DAN FARRELL – Album Review: “Colliding Planets”

Dan Farrell Album

Dan Farrell is a singer/songwriter based in London, UK. A multi-instrumentalist who plays guitar, bass and keyboards, as well as produces all of his tracks in his own home studio, he refers to himself as a “one man band.” That said, in his bio he explains “My main instrument is guitar which I play left handed – but with the strings strung for a right handed person. Consequently all the chords I play are upside down. Strange, but true.” It sounds complicated to me, but Dan manages to coax some pretty phenomenal sounds from his six-string.

He welcomed 2018 by releasing his third album Colliding Planets, an ambitious work featuring 15 tracks that dropped on January 12. Collectively, the songs on the album draw from a myriad of influences and genres, including rock, jazz, blues, country and pop, and a few tracks seem to include them all! Dan cites the Beatles, Rolling Stones, Tom Petty, Queen, the Bee Gees and Amy Winehouse as some of his favorites, whose influences can clearly be heard on several tracks.

Dan Farrell

He kicks things off with “Salt of the Earth,” a rousing, foot-stomping country rock track. I like the aggressive drum beat, and Dan’s spirited guitar work make for an incredibly upbeat song. “She’s Still Drivin‘” keeps the energy flowing with a lively rock’n’roll tempo and Dan’s jangly guitars. After hearing just these two tracks, it’s clear he’s a skilled axe man. The sounds of a racing engine are a nice touch.

Tom Petty’s influence is evident on “Dreams of a Dreamer.” It’s a great song, with heavily strummed guitar set to a slow drumbeat. I love the added keyboards and guitar riffs. Dan sings about a woman he desires, but circumstances prevent anything from ever happening:

You’re thinking about me, it brings on a sigh
I’m wishin’ for something that we can never try
The dreams of a dreamer are making you sweat
Are making your heart beat a little faster

One of my favorite tracks is “Revealed in a Kiss,” a languid, jazzy affair with gentle guitars and sensuous horns that conjure up images of a romantic slow dance extending late into the evening. Dan’s smooth vocals are wonderful. “Don’t Blame Me” is a bouncy pop-rock track with jangly guitars and lush keyboards. Piano and keyboards take prominence on the lovely ballad “Get Inside Their Soul, and the bittersweet “The Blue Bar” has a country rock feel, and reminds me a bit of Bob Dylan’s “Knocking On Heaven’s Door.” Dan sings of the passage of time and how some achieve their dreams, while others watch theirs turn to dust: “I used to share the same dreams that made us all survive. I used to have the same hopes that kept us all alive. / Then the revolution took it all away.”

“Another great track is “One Like You,” a fun rock’n’roll song about wanting to stay home with the object of his affection rather than go to work: “Well you know I got to go and earn a buck or two. But I’d rather spend my time with one like you.” Like all of Dan’s songs, it has terrific guitar work, and the lively trumpet and keyboards make for a really upbeat number. Dan turns introspective on the country rock track “Let It Go,” a song about letting go of the dream of being with someone he can never have and just moving on.

Just Because” is a mellow, upbeat song about not feeling guilty about indulging in the simple pleasures in life: “There doesn’t have to be an explanation for everything we do, every sensation. Sometimes it’s nice to do a lot a nothing. It’s good to go and treat yourself sometimes.” On the beautiful, uplifting ballad “I Tried,” Dan sings about believing in someone and encouraging them to take the right path in life. “I’ll always wish you well ’cause I believe in you. The road we choose is up to us, and sometimes life can make a fuss.”

One in a Million” has a sophisticated vibe with jangly guitars, soulful keyboards and jazzy horns. Dan wistfully sings about how things in life don’t always turn out the way you’d hoped: “The higher you climb the further you fall. You think you’re doing well standing tall. But then your best-laid plans they come crashing down. That youthful innocence you had is on the ground. One in a million has that perfect sound. Went and lifted my feet right off the ground.”

The catchy “The Man I Want to Be” serves up bouncy riffs, and in his gravelly vocals, Dan sings about how’s he matured into a better man. “Leave My Mark” is a rousing guitar-driven rock song, with a riff that channels the Rolling Stones’ hard-rocking “Start Me Up.”  Keeping with a Stones theme, album closer “You Only Know When You See” has a bit of a “You Can’t Always Get What You Want” vibe.

