There’s so much great musical talent out there that it sometimes makes my head spin. I’ve recently written about quite a few exceptional artists and bands, and today I’m pleased to introduce another – silky-voiced Australian singer-songwriter Sam Dawes, who goes by the artistic moniker G. Samedi. Sam’s actually no stranger to this blog, as he’s also the lead vocalist and songwriter for Sydney band Thunder Fox, who I adore and have featured numerous times. While still actively involved with Thunder Fox, who will be releasing their second album later this year, Sam decided at the beginning of 2020 to record and produce some of his songs as a solo artist. In little more than a year, he’s already released seven singles (the first was actually a double single), all of which are fantastic. His latest is “Icarus“, which dropped April 30th.
Curious about the name G. Samedi, I asked Sam how he came up with that moniker. He told me it’s “just a silly amalgamation of my real name, Samuel George Dawes. People would call me Sammy D at school, I liked the character ‘Baron Samedi’ from James Bond, and it just came together nicely.” Well, I think G. Samedi is an ideal name, as it suggests an air of sophistication and sexual mystery, both of which are characteristics of his wonderfully unique sound.
Drawing from R&B, soul, trip hop, electronic and alternative rock elements, Sam creates moody and sensuous soundscapes for the expression of his bold lyrics addressing the darker and more introspective aspects of love and relationships. Then he delivers them with his distinctive soulful vocals that go from smooth, sultry croons to plaintive falsetto. He writes all his own music and lyrics, records and programs all instruments, sings all vocals, and produces and mixes all tracks. The only think he outsources is the mastering.
“Icarus” is a stunning and fascinating track, featuring a complex, almost progressive arrangement and a colorful array of instruments and synths. The song opens with stirring synths and an almost gospel-like organ, accompanied with tinkling piano keys. I love Sam’s expressive vocals, which sound especially vulnerable as he laments about falling out of love for his partner and the resulting pain he caused her and the damage he did to their relationship, while admitting he still has strong feelings for her: “I still needed her after all / I fell away, wings like Icarus melting on my bleeding lust. I knew I’d fly too close for us.” As the organ recedes, the melody settles into a languid R&B groove, highlighted by a mix of shimmery and gritty guitars and a thumping drumbeat. His layered vocal harmonies are really beautiful too, turning more plaintive and heartfelt as he implores her to reconsider: “I just love you, isn’t that enough?” The song ends with sounds of a droning synth and pounding drum.
“Icarus” is wonderful, and another in an unbroken string of really stellar singles by this talented artist. If you like it, do take a little time to listen to some of his other songs as well on one of the music platforms below.