Los Angeles has long been a magnet for young musicians wanting to establish themselves as artists, and I’ve featured many on this blog. One young and promising artist who caught my attention last summer was Ania Thomas, a massively-talented guitarist, songwriter and singer who identifies herself simply as Ania. Born and raised in Poland, she developed a love for music at a young age. She emigrated to America as a teen, first to Chicago, where she studied music at the School of Rock, then to Los Angeles, where she’s now based, to study music at USC and the Musicians Institute in Hollywood. Inspired by such artists as Trent Reznor of Nine Inch Nails, Blondie, St. Vincent, Tool, Rage Against the Machine, L7, Nirvana, Soundgarden and Alice in Chains, her aggressive music style is characterized by modern synth textures, killer guitar solos and bewitching vocals.
In 2019, she released two terrific hard-rocking singles “Run Away” and “Doors Close”, then followed in May 2020 with her third single “Poison“ (you can read my review here). After that, she collaborated on two singles, with Noir Production on “Miyako Sushi” and Marcio Hendrik on “Hollywood Moon”. In December she dropped her fourth solo single “Tuesdays“, for which she’s just released an accompanying video on January 22nd. Ania wrote the music and lyrics, arranged the song, played guitar and sang vocals. Bass was played by Philippe Mark, keyboards by Vito Vincenzo Sicurella, strings by Barry Fowler and drums by Seth. “Tuesdays”, along with her three previous solo singles, will be included on her forthcoming debut EP Ania in Chains, due out later this year
Ania was inspired to write “Tuesdays” by the many soul-crushing challenges we all faced in 2020 – the COVID-19 pandemic and resulting economic fallout, the deep and bitter political divide, and so on. “The song is really about being lost and finding yourself, I think. About finding your way. When the idea for it came to me, I was just walking around the mountains in LA and was trying to find myself again in nature. We’re all kind of lost right now, I think. We’re all there or we’ve all been there, all struggling with different things. But we’ll make it through.”
She delivers her hopeful message with a barrage of intricate fuzz-coated riffs, punctuated by some serious shredding and grinding distortion that create a strong sense of foreboding. Her amazing guitar work is backed by a powerful rhythm section of driving bass and tumultuous percussion that heighten the overall sense of tension quite nicely. Her commanding vocals are both seductive and urgent as she impels us to gather our inner strength and forge ahead through the difficulties with the belief that things will get better: “Inhale, Inhale. And now times have changed. But don’t give in / You’re gonna find a way. All out! All out! I beg you know A WAY.” I think “Tuesdays” is her best single yet!