Colliding Planets is a fine, well-crafted album that showcases Dan’s exceptional guitar work and skill for writing catchy melodies and intelligent lyrics about life that we can all relate to.

To learn more about Dan, check out his Website and connect with him on Twitter
Stream his music on Spotify / Reverbnation / Soundcloud / Apple Music
Purchase on cdbaby / Bandcamp / iTunes / Amazon

ANNA MITCHELL – Album Review: “Anna Mitchell”

Anna Mitchell album-cover

Anna Mitchell is a singer/songwriter based in Cork, Ireland, and she’s released an astonishingly beautiful album. Her self-titled Anna Mitchell dropped in January, and it’s as close to perfection as any recent album I’ve heard. This is Anna’s second studio album, which follows her 2015 debut effort Down to the Bone. With a lot of albums, it can take a couple of listens for the music to grow on me, but with Anna Mitchell I was blown away the moment I heard it. Each new track was a revelation, leading me to quickly recognize that here was an exceptional work of musical art.

Anna Mitchell

Drawing inspiration from some of the best singers and songwriters in music – including  Joni Mitchell, Emmylou Harris, Bonnie Raitt, Linda Ronstadt, Ray LaMontagne, Stevie Nicks, Tim O’ Brien, Bob Dylan, Shawn Colvin and Gillian Welch – Anna melds folk, country, Americana, rock’n’roll, pop and blues influences to create exquisite songs that speak to oft-covered subjects of love and relationships, and the joy and pain they bring. Her strong, clear vocals could easily go toe to toe with many of the aforementioned singers. The album was recorded independently, with musical assistance from well known Irish musicians Davie Ryan on drums, Brian Hassett on bass and Alan Comerford on guitar. It was engineered and co-produced by Brendan Fennessy.

Anna Mitchell opens with the gorgeous ballad “All These Things.” Anna immediately casts us under her spell with captivating vocals that seem to float and soar above layers of stunning, richly-textured guitars and a humming bass line. Davie Ryan provides just the right amount of percussion, and the lush horns add a jazzy flourish later in the track. The song’s unusual video is extraordinary:

Anna dials up the tempo on “It Pours,” a great pop-rock song with the kind of strong driving beat that I love. The bluesy guitars are terrific, and Anna’s sultry vocals turn passionate as she admonishes one to stop whining and start living: “Hold your tongue, hold your tongue, I’m not listening. You’re not the only one with sadness or sin. I feel the weight of the world creepin’ in. And if you don’t start kicking you won’t stop sinking. It pours outta you, outta you.” The trippy video shows blacklit images of faces painted with phosphorescent colors in the dark.

Radio Waves” is a lovely but bittersweet Country-rock song with slide guitar, piano and organ as the primary instruments. Anna earnestly sings of escaping from life’s troubles through music: “Radio waves, audio slave, turn me up ’cause I’m down.” On “Never Learn,” Anna’s smooth vocals are accompanied by a bewitching piano melody as she tells someone their broken relationship is beyond repair: “You can waste your time, but keep your hands off mine. Past the point of no return.” Staying with that theme, on the Country-rock track “Get Out” Anna tells a man in no uncertain terms that she’s through with him: “It would be nice to stop and chat, but I don’t like you. Well they say that you’re a really good catch, but I don’t want you / Do you just feel like a man when you shout? Oh, get out! Just get out!”

One of my favorite songs is the rousing foot-stomper “Dog Track.” Thanks to heavy, distorted electric guitar, buzzing bass and pounding drum beat, the track’s harder and edgier than the others. And like the music, Anna’s echoed vocals are more aggressive as she snarls the lyrics about a guy she finds attractive who’s also bad news: “Is that a wolf howlin’ or is it just the wind? Well I met him down at the dog track. He was walking around like he was on the attack.”

Anna’s impressive songwriting talents are showcased on the melodically complex “Better Life.” The mysterious and powerful song features a strong bass line overlain with tremolo-heavy guitars and an array of instruments, including piano, slide guitar, organ, violin, and drums. “Slice of the Pie” is a call for respect for the working class in  their struggle to make a living: “You don’t judge a man, just by the way he found to feed his children. Everybody wants a slice of the pie. They’re just like you and I, trying to get by.” The album closes with Anna acknowledging she was wrong, asking her man to “Come Home.” She teases: “I like your bedside manner / Come home, when you coming back to me?

