing such rich and full sounds from just his guitars. The dark lyrics seem to be about someone contemplating drowning himself in the ocean due to feeling heartbroken over losing the love of his life.

Follow me down to the ocean
To the deep blue sea
No time for reflection
The end is near, can you see
Some will say I have lost my mind
Some will say I’m a strange kind
Strange kind

Watch the sea growing quickly
She is everything to me
All my love, all my life
Unconditionally
Some will say I have lost my mind
Some will say I’m a strange kind
Strange kind

Connect with Blair:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud / YouTube
Purchase: Amazon / iTunes / Google Play Music

ANDY K LELAND – Single Review: “A Chair is a Chair”

Andy K Leland Chair Art

Like most singer-songwriters, Italian indie folk artist Andy K Leland is a poet of sorts, penning lyrics loaded with meaning and expressed mostly through his pleasing acoustic guitar and quirky, off-beat vocal style. Andy – who was born Andrea Marcellini – refers to himself as Andrea’s “shadow-self, and the two selves fear each other.” That dichotomy is clearly evident in his songs, where his sometimes dark, depressing lyrics sharply contrast with his simple, catchy melodies and mellow lo-fi vibe. Despite his cynical, often bleak lyrics about life and relationships, his songs seem to tell us to not take life too seriously, or at the very least resign ourselves to life’s inevitable travails without losing our minds in the process.

Like a lot of artists I’ve reviewed lately, I’ve previously featured Andy several times on this blog, and you can read some of my reviews of his music by clicking on the links under ‘Related’ at the end of this post. He’s now released a wonderful new single “A Chair is a Chair“, and it’s one of his best songs yet. It still has the charming signature lo-fi acoustic vibe of all his music, but features added instrumentals in the form of mellotron and ambient drone guitar, played by guest musician Simone Laurino, giving the track a lovely, poignant and fuller sound. Andy recorded the song on his old Tascam 4-track cassette recorder, but the sound quality is quite good.

Regarding the song’s meaning, Andy told me “I wrote the first two lines of the verse right after an old weird memory about a chair came back. Don’t really know why that memory showed up… but that’s how it started. I can say that the song is totally about a dream I haven’t had yet. That’s pretty much it!”

Concentrate
Get your head
Hold it tight
Hold it tight
Release your head
Grab a chair
Use your brain man
Use your brain

Wave goodbye now your time is coming ‘round
Swaying forth and backwards
As you’re bouncing up and down
Guess you don’t want to get lazy oh it’s hard
Your crystal ball’s unfair you’d better hurry up
Time is crazy how come we are so let down?
Down

Up to you
Up to me
What could we do friend?
What would we do?
If you prefer now
Go out tonight
Stay put and beg your God to
Drift us apart, us apart

Wave goodbye now your time is coming ‘round
Swaying forth and backwards
As you’re bouncing up and down
Guess you don’t want to get lazy oh it’s hard
Your crystal ball’s unfair you’d better hurry up
Time is crazy how come we are so let down?
Down

Welcome all that’s my garden
Very nice place to be
The air is cool
So
Come lie down…

The trippy video, which was also directed and produced by guest musician Simone Laurino, shows a variety of psychedelic, sci-fi and kaleidoscopic images that represent the kinds of surreal things the mind would imagine in a dream.

Follow Andy:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud
Purchase on:  Bandcamp / iTunes

UNDER AEGIS – Single Review: “Separate”

UNDER AEGIS is a badass progressive djent metalcore band from Milwaukee, Wisconsin who I’ve been following since their early days in 2016. Their brutal, take no prisoners sound, forged from explosive guitars, buzzsaw bass lines, speaker-blowing drums and fearsome vocals, is a full-frontal assault on the senses, while their biting, often provocative lyrics are in-your-face, yet highly relatable. Since their formation, UNDER AEGIS has experienced a couple of changes in vocalists, and the formidable lineup now consists of Carl Martin on vocals, Bao Vo on guitar, and brothers Avery Gaitens on bass and Parker Gaitens on drums.

