Two Feet’s gorgeous and sultry “I Feel Like I’m Drowning” is #1 for a second week, and Leon Bridges holds at #2 with his jazzy “Bad Bad News” (after spending three weeks at #1). The sexy and soulful little sleeper “Unwind” by indie artist John Defeo continues to climb, landing at #7 this week.
Two songs make giant leaps up the chart this week: “Sit Next to Me” by one of my favorite bands Foster the People, which jumps 20 spots to #6, and the beautiful “Such a Simple Thing” by Ray LaMontagne, also jumping 20 spots to #9. “Sit Next to Me” reached #1 on my chart in late December, but has had amazing staying power, spending the past seven months in the top 10 on the Billboard Alternative Chart. This is the song’s 39th non-consecutive week on my Top 30.
1. I FEEL LIKE I’M DROWNING – Two Feet (1)
2. BAD BAD NEWS – Leon Bridges (2)
3. HUNGER – Florence + the Machine (4)
4. ZOMBIE – Bad Wolves (3)
5. SAY AMEN (SATURDAY NIGHT) – Panic! At the Disco (8)
6. SIT NEXT TO ME – Foster the People (26) 39th week on list
7. UNWIND – John Defeo (10)
8. PINK LEMONADE – James Bay (5)
9. SUCH A SIMPLE THING – Ray LaMontagne (29)
10. FOUR OUT OF FIVE – Arctic Monkeys (12)
11. THOUGHT CONTAGION – Muse (6)
12. CELEBRATE – Dirty Heads, The Unlikely Candidates (7)
13. BROKEN – lovelytheband (11) 21st week on list
14. COLORS – Beck (16)
15. LIFE TO FIX – The Record Company (17)
16. I HOPE YOU’RE HAPPY – Blue October (15)
17. RED MOON SKY – Face of Stone (19)
18. 44 – Oli Barton & the Movement (20)
19. HANDYMAN – AWOLNATION (13)
20. &RUN – Sir Sly (14) 21st week on list
21. HI HELLO – Johnny Marr (24)
22. QUARTER PAST MIDNIGHT – Bastille (21)
23. THIS IS AMERICA – Childish Gambino (9)
24. KAMIKAZE – WALK THE MOON (25)
25. WHATEVER IT TAKES – Imagine Dragons (18)
26. BLOOM – Troye Sivan (28)
27. GIVE YOURSELF A TRY – The 1975 (30)
28. FRACTURED NATION – Future Theory (22)
29. DEVIL – Shinedown (23)
30. GOLD RUSH – Death Cab for Cutie (N)
I love “Sit Next to Me!” When I first heard it, I thought it was Portugal, The Man.
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Hmm, that’s interesting, but with Mark Foster’s falsetto I can see your point.
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