Anna Mitchell is a phenomenal album that needs to be heard by as many ears as possible. I’m so glad Anna reached out to me, and I’m thrilled to do what I can help promote her and her incredible music.

Those of you in Ireland can see Anna and her band at one of these upcoming shows:

Saturday, February 10      Levi’s Corner House, Ballydehob  8 PM
Friday, February 16       Whelan’s, Dublin  8 PM
Sunday, February 18      John Cleer’s Bar & Theatre, Kilkenny  8 PM

Connect with Anna:  Website / Facebook / Twitter / Instagram
Stream her music on Spotify / SoundcloudApple Music
Purchase on Bandcamp or iTunes

JAMES BAKIAN – EP Review: “Unstoppable”

James Bakian EP

There are so many talented musicians making really good music these days, but every so often we come upon one who stands above the crowd. James Bakian, a charismatic young singer/songwriter from London, UK, is such an artist. He’s only 14 years old, but possesses a phenomenal vocal styling with a maturity beyond his years. His love of music has been in his blood since he was a young child, and he wrote his first song “Oh Baby” at the age of six! He began studying piano at seven, and from that point on, he knew he wanted a career in music.

Drawing inspiration from some of his favorite artists like Maroon 5, Charlie Puth, Sam Smith, Ed Sheeran, Sia, Selena Gomez, Shawn Mendes, Justin Bieber and Drake, James has developed a singing style that fits his beautiful voice. In his bio, he explains his creative process:  “When the inspiration to write a song comes, I sit at the piano, a melody forms and then the lyrics flow! I write a lot about love and heartbreak but I’ve never been in love…yet! My dream is to keep writing and singing and for people to get to know and enjoy my music! One day I’d love to do a world tour.

James Bakian

James released a very respectable debut EP By Your Side in 2016, and at the end of 2017 he dropped his second EP Unstoppable. The new EP shows how much his vocals and songwriting have matured in less than two years. On the sultry title track “Unstoppable,” he effortlessly goes from a seductive croon to a yearning falsetto as he pledges his undying love, pleading for her not to hurt him. The warm synths and crisp percussion are beautiful and soothing, a perfect accompaniment to his superb vocals.

Most of his songs are piano-driven compositions, backed with lovely violin-heavy synths, gentle percussion and subtle guitar. On the melancholy “Ain’t Sure,” James emotionally declares “I ain’t sure if I want you more / I’m letting go / You’ve broken me, you tore me up I’m on the floor / I can’t believe how I ever thought you cared about me.”  “Colour” has him extolling the depth of his adoration, pleading for her to let him go if she can’t love him the way he loves her. The uptempo “Know You” features a softly pulsating dance beat, and the funky guitar in the outro is a nice touch. And as always, James’ vocals are flawlessly sublime.

Poison” is a terrific kiss-off song set to a thumping bass-driven dance beat. James rebukes a former lover who’s now toxic for him: “You’re poison, it hurts me. Don’t think I can take this. You destroyed me with your kiss. You gotta leave. I’ll make it, please right now.”  “Red Dress” has him mourning the loss of a girl he loved who’s now left him: “Oh there she goes off to where who knows? But all I know is that she’s gone. Never coming back. Disappeared from view.”

Unstoppable is a wonderful EP, and a fitting description for this supremely talented young man with a big, beautiful voice. James is an ambitious, hard-working guy, and just a few weeks after the release of Unstoppable, he dropped two new singles! I’m certain that his star will only grow brighter as his songwriting and vocal style continue to mature.

Connect with James:  Website / Facebook / Twitter / Instagram
Stream his music on  Spotify / Soundcloud / Apple Music
Purchase on  iTunes

SHIMMER JOHNSON – Single Review: “Getaway”

Singer/songwriter Shimmer Johnson has the voice of an angel. Based in Edmonton, Alberta, Canada, Shimmer started out writing and recording Country songs, but has recently drifted toward a more pop-oriented sound. In addition to playing guitar, she’s also a fairly decent pianist. She writes compelling lyrics that speak to the joys and pain we all experience in life, and sets them to hauntingly beautiful piano-driven melodies. Her clear, pitch-perfect vocals skillfully convey the subtle yet powerful emotions expressed in her heartfelt lyrics, allowing us to connect with her songs on a deeply personal level.