Under Aegis2
Photos by Kelley Curran

I’ve reviewed most of their music, beginning with their debut EP [Extinct] in 2016, followed by the scathing singles “Sedated” in August 2017, and “Point Blank” in March 2018. (You can check out those reviews by clicking on the links under ‘Related’ at the bottom of this page.) Now they’ve returned with a face-melting new single “Separate“, along with a violent but visually stunning video. The song is the first single from their forthcoming album Desolate, due out later this year.

About the song’s meaning, Carl Martin told the webzine The Noise, “I went through the darkest time of my life while in the process of writing these new songs. Each and every part has an intense emotional connection while in the midst of a performance. ‘Separate’ represents the desperation I felt to avoid people affecting my sanity over the course of a long period of time.” Thus the opening lyric “Separate yourself from those who bring you pain. Separate yourself. And fall into the weightlessness above”, which Martin sings in beautiful, clean vocals, accompanied by sweeping cinematic synths and Vo’s melodic guitar notes.

Suddenly, the song explodes into a thunderous maelstrom of tortured riffs, crushing bass and shattering percussion, and Martin turns into a rampaging beast, savagely screaming his bitter contempt: “You let me go the wrong fucking way! And I will never live life the same. Why don”t you show me the path to hell so I can forget your name? It’s time to make up my mind again. And rip out the heart of your lies!” Vo continues to blow our minds and eardrums with his furious shredding action while the Gaitens brothers keep the turbulent rhythm section going at full blast. These guys tear the mutherfucking roof off the sucker, and are among the best metalcore musicians around today, in my not so humble opinion.

The bloody but brilliantly filmed – and well-acted, I must say – video depicts the story of what appears to be a drug or some other deal gone terribly wrong, interspersed with footage of the band performing the song. In his discussion with The Noise about the band’s vision for the video, Martin explained, “The music video ties into the theme of the lyrics to an extent. Associating yourself with the wrong people leads to unfortunate circumstances. The bullet and near-death experience is a representation of reinventing yourself as an individual. On the other hand, Avery’s character represents bad decisions that catch up with you. The question is, ‘what’s in the bag?’ You will have to watch our next video to find out.”

Watch the intense video and prepare to be amazed by both the song and visuals:

Catch Under Aegis at one of these upcoming shows:
SAT JUNE 8 – X RAY ARCADE BAR, w/Oceano, The Cambion, Angelmaker, Cudahy, WI
SAT JUNE 29 – UNDER AEGIS @ SUMMERFEST, Milwaukee, WI
SAT AUGUST 10 – EDENFEST 2019, w/I Killed Everyone, Wausau, WI

Connect with Under Aegis:  Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music
Purchase on iTunes

SARAH MAY – Single Review: “The Journey”

Sarah May2

Sarah May has one of the most striking voices of any female artist around today. Based in London, England, she’s a seasoned singer/songwriter and music producer who’s been writing and recording songs since she was a teen. With a smooth, captivating vocal style, Sarah in her own words “musically vents the woes of being a female in the modern world.” Her poetic lyrics are honest and pure, and never overly symbolic or impenetrable, which makes her songs highly relatable. And when she delivers those lyrics with lovely music and sublime vocals, listening to her songs is an incredibly pleasurable experience.

Since the release of her gorgeous single “Nothing to You” in December 2018, Sarah’s been on a roll, dropping a new single every month or so. I featured that song as well as her bold follow-up single “Because I Turned You Down” on this blog (you can check out those reviews by clicking on the “Related” links at the bottom of this page). She subsequently released the singles “Oops” and “Fly”, and now returns with her fifth single “The Journey“, a bittersweet song about meeting someone and feeling an instant attraction and connection with them, but life circumstances will likely prevent the formation of a romantic relationship. I know from personal experience the dual emotions of euphoria and heartache that occur under these situations.

