HOLLY REES – EP Review: “The Lost Songs”

Holly Rees is a talented and thoughtful singer-songwriter based in Newcastle, England who’s been writing and recording exceptional indie folk songs for the past five years or so. Like many songwriters, her poetic lyrics are inspired by personal experiences that make them highly relatable to us listeners. She then delivers them wrapped in beautiful, understated melodies, fine guitar work and lovely, heartfelt vocals, all of which have earned her critical acclaim and a loyal following, with flattering comparisons to artists like Laura Marling and Courtney Barnett.

Holly released her debut EP Ilex in 2017, garnering airplay on BBC 6 Music and a feature on Tom Robinson’s BBC Introducing Mixtape. In 2018, she performed at the Hit The North and Evolution Emerging music festivals, and released her excellent second EP Slow Down. She followed with “Text Me When You Get There”: The Live EP in May 2019, and that September, dropped her single “Getting By“, which I reviewed. On December 10th, she surprised us with release of The Lost Songs, an all-acoustic EP originally recorded in isolation exclusively for her Patreon supporters (patreon.com/hollyrees) that she’s now gifted to the world. 

She explains: “Here are the lost songs – songs I’ve written over the past three years that have fallen down the gaps. I never really intended these sad soft songs to see the light of day, but coming towards the end of another year I thought it might be nice to share them now, as a gentle winter gift before we draw a line under the year and start fresh in 2022. As some of you know, I’ve had to shield for a lot of the past two years, which is where this project started, in isolation. Every part of this project I’ve done by myself – writing, playing, recording, mixing, mastering, even the artwork – and I’m really proud of that. I hope that in listening you might find some of the joy, peace or escape that I found in making it.”

It’s a gentle EP, featuring five melancholy but lovely acoustic folk songs addressing conflicting emotions stemming from lost loves, missed connections, and the passage of time. With only her beautifully strummed guitar notes and clear, soothing vocals, Holly has created exquisite little gems that are simple yet profound, with a quiet intensity that touches the soul. The opening track “heather” is a kind of love song to her home of North East England (she told me that she actually got a heather tattoo right before leaving for her Canada tour in 2019, as an homage to the heather on the moors where she grew up): “I could be anywhere, except that the rain is making me homesick. Cry at your records, you were always such a sensitive soul. I tried to wear my heart on my sleeve but I must have got cold. And I feel open for the first time in a year.

Likewise, the enchanting “victoria” is a heartbreak song to the British Columbia capital city: “Oh Victoria, I think you always knew that I would fall for her. Victoria. She broke my heart for a year, god was I trying. But first came Victoria, Vancouver Island.” On the bittersweet song of unrequited love “i just want you“, Holly softly laments about being hopelessly in love with someone who just doesn’t feel the same about her: “Tell me about your family and living with your brothers. Tell me all your favourite streets, your heartbreaks and lovers. Tell me everything except the one thing I won’t ask. You don’t tell me if you feel the same. I know that you can’t do. I know it’s all on me, but I’m sick of writing about things that I can’t change. But I can’t change. I just want you.”

She touches on how shyness and fear of rejection sometimes hold us back, possibly losing out on opportunities for love on “seattle“. She sings of seeing a woman she’s attracted to on a bus in Seattle, but being too afraid to make contact: “Don’t know why I still hide like I’m seventeen. Smile and I won’t meet your eyes. You take down your bike. This must be your stop and we’re out of time. Go to Seattle maybe you were the one.” The serene “glad it’s you” has a bit of a Joni Mitchell vibe, and finds Holly content in a loving and trusting relationship: “Been singing with my all exposed. Been listening with my eyes closed, but my heart’s open. No I haven’t felt like this in a long time a long time, but I’m glad it’s you.

The Lost Songs is a wonderful little EP that beautifully showcases Holly’s strong songwriting, singing, recording and production talents. I’m confident she’ll continue to impress us with more outstanding music in 2022.

Connect with Holly:  Facebook / Twitter / Instagram
Stream her music: Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp 

12 thoughts on “HOLLY REES – EP Review: “The Lost Songs”

  1. Pingback: HOLLY REES – Single Review: “English Bay” – ECLECTIC MUSIC LOVER

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