Shimmer Johnson2

Shimmer has been collaborating with other songwriters, including Michael Jay, John West, Richard Bergman and Relik Gregos, in the creation of her newer songs. She’s recorded five over the past year, in preparation for a new album Pride, scheduled for release in May. One of those songs, released as a single in the summer of 2017, is “Getaway.” Addressing the subject of mental illness, the poignant track offers a positive message of hope and assurance that things will get better.

Everybody needs a little faith, a little love, a little break
A private getaway to collect those thoughts inside
Everybody needs a getaway sometimes
When life is hard and you can’t breathe
And you fall to your knees
Just remember that everything will be OK
When you can’t struggle anymore
You’re giving up, you want no more
Just remember you can breathe

Do yourself a favor and listen to some of her other tracks to more fully appreciate her superb songwriting, piano and vocal talents.

Connect with Shimmer:  Website / Facebook / Twitter / Instagram
Stream her music on Spotify / Reverbnation / Soundcloud / Apple Music
Purchase on Bandcamp or iTunes

ADAM COMPTON – Single Review: “Waste a Weekday”

Adam Compton

Adam Compton is a singer/songwriter based in Stevenage, UK, and he just dropped a lovely new single “Waste a Weekday.” The song is a follow up to his excellent debut EP Believe, released earlier this year. Adam also plays in the band Trouble With Tuesday, but wanted to record some of his songs as an acoustic solo act.

“Waste a Weekday” is an uplifting song about just forgetting the outside world and spending a quiet romantic day at home with a loved one. The track has a folk-rock feel, with acoustic guitar that goes from gentle strumming to exuberant and jangly. Smooth, sweeping violin and crisp percussion add subtle dramatic effect that never overpowers. Adam’s pleasing tenor vocals are earnest as he sings:

And we can pretend the world outside don’t exist, yeah
We’re talking over who is gonna have to get the biscuits
To dunk in our tea while we’re binge watching Netflix
We can go outside but why would I do that?
Rather stay in bed watching “Orange is the New Black”
And if I went to work, then I know I’d have to leave her
Being reclusive, ’cause you’re my favorite person to waste a weekday with

Connect with Adam:  Facebook / Twitter / Instagram
Stream his music on Spotify & Soundcloud
Purchase on iTunes & Amazon

SKINNY WIZARD – Single Review: “Phantom Pain”

Skinny Wizard builds houses by day, but come nightfall his musician alter-ego takes over. Based in Phoenix, Arizona, Skinny Wizard – whose given name is Bill Cherry – is a singer/songwriter and multi-instrumentalist who began playing guitar at the age of six.  As he tells in his bio “I took it seriously during my high school years, but then I moved away from home and life took over. I didn’t really understand how the music industry worked and it was easier to make money building houses to make someone else rich.” It’s a sentiment I’m sure a lot of musicians can attest to.

Now that he and his wife are empty-nesters, Skinny has taken up his six-string again, and gotten back to expressing himself through his music. He plays mostly folk and blues-rock, genres he seems most comfortable with as a solo artist. He’s just released a new single “Phantom Pain,” a moving song he felt he had to write to honor the death of a friend from suicide.

The track starts out with sounds like being in a thunderstorm or possibly a subway train, then he begins strumming his acoustic guitar and singing the honest, heartfelt lyrics expressing bittersweet feelings of pain over the loss of a good friend:

I woke last night and I thought I heard you talking
But that’s absurd ’cause you’ve been gone over a year
And I remember all the good things we done together
A new definition for a thing called Phantom Pain
And that’s the way it goes sometimes you don’t know what life brings
You just keep pressing on in spite of all the odds
I hope to see you again someday

He has a casual, pleasing style of guitar playing, and though not overly strong, his vocals are well-suited for a gentle folk ballad like “Phantom Pain.” Check it out:

Connect with Skinny Wizard:  Website / Facebook / Twitter / Instagram

Purchase “Phantom Pain” on cdbaby

ANDY K LELAND – EP Review: “Happy Daze”

Happy Daze

Andy K Leland is an Italian folk singer/songwriter who sounds British, and has a wicked sense of humor. In his bio, Andy – who was born Andrea Marcellini – calls himself Andrea’s “shadow-self, and the two selves fear each other.” That dichotomy is evident in his songs, in which rather negative, biting lyrics contrast sharply with his simple, catchy melodies and pleasing acoustic guitar. In September, Andy dropped his debut EP Happy Daze, a collection of six tracks including two that I previously reviewed – “The Kingdom” and “Home Grown Muck”.