The song, which was written and produced by Sarah and mixed and mastered by James Preston, is beautiful, with glittery atmospheric synths, subtle bass and soft percussion. The tinkling keys, xylophone, and mesmerizing organ synths are exquisite, creating a dreamy soundscape for Sarah’s enchanting ethereal vocals. It’s her fifth consecutive winning single, keeping her perfect score in delivering stellar tunes fully intact. Well done, Sarah!

Hey you come over here with those sad eyes
Let me get to know you
Tell me what’s on your mind
And I’ll tell you too

And maybe we’re perfect for each other

Time stops when you’re in the room
And its just me and you
I’ve never felt my soul so understood
You get me and I get you

And maybe we’re perfect for each other

Meeting you was so magical
I don’t understand how something so beautiful
Could be so painful
Can we find our way home
I don’t know

In you I found what I didn’t know
I was looking for
But the journey carries on I’ve got to go
And you’re still unsure

But maybe we were perfect for each other

Meeting you was so magical
I don’t understand
How something so beautiful
Could be so painful
Can we find our way home
I don’t know

Connect with Sarah May: Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud 
Purchase on iTunes / Google Play

SCOTT RAMSAY – Single Review: “I Need Love”

Scott Ramsay

Scott Ramsay is a photographer and videographer from Austin, Texas who also happens to be an accomplished musician, songwriter and vocalist. He’s opened for Sheryl Crow and shared the stage with Blues Traveler. I learned about him when his good friend and fellow musician Paul Renna (whose single “Bound to Love” I reviewed in February) reached out to me about Scott and his wonderful new single “I Need Love.”

Released on May 5th, “I Need Love” was produced by Omar Vallejo at 512 Studios in Austin, and features additional guitar work by musician David Self. The beautiful track is a moving tribute to love and its power to nurture, sustain and heal us as we struggle with the difficulties and challenges that life throws our way. Musically, the song includes both Scott’s pleasing strummed acoustic and David’s more dramatic electric guitar, accompanied by gentle percussion and stirring background synths. Scott’s warm, smooth vocals are heartfelt as he sings the poignant, hopeful lyrics:

And I need love
I need some tenderness
I need a hand to hold while I’m growing old
Help me through this mess
I need some faith
I need to rise above this place
Break the chains that bind and ease my mind into a better space

I may not know what I’m talking about
But I know what I need
My world’s on fire
It’s burning me down
And it brings me to my knees

I need love
And I need some hope
Something to carry me through
And when things get bad
I can change all that with just the thought of you

And I need some time
Give me that precious time
I would roll back the years and dry the tears that I left behind
And I may not know what I’m talking about
All I know what I need
My world’s on fire
It’s burning me down
And it brings me to my knees
And I need love, love, love, love
I need love, love, love, love

It doesn’t matter who you are
Makes no difference where you’re from
Everyone, everyone needs love
Love, love, love

And I need strength
I need something to believe
Cause when it hits the fan
I’m gonna be the man that I wanna be

It doesn’t matter who you are
Makes no difference where you’re from
Everyone, everyone needs love
I would walk a thousand miles
Sail out on the sea
Just to find the love, love to set me free
And all the silly bullshit and negativity
It all comes down to love my friend
It’s what everybody needs
Love, love, love

I need love
I need some tenderness
I need a hand to hold while I’m growing old
And help me through this mess

Purchase “I Need Love” on iTunes

Top 30 Songs for May 26-June 1, 2019

 