Perhaps the most unique aspect of Andy’s sound is his quirky, off-kilter vocal style, in which he clips his words, sometimes dropping a letter or two. It all sounds charming in an off-beat sort of way, and perfectly suited to his lo-fi sound. Despite his cynical, often dark lyrics about life and relationships, as the EP’s title suggests he may be telling us to not take them so seriously after all, or at least resign oneself to their inevitability. Because his music is fairly straightforward, I’ll emphasize Andy’s lyrics instead.

Andy Leland2

The Kingdom” seems to be speaking from the perspective of someone who is dying or already dead, and now describing their observations of the afterlife with a blithe sense of irony:

Got up one day in the kingdom surrounded by some strange folks
They held in hand their relics and really dug my antics
So we danced together took some rest however
They were all plugged and wet so they got electrocuted

Well outside it’s dawning la-la-la-la
I won’t see the morning la-la-la-la
I’ll be dead or dazzled by our own black nature

To a gentle, pleasing acoustic guitar riff, “Home Grown Muck” addresses the feelings of isolation and disillusionment increasingly prevalent in society today:

Once I was clever now I’m more than numb
But I’m just trying to oh… I’m trying nothing at all
There’s a lack of sharing however we just pretend we’re gold
But the point is that we’re the scum of the world
Oh, lord please bring me something warm just like opium
But don’t dare to keep the change

A failing relationship seems to be the subject of “Bistro Nights,” a short track only 1:51 minutes long. Andy sings the melancholy lyrics about giving up:

I’m wasting my time spending the night
Counting the days that I’m leaving that I’m trading
For you to be thinking I’ll be ok
And I’m tired sick of it all, all
Please don’t tell me to get on the track
Or wave my goodbyes I can’t cross the line

On “Half Dead Dog” he sings of his broken spirit to a rather somber acoustic guitar:

I mend a a few bits of my poor brain
You’re wrong when you think that I’m strong
I’ve been worn out for so long

Mr. Panic” has an upbeat vibe, with a nicely strummed guitar, but the lyrics confuse me a bit. Though I may be way off, Mr. Panic seems to represent death, who’s come for the singer:

So you’re great, you’re grand, you’re smart you’re “Hey!”
But ask your body and ask your brain as you often don’t recall my name
Well it’s P.A.N.I.C.
What? Oh… I’m fine thanks 
‘cause I’m wildish and stylish a bit childish don’t you know?

Now pack your bags and just follow me I swear you won’t regret… oh no

Farewell” is the most melancholy track of the bunch. Andy sings from the perspective of someone who has come to terms with the fact no one likes him, including his girlfriend who left him, because of his own failings. Consequently, he’s decided to end his life. Pretty depressing stuff here:

My friends pretend they have a job
They all pretend they’re having fun
Miss my dog, will miss my time with tomorrow’s morning light
My life is dreary and my girl
My girl adores me but she left ‘cause I’m weird but I am glad
Glad to know she’s doing well
There’s a truth I can’t avoid
Nobody likes me I’m a boy who hates you all, that’s so mean
No one to blame but me

Those of you in Italy can catch Andy performing at these upcoming shows:

November 11: WAVE – Misano Adriatico (Rn), w/Egle Sommacal
November 12: Circolo Arci Artigiana Fano – Fano (Pu), w/Haley Heynderickx
November 18: Circolo LaSerra Arci Recanati – Recanati (Mc), w/Massimo Scoposki

Follow Andy:  Facebook / Twitter / Instagram

Stream his music:  Spotify / Soundcloud

Purchase:  Bandcamp

GUY PAUL THIBAULT – Album Review: “It’s About Time”

It's About Time Album

Listening to the music of Guy Paul Thibault, it would be easy to assume he’s from somewhere like Nashville, Tennessee. In reality the singer/songwriter/guitarist – who plays tremendously satisfying folk music with strong country and rock influences – hails from beautiful Nova Scotia, Canada. An accomplished musician, Guy Paul has written, recorded and produced six albums on his own. He’s also played acoustic, electric, bass and slide guitar, and sang vocals for original acts and cover bands. In June he released a new album It’s About Time, an appropriate title given the span of 17 years since his last solo album.

I’ve always loved songs that tell a story, and It’s About Time is loaded with them. Let me state right here that Guy Paul is an incredible wordsmith. Through poetic, heartfelt, and sometimes humorous lyrics, his songs address the oft-covered subjects of life, love and heartbreak, but in ways that reveal the contradictory facets of good and evil inherent in each of us. Furthermore, these colorful stories are delivered with his sublime vocals and accompanied by some pretty nifty acoustic and electric guitar. I usually like to highlight a few song lyrics in my reviews, but in this case I’ll be featuring quite a lot of them.

Guy Paul Thibault

Here She Comes” kicks off the album with a pleasing country-rock rhythm. Guy Paul instantly hooks us in with his laid back vocal delivery and nimble acoustic guitar. Gentle percussion sets the beat and the sweet violin in the bridge is a nice touch.

One of the best ‘story’ tracks is “Misdemeanor,” a catchy, guitar-driven and wry tune about an older woman who’s still got it, and always out looking for a good time:

Takes the complications with a delicate smile
Avoids one night affairs, well she has for a while
That’s what she says
Well, hello boys is her natural style
Moves on her prey like a cat in the wild

With a closer look, well she’s showing her age
But she’s still got her wit and she’s still got those legs
Ahh those legs

Guy Paul turns serious with “Hills,” a compelling song about people living a hardscrabble existence in rural America who’ve endured more than their fair share of military service and the consequential casualties, PTSD and societal breakdown:

You can hide a body forever in these hills
A thousand square miles and a hundred little stills
They took us from our homes and taught us how to fight
Now justice comes in the middle of the night
Now terror comes in the middle of the night

He strums his guitar with a forcefulness to match the searing lyrics, backed by an assertive military drumbeat and mournful harmonica. The generous use of electric guitar and bass also lend greater impact to the track.

The poignant “Tallest Man on Earth” addresses the realization that the father you once idolized, thinking you wanted to be like him, wasn’t so high in stature after all:

When I was just a young man, trying not to fall
The only thing that seemed to matter was growing up and being tall
Growing tall brings great things, like seeing past the trees
You can’t hear the whispers, your head up in the breeze
He seemed the tallest man on earth

His heart died alone they say, running against the wall
He never could comprehend life wasn’t about being tall
He seemed the tallest man on earth
The smallest man on earth

Another powerful and standout track is “We Just Don’t Care,” a hard-hitting country-rock anthem that speaks to the apathy and sense of futility caused by feelings of betrayal by society and our government. Those sentiments are expressed by an attitude of entitlement – ‘I want what’s owed to me, and to hell with everyone else’:

Sacrifice is such a lonely word
There’s not much left in this world
We’re all trying the best we can
Can’t see the beach for the grains of sand
Belief is just a long-lost dream
Slowly fades from what I’ve seen
Lack faith in our fellow man
Lost in time a simple slight of hand
This is how we are now
And we just don’t care

Guy Paul shows us his rocker side on “Saving Grace,” a rousing song with a driving beat and lots of terrific electric and rhythm guitar riffs. One of my favorite tracks is “Saturday Night,” a catchy and breezy country song about hooking up with strangers to avoid being lonely. The lyrics are rather bittersweet until he lightens things up at the end:

It’s alright, I still got my friends
That’s what I’m talkin’ about
Hey wait a minute, is that another bottle over there?
Same time next week?

Stay (For Riley)” is a lovely but wistful ballad about saying goodbye to a loved one – or a pet perhaps? “You were my best friend, chased all of my fears. Now you live in every tear. Stay.”  Guy Paul serves up jangly guitar riffs on “If I Had,” a really nice folk tune about dreaming of enjoying life by hitting the road in his car with a girl and guitar. Wrapping up the album is the sorrowful “How Far Could I Fall.” The country song speaks of hitting bottom after his girl left him and he sought comfort with booze and drugs.

It’s About Time is well worth the wait of 17 years, as it’s superb on every level. In addition to Guy Paul’s impressive songwriting and musicianship, he was assisted on the album by the musical talents of David Bradshaw and Shawn Cherry.