1. DISAPPEAR – Western Jaguar (3)
2. CHLORINE – twenty one pilots (1)
3. BURY A FRIEND – Billie Eilish (4)
4. LONGSHOT – Catfish and the Bottlemen (2)
5. FEAR THE FUTURE – IAMWARFACE (6)
6. DARK PLACES – The Frontier (7)
7. TIME – Morosity (8)
8. ESCAPE – Ships Have Sailed (9)
9. HURT – Oliver Tree (10)
10. LOVE CRAZY – Karolina Rose (11)
11. SIGUE CON EL AMOR – John Defeo (5) 20th week on chart
12. STILL FEEL. – half alive (14)
13. MISSED CONNECTION – The Head and the Heart (16)
14. TRAMPOLINE – SHAED (12)
15. BELOVED – Mumford & Sons (17)
16. READY TO LET GO – Cage the Elephant (13)
17. SEVENTEEN – Sharon Van Etten (18)
18. PATIENCE – Tame Impala (19)
19. LO/HI – The Black Keys (15)
20. I’LL BE AROUND – Morning Fuzz (22)
21. NOT WORTH IT – The Only Route (23)
22. OLD MAN’S WAR – Roadkeeper (24)
23. CHOKE – I Don’t Know How But They Found Me (25)
24. GENERATION Y – Guide Dog (20)
25. BAD LIAR – Imagine Dragons (21)
26. APOLOGIZE – grandson (27)
27. SAW LIGHTNING – Beck (28)
28. MAYBE, I’M AFRAID – lovelytheband (30)
29. BAD GUY – Billie Eilish (N)
30. ALLIGATOR – Of Monsters and Men (N)

BRIDESMEN – Single Review: “Overwhelm”

Bridesmen

I have a special admiration for artists who are willing to speak out about social and cultural issues, working to break down barriers. With that in mind, I’m pleased to feature Los Angeles-based artist Bridesmen, the music project of the astonishingly talented and thoughtful singer/songwriter Kenton Chen. Known for his work on NBC’s a cappella singing competition program Sing-Off, as well as his performances with Postmodern Jukebox and Scary Pockets, Chen’s latest project Bridesmen is a departure from his jazz/soul/a cappella roots. Through Bridesmen, Chen strives to explore the darker side of human nature, and the struggle over how to be a good person in a world that marginalizes you, i.e. a ‘bridesmen’ at a wedding.

As a gay Asian second generation immigrant, Chen grew up feeling isolated, constantly hiding behind masks to protect himself. With Bridesmen, he aspires to uncover these masks in an effort to live a boundless and truthful life. Through his songs, he tries to articulate feelings of loneliness and the effect it can have on people. Chen explains “We hurt when we don’t understand each other and we hurt when we are unwilling to change. The best thing we can do is be ourselves within the context of what we were given. I want people to know that as I have grown and matured as an artist and a human being, I’ve come to realize that my specific experiences of being gay and Asian are not particular to me. My life story reverberates far beyond my specificities, and anyone from any race or sexuality can empathize with the need to belong and be understood.”

Following the success of his soulful single “Someone Who Loves Me”, Bridesmen has released a gorgeous new single “Overwhelm“, along with a captivating video. The song speaks to our internal battles we have over our emotions. As Bridesmen explained to online magazine PRIDE: “Many of us walk through life with dual personalities: the strong, defensive façade, and the soft, sensitive core that we struggle to protect. We view our softness as weakness, as something we need to suppress or hide—whether with television, alcohol, or other distractions. But the more we push it down, the more it begins to fester, until it all boils over in a dark cloud that feels overwhelming. Thus, ‘The Overwhelm.’” He adds, “We Americans don’t talk about mental health, and the shame we attach to it is prohibiting us from addressing it head-on. It’s a vicious cycle. We feel isolated, so we produce negative thoughts, but because we don’t discuss our struggles, we feel more isolated, driving us deeper and deeper into the abyss.”

Musically, the song starts off with atmospheric keyboard synths as Bridesmen softly sings “Oh I’m not fighting this anymore. It never did me no good.” The music gradually swells into a sweeping soundscape, providing a lush backdrop for his breathtaking vocals as he plaintively croons of suppressing his overwhelming pain: “Swallow it down, swallow it down, before it consumes me. Seeing it now, wondering how, how not to lose me. I’m afraid to fade away, so I take in all the pain.” He really has a remarkable voice – so clear, resonant and beautiful.

The stunning video shows two dancers, played by Stephanie Kim and Raymond Ejiofor,  interpreting the song through their movement, and interacting with Bridesmen. He explains, “By letting them actually express themselves, I am setting my emotions free. I can learn to love the naive child and also the jaded guardian, recognize how important they are, as they guide me through The Overwhelm”. The video was beautifully directed by Seth Iliff.

Connect with Bridesmen:  Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on iTunes / Google Play

XOTIC YEYO – Single Review: “Slide to the Left”

Xotic Yeyo Slide 2

Miami dance-funk band Xotic Yeyo are three zany guys with the coolest name, and they’re bound and determined to get our asses on the dance floor. Serving up the funky psychedelic grooves are Stu Sauce on guitar and lead vocals, Rod Reiter on bass and backing vocals, and Cody Orange on drums. Their fun, upbeat sound is influenced by funk greats like Parliament, Curtis Mayfield, Average White Band, Prince, Gil Scott Heron, Phish, Primus and Jamiroquai, among others.

The guys dropped their debut EP Down 2 Funk in late 2016, and followed up in Spring 2018 with a full-length album Chocolate Decadence, featuring 10 tracks guaranteed to funk you up! (I reviewed both releases, and you can check them out in the links under “Related” at the bottom of this post.) The risqué artwork for their EP and album are a good indication of their playful attitude and approach to their music: don’t take yourself too seriously, let loose, and have a good time. With that philosophy in mind, they now return with funky new single “Slide to the Left“, along with a fun and campy video.

The song is essentially about getting down on the dance floor and having fun. The track opens with electronically altered vocals that lend a spacey psychedelic vibe, then Stu lays down a funky riff that gets us on our feet, turning wobbly in the bridge. He challenges us to get into the groove: “Are you ready to get funky tonight!” Rod and Cody keep a tight rhythm with their funked-up bass and cooler than cool drums. It’s an infectious feel-good track guaranteed to bring a smile to our faces and put our hips in motion!

The song was recorded at City of Progress Studios in North Miami by DJ Spam of the Spam Allstars, and mastered by Eli S. Oyola at Trackset Studios in Winter Haven. Guest musicians include Mpa Melanie on backing vocals and Oski Gonzalez on congas.

The delightful video depicts Stu as a sort of funky pied piper, using his sexy moves to attract people on the street to join him in the latest ‘slide to the left’ galactic dance craze. It was filmed by Dave E. Drones of Dream Kinetics, and stars Stu as Disco Funk Jesus, along with band members Rod Reiter and Cody Orange. Also appearing in the video are band friends Aimee Beah Moore, Kyra Kennaugh, Sarah Worgess, Sharon Dubash, Danielle Livingston, Evan Hoffman, Jose Deveaux, Jessica Bass and Brook Hamilton.

Xotic Yeyo Group Pic

Connect with the band:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music
Purchase on iTunes

FOREVER X2 – EP Review: “Forever X2”

Forever X2 art

As I’ve stated previously, one of the many things I enjoy about having a music blog is learning about new indie musicians and bands who are making some really fine music. Another recent find is Los Angeles-based indie rock artist Forever X2, the music project of singer/songwriter and multi-instrumentalist Peter Verdell, who drops his debut EP Forever X2 today, May 22nd. He recently wrapped up an April residency at The Satellite in Los Angeles, which was presented by the legendary L.A. alt-rock radio station KROQ Locals Only program, featuring numerous standout acts from the L.A. music scene.

In his bio, Verdell establishes that he “wants to play power chords. And sing with some fuzz on his vocals. And make music that both his modern brain and his teenage brain would be psyched to hear on the radio.” Well, after listening to the six tracks on Forever X2, I would say that he accomplishes his goals quite nicely. He wrote all the songs in his apartment in downtown Los Angeles, and recorded them in a hot, non-air conditioned garage in Silverlake (where I lived for a brief time back in the 1980s). Verdell sang all vocals and played all the music, including guitars, drums, and keyboards.