Connect with Guy:  Website / Facebook / Twitter / Instagram

Stream his music:  Spotify / Google Play

Purchase:  iTunes / Bandcamp / cdbaby

TONI SIDGWICK – EP Review: “Lions”

Toni Sidgwick is an indie singer-songwriter based in County Durham in northeast England. She was born and raised in the remote Shetland Islands northeast of the Scottish mainland, and began her musical journey by busking on the streets of Edinburgh. Her unique style of folk/pop draws from influences by artists such as Ben Howard, London Grammar and Bruce Springsteen. And like those artists, her lyrics are often deeply personal and introspective, speaking to the complexities of life, relationships and her place in this world.

Toni released her debut EP Lions in June, having worked with the brilliant young producer, Lauren Deakin-Davies, and I have the pleasure of reviewing it. Delicate strums of her acoustic guitar introduce the first track “Carry My Heart,” a gentle, lovely ballad in which Toni acknowledges her independence, but also desire for a romantic connection: “I can carry my life, I’ve been doing it for some time. I can carry my life, will you carry my heart. Her vocals are understated and soft, yet reveal a quiet intensity that makes the lyrics feel all the more powerful.

Toni ramps things up a notch on “Only One Way,” a lively track about being honest and true to your feelings toward another. Toni’s vocals are clear and confident as she emphatically sings: “And I gotta stay true to me. And I gotta stay true to you. There’s only one way, only one way, only one way…that I can be.” I love the fast-paced jangly guitars and toe-tapping percussion. Just like the lyric “it makes me happy,” this song makes me happy and is my favorite on the EP.

Dance” is a beautiful, tender ballad with acoustic guitar, gentle percussion and a beguiling harmonica riff. With heartfelt emotion, Toni sings “Oh dance with me. Don’t you dare stop moving our two left feet. Slow dance, dance. We’ll go higher and higher than we dare to chance.” The title track “Lions” is a peppy little number with plucky guitars, crisp snare drum and just a hint of bass. Toni sings of drawing on one’s inner strength to make it through this crazy world: “We are lions, we gotta roar.

The folk-rock song “Be Anything” speaks to holding on to another’s love and support that enable you to be a better person: “You pull me closer. And in your heart, I can be anything.” A combination of strummed acoustic guitar, a sturdy bass line, and light percussion make for an intensely satisfying track. In fact, all five songs on Lions are intensely satisfying, and it’s clear that Toni poured her heart and soul into its creation. It’s a debut effort she can be proud of.

Connect with Toni:  WebsiteFacebook / Twitter / Instagram

Stream her music:  Spotify / Soundcloud / YouTube

Purchase:  iTunes

ANDY K LELAND – Single Review: “Home Grown Muck”

Andy K Leland is an Italian singer/songwriter with a wicked sense of humor. In his bio, Andy – who was born Andrea Marcellini – calls himself Andrea’s “shadow-self,” adding that “the two selves fear each other.” Andy released his debut single “The Kingdom” in February, which I previously reviewed, and has now dropped his follow-up single “Home Grown Muck.” Like “The Kingdom,” “Home Grown Muck” offers up rather negative, biting lyrics that sharply contrast with Andy’s pleasing, upbeat acoustic guitar and quirky vocals. It seems he may be telling us to not take life so seriously after all.

Andy K Leland

About “Home Grown Muck,” Andy explains: “Can’t tell much about the song since it came out itself. And that’s cool. The only thing I remember is how dark was all around me. As for the meaning, guess it’s about me, interaction, disillusionment, sort of…Also, I do think we all need a real, actual “share button.”

Once I was clever
Now I’m the same
But I’m just frying and it’s not a blast anymore

There’s a lack of sharing
However we just pretend we’re gold
But the point is that we’re just home grown muck

Once I was clever
Now I’m more than numb
But I’m just trying to oh…
I’m trying nothing at all

There’s a lack of sharing
However we just pretend we’re gold
But the point is that we’re the scum of the world

Oh, lord please bring me something warm just like opium
But don’t dare to keep the change

Oh oh uh-oh-oh oh

Show Andy some love by following him on: Facebook /  Twitter /  Instagram

Stream his music on  Soundcloud or purchase on Bandcamp