In describing his creative process, he explained “I wanted the songs to capture how I felt when I first started playing music. Informal and fresh, sweaty and loud. The EP is special to me for a lot of reasons. It was about as DIY as it could get, and I needed it to be that way. I needed this new band to be fun and fresh and for there to be as few barriers between my brain and the recordings as possible. I worked with two talented dudes on the producing and mixing (Ari Berl and Yianni EP from a band called Pink Skies), and they did a great job. I wanted the songs to feel new but also to feel like they could’ve been on rock radio in 1997. I don’t know how close I got to that, but I’m in love with how the songs turned out. I think they feel fresh and new but also kind of familiar.”

Forever X2

In advance of the EP, Forever X2 released each of the six tracks as singles, beginning in the Fall of 2018 with “Keep the Devil Waiting”, which was recently licensed for an episode of CBS’ TV series Seal Team. The song has a rousing post-grunge vibe with grimy guitars and tumultuous drums. I like how Verdell inserts bits of distortion and reverb into the mix, ramping up the tension and excitement. His fuzz-soaked vocals have a seductive quality, a perfect match for the gnarly music and suggestive lyrics “So give me your love in a hurry. And leave your bible in the nightstand.”

“Think About It” is a fun, sexy song, and one of my favorites on the EP. I love the strong bouncy beat, chugging riffs of fuzzy guitars, and playful, almost psychedelic synths. Forever X2 tries to convince his love interest to quit wasting her time with Hollywood poseurs and get with him: “You need a man like me, someone you ain’t had. Try first with a name and a handshake over jack and a cola. Think about it. Tell me what you’re missin’. A man with a vision, and babe I see you so good.” Lyrics just don’t get any better than that!

The third single “Walk the Ocean” is another great grunge-pop tune, and received substantial airplay on KROQ for several weeks. The infectious song, as well as the following track “Mad For Me”, are both catchy as hell, with irresistible head-bopping beats that aim straight for the hips. Forever X2’s intricate guitar work is really quite marvelous on both songs. “God Don’t Want” has a moodier vibe, with harsh industrial synths and percussion, deep, pulsating bass and heavier, more distorted guitars that reach ear-piercing levels later in the song.

The final track and most recently released single “Forever Times Two” is a darkly beautiful love song, and my favorite on the EP. According to the website Get Some Magazine, which featured the single, the lyrics were inspired by author Stephen King’s book 11.22.63, about a time traveler named Jake who attempts to prevent the assassination of President John F. Kennedy. For the song, Forever X2 specifically addresses the doomed love affair between Jake and a woman named Sadie, who in the book is accidentally shot and killed by Lee Harvey Oswald, and dies in Jake’s arms.

The song is musically complex, slowly building in intensity as different instruments and sounds are gradually added in layers, creating a breathtaking and powerful soundscape for the deeply moving lyrics. Starting off with a sci-fi synth, a mix of percussive sounds – including drumbeat, hand clap and bell – ensue, accompanied by ominous synths and sounds of French police sirens as Forever X2 begins to sing in a breathy voice. As the music swells with warm keyboard synths, he sings “Softly calling. I’ve been waiting. I’ve been tracing lines to get back here Sadie. All my days, I’d trade ’em all over again. And I want to be with you ’til I’m gone.” Lush, swirling synths and chiming guitar are added as the music builds to a crescendo, at which point he repeats the lines singing as both Jake and Sadie. The music continues on, accompanied by his gorgeous soaring chorus, for a dramatic finish that leaves me completely covered in goosebumps.

Forever X2 is an outstanding EP, with six stellar tracks that beautifully showcase Verdell’s brilliant songwriting and musicianship. I love his sound and really enjoy listening to these songs again and again. I’m definitely adding this EP to my collection.

Connect with Forever X2:  Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on iTunes / Google Play